A caricatured portrait of comedian John Liston, standing before the Theatre Royal. Leaning against a bollard is a placard advertising the play 'Fish out of Water' in which he was starring as 'Sam Savoury'.
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 25th, 1823, by G. Humphrey, 24, St. James's Stt. & 74, New-Bond St., London
Subject (Geographic):
England and London.
Subject (Name):
Liston, John, 1776-1846 and Haymarket Theatre (London, England),
Obverse: In the center, letter B above PS below (Box Princes Side); "New Theatre Covent Garden 1809" stamped around the perimeter. Reverse is blank
Description:
Title from text on obverse side of token. and Matted to 47 x 54 cm, along with the Isaac Cruikshank print entitled: Acting magistrates committing themselves being their first appearance on this stage, as performed at the National Theatre Convent Garden, Sepr. 18, 1809.
Publisher:
New Theatre Covent Garden
Subject (Geographic):
Covent Garden (London, England), England, and London.
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from text below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint ; sheet 46 x 67 cm., Printed on wove paper, hand-colored, and matted to 57 x 74 cm., With the ownership stamp on mount (removed): From the collection of Maxine and Joel Spitz "Trail-Tree" Glencoe. Item no. 257. With a pencilled note: A rare print seldom met with. Obtained in London thru John Taylor -- ER NY. The original watercolor of this print is included in my collection -- obtained thru Amer. Art at auction, originally in the collection of David Insull., and Attached beneath are collector Joel Spitz's comments on provenance from old mount in pencil.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from text below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
"A satire on the rebuilding of Drury Lane Theatre. Whitbread, Chairman of the Committee, bestrides a barrel, the head inscribed 'The Butt M, T' [empty]. He has long ass's ears and points to a table beside him on the extreme right where there is a model of a theatre with a pillared portico and pediment. This rests on a paper inscribed 'Whitbread Copeland Holland Rolls &ca clear gains 450000!!!!!' Next Whitbread a man sits behind a similar table littered with plans all inscribed 'Plan of Drury Lane'. He also has ass's ears, to which a second pair has been added in water-colour. He looks through an eye-glass, resting his right elbow on an anchor, while he holds at arm's length the model of a theatre whose portico is flanked by two large sphinxes. A carved sun, like the emblem of the Sun Fire-Office, decorates his chair; on the right is a broad post or terminal pillar supporting a man's head, also with ass's ears. This rests on a volume inscribed 'Commons', and on its face in large letters are the words 'Ex Nihilo Nihil Fil'; from its upper edge a signpost arm projects to the right inscribed 'To Coventry', showing that he is Peter Moore. Behind Whitbread (left) and partly screened by a heavy curtain is a table supporting a third model of a theatre, also with a portico. Whitbread, frowning slightly, says: "These Resolutions once carried good bye Friend Sherry Old Claimants and new Subscribers (aside) Hem! I think I have bullied the Committe [sic] properly." His neighbour (? Lord Holland) who smiles, has a round good-humoured face; he says: "La! Mr Chairman I think my Sphynxes look Monstrous Pretty.""--British Museum online catalogue
Alternative Title:
Punishment of a modern Midas
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman., and Matted to 37 x 46 xm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England), Whitbread, Samuel, 1764-1815, Moore, Peter, 1753-1828, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Theaters, Architectural models, Barrels, and Traffic signs & signals
"Interior of theatre, seen from the back of the stalls, looking towards the stage; as it appeared before it burned down in September 1808; an orchestra assembled towards the back of the stage, behind a choir at the front; the theatre packed with spectators; candle chandeliers hanging around room from the different levels of the circles."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 27., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 212.
Publisher:
Publish'd 1 July 1808 at R. Ackermann's Repository of Arts, 101 Strand
"Interior view of the theatre, looking towards the stage; a performance taking place; the galleries, boxes, and pit filled with spectators."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 32., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 228.
Publisher:
Pub. 1st Augt. 1808 at R. Ackermann's Repository of Arts, 101 Strand
"A theatre seen diagonally from the pit, with the stage on the right, two side boxes forming a background. On the stage a man in quasi-classical dress holds a dripping dagger, a woman lies at his feet; through an open door the prompter is seen. The audience is much disturbed: in the foreground a stout citizen holds a smelling-bottle to the nose of his (apparently) fainting young wife; she takes a note from a young man on the bench behind her. Behind stands a bearded Jew. In the stage-box two seated figures resemble the King and Queen, a man standing behind resembles Pitt."--British Museum online catalogue
Description:
Title from item., Printmaker identified in the British Museum catalogue., One of a series of Drolls., Plate numbered '163' in lower left corner., Temporary local subject terms: Theatrical performances -- Reference to adultery -- Medicine: salts., Watermark., and Publication year corrected in manuscript from '5' to '6.'
Publisher:
Publish'd 12 Novr. 1795 by Laurie & Whittle, Fleet Street, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Subject (Topic):
Jews, Interiors, Theaters, and Theatrical productions
