Search

You Searched For

Search Results

1.
London's information and advice service for disabled people on arts & entertainment [graphic]

Creator:
Della Porta, Caroline, artist
Published / Created:
[after 1981]
Call Number:
Poster0394
Image Count:
1
Resource Type:
still image
Alternative Title:
London's information and advice service for disabled people on arts and entertainment
Description:
Title and publisher from item., Date derived from founding of Artsline., Text in lower margin: Charity Reg. No. 287 988 ; Design: Spark Ceresa ; Illustration: Caroline Della Porta ; Sponsored by BT., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Artsline
Subject (Geographic):
Great Britain.
Subject (Topic):
People with disabilities and the arts, People with disabilities and the performing arts, People with disabilities, Wheelchairs, Children, Theaters, Guide dogs, and Blind persons
Found in:
Medical Historical Library, Cushing/Whitney Medical Library > London's information and advice service for disabled people on arts & entertainment [graphic]

2.
L'ambulance de la Comédie Française en 1870 [graphic]

Creator:
Brouillet, André, 1857-1914 printmaker
Published / Created:
1891.
Call Number:
Print00434
Image Count:
1
Resource Type:
still image
Description:
Title from item., Place of publication derived from printmaker's country of residence., In margin lower right: Salon de 1891., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Interior; Nurses & nursing; Theater.
Publisher:
publisher not identified
Subject (Topic):
Orthopedics, Franco-Prussian War, 1870-1871, Comédie-Française, Red Cross and Red Crescent, Nursing, Nuns as nurses, Nuns, Nurses, Physicians, Theaters, War casualties, Wounds & injuries, Splints (Surgery)., and Hospitals
Found in:
Medical Historical Library, Cushing/Whitney Medical Library > L'ambulance de la Comédie Française en 1870 [graphic]

3.
Theatre Royal April [blank] a comedy with The mock doctor for the benefit of the author of the

Published / Created:
[1800s?]
Call Number:
Hogarth 800.00.00.01 Box 140
Image Count:
1
Resource Type:
still image
Abstract:
A theater ticket with a scene from the play The mock doctor: Gregory, the mock doctor, holds the Charlotte's wrist, as they look at her father who points to his mouth indicating that she is mute. The print after a forgery purporting to be an admission ticket for a performance of Fielding's The Mock Doctor
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fielding, Henry, 1707-1754.
Subject (Topic):
Benefit performances, Actors, Theatrical productions, and Theaters
Found in:
Lewis Walpole Library > Theatre Royal April [blank] a comedy with The mock doctor for the benefit of the author of the farce / [graphic]

4.
The falling of the new-Brunswick-Theatre on the 27th Feby. 1828 / [graphic]

Creator:
Cruikshank, Robert, 1789-1856, printmaker
Published / Created:
[1828]
Call Number:
828.02.27.01+
Image Count:
1
Resource Type:
still image
Description:
Title etched below image.
Publisher:
Pub. by S.W. Fores 41 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Royal Brunswick Theatre (London, England)
Subject (Topic):
Building failures and Theaters
Found in:
Lewis Walpole Library > The falling of the new-Brunswick-Theatre on the 27th Feby. 1828 / [graphic]

5.
Always a character [graphic]

Creator:
Ash, William, active 1823, printmaker, artist
Published / Created:
[25 November 1823]
Call Number:
823.11.25.01
Image Count:
1
Resource Type:
still image
Abstract:
A caricatured portrait of comedian John Liston, standing before the Theatre Royal. Leaning against a bollard is a placard advertising the play 'Fish out of Water' in which he was starring as 'Sam Savoury'.
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 25th, 1823, by G. Humphrey, 24, St. James's Stt. & 74, New-Bond St., London
Subject (Geographic):
England and London.
Subject (Name):
Liston, John, 1776-1846 and Haymarket Theatre (London, England),
Subject (Topic):
Theaters, Comedians, and Signs (Notices)
Found in:
Lewis Walpole Library > Always a character [graphic]

6.
Taffy's honor at stake, or, A hint to well regulated families vitae via virtus. [graphic]

Creator:
Williams, Charles, active 1797-1830, printmaker
Published / Created:
[September 1821]
Call Number:
Folio 724 835G v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Sir Watkin Williams Wynn (Taffy), Lord and Lady Conyngham, and the King all approach the door of Wynnstay, part of the façade of which is accurately depicted on the left Lady Conyngham rides a stag with the head of her husband; she wears a coronet in which are the feathers of the Prince (or Princess) of Wales. Sir Watkin, in the foreground, gallops up on a goat with a collar inscribed Wynn St[ay]; he wears a leek in his hat and is further identified by a letter in his pocket: To Sir Wat ... He shouts to the porter: Porter! Shut all the W .... s out!! The man obeys by closing the door, saying, You shan't come in I tell you!! She answers: What do you mean fellow I belong to the Family. Just behind are the four horses of the King's travelling chaise. He looks from the window to ask: What's the matter?--but on hearing Sir Watkin's words, adds: I say Coachee! turn about and drive me to Plymouth! There is a background of trees and mountains."--British Museum online catalogue
Alternative Title:
Hint to well regulated families
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Printed on watermarked paper., Window mounted to 24.1 x 34.2 cm, the whole then mounted to 58 x 39 cm., Mounted on leaf 104 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sir W.W. Wynn" and "Geo. IV" identified in ink below image; date "Sept. 1821" written in lower right corner. Typed extract of sixteen lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. Septr. 1821 by S.W. Fores, Picadilly [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Williams-Wynn, Watkin, 1772-1840, Conyngham, Henry Conyngham, Marquess, 1766-1832, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Wynnstay Theatre,
Subject (Topic):
Adultery, Theaters, Doors & doorways, Crowns, Feathers, Goats, Porters, and Carriages & coaches
Found in:
Lewis Walpole Library > Taffy's honor at stake, or, A hint to well regulated families vitae via virtus. [graphic]

8.
By permission of the Right Worshipful the Mayor. Mrs. Pinchott's third appearance, of the Theatres

Published / Created:
[approximately 1815]
Call Number:
File 767 P69B P197 815++
Image Count:
1
Resource Type:
text
Description:
Caption title., A playbill printed on silk., and For further information, consult library staff.
Publisher:
John Berry, printer
Subject (Geographic):
England and Norwich.
Subject (Name):
Pincott, Mrs. (Elizabeth)
Subject (Topic):
Pantomimes and Theaters
Found in:
Lewis Walpole Library > By permission of the Right Worshipful the Mayor. Mrs. Pinchott's third appearance, of the Theatres Royal Covent Garden and Drury-Lane. Finch returns his most hearty and sincere thanks to the public at large, for all the encouragement he has met with, and informs them, his benefit is fixed for Wednesday evening next, Nov. 4th ... The extraordinary alteration & improvement the hwole of the interior of The Pantheon has undergone ... The performance will commence with a new ballet dance, called the Merry millers. Principle characters Mr. Auld, Mr. Miller... the whole to conclude with a grand Indian spectacle ... written by Mr. Usher, called The savage chieftain, or, Sidney & his faithful dog ...

9.
The theatrical atlas

Creator:
Cruikshank, George, 1792-1878, printmaker
Published / Created:
[May 7th, 1814]
Call Number:
814.05.17.01+
Image Count:
1
Resource Type:
still image
Abstract:
Kean as Richard III, directed to the left, stands on a large volume with the word 'Shakespear' written on the top edge. Resting on his head and humped shoulders is a model of Drury Lane Theatre, a massive block, inscribed 'Whitbreads Intire.' On the roof is poised an ugly figure of Fame, blowing through a trumpet 'Puff Puff Puff', and holding behind her a second trumpet, from which issue the words 'Puff Puff P'. At the entrance to the theatre straddles a tiny Whitbread, his legs and arms projecting from a cask which forms his body; he says: "Now by St Paul the work goes bravely on" (altering Richard's words from 'this news is bad indeed'). Kean stoops, leaning on a cross-hilted sword, inscribed 'A Keen supporter'; he has misshapen bandy legs. He says: "Well, as you guess." He wears an ermine-trimmed cap encircled by a crown, slashed doublet and trunk hose, a sleeveless coat bordered with ermine and embroidered with a (Yorkist) rose, with flapped and spurred boots. (The figure, with the position of the arms altered, is a travesty of J.J. Hall's portrait of Kean interrogating Stanley on the approach of Richmond. The costume is correct.) The stage is indicated by curtains flanking the design. In the background are clouds of smoke.--Adapted from British Museum
Description:
Title from text etched below image., Complete imprint statement and dimensions supplied from British Museum impression., and Sheet trimmed within plate mark with loss of characters in the publisher's name.
Publisher:
Pubd. May 7th, 1814 by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kean, Edmund, 1787-1833, Kean, Edmund, 1787-1833,, Shakespeare, William, 1564-1616,, and Theatre Royal, Drury Lane (London, England)
Subject (Topic):
Performances, Theaters, Actors, and British
Found in:
Lewis Walpole Library > The theatrical atlas

10.
A buz in a box, or, The poet in a pet with a chip of the block, mounted on Papa's Pegasus. [graphic]

Creator:
Williams, Charles, active 1797-1830, printmaker
Published / Created:
[21 October 1812]
Call Number:
812.10.21.01+
Image Count:
1
Resource Type:
still image
Abstract:
"A corner of the stage at Drury Lane slants diagonally from left to right, showing part of the orchestra and pit (right) with part of two stage-boxes on the extreme right. The stage manager, Raymond, stands addressing the clamorous audience, while on the left a young man with ass's ears sits on a donkey which flourishes its heels so that they strike the lowered stage-curtain. The donkey brays "Ih ho Ih ho Ih ho," its hind-quarter is branded 'My Pegasus Buz'. Its rider recites: "Nor ever here your smiles would be represt, "Knew you the rival flames that fires our breast, "Flame, Fire and Flame!--sad--woe Neddy! Ladies and Gentlemen, My Papa's Pegasus is so full of fire and spirit that very few are capable of mounting him. for my self I never spoke but once & that was-- Unce logos but if you will give me leave to get on with my Papas Monologue I am positive you will pronounce it the prettiest piece of poetry produced for the purpose." Raymond says: "Ladies and Gentlemen, it was never the intention of the Proprietors to introduce Assess [sic] on these boards but as you seem entertained with their braying if it [is] your wish, we will procure some trainers from the other House as we are really ignorant in the management of thes [sic] Animals." Greeted by derisive cheers from the audience, Dr. Busby, also with ass's ears, leans from the upper stage-box, saying, "Ladies and Gentlemen, only hear My Son speak my Monologue written by myself the only one fit to be heard the committee are as ignorant of good Poetry a[s] I am of true criticism. I am a great writer reviews my sons works very clever indeed--writes my own life--well worth reading--my Life of Lucius Otrigger will astonish you now pray hear my Son speak my Monologue!--." A man behind him shouts: "Bravo! Go on! Go, on," and one in the crowded lower box applauds: "Bravo Apollo go on Go . . ." In the foreground a man in the pit shouts pointing to the ass: "Why don't you come down and get up behind don't you see he wants ballast." Six others address the son: "When you have done there--set those Epigrams to Music young Apollo!"; "Off Off Off Off"; "he will be off presently if Neddy kicks so!"; "Go on Go on"; "Speak out you should have brought your Voice with you"; "hear him hear him." The orchestra is empty of performers, but the music scores are headed 'The Judgement of Midas' [O'Keefe's play]. Three large papers lie on the stage inscribed respectively: [1] 'A Lord [Byron] and a Doctor once started for Fame Which for the best Poet should pass The Lord was cried up on account of his name The Doctor cried down for an Ass--' [2] 'Doctor Buz he assures us on Drury new Stage No Horses or Elephants, there should engage But pray Doctor Buz, how comes it to pass, That you your own self should produce there an Ass' [3] 'Old Buz against Quadrupeds, war did wage, And swore on Drury's board's such Mum'ry ne'er should pass But forcing his own Pegasus on Drurys stage The Critic Audience christen'd Buz an Ass.' Behind Raymond is the lower part of the verd-antique pillar which flanked the curtain, and on the right the large ornate lamp, of quasi-Egyptian design in which three hawk-headed monsters support an inverted tripod, the base of a ring of lamp-jets."--British Museum online catalogue
Alternative Title:
Poet in a pet : with a chip of the block, mounted on Papa's Pegasus
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to plate mark., Text following title: vide opening of New Drury Lane Theatre., and Laid-in to a piece of later paper.
Publisher:
Pubd. Octr. 21, 1812, by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Raymond, James Grant, -1817, Busby, Thomas, 1754-1838, Busby, George Frederick, active 1812, Byron, George Gordon Byron, Baron, 1788-1824., and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Theaters, Interiors, Theater curtains, Theater audiences, and Donkeys
Found in:
Lewis Walpole Library > A buz in a box, or, The poet in a pet with a chip of the block, mounted on Papa's Pegasus. [graphic]

11.
Committee of Taste, or, The punishment of a modern Midas dedicated (without permission) to the

Creator:
Williams, Charles, active 1797-1830, printmaker
Published / Created:
[1812?]
Call Number:
812.00.00.125+
Image Count:
1
Resource Type:
still image
Abstract:
"A satire on the rebuilding of Drury Lane Theatre. Whitbread, Chairman of the Committee, bestrides a barrel, the head inscribed 'The Butt M, T' [empty]. He has long ass's ears and points to a table beside him on the extreme right where there is a model of a theatre with a pillared portico and pediment. This rests on a paper inscribed 'Whitbread Copeland Holland Rolls &ca clear gains 450000!!!!!' Next Whitbread a man sits behind a similar table littered with plans all inscribed 'Plan of Drury Lane'. He also has ass's ears, to which a second pair has been added in water-colour. He looks through an eye-glass, resting his right elbow on an anchor, while he holds at arm's length the model of a theatre whose portico is flanked by two large sphinxes. A carved sun, like the emblem of the Sun Fire-Office, decorates his chair; on the right is a broad post or terminal pillar supporting a man's head, also with ass's ears. This rests on a volume inscribed 'Commons', and on its face in large letters are the words 'Ex Nihilo Nihil Fil'; from its upper edge a signpost arm projects to the right inscribed 'To Coventry', showing that he is Peter Moore. Behind Whitbread (left) and partly screened by a heavy curtain is a table supporting a third model of a theatre, also with a portico. Whitbread, frowning slightly, says: "These Resolutions once carried good bye Friend Sherry Old Claimants and new Subscribers (aside) Hem! I think I have bullied the Committe [sic] properly." His neighbour (? Lord Holland) who smiles, has a round good-humoured face; he says: "La! Mr Chairman I think my Sphynxes look Monstrous Pretty.""--British Museum online catalogue
Alternative Title:
Punishment of a modern Midas
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Watermark: J. Whatman., and Matted to 37 x 46 xm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England), Whitbread, Samuel, 1764-1815, Moore, Peter, 1753-1828, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Theaters, Architectural models, Barrels, and Traffic signs & signals
Found in:
Lewis Walpole Library > Committee of Taste, or, The punishment of a modern Midas dedicated (without permission) to the subscribers to the New Theatre Drury Lane. [graphic]

12.
View of the Surrey Theatre, Magdalen, &c. &c. [graphic].

Published / Created:
[2 March 1812]
Call Number:
Topos L847 no. 101+
Image Count:
1
Resource Type:
still image
Abstract:
"View of the Surrey Theatre on Great Surrey Street, with the obelisk in the left foreground, showing also the Magdalen Asylum, and a carriage passing through the turnpile; a farmer leads sheep and a cow down centre of street in foreground, a woman sweeps to the right, other figures beyond"--British Museum online catalogue
Description:
Title from caption below image. and Plate numbered "141" in upper right corner.
Publisher:
Published March 2, 1812, by Robt. Laurie & Jas. Whittle, No. 53 Fleet Street
Subject (Geographic):
England and London.
Subject (Topic):
Theaters and Asylums
Found in:
Lewis Walpole Library > View of the Surrey Theatre, Magdalen, &c. &c. [graphic].

13.
For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

Published / Created:
[1800s?]
Call Number:
Hogarth 800.00.00.02 Box 140
Image Count:
1
Resource Type:
still image
Abstract:
Copy of a benefit ticket whose design was formerly attributed to Hogarth: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Sheet trimmed to plate mark., and See: Paulson, R. Hogarth's graphic works (3rd ed.), page 315.
Publisher:
publisher not identified
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
Found in:
Lewis Walpole Library > For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

14.
New Covent Garden Theatre [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[1 January 1810]
Call Number:
Quarto 646 808 M58 v.3
Collection Title:
V. 3 Microcosm of London.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of Smirke's replacement for Holland's burnt-out theatre; the stage set, and audience seated in the four tiers of galleries and pit, but the actors not yet on stage."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 100., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 263.
Publisher:
Pub. Jan. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Covent Garden Theatre.
Subject (Topic):
Theaters, Interiors, and Audiences
Found in:
Lewis Walpole Library > New Covent Garden Theatre [graphic]

15.
BPS. New Theatre Covent Garden 1809 [realia].

Published / Created:
[1809]
Call Number:
809.09.00.06++
Image Count:
1
Resource Type:
three-dimensional form
Abstract:
Obverse: In the center, letter B above PS below (Box Princes Side); "New Theatre Covent Garden 1809" stamped around the perimeter. Reverse is blank
Description:
Title from text on obverse side of token. and Matted to 47 x 54 cm, along with the Isaac Cruikshank print entitled: Acting magistrates committing themselves being their first appearance on this stage, as performed at the National Theatre Convent Garden, Sepr. 18, 1809.
Publisher:
New Theatre Covent Garden
Subject (Geographic):
Covent Garden (London, England), England, and London.
Subject (Topic):
Theaters
Found in:
Lewis Walpole Library > BPS. New Theatre Covent Garden 1809 [realia].

16.
The house that Jack-built [graphic]

Creator:
Williams, Charles, active 1797-1830, printmaker
Published / Created:
[September 1809]
Call Number:
809.09.00.07+
Image Count:
1
Resource Type:
still image
Abstract:
"A more realistic rendering of the squib, illustrated in British Museum Satires No. 11414, &c., the text slightly altered. Seven designs in two rows, three above and four below, the verses etched across the upper part of each. [1] A close-up view of part of the east front of the new theatre, not accurately drawn, but showing the portico and its flanking sculptures of 'Antient Drama' and 'Modern Drama'. Above: 'This is . . .' [&c.]. [2] An arc of the third tier of boxes, showing three boxes crowded with fashionables in polite conversation; one lady only looks at the stage, using a glass. Above: 'These are the Boxes . . .' [&c.]. [3] A similar view of three pigeon-holes showing lighted chandeliers suspended from brackets below them. The occupants of the front row sit, those behind stand in a massed crowd; all are behaving well. Above: 'These are the Pigeon holes made for the poor, over the Boxes . . .' [&c.]. [4] A bust portrait of Catalani, singing, with tense bony neck, a claw-like hand on her breast. Above: 'This is the Cat . . .' [&c.]. [5] A bust portrait of an obese neatly dressed 'cit' in profile to the left, fiercely blowing a trumpet from which issues the word 'Hiss'. In his right hand is a paper: 'The Age of Reason [cf. No. 8646] a New Comedy perform[ed] by J Bull & C°'. Above: 'This is John Bull. . .' [&c.]. [6] A bust profile portrait of Townsend, neatly dressed, and wearing a top-hat. His right arm is outstretched as if to seize John Bull in the adjacent design; in his left hand is a constable's crowned staff. Above: 'This is the Thief taker . . .' [&c.]. [7] A bust portrait of Kemble, sternly frowning, in profile to the left, clasping a rolled document inscribed 'King John'. He wears ordinary dress with swathed neck-cloth and high-collared coat. Above: 'This is the Manager . . .' [&c.]. (Cf. British Museum Satires No. 11419.)"--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
England and London.
Subject (Name):
Catalani, Angelica, 1780-1849, Townsend, John, 1760-1832, Kemble, John Philip, 1757-1823, and Covent Garden Theatre,
Subject (Topic):
John Bull (Symbolic character), Theaters, Interiors, Chandeliers, Theater audiences, Bugles, Prices, and Anger
Found in:
Lewis Walpole Library > The house that Jack-built [graphic]

17.
The OP spectacles [graphic]

Creator:
Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:
Novr. 17, 1809.
Call Number:
809.11.17.01
Image Count:
1
Resource Type:
still image
Abstract:
"The full face of Clifford, based on a fashionably swathed neck-cloth and high coat-collar, fills the design. The mouth is open as if shouting. The eyes and part of the cheeks are covered by circles representing huge spectacles. Each contains a symmetrical view of Covent Garden Theatre seen from the stage, showing pit, three tiers of boxes, and the centre of the two galleries (the 'pigeon-holes' not appearing), all crowded. The views differ only in the performers on the stage, two actors on the right (one clearly Kemble, probably as Macbeth), and on the left two actors and a file of soldiers. Superimposed on the middle of each circular design is a large 'O' (left) and 'P' (right). Round the broad rims of the spectacles: (left) 'Old House Old Prices & No Private Boxes' and (right) 'Old House Old Prices & No Pigeon Holes'. On the bridge across the nose: 'N.P.B.' (No Private Boxes, see British Museum Satires No. 11421)."--British Museum online catalogue
Description:
Title etched below image., Print made collaboratively by Isaac and George Cruikshank, with the latter responsible for the tiny figures in the spectacles. See British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Clifford, Henry, 1768-1813, Kemble, John Philip, 1757-1823, Covent Garden Theatre,, and Covent Garden Theatre
Subject (Topic):
Theaters, Eyeglasses, Theater audiences, Actors, and Theatrical productions
Found in:
Lewis Walpole Library > The OP spectacles [graphic]

18.
Acting magistrates committing themselves being their first appearance on this stage, as performed

Creator:
Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:
[approximately September 1809]
Call Number:
809.09.00.06++
Image Count:
1
Resource Type:
still image
Abstract:
"The stage of Covent Garden Theatre is seen from the right with a small part of the pit in the left foreground; the boxes and galleries adjoining the stage form the background on the left. The pittites are standing and blow trumpets, spring rattles, ring bells, and shout. Those in the crowded boxes behave in the same way; with one exception all are men. Two men occupy each of the two boxes over the stage-door; they watch passively. The musicians' seats are empty, but candles burn beside their open music-books, and one of the orchestra stands facing the audience, threatening them with fist and baton. On the stage three men stand together addressing the audience. The man in the centre holds out a paper: 'Riot Act'; he says: "We shall Read the riot act". Behind them stands Kemble wearing a tail-coat and white trousers, appealing to the audience with his hands meekly together as if in prayer. Large notices and placards hang from the galleries and boxes: 'Old Prices' [five times]; 'Harris will but Kemble won,t'; 'No Kembles No more insults'; 'Kemble remember the Dublin Tin Man'; 'No Foreign Sofas'; 'Iohn Bull against Iohn Kemble'; 'No Catalani'; 'Old Prices' [three times]; 'No Italian Private Boxes'; '£6000 for Caterwauling'; 'Catalani', below a print of a cat dressed as a woman, and singing 'Me Yo' from a music-book; 'No Catalani!! Mountain-- Billington, and Dickons for ever'; 'Ol Price for ever No caterwauling'; 'Old Prices No Catalani'; a gigantic placard: 'Statement-- £ Subscribed -- £80-000 Fire Office -- 50-000 Old Materials -- 25-000 155-000 New Theatre ---- 150-000 Managers of it ---- 5-000' Held up by a 'John Bull' in the pit who blows a trumpet: 'No Catalani No Pigeon Holes Old Prices No Private Boxes'. A man shouts from a box: "Off Off Off Off"; he springs a rattle."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac and George Cruikshank in the British Museum catalogue., Date of publication from British Museum catalogue., and Matted to 47 x 54 cm, with a token for a box seat, Prince's side (BPS), New Theatre Covent Garden 1809.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Nares, John, 1754-1816., Billington, Elizabeth, 1765-1818., Catalani, Angelica, 1780-1849., Dickons, Maria, approximately 1774-1833., Harris, Thomas, -1820., Reed, James, active 1808., Mountain, Rosoman, approximately 1768-1841., and Covent Garden Theatre,
Subject (Topic):
Interiors, Stages (Platforms), Actors, Orchestras, Theater audiences, Theaters, and 1809
Found in:
Lewis Walpole Library > Acting magistrates committing themselves being their first appearance on this stage, as performed at the National Theatre Convent Garden, Sepr. 18, 1809 [graphic].

19.
Royal Circus [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[1 May 1809]
Call Number:
Quarto 646 808 M58 v.3
Collection Title:
V. 3 Microcosm of London.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior view of the circus in St George's Fields; a circular arena in centre, and stage to the right; a performance taking place on the stage, and standing spectators occupying arena, others watching from surrounding galleries."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 66., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 13., and Watermark: J. Whatman 1809 W. Balston.
Publisher:
Pub. 1st May 1809 at R. Ackrmann's [sic] Repository of Arts, 101 Strand
Subject (Geographic):
St. George's Fields., London (England), England, and London.
Subject (Name):
New Royal Circus (London, England) and Surrey Theatre.
Subject (Topic):
Circuses & shows, Theaters, Audiences, Spectators, and Interiors
Found in:
Lewis Walpole Library > Royal Circus [graphic]

20.
Sadlers Wells Theatre [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[1 June 1809]
Call Number:
Quarto 646 808 M58 v.3
Collection Title:
V. 3 Microcosm of London.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior view of the theatre, seen from the back of one of the galleries, looking towards the stage; during a performance."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 69., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 41.
Publisher:
Pub. June 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Sadler's Wells Theatre (London, England)
Subject (Topic):
Theaters, Audiences, and Interiors
Found in:
Lewis Walpole Library > Sadlers Wells Theatre [graphic]

21.
A lecture on heads [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
Apr. 1808.
Call Number:
Print00198
Image Count:
1
Resource Type:
still image
Abstract:
"Lee Lewes stands on stage at Covent Garden, with busts arranged on a table behind him, he holds one up, turning to the crowd; the audience in the pit in the foreground, with four tiers of boxes behind; after Woodward."--British Museum online catalogue
Description:
Title engraved below image. and Frontispiece to: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808.
Publisher:
Pub. by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Stevens, George Alexander, 1710-1784., Lewes, Charles Lee, 1740-1803, and Covent Garden Theatre,
Subject (Topic):
Theaters, Actors, British, Interiors, Audiences, and Public speaking
Found in:
Medical Historical Library, Cushing/Whitney Medical Library > A lecture on heads [graphic]

22.
Drury Lane Theatre [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[1 August 1808]
Call Number:
Quarto 646 808 M58 v.1
Collection Title:
V. 1 Microcosm of London.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior view of the theatre, looking towards the stage; a performance taking place; the galleries, boxes, and pit filled with spectators."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 32., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 228.
Publisher:
Pub. 1st Augt. 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Theatre Royal, Drury Lane (London, England)
Subject (Topic):
Theaters, Interiors, and Audiences
Found in:
Lewis Walpole Library > Drury Lane Theatre [graphic]

23.
Covent Garden Theatre [graphic]

Creator:
Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:
[1 July 1808]
Call Number:
Quarto 646 808 M58 v.1
Collection Title:
V. 1 Microcosm of London.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of theatre, seen from the back of the stalls, looking towards the stage; as it appeared before it burned down in September 1808; an orchestra assembled towards the back of the stage, behind a choir at the front; the theatre packed with spectators; candle chandeliers hanging around room from the different levels of the circles."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 27., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 212.
Publisher:
Publish'd 1 July 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Covent Garden Theatre.
Subject (Topic):
Theaters, Interiors, Audiences, and Chandeliers
Found in:
Lewis Walpole Library > Covent Garden Theatre [graphic]

24.
Coming out of a country theatre [graphic]

Creator:
Stadler, Joseph Constantine, printmaker
Published / Created:
[1 November 1802]
Call Number:
Drawer 802.11.01.05 Impression 2
Image Count:
1
Resource Type:
still image
Abstract:
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from text below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and aquatint ; sheet 46 x 67 cm., Printed on wove paper, hand-colored, and matted to 57 x 74 cm., With the ownership stamp on mount (removed): From the collection of Maxine and Joel Spitz "Trail-Tree" Glencoe. Item no. 257. With a pencilled note: A rare print seldom met with. Obtained in London thru John Taylor -- ER NY. The original watercolor of this print is included in my collection -- obtained thru Amer. Art at auction, originally in the collection of David Insull., and Attached beneath are collector Joel Spitz's comments on provenance from old mount in pencil.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
Found in:
Lewis Walpole Library > Coming out of a country theatre [graphic]

25.
[Coming out of a country theatre] [art original]

Creator:
Byron, Frederick George, 1764-1792, artist
Published / Created:
[1802]
Call Number:
Drawer Drawings B995 no. 2
Image Count:
1
Resource Type:
still image
Abstract:
A large crowd of theatregoers file out of a theater and onto the street in a pouring rainfall and high winds that turns umbrellas inside out. One man has fallen and broken his lantern as a woman falls back over him as her shoes are being changed. The audience is a mix of classes, couples, old women, young boys, some carrying laterns, one with a cane
Description:
Title from published print based on this drawing. See Lewis Walpole Library call no.: Drawer 802.11.01.05., Signed and dated by the artist in lower right., "The artist is said to have based the theatre in this image on the Orchard Street Theatre in Bath, opened in October 1750 near the South Gate, outside the medieval walls of Bath ... The theatre was the first country theatre to be granted a Royal patent and became known as the Theatre Royal, Bath. .... The theatre was closed in 1805."--Dealer's description., and With Joel Spitz's collector's label on verso of mount.
Subject (Topic):
Couples, Lanterns, Rain, Theater audiences, Theaters, Umbrellas, Watchmen, and Winds
Found in:
Lewis Walpole Library > [Coming out of a country theatre] [art original]

26.
Coming out of a country theatre [graphic]

Creator:
Stadler, Joseph Constantine, printmaker
Published / Created:
[1 November 1802]
Call Number:
Drawer 802.11.01.05
Image Count:
1
Resource Type:
still image
Abstract:
Patrons file out of a theater and onto the street
Description:
Title from text below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published Novr. 1, 1802, by Willm. Holland, No. 11, Cockspur Street, (removed from Oxford Street)
Subject (Topic):
Theaters, Umbrellas, and Watchmen
Found in:
Lewis Walpole Library > Coming out of a country theatre [graphic]

27.
The laughing audience Rehearsal of the Oratorio of Judith ; An emblematic print on the South Sea

Creator:
Hogarth, William, 1697-1764, printmaker
Published / Created:
August 1st 180[...]
Call Number:
Folio 75 H67 806
Collection Title:
Hogarth restored
Image Count:
1
Resource Type:
still image
Abstract:
A single plate with Laughing audience in the upper left, Rehearsal of the Oratorio of Judith in the upper right, and An emblematic print on the South Sea below and Rehearsal of the Oratorio of Judith: First etched as a subscription ticket for "A Midnight Modern Conversation" with seventeen men and boys rehearsing William Huggins's oratorio "Judith". Several of the singers hold sheet music with the notes and lyrics legible
Alternative Title:
Rehearsal of the Oratorio of Judith and Emblematic print on the South Sea
Description:
Titles engraved below images., Plate bound in as leaf 70: Hogarth restored / now re-engraved by Thomas Cook, 1806, Rehearsal of the Oratorio of Judith: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 127., Laughing audience: Copy after Hogarth. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 130., and Election carried by bribery and the devil: Copy after Hogarth's The South Sea scheme. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 43.
Publisher:
Published by G.G. & J. Robinson, Paternoster Row
Subject (Geographic):
England, Scotland., and Great Britain.
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, Wilkes, John, 1725-1797., South Sea Company., and Great Britain. Parliament
Subject (Topic):
Dandies, British, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, Theaters, Elections, 1722, Membership, Quarantine, Law and legislation, Inheritance and succession, Naturalization, Political corruption, Elections, Bribery, Children, Clergy, Devil, Mirrors, Screens, and Political elections
Found in:
Lewis Walpole Library > The laughing audience Rehearsal of the Oratorio of Judith ; An emblematic print on the South Sea / [graphic]

28.
Returning from Pizarro!! [graphic].

Published / Created:
June 1799.
Call Number:
Folio 53 Sh52 M78
Collection Title:
Volume 4, after page 582. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan, a candle in each hand, shambles before the royal party, ushering them through the theatre and looking over his shoulder with an expression of exasperated anxiety. The King, in back view, turns to the Queen, saying, "I like the Author very much - took him for a Jacobin - no such thing - quite a different man - brim full of loyalty - I'll certainly come again!!" Behind the pair Salisbury, the Lord Chamberlain, walks stiffly, holding his staff and wearing his gold key. He is followed by one of the Princesses (Augusta Sophia), walking with the Prince of Orange, whose portly contour and sulky profile with closed eye appear on the extreme left. Through the door (probably that from the box lobby) Fox is seen holding a constable's staff and saying to the crowd, anxious to see the arrival: "Stand away there, don't stop up the passage you pack of Jacobin Rascals"."--British Museum online catalogue
Description:
Title etched below image., Window mounted to 36 x 51 cm., and Mounted after page 582 (leaf numbered '12' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by W. Holland, N. 50 Oxford St.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816, George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Salisbury, James Cecil, Marquess of, 1748-1823, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, William V, Prince of Orange, 1748-1806, and Fox, Charles James, 1749-1806
Subject (Topic):
Anxiety, Candles, Sconces, Interiors, and Theaters
Found in:
Lewis Walpole Library > Returning from Pizarro!! [graphic].

29.
Pizzaro a new play, or, The Drury-Lane masquerade [graphic].

Creator:
Ansell, Charles, 1752- printmaker
Published / Created:
[11 June 1799]
Call Number:
799.06.11.01+
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan, fat and grotesque, dressed as Pizarro, strides to the front of the royal box, followed by the King and Queen in Court dress. He holds out a guttering candle in each hand and shouts towards the stage: "Stand by there, move that Stone out of the Way hollo Music there play God Save the King d'ye hear take care Sire mind that Step, louder there Music make room for the best of Kings & wisest of Sovereigns! Encore." The King says to the bejewelled Queen: "No! no! no Jacobins here all Loyal all Loyal, Charming Man the Author eh! charming Man, never saw him in such a good light before." Three princesses follow; one says: "bless me I never saw that General at Court". Behind are two princes in uniform with gorgets, evidently the Dukes of York and Cumberland. On the floor by Sheridan are two papers: 'Maidstone Loyalty' [see British Museum Satires No. 9245, &c], and '[Tomorr]ow Evening performed a new play called the Loyal Author to which will be added a Peep behind the Curtain Vivan[t] Rex et Regina'. The curtain is down; on the proscenium, replacing the usual 'Veluti in Speculum', is 'Anti Jacobin House'. Two men stand in the pit, waving their hats towards the royal box; one is Fox."--British Museum online catalogue
Alternative Title:
Pizarro a new play, or, The Drury-Lane masquerade and Drury-Lane masquerade
Description:
Title etched below image; the letter "N" in "New" is etched backwards., Tentative attribution to Ansell from the British Museum catalogue., Attributed to Charles Williams in local card catalog record., Sheet trimmed within plate mark., Printseller's announcement in lower right: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Theatrical costume: Spanish don -- Gorgets -- Songs: God Save the King -- Anti-Jacobin House -- Queen Charlotte's jewels -- Female dress: Queen Charlotte's dress., Watermark: Strasburg lily., and Mounted to 28 x 42 cm.
Publisher:
Pubd. June 11th, 1799, by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Jacobins, Theaters, Interiors, Costumes, Stages (Platforms), Candles, Jewelry, and Military uniforms
Found in:
Lewis Walpole Library > Pizzaro a new play, or, The Drury-Lane masquerade [graphic].

30.
John Bull at a comedy [graphic].

Published / Created:
[8 March 1796]
Call Number:
796.03.08.01 Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark., From the Laurie & Whittle series of Drolls., Plate numbered '169' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Lighting -- Female dress: miniatures as jewelry -- Practical jokes.
Publisher:
Published 8th March 1796 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
John Bull (Symbolic character), Interiors, Theater audiences, Theaters, Wigs, Candles, and Military uniforms
Found in:
Lewis Walpole Library > John Bull at a comedy [graphic].

31.
The last scene of the managers farce [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
[8 May 1795]
Call Number:
Folio 75 Sa85 810
Collection Title:
Leaf 46. Folio album of 144 caricatures.
Image Count:
1
Resource Type:
still image
Abstract:
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 39.1 x 27.6 cm, on sheet 40.8 x 28.5 cm., and Mounted on leaf 46 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
Subject (Topic):
Cauldrons, Stages (Platforms), and Theaters
Found in:
Lewis Walpole Library > The last scene of the managers farce [graphic]

32.
The last scene of the managers farce [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
[8 May 1795]
Call Number:
Folio 75 Sa85 782 (Oversize)
Collection Title:
Leaf 46. Folio album of 144 caricatures.
Image Count:
1
Resource Type:
still image
Abstract:
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
Subject (Topic):
Cauldrons, Stages (Platforms), and Theaters
Found in:
Lewis Walpole Library > The last scene of the managers farce [graphic]

33.
Effects of tragedy [graphic].

Creator:
Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:
[12 November 1795]
Call Number:
795.11.12.01
Image Count:
1
Resource Type:
still image
Abstract:
"A theatre seen diagonally from the pit, with the stage on the right, two side boxes forming a background. On the stage a man in quasi-classical dress holds a dripping dagger, a woman lies at his feet; through an open door the prompter is seen. The audience is much disturbed: in the foreground a stout citizen holds a smelling-bottle to the nose of his (apparently) fainting young wife; she takes a note from a young man on the bench behind her. Behind stands a bearded Jew. In the stage-box two seated figures resemble the King and Queen, a man standing behind resembles Pitt."--British Museum online catalogue
Description:
Title from item., Printmaker identified in the British Museum catalogue., One of a series of Drolls., Plate numbered '163' in lower left corner., Temporary local subject terms: Theatrical performances -- Reference to adultery -- Medicine: salts., Watermark., and Publication year corrected in manuscript from '5' to '6.'
Publisher:
Publish'd 12 Novr. 1795 by Laurie & Whittle, Fleet Street, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Subject (Topic):
Jews, Interiors, Theaters, and Theatrical productions
Found in:
Lewis Walpole Library > Effects of tragedy [graphic].

34.
The last scene of the managers farce [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
[8 May 1795]
Call Number:
795.05.08.01+
Collection Title:
Leaf 46. Folio album of 144 caricatures.
Image Count:
1
Resource Type:
still image
Abstract:
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
Subject (Topic):
Cauldrons, Stages (Platforms), and Theaters
Found in:
Lewis Walpole Library > The last scene of the managers farce [graphic]

35.
For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

Creator:
Ireland, John, -1808, printmaker
Published / Created:
[1794]
Call Number:
Folio 75 H67 800 v.3 (Oversize)
Image Count:
1
Abstract:
Copy of a benefit ticket whose design was formerly attributed to Hogarth: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Signed in design: W. Hogarth f., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. i, p. 128., Ms. note in pencil in Steevens's hand above print: £8..8..0; at top of print: 7., and On page 233 in volume 3.
Publisher:
Faulder and Egerton
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
Found in:
Lewis Walpole Library > For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

36.
For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

Creator:
Ireland, Jane, active 1792-1793, printmaker
Published / Created:
[not before 1794]
Call Number:
Hogarth 794.00.00.37.2 Box 120
Image Count:
1
Resource Type:
still image
Abstract:
Copy of a benefit ticket whose design was formerly attributed to Hogarth: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Cf. Variant state: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 128., and Signed in design: "W. Hogarth f."
Publisher:
publisher not identified
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
Found in:
Lewis Walpole Library > For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

37.
For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

Creator:
Ireland, John, -1808, printmaker
Published / Created:
[1794]
Call Number:
Hogarth 794.00.00.37.1 Box 120
Image Count:
1
Abstract:
Copy of a benefit ticket whose design was formerly attributed to Hogarth: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Signed in design: W. Hogarth f., and Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, Whitehall, 1794, vol. i, p. 128.
Publisher:
Faulder and Egerton
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
Found in:
Lewis Walpole Library > For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

38.
For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

Published / Created:
[1794]
Call Number:
Hogarth 794.00.00.21 Box 120
Image Count:
1
Abstract:
Benefit ticket: a stage scene with four performers in Congreve's 'The Old Bachelor', showing the scene in Act III where Noll receives a kicking from Sharper; print after a forgery purporting to be a benefit ticket for Joe Miller for his performance as Sir Joseph Wittol; illustration to Ireland's 'Graphic Illustrations of Hogarth' (1794-1799).
Alternative Title:
Theatre Royal, Drury Lane. The old batchelor
Description:
Title from banner at top of image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London: R. Faulder; and J. Egerton, 1794, opp. p. 128., See Paulson, R. Hogarth's graphic works (3rd ed.), p. 315., Not Hogarth., and Sheet trimmed to plate mark.
Publisher:
R. Faulder; and J. Egerton
Subject (Name):
Congreve, William, 1670-1729. and Miller, Joe, 1684-1738.
Subject (Topic):
Actors, Fund raising, Theatrical productions, and Theaters
Found in:
Lewis Walpole Library > For the benefit of Joe Miller Theatre Royal, Drury Lane. The old batchelor / [graphic]

39.
Theatre-Royal, Covent-Garden, tomorrow Friday October 3, 1794 will be presented the comic opera of

Creator:
Covent Garden Theatre
Published / Created:
[1794]
Call Number:
File 767 P69B C838 1794+++
Image Count:
1
Description:
A playbill.
Publisher:
s.n.
Subject (Geographic):
England and London.
Subject (Name):
O'Keeffe, John, 1747-1833.
Subject (Topic):
Theaters
Found in:
Lewis Walpole Library > Theatre-Royal, Covent-Garden, tomorrow Friday October 3, 1794 will be presented the comic opera of The Castle of Andalusia : Ferdinand by Mr. Johnson, Pedrillo by Mr. Munden, Don Caesar by Mr. Bowden ... To which will be added the comdey of The follies of the day : Count Almaviva by Mr. Lewis, Figaro by Mr. Bernard, Antonio by Mr. Quick, Basil by Mr. Powel ...

40.
The laughing audience [graphic]

Creator:
Hogarth, William, 1697-1764, printmaker
Published / Created:
[between 1760 and 1792]
Call Number:
Hogarth 760.00.00.01 Impression 2 Box 110
Image Count:
1
Resource Type:
still image
Abstract:
A copy in the same direction as Hogarth's subscription ticket for "A Rakes's Progress"and "Southwark Fair". The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of a young woman selling oranges and another young woman who takes a pinch of snuff; another young woman selling oranges reaches from the pit to tug at the sleeve of one of the gentlemen; on the lower edge, three musicians are protected from the audience by a row of spikes
Description:
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy after no. 130 in: Paulson, R. Hogarth's graphic works (3rd ed.)., and 1 print : mezzotint with etching on laid paper ; plate mark 154 x 155 mm, on sheet 218 x 144 mm.
Publisher:
Printed for Robt. Sayer in Fleet Street
Subject (Topic):
Dandies, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, and Theaters
Found in:
Lewis Walpole Library > The laughing audience [graphic]

41.
The laughing audience [graphic]

Creator:
Hogarth, William, 1697-1764, printmaker
Published / Created:
[between 1760 and 1792]
Call Number:
Hogarth 760.00.00.01 Impression 1 Box 110
Image Count:
1
Resource Type:
still image
Abstract:
A copy in the same direction as Hogarth's subscription ticket for "A Rakes's Progress"and "Southwark Fair". The scene is an audience of men and women in a theatre pit, all but one man laughing uproariously; above them in a box, two gentleman ignore the stage in favour of a young woman selling oranges and another young woman who takes a pinch of snuff; another young woman selling oranges reaches from the pit to tug at the sleeve of one of the gentlemen; on the lower edge, three musicians are protected from the audience by a row of spikes
Description:
Title engraved below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Copy after no. 130 in: Paulson, R. Hogarth's graphic works (3rd ed.).
Publisher:
Printed for Robt. Sayer in Fleet Street
Subject (Topic):
Dandies, Food vendors, Laughter, Orchestras, Snuff, Theater audiences, and Theaters
Found in:
Lewis Walpole Library > The laughing audience [graphic]

42.
A peep behind the curtain at the Widow Belmour [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
[December 1790]
Call Number:
Folio 75 Sa85 782 (Oversize)
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Temporary local subject terms: Allusion to Venus de Medici -- Literature: allusion to Murphy's A way to keep him., and Mounted on page 66.
Publisher:
publisher not identified
Subject (Name):
Farren, Elizabeth, 1762-1829 and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Theater curtains and Theaters
Found in:
Lewis Walpole Library > A peep behind the curtain at the Widow Belmour [graphic]

43.
A peep behind the curtain at the Widow Belmour [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
[December 1790]
Call Number:
790.12.00.03
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Temporary local subject terms: Allusion to Venus de Medici -- Literature: allusion to Murphy's A way to keep him., and Mounted to 37 x 28 cm.
Publisher:
publisher not identified
Subject (Name):
Farren, Elizabeth, 1762-1829 and Smith-Stanley, Edward, 1752-1834
Subject (Topic):
Theater curtains and Theaters
Found in:
Lewis Walpole Library > A peep behind the curtain at the Widow Belmour [graphic]

44.
A peep behind the curtain at Drury Lane [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
14 Jany. 1789.
Call Number:
Folio 75 Sa85 810
Collection Title:
Verso of leaf 54. Folio album of 144 caricatures.
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint on wove paper ; plate mark 19.3 x 17 cm, on sheet 21.1 x 18.4 cm., and Mounted on verso of leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
Found in:
Lewis Walpole Library > A peep behind the curtain at Drury Lane [graphic]

45.
A peep behind the curtain at Drury Lane [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
14 Jany. 1789.
Call Number:
Folio 75 Sa85 782 (Oversize)
Collection Title:
Verso of leaf 54. Folio album of 144 caricatures.
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 68.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
Found in:
Lewis Walpole Library > A peep behind the curtain at Drury Lane [graphic]

46.
A peep behind the curtain at Drury Lane [graphic]

Creator:
Sayers, James, 1748-1823, printmaker
Published / Created:
14 Jany. 1789.
Call Number:
789.01.14.01 Impression 1
Collection Title:
Verso of leaf 54. Folio album of 144 caricatures.
Image Count:
1
Resource Type:
still image
Abstract:
"Sheridan (left) speaks through a small aperture in the curtain which he holds open, addressing the musicians, some of whom are seen on the right, saying, with a conspiratorial scowl, "D-n em dont play God Save the King". Behind the musicians are the heads of some of the audience in the pit, shouting; a label extending across part of the print (right), inscribed 'Play God save the King', shows their words. In a box are a lady and two men. The print shows the arrangement of footlights, orchestra, pit, and a box on the first tier."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Note on verso in contemporary hand: Sheridan accus'd of having stopped the performance of God Save the King, in the King's illness - 1788.
Publisher:
Publd. by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816 and Theatre Royal, Drury Lane (London, England),
Subject (Topic):
Regency, Musicians, Musical instruments, National songs, and Theaters
Found in:
Lewis Walpole Library > A peep behind the curtain at Drury Lane [graphic]

47.
A stage box scene : Mrs. Bruin, Miss Chienne, Miss Renard

Published / Created:
[1 January 1787]
Call Number:
787.01.01.04
Image Count:
1
Resource Type:
still image
Abstract:
"Three ladies are seated in a box, their arms to the elbow are in enormous fur muffs which project over the front of the box. Beneath them, to indicate the fur of the muff and (apparently) the character of the lady, is engraved respectively 'Mrs Bruin', 'Miss Chienne', 'Miss Renard'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., and Mounted to 23.3 x 23.3 cm.
Publisher:
Pubd. Jany 1, 1787 by J. Wicksteed, No. 30 Henrietta Strt. Covt. Garden
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Optical devices, and Theaters
Found in:
Lewis Walpole Library > A stage box scene : Mrs. Bruin, Miss Chienne, Miss Renard

48.
Three tickets of admission to Sir W.W. Wynne's theatre at Wynnstay [graphic].

Published / Created:
[1 February 1786]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 22. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"[1] 'H. Bunbury Esqr del.' Punch (left) points to a large butt or tun inscribed 'WYNNSTAY', from the top of which hang comic masks which encircle its upper circumference; in his right hand is a stick with an ass's head. On the right side of the butt are three figures: Mother Shipton, humpbacked with a profile like Punch's; a demon or satyr, who looks from behind the cask; and a small man or boy, perhaps Tom Thumb. [2] 'View of the Theatre at Wynnstay. I. Evans Esqr del.' A view of the theatre is framed by a curtain held up (left) by Comedy and right by Tragedy. The façade has the date '1782'. [3] 'Wynnstay. H. Bunbury Esqr del.' Amateur actors and actresses dance in a circle round a high pedestal supporting a bust of (?) Shakespeare. They include a Falstaff leering at a lady in Elizabethan dress, a man wearing a tall leek in his hat (? Fluellen), and a French military officer with long queue and cavalier's boots."--British Museum online catalogue
Description:
Title from text above images., Three designs arranged in a vertical strip, each with its own title and artist's signature., Sheet trimmed to plate mark leaving thread margins., Plate from: The European magazine, and London Review, v. 9 (February 1786), page 71., Temporary local subject terms: Buildings: Theatre at Wynnstay., and Mounted on page 22 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publishd. Feby. 1, 1786, by I. Sewell, Cornhill
Subject (Geographic):
Great Britain
Subject (Name):
Shipton, Mother approximately 1488-1561 (Ursula), and Wynnstay Theatre,
Subject (Topic):
Theater, Masks, Barrels, Demons, Theaters, and Pedestals
Found in:
Lewis Walpole Library > Three tickets of admission to Sir W.W. Wynne's theatre at Wynnstay [graphic].

49.
Wynnstay [art original].

Creator:
Bunbury, Henry William, 1750-1811, artist
Published / Created:
[ca. 1786]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A woman, shown full-length, stands in a field in front of a theater, holding a dramatic mask; other masks are at her feet. Surrounding the scene is an oval frame of laurel with 'Wynnstay' on the ribbon at the bottom. A design for an admission ticket for the theater at Wynnstay, the private theater of Sir Watkin Williams Wynn
Description:
Title from inscription in ink at bottom of image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., Mounted alongside the print made after this drawing, as well as with another related drawing, on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design for a print in the British Museum; see British Museum online catalogue, registration no.: C,3.149.
Subject (Geographic):
Great Britain
Subject (Name):
Wynnstay Theatre.
Subject (Topic):
Theater, Theaters, and Masks
Found in:
Lewis Walpole Library > Wynnstay [art original].

50.
Wynnstay [graphic].

Published / Created:
[1786?]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Admission ticket for the theatre at Wynnstay, the private theatre of Sir Watkin Williams Wynn. ... A full length woman standing in a field in front of the theatre, holding a dramatic mask, others at her feet, in oval frame of laurel with 'Wynnstay' on ribbon at bottom."--British Museum online catalogue
Description:
Title from item., Artist attribution to Bunbury based on the inclusion of an impression of this print, mounted alongside the original drawing, in Horace Walpole's bound collection of Henry William Bunbury's works. See Lewis Walpole Library call no.: 49 3563., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., and Mounted on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Wynnstay Theatre,
Subject (Topic):
Theater, Theaters, and Masks
Found in:
Lewis Walpole Library > Wynnstay [graphic].

Limit your search

more »

more »

more »

more »

View distribution

Current results range from 1728 to 1981

View larger »