Manuscript on paper of 1) Augustine of Hippo, Confessions; Retractiones. 2) Matthaeus de Cracovia, Tractatus de confessione et puritate conscientiae. 3) Thomas Aquinas, De perfectione spiritualis vitae. 4) Bernard of Clairvaux, De consideratione. 5) Series of short texts, including works by Bernardus de Reyda, Guillelmus Bloc, and Iacobus de Iüterbog
Description:
In Latin., Script: Probably copied by 10 hands: scribe (A), Cornelius de Middelburg alias de Clinghe, writing Gothica Hybrida Libraria (Bastarda), ff. 1r-104r8 (artt. 2, 3, and the beginning of 4); scribe (B), writing a more rapid Semihybrida, ff. 104r9-113r (central part of art. 4); scribe (C), writing Semihybrida Libraria, ff. 113v-125r (final part of art. 4); scribe (D), writing Semihybrida Libraria/Currens, ff. 125v-126v (art. 5); scribe (E), writing Hybrida Currens, ff. 127r-127bis v and 139r bottom lines-148v (beginning and final part of art. 6); scribe (F), writing Hybrida Currens, ff. 128r-139r bottom lines (central part of art. 6); scribe (G), writing Hybrida Libraria, ff. 149r-155v15 (artt. 7 and beginning of 8); scribe (H), writing Semihybrida Libraria, ff. 155v16-220v (main part of art. 8); scribe (I), Arthurus Reyniers, writing Hybrida Libraria, ff. 225r-247r (artt. 9-11); and scribe (K), writing Cursiva Currens (art. 12)., Decoration: Differs according to the various sections of the manuscript, but in general, there are red headings; red stroking of majuscules; red underlining; and 2- or 3-line red plain initials, sometimes with interior reserved shapes (mostly missing ff. 132v-148v and after f. 215r). Folios 151r-220r (art. 8) contain red numbering. Folio 1r contains red or blue 3- or 4-line flourished initials with interior reserved shapes and developed penwork in the contrasting colour, extending into the margin., and Binding: Original brown calfskin over bevelled oak boards, damaged, sewn on four leather thongs. Both covers are blind-tooled with frame, lozenge and triangle patterns; stamped with rosette, fleur-de-lys, star, "ihs", and dragon patterns. The remains of two leather straps are attached to the rear board, associated with pins (lost) on the front board. The endleaves are fragments of bifolia from a 14th cent. parchment liturgical manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430., Mateusz, z Krakowa, Cardinal, ca. 1330-1410., Thomas, Aquinas, Saint, 1225?-1274., and Bernard, of Clairvaux, Saint, 1090 or 1091-1153.
Subject (Topic):
Adultery (Canon law), Biography, Christian literature, Latin (Medieval and modern), Manuscripts, Medieval, and Simony (Canon law)
Manuscript on sheepskin parchment of Thomas Aquinas, O.P. (1225-1274), Commentary on the Gospel of Saint John, edited by Reginald de Piperno, O.P.; with excerpts (art. 2) from Nicolaus de Gorran, O.P. (d. c. 1295), Postillae in epistolam ad Romanos, chs. 1-9.
Description:
In Latin., Script: The main text (art. 1) is copied in a small Northern Gothica Semitextualis Libraria; and art. 2 is in a small Gothica Cursiva Antiquior Libraria (Anglicana)., and Decoration: There are alternating red and blue paragraph marks; running headlines associated with chapter numbers; alternating red and blue 2-line flourished initials, half inserted, with penwork in the contrasting colour (N.B. penwork missing on f. 74va); and on f. 1r, a 6-line littera duplex in red and blue, with delicate penwork in the two colours and a J-stave over the full height of the left margin. Art. 2 is undecorated.
Manuscript on parchment, composed of five distinct parts. Part I: 1) Vincent of Beauvais, De laudibus seu de gestis Beatae Virginis Mariae. 2) Petrus Comestor, Carmen in laudem beatae Virginis. 3) Vincent of Beauvais, De laudibus seu gestis Iohannis evangeliste. 4) Pictures of St. Barbara and Thomas Aquinas, and a medieval illuminated initial S (England [?], 15th century) pasted to blank pages. Part II: 5) Stephanus Parisiensis (?), unidentified text supporting the theology of Thomas Aquinas. 6) Augustine, De divinatione daemonum. Part III (paper): 7) Albertus Magnus, De sensu communi. 8) Albertus Magnus, De quinque potentiis anime interioribus. Part IV: 9) Fragment of an account of the Passion of Christ. Part V: Index
Description:
In Latin., Script: Part I (ff. 1-44): Written by a single scribe in small gothic bookhand, below top line. Part II (ff. 45-58): Written by two scribes, the one for art. 5, the other for art. 6, in small, tight gothic cursive scripts. Part III (ff. 59-64): Written by a single scribe in a small gothic text hand. Part IV (ff. 65-66): Written in round gothic bookhand. Part V (ff. 67-80): Written in a neat gothic bookhand., Part I: Blue initial, 6-line, with parchment designs and red penwork harping patterns on f. 1r. Plain initials, 4- to 3-line alternate red and blue. Headings, underlining, paragraph marks and chapter numbers, some initial strokes, in red. Guide letters for decorator in margins. Parts II and III: Spaces left for decorative initials remain unfilled. Part IV: One initial, 2-line, on f. 65v and remains of another on conjugate stub: red with crudely drawn penwork designs in black and red. Headings, paragraph marks and initial strokes in orange-tinged red. Part V: On ff. 68r-69r every other entry begins with a 1-line plain blue initial; second letter of each entry washed with yellow; citations of Arabic numerals in red. Guide letters for decorator., Folios 65-66, perhaps removed from a binding, are not conjugate: f. 66 is glued to the conjugate stub of f. 65., and Binding: 19th-20th centuries, England. Semi-limp vellum case with a gold-tooled title. Bound by Pierson. On spine: "Miscellanea Theologica. Stephanus Parisiensis. S. Augustinus. Albertus Magnus etc. Mss XIVe S".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jesus Christ, John, the Apostle, Saint., Mary, Blessed Virgin, Saint, Thomas, Aquinas, Saint, 1225?-1274., and Vincent, of Beauvais, -1264.
Subject (Topic):
Passion, Devotion to., Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholasticism
Manuscript on parchment of Thomas Aquinas, In tertium librum Sententiarum Petri Lombardi. Copied from an exemplar vended by Guglielmus Senonensis, stationer on the rue St. Jacques
Description:
In Latin., Script: Written in neat gothic textura by a single scribe secundum pecias (notations along bottom of leaves, mostly trimmed)., Small decorative initials in red and/or blue with penwork designs of either or both colors; notes for illuminator in margins. Paragraph marks alternating red and blue throughout; running headings in red and blue., Some folios mended with chartreuse thread., and Binding: 1899. Quarter leather over wooden boards, blind-tooled, with a gold-tooled label and brass clasps. Bound by Douglas Cockerell (stamp with date inside back cover).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Peter Lombard, Bishop of Paris, approximately 1100-1160. and Thomas, Aquinas, Saint, 1225?-1274.
Subject (Topic):
Manuscripts, Medieval, Pecia, Scholia, and Scholasticism
Manuscript of a Manual containing 18 works, including instructions of Mass, moral instructions, meditations for prayer, a calendar, and two works ascribed to Thomas Aquinas
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, Aquinas, Saint, 1225?-1274. and Carthusians.
Manuscript, on parchment, in a single late Beneventan hand, probably that of a nun, containing a collection of 27 prayers by Saint Thomas Aquinas and others for use at Mass
Description:
In Latin., Ff. 74v-75r contain 20 lines of a prayer: "O sacro sanctissimo ochino di pieta," in an Italic script., Layout: single columns of 14 lines., Script: late Beneventan miniscule., Decoration: Extensive. Many small capitals alternately blue and gold with penwork in red and purple. 30 three-line and rwo-line initials either in burnished gold with purple penwork or dark blue with red penwork; very large illuminated initial on opening page with leafy design and burnished gold outlined in red enclosing formal floral pattern, with full-length bar extending into upper and lower margins., Binding: 16th century limp parchment. Cover is made from a 15th-century portolan chart of part of the Adriatic coast of Apulia (Schøyen Collection title: Portolan map of the Adriatic Coast of Apulia in the kingdom of Napoli from Rinaldo south as far as Port Badisco, including Otranto and inland towns with little hills.) 230 mm x 160 mm (flattened). Lettering of portolan in small humanist hand., and Binding: green gilt quarter morocco folding case, Aquarius, 1995, with Schøyen Collection bookplate.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, Aquinas, Saint, 1225?-1274.
Subject (Topic):
Manuscripts, Medieval, Manuscripts, Renaissance, and Portolan charts
Manuscript fragment on parchment of a section of Thomas Aquinas' Summa Theologiae
Description:
In Latin., Script: written in two different small, highly abbreviated gothic scripts; the first hand, on the first seven lines of the recto, is a littera textualis; the second is littera textualis currens with occasional use of cursive "d", frequent abbreviations, and wide word spacing., and Decoration: there are spaces for 2-line initials and for paragraph marks, but they have not been added; 1-line initials within text are brown; punctuated with the punctus.
Manuscript on parchment of Thomas Aquinas, Summa contra gentiles, ending abruptly
Description:
In Latin., Script: Written in neat gothic bookhand by a single scribe., Red and blue split initial, 10-line, at beginning of text (p. 11) with fine penwork flourishes within body and length of inner margin, in red, blue, and purple. Similar initials, 6- to 3-line, without penwork extensions, on pp. 68, 130, 284. Small initials, 5- to 2-line, alternating red with purple penwork and blue with red, throughout. Headings in red; running titles in red and blue; paragraph marks alternate red and blue., and Binding: Fifteenth century. Sewn on five double, tawed thongs laced into flush oak boards through tunnels in the edge and pegged with rectangular pegs. The back board is cracked and mended. The spine is square and lined with tawed skin. Plain, wound endbands sewn on twisted, tawed skin cores laced into the boards. Added embroidery is sewn through the cover and shows on the spine and the edge, with whip-stitching around the entire endband. Covered in kermes pink tawed skin with corner tongues. Two strap-and-pin fastenings, the pins on the lower board. Five foliate bosses on each board. A pin, straps and two bosses wanting. Original front pastedown: incomplete alphabetical index, 14th century, of subjects from amor through uita (no entries for x). Original back pastedown, also contemporary with main text: fragment of a theological text on the biblical prophets, on recto; unfinished diagram of the books of the Bible, divided into categories in mandata diuisio, in exempla diuisio, in ammonitiones diuisio, in reuelationes diuisio (with material from Old Testament only), on verso.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, Aquinas, Saint, 1225?-1274. and Dominicans.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Scholasticism, and Theology
Manuscript fragment of a bifolium, containing part of the text the Summa theologica, II. ii, Quaestiones 20-21 and 24, v-ix.
Description:
In Latin., Fragment recovered from a binding; damaged and incomplete., Layout: double columns of 54 lines each., Script: gothic bookhand., and Decoration: initials in red or blue with contrasting penwork.
Manuscript on parchment (poor quality), composed of two distinct parts. Part I: Thomas Aquinas, Super Metaphysicam. Part II: Thomas Aquinas, Super de causis
Description:
In Latin., Script: Part I (ff. 1-120): Written by a single scribe in small gothic book hand. Part II (ff. 121-132): Written in a less accomplished gothic script than that in Part I., Part I: One illuminated initial, rubbed, f. 1r: blue with white highlights on dark red ground with white highlights; terminals of ground extend up and down as modest border in blue, dark red and gold. Flourished initials of various sizes, styles and quality: blue with red penwork designs, red with blue, red with purple (ff. 75r-119r) and red and blue divided with penwork in purple (e.g., f. 88v); some flourished initials with border extensions (e.g., f. 110v). Running headlines in red and blue; paragraph marks alternate red and blue. Traces of guide letters for decorator. Part II: Spaces for decorative initials remain unfilled., and Binding: 14th-15th centuries, Spain. Original sewing on five tawed skin, double supports laced into beech boards. Plain, wound natural color endbands. Single parchment leaf (front) and bifolium (rear), from what appear to be two different Hebrew Bible manuscripts, serve as pastedowns and spine-lining; they have been cut out around the sewing supports. Yellow edges. Covered in what was originally blue tawed skin (now faded) with two fastenings, the catches on the lower board and the straps attached with star-headed nails. Traces of title (?) scratched onto skin of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle. and Thomas, Aquinas, Saint, 1225?-1274.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Philosophy, Ancient, Scholasticism, and Scholia
Manuscript on paper containing 1) Thomas Aquinas (1225-1274), Quaestiones de quolibet. 2) A series of Quaestiones on the soul. 3) Thomas Aquinas (doubtful), De natura generis. 4) Thomas Aquinas (doubtful), De principio individuationis. 5) Thomas Aquinas (doubtful), De natura accidentis. 6) Thomas Aquinas (doubtful), De quattuor oppositis. 7) Treatise on the immortality of the soul, being a shortened version of the beginning of Guillelmus de Alvernia (Guillaume d'Auvergne, c. 1180-1249), De immortalitate animae. 8) Thomas de Sutton (d. in or after 1300), De productione formarum substantialium. 9) Thomas Aquinas, De iudiciis astrorum. 10) Thomas Aquinas, De mixtione elementorum. 11) Thomas Aquinas, De aeternitate mundi. 12) Thomas Aquinas(doubtful), De instantibus. 13) Thomas Aquinas, De occultis operationibus naturae. 14) Thomas Aquinas, De principiis naturae. 15) Thomas Aquinas, De natura materiae et dimensionibus interminatis. 16) Thomas Aquinas, De motu cordis. 17) Anonymous (Ps.-Thomas Aquinas), De universalibus. 18) Anonymous (Ps.-Albertus Magnus), De intellectu et intelligibili. 19) Aegidius Romanus (Giles of Rome, c. 1244-1316), Theoremata de ente et essentia. 20) Anonymous commentary on Boethius (c. 480-c. 524), Quomodo substantiae in eo, quod sint, bonae sint (De hebdomadibus, CPL 892). 21) Albertus Magnus, De intellectu et intelligibili. 22) Albertus Magnus, De natura et origine animae. 23) Heymericus de Campo (Heymeric van de Velde, c. 1390-1460), Problemata inter Albertum Magnum et sanctum Thomam, written 1423-1426, printed Cologne, Iohannes Landensis, 1496 (GKW 12405) and 1517. 24) Franciscus de Mayronis OFM (François de Meyronnes, d. c. 1328), attrib., Vinculum de esse essentiae. 25) Anonymous (Ps.-Albertus Magnus), Quaestiones de esse et essentia. 26) 27. Fragments preserved as sewing guards from a printed indulgence issued by Marinus de Fregeno (d. 1486), who sold indulgences for an expedition against the Turks in the years 1473-1480
Description:
In Latin., Watermarks: var. Briquet 14871-14872 and 14549?., Script: Probably six scribes, all writing highly abbreviated Gothic scripts., Red stroking of majuscules. Red headings only in art. 23. Red plain or slightly decorated initials, 2-9 lines, sometimes taking the shape of a littera duplex or a flourished initial (f. 49v); no initials in artt. 2-3. At the top of the left-hand column of f. 1r there is a blank space (for a small miniature?)., and Binding: Contemporary unbevelled wooden boards covered with dark brown pigskin, simply decorated with fillets. Spine with four raised bands. Five cylindrical brass bosses and corner and side-pieces on each cover. Remnants of two engraved brass clasps attached to the rear cover, the catches with the inscription “Maria”. Yellow edges.
Manuscript on paper, in a single hand, containing extracts from philosophical, religious, and historical works; sermons; and numerous verses, both philosophical and satirical. The volume contains extracts from Thomas Aquinas; Fuller's History of the Holy War; Livy's History; Godwin's Catalogue of the Bishops of England; Jeremy Taylor's Exercises of Holy Living; and Reynold's God's Revenge Against Murder. Satirical verses include a copy of Thomas Randolph "Salting," which satirizes Randolph's contemporaries under the figure of dishes at a feast, as well as A Poet's Farewell To His Threadbare Cloake. The volume also contains such contemplative poems as Musarum Lachrymae; Ruines of Time; and Mr. Austin's Sepulcrum Domus Mea Est; and a list of English words and their Latin translations
Description:
In English and Latin., See Modern Philology, vol. 39, 1942 and English Literary Renaissance, vol. 12, no. 1, 1982., and Binding: full sheep; remains of metal clasps.
Elegiac poetry, English, English poetry, Religious literature, English, Religious poetry, English, Sermons, English, Verse satire, English, Intellectual life, and Religious life and customs
On the left, in profile looking left, the head and shoulders of a man with a laurel wreath around his head, probably Dante. On the right the head and shoulders of a man with a tonsure and a friar's habit, possibly Thomas Aquinas
Description:
Title devised by curator. and Approximate date assigned by curator.
Subject (Name):
Dante Alighieri, 1265-1321, and Thomas, Aquinas, Saint, 1225?-1274,