"A fox (Fox) climbs up a signpost from which hangs the sign of the Crown. The gibbet-shaped post is wreathed with a vine with large bunches of grapes. Fox seizes a branch and gapes greedily for a bunch just within his reach. His left leg is supported on a pile of papers, one bundle of which is inscribed 'Libels'. The topmost paper is an open book: 'Review of the Charges against Warren Hasting[s] Publishd by Stockdale'. In the doorway of the Crown Inn (right) stands Pitt, grotesquely thin except for his head; he wears an apron over the legs of a skeleton. Alarmed at the fox, he drops a tankard of beer on which is a crown. Behind him appears Thurlow, in Chancellor's wig and gown, with an expression of gloomy apprehension."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark on two edges., and Temporary local subject terms: Allusion to John Stockdale, 1749-1816 -- Alleged libel -- Libellous pamphlets -- Signs -- Signboards -- Inns: Crown -- Gibbet-shaped signpost -- Allusion to trial of Warren Hastings -- Political grapes -- Chequerboards -- Literary allusion to Aesop's fable: The fox and the grapes -- Allusion to John Logan's pamphlet, published by Stockdale: Review of the charges against Warren Hastings -- Allusion to Fox's February 14, 1788 speech -- Chancellor's wig and gown.
Publisher:
Pubd. Feby. 18th, 1788, by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
"A stage-coach is driven (left to right) uphill at a gallop, the horses having human heads as in BMSat 7323. The arm of a signpost on the extreme left points 'To the Temple of Honor'. Thurlow drives, lashing furiously. George III, in profile to the right, is seated in the boot at the back of the coach holding a musket with a fixed bayonet. The Queen sits on the roof as an outside passenger, dressed as an old market-woman ; she holds a basket of 'Golden Eggs' on her knee, and another basket at her side in which is a goose which hisses at the King. Within the coach Hastings (left) and Mrs. Hastings (right) sit facing each other; he is in oriental dress; she wears a jewelled turban with a crown, and her neck is covered with jewels. The coach is 'Licens'd by Royal Authority'; on its panel are the royal arms. On the box under Thurlow's legs are a star and ribbon, a coronet, and feathers. The leaders have the faces of Pitt1 and Sydney, the wheelers are Dundas and Pepper Arden. The horses are galloping uphill and the sky is clear, contrasting with the scene in BMSat 7323."--British Museum online catalogue
Description:
Title from text below image in lower left., Printmaker from British Museum catalogue., Three lines of verse below image: "The very stones look up to see, such very gorgeous harlotry, shaming an honest nation.", Companion print to "Opposition," also by Gillray and published by Fores on the same day. See no. 7323 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Sheet trimmed within plate mark.
Publisher:
Pubd. May 20th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Melville, Henry Dundas, Viscount, 1742-1811
"Pitt, Hastings, and Thurlow sit at a circular dinner-table on which is the King's head in a large dish. The dish is ornamented with a crown and the words 'Mal. y . Pense'. Pitt (left) sits in profile to the right cutting off a piece of the tongue with a knife and fork. Thurlow, in his Chancellor's wig and gown, faces him, using two large spoons greedily (cf. BMSat 7166), he is taking brains from a hole in the King's forehead. Hastings, in oriental dress, sits between them gouging out an eye with a spoon and fork. Besides Pitt is a sauce-boat inscribed 'Sauce', beside Thurlow a bottle inscribed 'Vinegar'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark on top edge., Temporary local subject terms: Male costume: Oriental costume -- Royal motto: Honi soit qui mal y pense., and Inscribed in ink below signature in an unidentified hand: Gillray's early feigned signature.
Publisher:
Pubd. March 28th, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Buildings: East India House -- Declaratory Act., and Watermark.
Publisher:
Pubd. April 24, 1788 by Josa. Baldrey, No. 19 H. Holborn, London
Subject (Geographic):
Great Britain.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Hastings, Warren, 1732-1818, Rumbold, Thomas, Sir, 1736-1791, and East India Company.
Subject (Topic):
Portraits, Impeachment, Taxation, Tax assessment, Justice, Donkeys, Stores & shops, Shutters, Lawyers, and Britannia (Symbolic character)
Title from caption below image., Sheet trimmed within plate mark on sides., Temporary local subject terms: Allusion to Dorothy Jordan, 1762-1816 -- Allusion to Marie Antoinette, queen of France, 1755-1793 -- Allusion to Daniel Mendoza, 1764-1836 -- Marriages: Duke of York's marriage, 1791 -- Levees., and Mounted to 37 x 56 cm.
Publisher:
Pub Novr 24, 1791, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Barry, Augustus, 1773-1818, Barrymore, Richard Barry, Earl of, 1769-1793, Bedford, Frances Russell, Duke of, 1765-1802, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, Dunstan, Jeffery, 1759?-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Weltje, Louis, 1745-1810
Title from item., Sheet trimmed to plate mark on top., Publisher's advertisement following imprint: where may be seen the greatest collection of caracatures [sic] in Europe, admittance 1shilling., Temporary local subject terms: Elopments -- Stags -- Judges -- Great Seal -- Maces -- Signs: milestones -- Allusion to Nando's coffee-house., Watermark: countermark W., and Mounted to 32 x 45 cm.
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and aquatint with stipple on wove paper ; plate mark 29.5 x 37.2 cm, on sheet 30.8 x 39.9 cm., Mounted on leaf 86 of James Sayers's Folio album of 144 caricatures., and Watermark, trimmed: J. Whatman 1811[?].
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted to 37 x 56 cm.
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
"The title is spaced to indicate the persons depicted. In a room in Carlton House the 'Greeks', or Foxites, superintend the obeisance of the Persians' or Grenvilles before the 'rising Sun' of the Prince of Wales. On the extreme left stands Thurlow ('Achitophel'), turning his back on the others with a morose frown. He is bearded, and wears old-fashioned dress with a tie-wig. In his pocket is a paper: 'Secret Advice to his R H No Respecter of Persons to invite Tag Rag & Bobtail to dine'. Next (left to right) stand Foxites: Norfolk, Windham, Fox (with a satisfied smile), and Sheridan who touches the shoulder of the kneeling Lord Grenville, saying, "lower my Lord". Next Grenville is the spectacled Marquis of Buckingham kneeling very low, and pressing down his son, Temple, who kneels immediately in front of the two brothers. Four others, all in back view (as are all the 'Persians' except Buckingham), and all with identical bag-wigs, kneel before the rays of a large sun. These rays are surmounted by the Prince's feathers and strike a solid mass of cloud above which are the (obscured) Royal Arms, supported on a motto: 'Auspicium [meli]oris Ævi'. The Unicorn looks down at the 'Greeks' with pained surprise, the Lion frowns with melancholy anger at the 'Persians'; one says "God save the King", the other "Long live the King". Through a large sash window (left) is seen the screen of Carlton House, and beyond it a railing with the notice: 'Ruspini Dentist to his Royal [Hi]ghness the Prince of Wales.'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 103.
Publisher:
Publd. 11th July 1804 by H. Humphrey, St. James's
Subject (Name):
George IV, King of Great Britain, 1762-1830., Thurlow, Edward Thurlow, Baron, 1731-1806, Norfolk, Charles Howard, Duke of, 1746-1815, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Carlton House (London, England),
On the left Thurlow represents the world with his stomach in the shape of a globe and his clothes labelled with country names. He faces Hastings who is attired in Oriental dress and his head is bound in a large feathered turban encircled with jewels, the end of which expands into a cornucopia. Hastings' belt is inscribed 'Virtues', through it are thrust an axe, a halter, and two (?) clubs
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. for the proprietor by W. Moore, No. 48 New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818 and Thurlow, Edward Thurlow, Baron, 1731-1806
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Twenty-six members of the old and new ministries sit around a card table; North and Fox (the latter with a fox's head) appearing most prominently, together with Thurlow, Grey Cooper, the Duke of Richmond, John Dunning, Wilkes, Barré, and John Cavendish
Description:
Title from item., Printmaker from British Museum catalogue., and Extensively annotated on verso in an unknown hand with descriptions of persons potrayed in the image.
Publisher:
Pubd. April 12th, 1782 by H. Humphrey, No. 118 New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Cooper, Grey, Sir, ca. 1726-1801, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dunning, John, Baron Ashburton, 1731-1783, Barré, Isaac, 1726-1802, Cavendish, John, Lord, 1732-1796, Wilkes, John, 1725-1797, Burke, Edmund, 1729-1797, Surrey, Charles Howard, Earl of, 1746-1815, Lansdowne, William Petty, Marquis of, 1737-1805, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Caricatures and cartoons, Politics and government, Card games, Gambling, and Clothing & dress
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., 1 print : etching on laid paper ; plate mark 30.1 x 34 cm, on sheet 32 x 36.6 cm., and Mounted on leaf 51 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Mounted on page 69.
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"The Prince of Wales is seated in a magnificent dining-hall before a bare table. The Duke of Leinster (right) offers him across the table a dish of 'Potatoes from Leinster'; the Prince extends his arms to take them, but turns his head to look at the forbidding Thurlow, dressed as a doctor, who stands (left) on his right. Thurlow points authoritatively to the potatoes with the head of his cane, saying, "Take back the Irish Potatoes". The Prince says with a peevish expression: "If I must not have the roast Beef [the English Regency] let me have ye Potatoes Doctor I have paid for them". On the extreme right, behind Leinster, Sheridan, with a melancholy expression, tries to take a dish containing a sirloin from a beefeater, who says, "This belongs to my Master Sir." In the foreground (left) Weltje (cf. British Museum Satires No. 7509), dressed as a cook, stands looking at the Prince, his hands clasped in dismay, saying, "By Got now we sail not heb our Desert". Two colonnades of pillars recede in perspective behind the Prince; on the plinth of one is a relief of Tantalus vainly trying to drink from the vessel at his lips. In the foreground (centre) are two dogs coupled together, one is Burke, in spectacles, looking hungrily at the bare table, the other is Fox, turning his back on the table and straining away from Burke. The Prince's chair is surmounted by his coronet and feathers. On a chain round Leinster's neck hangs a crowned Irish harp attached to the order of St. Patrick with its significant motto, 'Quis separa[bit].'"--British Museum online catalogue
Description:
Title etched at bottom of image., Signed with the monogram of James Sayers., Sheet trimmed within plate mark on three sides., Temporary local subject terms: Ireland & the Irish -- Mythology: Tantalus -- Literature: allusion to Cervantes, Don Quixote -- Emblems: Prince of Wales's feathers., and Watermark: fleur-de-lis
Publisher:
Publd. 11th March 1789 by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Leinster, William Robert FitzGerald, Duke of, 1749-1804, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Weltje, Louis, 1745-1810, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"Thurlow (right), in profile to the right, kneels in prayer at a table on which the head of the mace is visible. He wears his Chancellor's robes and says, "When I forsake my King, May God forsake me". A demon, clutching his shoulder, says, "Well said Old Boy! You're a true Disciple". Two smaller imps, flying above his head, say, "Oh! rare! he is a precious Brother", and, "How well he has learned his Lesson". Behind him are seated eight bishops, as if in the House of Lords, they say (left to right): [1] "Who w'od have ever thought to have heard him pray"; [2] "What a Hypocrite! a second Cardinal Wolsey!"; [3] "I thought he never called on God but to curse Mankind!" [cf. British Museum Satires No. 7320]; [4] "One wo'd almost think he was in earnest"; [5] "Yes if it did not seem so odd To hear him talking about God"; [6] "Surely he thinks to reform"; [7] "Pshaw! Pshaw! he means only to serve this Turn"; [8] "This Farce wo'nt do in these Enlightned Days." A panelled wall forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Clergy: bishops -- Demons -- Prayers -- Allusion to Regency crisis -- Allusion to negotaitions between Thurlow and the Prince of Wales, 1788 -- Debates: quotation from Thurlow in House of Lords, Dec. 15, 1788 -- Maces -- Allusion to Thomas Wolsey., and Watermark: countermark initial W.
Publisher:
Pub. April 1, 1789, by S.W. Fores, N. 3 Piccadilly
Title from item., Attributed to Cruikshank by cataloger based on other works of this artist in collection., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Budget: Pitt's budgets -- Taxes -- Quizzing glasses -- Allusion to Babel tower., Watermark: fleur-de-lis on crowned shield with initials G R below and countermark J But[...]nshaw., and Mounted to 40 x 35 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, in his Chancellor's wig and gown, wades waist-deep in the sea, advancing towards the spectator. On his shoulders sits Hastings, in oriental dress, holding in each arm a large money-bag inscribed '£4.000.000'. Thurlow scowls; Hastings has a serene and contented expression. In the water (a sea of blood) are the mutilated corpses of Indians: three heads tied together by the hair float in the water; a man floats with a rope round his neck; there are also a scourge and birch-rod."--British Museum online catalogue
Description:
Title etched below image. and Attributed to Gillray in British Museum catalogue.
Publisher:
Pubd. March 1st, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India.
Subject (Name):
Hastings, Warren, 1732-1818 and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, in his Chancellor's wig and gown, wades waist-deep in the sea, advancing towards the spectator. On his shoulders sits Hastings, in oriental dress, holding in each arm a large money-bag inscribed '£4.000.000'. Thurlow scowls; Hastings has a serene and contented expression. In the water (a sea of blood) are the mutilated corpses of Indians: three heads tied together by the hair float in the water; a man floats with a rope round his neck; there are also a scourge and birch-rod."--British Museum online catalogue
Description:
Title from item., Attributed to Gillray in British Museum catalogue., Sheet trimmed within plate mark., and A later state with the number '30' in the upper right corner. Cf. No. 7278. in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pub'd March 1st, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India.
Subject (Name):
Hastings, Warren, 1732-1818 and Thurlow, Edward Thurlow, Baron, 1731-1806
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 7278 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark x cm, on sheet 25.6 x 41.8 cm., and Leaf 57 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Hastings, Warren, 1732-1818 and Thurlow, Edward Thurlow, Baron, 1731-1806
Leaf 7. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
Depicts the new ministry attempting to push down an already headless statue of Britannia. Thurlow and Mansfield on right pull on ropes to keep the statue in place, while Fox (depicted as a fox), Wilkes, Dunning, Richmond, Burke and Keppel attack it. Britain's foreign enemies, America (shownas an Indian), France, Spain and Holland run away with the spoils
Alternative Title:
Britannia's assassination, or, The republicans amusement and Republicans amusement
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower right corner of design. For original issue of the plate, see no. 5987 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 35., and On leaf 7 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. May 10th, 1782, by E. D'Archery, St. James Street and Field & Tuer
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Mansfield, William Murray, Earl of, 1705-1793, Wilkes, John, 1725-1797, Dunning, John, Baron Ashburton, 1731-1783, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
Britannia (Symbolic character), Politics and government, Vandalism, and Sculpture
Depicts the new ministry attempting to push down an already headless statue of Britannia. Thurlow and Mansfield on right pull on ropes to keep the statue in place, while Fox (depicted as a fox), Wilkes, Dunning, Richmond, Burke and Keppel attack it. Britain's foreign enemies, America (shownas an Indian), France, Spain and Holland run away with the spoils
Alternative Title:
Britannia's assassination, or, The republicans amusement and Republicans amusement
Description:
Title from item., Printmaker from British Museum catalogue., Temporary local subject terms: Literature: quotation from The art of poetry on a new plan by Oliver Goldsmith, 1761, v. 2, p. 147., 1 print on wove paper : etching ; sheet 25 x 36 cm., Sheet trimmed within plate mark., and Mounted to 37 x 56 cm.
Publisher:
Pubd. May 10th, 1782, by E. D'Archery, St. James Street
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Mansfield, William Murray, Earl of, 1705-1793, Wilkes, John, 1725-1797, Dunning, John, Baron Ashburton, 1731-1783, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Burke, Edmund, 1729-1797, and Keppel, Augustus Keppel, Viscount, 1725-1786
Subject (Topic):
Caricatures and cartoons, Britannia (Symbolic character), Politics and government, Vandalism, and Sculpture
Title from caption etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Debates: Stanhope, House of Lords, June 9, 1789 -- Bills: defeated bill for relieving members of the Church of England, June 9, 1789 -- Furniture: chairs -- Coronets -- Fool's cap -- Pictures amplifying subject -- Parody of a schoolroom -- Clergy: bishops -- Lawyers: chancellors -- Wheelbarrows -- Spades -- Pick-axes., and Watermark: fleur-de-lis on crowned shield with initials G R below.
Publisher:
Published June 18, 1789, by S.W. Fores, No. 23 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Stanhope, Charles Stanhope, Earl, 1753-1816
Design in oval. In a ballroom, Lord North, dressed as a lady in hooped petticoats and wearing his Garter ribbon, is dancing with Charles Fox who holds his hat in his left hand. Behind them sits Lord Chancellor Thurlow playing the bagpipes while at the same time receiving a bag of money handed him by Britannia who sits next to him. Thurlow retained the chancellor's office through two administrations preceding the North-Fox coalition before he was forced by Fox to resign. The bag of money may refer to the pension he was then granted
Description:
Title from item.
Publisher:
Pub. by E. Dachery March 29, 1783, St. James Street
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):
Britannia (Symbolic character), Dance, Bagpipes, and Clothing & dress
"Warren Hastings, in oriental dress, kneels full-face on one knee between two cards; he holds out in each hand a lozenge, the diamond of a pack of cards: that on his right is a knave with the head of Thurlow, that on his left is a king with the head of George III (cf. BMSat 6969). Neither card has an indication of the suit: the hand of each appears ready to grasp the diamond held out by Hastings."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to J. Baldrey from British Museum catalogue., Text in upper left corner: Plate 1., and Temporary local subject terms: Oriental costume -- Playing cards -- Court cards -- Knave and King -- Print owned by Horace Walpole (NYPL) -- Male costume, oriental -- India -- Alleged bribery of Hasting's supporters.
Publisher:
Pubd. Feby. 8th, 1788, for S. Doughty and Co., No. 19 Holborn
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Mrs. Dawkins, fl. 1788 as Gloc -- Miss Pigott, fl. 1788 as Glum -- Regency crisis., and Mounted to 28 x 38 cm.
Publisher:
Pub Nov 16 1788 by SW Fores No. 3 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806
Title from item., Printmaker from British Museum catalogue., Engraved text "W. Holland , No. 50 Oxford Street" following the date "March 10th" crossed out and Humphrey's name supplied in manuscript on right below image., Sheet trimmed within plate mark., and Temporary local subject terms: Allusion to Regency crisis -- Thrones -- Crowns -- Pictures amplifying subjects -- Homage.
Publisher:
Pubd. March 10th 1789 as the act directs H. Humphrey, No. 51 New Bond St.
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Alvanley, Richard Pepper Arden, Baron, 1745-1804
A reduced copy probably from a book and resembling the folding plates to the 'Hibernian Magazine'. The groups are arranged from left to right as in British Museum satire no. 7301, but each figure is reversed and the groups are in two rows, one above the other
Alternative Title:
Picture of the times
Description:
Title etched below image., Place of publication based earlier state. See British Museum catalogue., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark at top.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, William IV, King of Great Britain, 1765-1837, Fitzherbert, Maria Anne, 1756-1837, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Hastings, Warren, 1732-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Pigot, Hugh, 1721?-1792, Farren, Elizabeth, 1762-1829, Smith Stanley, Edward, 1752-1834, Greville, Charles, 1762-1832, Billington, Elizabeth, 1765-1818, and Archer, Sarah West, Lady, 1741-1801
Title from item., Text under title: with explanatory notes designed and sketched for the inspection of all modern professors and inscribed to H.W. Bunbury, Esq., Motto above imprint: Est[?] quod else videris., and Temporary local subject terms: Anodyne necklace -- Gambling games: dice box
Publisher:
Pubd by W. Dent, May 30th, 1788 and sold by W. Dickie opposite Exeter Change Strand and W. Moor No. 48 New Bond Street, London
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Ms. identifications on mounting sheet by W.S. Lewis., Mounted to 43 x 106 cm., and Attributed to Cruikshank on mat in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title etched below image., Day in imprint may have been re-etched from 10 to 29., Fourteen persons or groups forming discrete images arranged in two rows, each with caption in English and French., Temporary local subject terms: Lady Sarah Archer -- Captain Barclay., Watermark: J Whatman., 1 print : etching on laid paper ; plate mark 34.3 x 48.5 cm., on sheet 36 x 55 cm., Incomplete: right plate with French title only., Some subjects identified in margins in an unknown hand., and Attributed to Cruikshank on mat in an unknown hand; attributed to Gillray on print, recto, in an unknown hand.
Publisher:
Pub. July 29 1788 by S.W. Fores No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Bedford, John Russell, Duke of, 1766-1839, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, Pigot, Hugh, 1721? -1792, Pitt, William, 1759-1806, Townshend, John, Lord, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Burke (left), a very thin 'lay porter', addresses Thurlow (right), who is very obese and holds in his left a heart inscribed 'Humanity', from which a piece has been broken. He is Father Paul in Sheridan's 'Duenna' (III. v). They face each other in profile. Burke is dressed as a monk (cf. BMSat 6026), a rosary with a cross inscribed 'Impeachment' hangs from his girdle. In his hand is a paper inscribed 'Account of expences attending a Trial. . . Esqr.' He says, "We ask no more than is needfull, and so little have we had, that we are almost starved". Thurlow answers, "It's false; you feast and Gormandize, whilst we are wasting". (The words are adapted from 'The Duenna'.) On his goblet, inscribed 'Pleasure', is a scene of persons being sabred, while a body hangs from a gibbet. Behind Burke and Thurlow is a curtain which cuts off part of the room. Above it (centre) is the top of a jewelled turban, as worn by Hastings in caricature, surmounted by feathers inscribed 'Treasury Warrants'. From it ascends vertically a sword to whose blade are attached horizontal bunches of leaves; from these hang four hats inscribed respectively 'Middlet[on]', 'Impey', 'Holt', 'Ben'. A man (? Burges) looks through the curtain at Burke; in his hand are two scrolls: 'Profus[ion]', 'Oeconomy'. On the wall (left) is a picture of a bull inscribed: 'Decided either way Poor John is sure to pay.' His blood gushes out in a copious fountain into a pit inscribed 'Private Defence', while from another wound it merely drips into a hole inscribed 'Public Prosecution'. The frame is inscribed 'John Bull. Paymaster'. On the right is a placard, inscribed 'Good Entertainment Tuesdays, Wednesdays & Thursdays' (cf. BMSats 7313, 7314) and surmounted by a crown."--British Museum online catalogue
Alternative Title:
Father Paul and the lay porter and Particular state of particular expences
Description:
Title from item., Text following title: Published according to act of parliament., Printmaker from Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Altered quotation from literature: Richard Brinsley's The Duenna, Act III -- Richard Brinsley: 1751-1816 -- Debate on expenses -- Pictures amplifying subject., and Mounted to 37 x 25 cm.
Publisher:
Pubd, as the act directs by W. Dent, May 26th, 1788 ; sold by W. Dickie, opposite Exeter change Strand & W. Morre, N. 48 New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Pitt, William, 1759-1806, and Burke, Edmund, 1729-1797
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Satire on ministerialists, 1785 -- Barber's blocks -- Allusion to Irish Propositions, 1785 -- Allusion to Edward, Baron Hawke, 1705-1781 -- Earl of Mulgrave, 1755-1831 -- 3rd Duke of Montrose, 1755-1836., Watermark (partial): initials LVG below shield., and Mounted to 29 x 37 cm.
Publisher:
Pubd. as the act directs, by Moore, Bond Street
Subject (Name):
Jenkinson, Charles, 1727-1808, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Camden, Charles Pratt, Earl, 1714-1794, Taylor, Michael Angelo, 1757-1834, Melville, Henry Dundas, Viscount, 1742-1811, Stanhope, Charles Stanhope, Earl, 1753-1816, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Galloway, John Stewart, Earl of, 1736-1806, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Sydney, Thomas Townshend, Viscount, 1733-1800, Hood, Samuel Hood, Viscount, 1724-1816, Macdonald, Archibald, Sir, 1747-1826, Rose, George, 1744-1818, and Carrington, Robert Smith, Baron, 1752-1838
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to the abolition of the slave trade -- Loss of trade -- Boycotts: sugar -- Food substitutes: salt for sugar -- Food: water-gruel -- Dishes -- Utensils: salt shovels -- Dialects: Scottish dialect -- Female fashion: court feathers as headdress -- Antisaccharites -- Eating -- Swearing., and Watermark.
Publisher:
Pub. by W. Dent
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Augusta Sophia, Princess, daughter of George III, King of Great Britain, 1768-1840, Dundas, Henry, 1742-1811, and Thurlow, Edward Thurlow, Baron, 1731-1806
Hastings ho, rare hastings and What man buys he may sell
Description:
Title from banner within image., Caption below plate: "What man buys he may sell. Blackstone's Commentaries &c., &c", In upper left corner: Plate 2., 1 print : etching with stipple on laid paper, hand-colored ; sheet 24 x 25.7 cm., and Mounted to 37 x 29.2 cm; numbered in ms. upper right corner '134'.
Publisher:
Pubd. Feby. [the] 12, 1788 for S. Doughty & Co., No. 19 Holborn, London
Subject (Geographic):
India. and India
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):
Trials, litigation, etc, Clothing & dress, and Wheelbarrows
Hastings ho, rare hastings and What man buys he may sell
Description:
Title from banner within image., Caption below plate: "What man buys he may sell. Blackstone's Commentaries &c., &c", In upper left corner: Plate 2., Inscribed: To Mr. Erle D[...?] with Mr. E.J. Grosvenor's best Love L. Pomfret[?]., and With a watermark.
Publisher:
Pubd. Feby. [the] 12, 1788 for S. Doughty & Co., No. 19 Holborn, London
Subject (Geographic):
India. and India
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):
Trials, litigation, etc, Clothing & dress, and Wheelbarrows
Hastings ho, rare hastings and What man buys he may sell
Description:
Title from text in a banner at the top of image., Caption below plate: What man buys he may sell. Blackstone's Commentaries &c., &c., In upper left corner: Plate 2., "Price 3s the pr. cold.", Sheet trimmed within plate mark., and Watermark.
Publisher:
Pubd. Feby. [the] 12, 1788 for S. Doughty & Co., No. 19 Holborn, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Political satire; under a sinking sun in which is drawn a crown, with the words "Obscured, not lost", a masked figure with a crow-bar labelled "Begum Sophistry" and the Prince Regent with a broken axe labelled "Presumptive Rights" try to break down the door of the Treasury, while another picks the lock, labelled "G R" with keys labelled "Tropes"; behind them stands a man in black with a lantern labelled "Loyalty", a belt labelled "Truth" and a clapper labelled "Vox Populi"; from the window of the Treasury, Pitt attacks the house-breakers with a blunderbuss labelled "Constitution"."--British Museum online catalogue
Alternative Title:
Housebreaking before sunset
Description:
Title etched below image., "Pr. 1s."--Below image, lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Pick axes -- Padlocks -- Swords -- Masks -- Guns -- Setting sun -- Watchman's lanterns -- Emblems: King's monogram on the padlock., Watermark: Fleur de lis on crowned shield, with initials G R below., and Mounted to 44 x 29 cm.
Publisher:
Published Jany. 6t 1789 by R. Butters, 79 Fleet Stt
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Thurlow, Edward Thurlow, Baron, 1731-1806, and George III, King of Great Britain, 1738-1820.
"A bull, chained, muzzled, and blindfolded, his horns tipped, but snorting fire, is baited by dogs urged on by Pitt who runs forward (right), holding heavy chains labelled 'New Excise Fetters for John Bull'. Pitt points at the bull, shouting, "At him! at him! Tally-ho, ho, ho." From his pocket hangs a paper inscribed 'New Excises intended upon Cyder, Flour, Hardware, Linnens, Woolens, Coals, Butchers Bakers Cheese-mo[ngers] Fish, Water'. Pitt and his dogs are hurrying from the Treasury, over the gate of which the word Treasury has been scored through by Rose, who stands on a ladder on the extreme right, painting the word 'Excise-Office' in large letters. A rose takes the place of his head; in his left hand is his paint-pot inscribed 'Kings' Yellow'. The bull's legs are chained to a post inscribed 'Excise'; he is snorting "Liberty! Liberty! and no Excise! Huzza!" The dogs have human heads and inscribed collars. The two foremost are 'Billy Grenv[ille]', with a pen behind his ear, and 'Dundas'. The Duke of Richmond ('Ordnance') is on the bull's back, biting his ear. Behind are 'Jenky' (Lord Hawkesbury), 'Sir Pepper' (Arden), 'Sydney, Cam' (Camden), and a dog perhaps intended for Carmarthen. In the foreground, lying on a heap of Tobacco which has fallen from a cask so inscribed (which he befouls), is Thurlow, a dog with the head and wig of Thurlow, his collar inscribed 'Snap Dragon', fiercely gnawing a large bone inscribed 'Opposition' at one end and 'Ministry' at the other, while he glares up at Pitt."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bull baiting -- Chains -- Muzzles -- Blindfolds -- Treasury building -- Dogs -- Bones -- Barrels -- Ladders -- Allusion to excises -- John Bull (Symboiic character).
Publisher:
Pubd. April 9th, 1790, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Jenkinson, Charles, 1727-1808, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Camden, Charles Pratt, Earl, 1714-1794, Thurlow, Edward Thurlow, Baron, 1731-1806, and Rose, George, 1744-1818
Title from caption engraved below image., Attributed to Kingsbury in the British Museum catalogue., and Temporary local subject terms: Coffeehouses: Nando's -- China -- Mary Edmonds, fl. 1772-1787.
"The cattle-pens (right) of Smithfield Market are filled with cattle with the faces of peers and draped with ermine-trimmed robes. [The ermine is apparent only in the coloured impression] Thurlow, dressed as a farmer, the owner of the cattle, stands on guard with his back to the pens; he wears his Chancellor's wig and uses the mace as a walking-stick. He clutches a full purse in his right hand and looks fiercely at a smaller number of cattle who are being driven from the left towards the pens. One of these, with the head of Lord Derby, stands on his hind legs, saying, "I move an adjournment till after the next Newmarket Meeting". The cattle in the pens (right) have the heads of peers who were believed favourable to Hastings. In the front row are (left to right) Lord Sydney, the Duke of Grafton, and (between two unidentified peers) Lord Bathurst. An ox with the head of Lord Lansdowne, his horns tipped to prevent mischief, stands (right) outside the pen which he tries to enter, his eyes slyly fixed on Thurlow (cf. BMSat 7311). Others cannot be identified. The Opposition peers include the Duke of Portland (who glares fiercely at Sydney), the Duke of Norfolk, Lord Carlisle, and Lord Stormont. They are being driven by a fierce-looking drover (left); a dog wearing a peer's robe, his collar inscribed 'Mountford', barks at them. On the extreme left Hastings, dressed as a butcher but wearing a turban, riding (right to left) a miserable horse fit only for the knacker (the horse of Hanover), carries off a calf with the profile of George III, its forelegs tied together. He whips his horse ferociously. Behind him is a pawnbroker's shop-window, with three balls and the sign 'Money Lent'. In the middle of the cattle-pens (right) is a bell (that of the Market) on a post, a man (? George Rose) wearing a bag-wig pulls the bell-rope, looking round with a cynical smile. Undifferentiated ministerial cattle at the back of the pens push with their horns at a watchman's box which they are overturning. Three men dressed as watchmen, seated on the roof (which they have climbed to escape the cattle), drop staff, lantern, and rattle and are about to fall off; they are Fox, Burke, and Sheridan. The background is formed by buildings; the pawnshop (left) adjoins a large inn behind the cattle, a house at the corner of 'Smithfield' and 'Cow Lane', which diverges on the right. It is the sign of the Crown; in a balcony over the large gateway which leads to the courtyard sit Dundas (left) and Pitt (right), much at their ease, facing each other in profile, regardless of the turmoil below. They are smoking and have foaming tankards marked with a crown; Dundas is in Highland dress, Pitt is dressed as an English farmer or drover. On the balcony is: 'Good Entertainment for Man and Beast'. Beneath the design is etched: '"Every Man has his Price", Sir Rt Walpole', and '"Sic itur ad astra"'."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Two lines of quotation inscribed on either side of title. On the left: "Every man has his price," Sir Robert Walpole. On the right: "Sic itur ad astra.", and Mounted to 37 x 56 cm.
Publisher:
Pubd. May 2d, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
India. and England
Subject (Name):
Smithfield Market., Thurlow, Edward Thurlow, Baron, 1731-1806, Smith-Stanley, Edward, 1752-1834, Hastings, Warren, 1732-1818, Sydney, Thomas Townshend, Viscount, 1733-1800, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Bathurst, Henry Bathurst, Earl, 1714-1794, Lansdowne, William Petty, Marquis of, 1737-1805, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Rose, George, 1744-1818, Montfort, Thomas Bromley, Baron, 1733-1799, Mansfield, David Murray, Earl of, 1727-1796, George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, and Walpole, Robert, Earl of Orford, 1676-1745
Subject (Topic):
Impeachment, Influence, Bribery, Cattle, Ceremonial objects, City & town life, Clock & watch making, Equipment, Taverns (Inns), Usury, Signs (Notices), Stockyards, and Stores & shops
Title from caption below image., Questionable attribution to Newton from British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local subject terms: Allusion to Buckinghamshire, Albinia (Bertie) Hobart, countess of, 1738-1816 -- Wars -- Allusion to Mysore War -- Swallow Packet -- Allusion to East India Company -- Bellows -- Allusion to Isle of Skye -- Bristol Channel., and Watermark: G.R.
Publisher:
Pubd. Jany. 31, 1792, by W. Holland, No. 50 Oxford Street
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, George III, King of Great Britain, 1738-1820, and Dundas, Henry, 1742-1811
Title engraved below image., Printmaker from British Museum online catalogue., Temporary local subject terms: Emotions: rage -- Pictures amplifying subject: portrait of Cardinal Wolsey -- Great Seal -- Maces: Chancellor's mace -- Fireplaces -- Writing materials -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792., and Watermark: Strassbourg lily on crowned armorial shield.
Publisher:
Pub. May 26, 1792, by S.W. Fores, No. 3 Piccadilly
Dent, William, active 1783-1793, printmaker, publisher
Published / Created:
[January 1789]
Call Number:
789.01.00.02
Image Count:
1
Resource Type:
still image
Abstract:
"A fox, wearing a coat, hangs in profile to the right from a very high gibbet. His large brush is inscribed 'Hereditary Right' (cf. British Museum Satires 7381); he is excreting, the ordure being inscribed 'Run my Mead'. Above the gibbet is a scroll: 'The Man of the People High in Office'. Three women caper delightedly round the foot of the gallows: Justice (with the head of Thurlow) (left), with her scales evenly balanced, but with her bandage pushed up so that she can see, and holding her sword against her shoulder, its blade inscribed 'Household' continued; she sings, "Let's joyful Dance and merry Sing". Britannia (right) sings "for Ch--l--y [Fox] is quite the thing"; her shield is inscribed 'No Peers No Pensions', an allusion to the Regency Restrictions. Her profile appears to be intended for that of Pitt. Liberty, with the head of Wilkes, squinting violently, who is between the other two, cries "Huzza". The cap of Liberty (on its staff) is inscribed with the City arms and the motto 'Address', in reference to the City address of thanks to Pitt and the Ministry for maintaining the right of Parliament in the establishment of a regency."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Date at end of imprint statement is illegible; date of publication from British Museum catalogue., Sheet trimmed to plate mark., and Removed from backing with remnants of blue paper on verso.
Publisher:
Pub. by W. Dent and Sold by W. Moore, Oxford St.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Great Britain. Parliament., Fox, Charles James, 1749-1806., Pitt, William, 1759-1806., Wilkes, John, 1725-1797, and Thurlow, Edward Thurlow, Baron, 1731-1806
Subject (Topic):
Britannia (Symbolic character), Regency, Politics and government, Gallows, Justice, and Liberty
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Printmaker and date of publication from Grego., Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Leaf 22. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6587 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally published 18 May 1784; see Grego., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 140-1., and On leaf 22 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Publisher's announcement following imprint: who has lately fitted up his caracature [sic] exhibition in an entirely novel stile [sic], admittance one shilling. NB folios lent out for the evening., Temporary local subject terms: Treasury -- Orbs and scepters -- Maces -- Literature: William Shakespeare's The Tempest., 1 print on wove paper : etching ; sheet 29 x 45 cm., and Sheet trimmed witihin plate mark on right.
Publisher:
Pub. Febry 19, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Publisher's announcement following imprint: who has lately fitted up his caracature [sic] exhibition in an entirely novel stile [sic], admittance one shilling. NB folios lent out for the evening., Temporary local subject terms: Treasury -- Orbs and scepters -- Maces -- Literature: William Shakespeare's The Tempest., Publisher's stamp in lower right of sheet: S.W.F., and Matted to 47 x 63 cm.; subjects numbered on mat below and above image and identified in a key on the right.
Publisher:
Pub. Febry 19, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., and Mounted to 36 x 49 cm.
Publisher:
Pubd. June 9th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Shakspeare Gallery., Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Cerberus (Greek mythology), Medusa (Greek mythology), and Serpents
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"The interior of a dairy: George III (left), in shirt-sleeves, is churning; the Queen, dressed as a farmer's wife, sits in the window counting the coins which the Princess Royal pours on to the table. The Princess has a basket on her arm and is dressed like a country-girl. The Queen says, "Bless me, Child, you have made a very bad market! Good Heavens is it possible the people can be so unreasonable these plentiful times to expect six eggs for a groat! You shall tramp to London next market day." The King adds, "A very bad market girl, indeed, a very bad market girl - Limy shall go next" (cf. British Museum Satires No. 6947). Behind the King are shelves with bowls of cream, a furtive cat drinks from one of them. Above them, three milk-scores are chalked on the wall, headed, 'Cartwheel's score', 'The Widow Waggonrut', and 'Mrs Towser'. On the ground (left) is a pile of cheeses. Outside the wide doorway (right) Pitt, elegantly dressed, is milking a cow with a fastidious air; he sings: "I made war with Kate, a buxom Northern Lass: But such my cruel fate - " Thurlow, wearing a smock, stands with his back to Pitt, cracking a whip; he says, "She bid you kiss her A------! Damn the Whip I'll never learn the right smack of a Carter.""--British Museum online catalogue
Alternative Title:
Summer amusement at Farmer George's near Windsor
Description:
Title etched below image., Attributed to Richard Newton by Alexander., Publisher's advertisement above image: In Holland's Exhibition Rooms may be seen the largest collection in Europe of caricatures. Admittance, one shilling., Sheet trimmed within plate mark., and Watermark in center of sheet: CR.
Publisher:
Pubd. August 9, 1791, by W. Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Catherine II, Empress of Russia, 1729-1796.
"A strip design of figures, generally in pairs, in the manner made popular by Bunbury's 'Long Minuet' (BMSat 7229). All attempt to imitate the bow of the Prince of Wales; the words spoken are etched above the head of the speaker. A tall thin man bows, facing a short fat one who says, "What do you think of mine, Sir". The former answers, "It won't do upon my honor." An isolated middle-aged man stoops, his left hand on his back, his right leg raised, his face contorted with pain, saying, "Oh, damn the Lumbago!" A tall thin man, whose dress imitates that of the Prince of Wales, bows, hat in hand, saying, "Monstrous like the Prince, the very bow dem me". His stout and ungainly 'vis-à-vis', dressed in the fashion of c. 1760, is a doctor with medicine-phials projecting from his coat-pocket; he bends low, saying, "Curse it, I've burst the waistband of my breeches". A man wearing a sword bows, holding his hat in both hands; he says to his 'vis-à-vis', a young Irish volunteer in regimentals, "Good God, Sir, you should take off your hat when you make a bow!" The other (the first figure on the second sheet) answers, "Arrah let a Volunteer alone, my dear, did you ever know a man fire before he presented!" A stiff, thin man, resembling BMSat 6718 (Furtado), says to a man who bows from the waist, his body almost horizontal, his long pigtail queue projecting stiffly, "You bow too low, Sir". The other answers, "And you seem to be spitted, Mr few." A Frenchman, 'chapeau-bras' and wearing a bag-wig, capers like a dancing-master, saying, "Ha! Ha! by gar poor John Bull's back will ache at this amusement". His foppishly dressed 'vis-à-vis' stiffly imitates his attitude, saying, "These tight stays will be the death of me." A plainly dressed man bends towards a boy who bows awkwardly, saying, "Vary weel, Sawny, vary like the Prince's bow!" A stout and ugly bishop (the first figure on the third sheet) with an ill-fitting wig, bowing obsequiously, his hands on his breast, faces a thin stiff man who looks at him through an eye-glass, saying, "It may do for a poor Curate presenting a Petition!" The bishop answers, "Better than yours you Pulpit Prig." Burke and Fox, both 'chapeau-bras', bow facing each other: Burke says, "Garrick's bow at the Shrine of Shakespeare was nothing to it." Fox answers, "This is to a certainty something like it." Thurlow, in Chancellor's wig and gown, bows, saying, "He take precedence of me! d-----n his bow!" (cf. BMSat 7320). He faces George Hanger, wearing regimentals, who bows, hat in hand, saying, "It would kick up the heels of chastity in Maid, Wife, or Widow.""-British Museum online catalogue
Description:
Title from item.
Publisher:
Published by William Holland, printseller at Garrick's Richard, No. 50 Oxford Street, near Berner's Street
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, and Burke, Edmund, 1729-1797
Title from item., Below image on left: Price 1s., Eight lines of verse in two columns below image: A prophet fourteen years ago, foretold Britannia's fate ..., Temporary local subject terms: Buildings: King's Bench prison -- Military: Scotch soldiers -- Riots: reference to St. George's Fields, May10, 1768 -- Animals: Lord Bute as a crocodile -- Nicknames: Lord Bute as Moloch -- Mythology: Hecate -- Cerberus -- Hydra -- Emblems: jack boot -- Emblems: thistle -- Hell -- Britannia (Symbolic character) -- Law: judges -- Birds: peacock -- Animals: cat -- Monkey -- William Allen, d. 1768., Mounted to 35 x 46 cm., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Mansfield, William Murray, Earl of, 1705-1793, Thurlow, Edward Thurlow, Baron, 1731-1806, and Wilkes, John, 1725-1797
Original date in imprint scored through, but visible: statement: Decembr., Imprint statement continues: "where may be had the largest collection of caraccatures [sic].", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: tug-of-war -- Crowns -- Whigs -- Tories -- Thrones -- Emblems: Prince of Wales's feathers -- Jesuits -- Judges -- Spectacles., and Mounted to 27 x 26 cm.
Publisher:
Published by J. Aicken Jany. [the] 2nd 1789, Bear Streett [sic] Leicester Squares
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"A pack of hounds is in full cry after an animal with the head of Hastings which runs through the gate of St. James's Palace (right). He wears a turban; a collar round his neck is inscribed 'Hyana', and a large bag inscribed 'Diamonds & Rupees' is tied to his tail. The hounds are being whipped back by Thurlow (left) who rides an ass with the head of the King, shouting "Back! Back!" He wears a hunting-cap and boots with monstrous spurs, with his Chancellor's wig and gown. He is riding over the hounds who have the heads of the leading Managers of Hastings's impeachment. North (not a Manager) lies prostrate and apparently dead under the ass's heels. Burke is being crushed under the animal's off foreleg, while the other kicks Fox. The foremost of the pack is Sheridan, his collar inscribed 'Drury Lane'. Behind him are Fox, a dog whose collar is inscribed 'Francis' (not a Manager, see BMSat 7268), and Michael Angelo Taylor, his collar inscribed 'Law-Chick', see BMSat 6777. The King's head is in profile to the right, his saddle is ornamented with a crown and a jewel is suspended from his neck, probably the famous diamond, see BMSat 6966, &c. Two sentries stand at the gate of the Palace with pens in their caps, probably indicating that they are the two Secretaries of State, [In Wright and Evans they are identified as Sydney and Pitt. Sidney's vis-à-vis, scarcely recognizable, resembles Pitt in BMSat 7312] Sydney (left) and Carmarthen (right), to whom there is some resemblance, and who are peers, cf. BMSat 7300, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bulse -- Military sentries.
Publisher:
Pubd. April 27th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Thurlow, Edward Thurlow, Baron, 1731-1806, Leeds, Francis Godolphin Osborne, Duke of, 1751-1799, North, Frederick, Lord, 1732-1792, Sydney, Thomas Townshend, Viscount, 1733-1800, Taylor, Michael Angelo, 1757-1834, Sheridan, Richard Brinsley, 1751-1816, Francis, Philip, 1740-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and St. James's Palace (London, England)
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 7308 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 46 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Saint James's Palace (London, England), Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Thurlow, Edward Thurlow, Baron, 1731-1806, Leeds, Francis Godolphin Osborne, Duke of, 1751-1799, North, Frederick, Lord, 1732-1792, Sydney, Thomas Townshend, Viscount, 1733-1800, Taylor, Michael Angelo, 1757-1834, Sheridan, Richard Brinsley, 1751-1816, Francis, Philip, 1740-1818, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
"A parody of BMSat 7309. Warren Hastings, seated on a close-stool containing guineas, his feet resting on a stool, leans forward, a bag of 'Pagodas' in his left hand, of 'Roopees' in his right, which he hands to Thurlow and Pitt respectively, who bow before him with hands outstretched to take the money-bags. He says, "Dear Gentlemen this is too little your modesty really distresses me". He wears oriental dress with a crown on his turban. On his seat is a reversed crown. Queen Charlotte (in place of Burke) grovels on the floor, kissing Hastings's toe; she clasps a large money-bag inscribed '£200000'; under her left arm is a box inscribed 'Bu[ls]e' (see BMSat 6966, &c). George III (in place of Francis) emerges from the ground behind Hastings, clutching a great heap of guineas which is piled on the floor; his left arm is in the close-stool, taking out guineas; he says, "I am at the Bottom of it". In place of the wigs and swords of BMSat 7309 are hats held out to be filled with gifts: a pair of hands (in the Windsor uniform) holds out a hunting-cap (probably intended for one of the King's equerries); a hand holds out a three-cornered hat, a hand in a lawn sleeve holds out a mitre, a hand in a similar sleeve holds out a mortar-board cap. These are inscribed 'Turbæ cætera'. The insignia of the Garter are similarly inscribed. On the wall behind Hastings is a picture (left) of a vast human body emerging from the summit of a mountain scattering coins to a crowd of kneeling suppliants. The frame is inscribed: '"Out it came - "Not a little tiny Mouse, but a Mountain of delight.' After the title is etched: 'Mew mew mew, fal lal &c &c'."--British Museum online catalogue
Alternative Title:
Begging bow
Description:
Title etched below image., Attributed to Gillray in British Museum catalogue., Text in lower right, below title: Mew mew mew, fal lal &c. &c., and Temporary local subject terms: Mottoes: 'Turbae caetera' -- Order of the Garter -- Bags of money -- Uniforms: Windsor -- Pictures that amplify subect -- Hats: Mortar boards -- Reversed crown on Close-stools.
Publisher:
Pubd. May 6th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
"Indian men and women kneel before a large rectangular pedestal on which stands a golden calf with the head of Hastings. Three Indians lie on the pedestal at Hastings's feet, making gestures of despair and entreaty. From his mouth protrudes a sword (left) inscribed 'The Brand of Devastation'. On his back sits Wilkes facing the tail (right) which he lifts with one hand; in the other is the cap of 'Liberty' in which he catches large jewels excreted by the Golden Calf. He wears a livery gown and says: "Who would not wipe a Calf's Backside, To gain the Sparks of Eastern Pride". At the Calf's feet lie a crown, sceptre, and orb, with (?) scimitars. On the ground and on the extreme left a well-dressed man stands before an altar holding a knife which drips blood over the altar; he says, pointing to an Indian who lies at his feet, stabbed through the heart: 'When British Judges rule the Coast, The Natives must obey, No palliative means we boast, By G------you die or pay'. In the foreground (right) stand Thurlow and a military officer. The Chancellor, who wears his wig and robe, is blindfolded; in his right hand he holds erect the 'Sword of Justice', which is being taken from him by the officer who holds a diamond against the blade. In Thurlow's left hand is a bag inscribed 'Gold Moors'; he says: "Which Powerful God my wavering mind controuls, And my Sage Brows with Golden bands infolds, 'Tis Mammons self I can be Just no more, Take thou the Sword give me the Golden Store". The officer, who wears a wallet or haversack inscribed 'Diamonds', says: "So shall we Triumph while the Diamond's smile, Can melt the Soul and Justice's beguile." Three Indians who kneel in the foreground below the pedestal of the Golden Calf are offering money (a bag inscribed 'Gold Moors') and jewel-boxes to Hastings."--British Museum online catalogue
Alternative Title:
Children of India worshipping the golden calf
Description:
Title etched below image., Possibly after John Boyne according to Andrew Edmunds., Sheet trimmed to plate mark on top edge., and Mounted to: 56 x 62 cm.
Publisher:
Publish'd May 15, 1788, by J. Berry, No. 129 Oxford Road
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Wilkes, John, 1725-1797, and East India Company.
Subject (Topic):
Impeachment, Adoration, Ceremonial objects, Corruption, Idols, Justice, and Liberty
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Allusion to Cardinal Thomas Wolsey, 1475-1530 -- Nicknames: 'Old Nobbs' (George III) -- Expressions of speech: George III's 'what, what, what' -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792 -- Great Seal -- Tug-of-war -- Containers: woolsack., and Mounted to 30 x 40 cm.
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Plate numbered "112[?]" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 8096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With an impression on the verso of a reprint of James Gillray's, with number in upper right '80': Vices overlook'd in the new proclamation. [London] : Pubd. May 24th 1792 by H. Humphrey, N. 18, Old Bond Street, [24 May 1792].
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Plate numbered "112[?]" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 8096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With an impression on the verso of a reprint of James Gillray's, with number in upper right '80': Vices overlook'd in the new proclamation. [London] : Pubd. May 24th 1792 by H. Humphrey, N. 18, Old Bond Street, [24 May 1792].
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Pitt stands in front of the throne to which he points with a hand holding a number of threads attached to the noses of his supporters, who advance through a doorway, the foremost kneeling or prostrating themselves. Across his forehead is a placard inscribed 'Interest'; he says, "Approach & Salute the Broad Bottom of Royalty!!" He holds a large flag inscribed 'Standard of venality' on which are a large earl's coronet indicating Lonsdale (see British Museum Satires No. 6579), two duke's coronets, a mitre, a baron's and a viscount's coronet, and three money-bags, each inscribed 'Cole' (cf. British Museum Satires No. 6213), followed by the words 'to be Given Away'. On the ground at Pitt's feet are the words, 'Road to Preferment'. The king kneels on the throne exposing his 'broad bottom' to the Pittites; it is irradiated and to it are attached a pair of small wings; it is further adorned with Garter star and ribbon inscribed 'Honi Soit qui mal...'. He bends forward, his body in a horizontal position, so that his head and shoulders are hidden by a curtain (left) inscribed 'Secret Influence Drying Clouts! Nursing Making toast [cf. British Museum Satires No. 7923] Rocking the Cradle, &c. &c. &c.' The crowd of Pittites advances through a doorway surmounted by a large royal crown flanked by a birch-rod and a sword. Across the doorway is inscribed 'Hall of Prerogative 1784', and over the heads of the members, 'Majority of ye New P------T We are your Devoted Slaves'. Their heads are crudely drawn and few can be identified: a man in the forefront in tartan is evidently Dundas. A man full-face in the centre of the crowd who is inscribed 'Rat Catcher' and has a rat on his forehead is John (or Jack) Robinson, see British Museum Satires No. 6427, &c. Thurlow in wig and gown kneels in profile to the left, and a man on the extreme right resembles Barré. A parson in the foreground is probably Mason, cf. British Museum Satires No. 6485."--British Museum online catalogue
Alternative Title:
First levee of the new Parliament
Description:
Title from item., Temporary local subject terms: Parliamentary levees -- Secret influence -- Members of Parliament as slaves -- Royal prerogative -- Homage -- 'Broad Bottom'., Watermark in center of sheet: J Whatman., and Mounted to 29 x 46 cm.
Publisher:
Pubd. as the act directs, May 29, 1784, by T. Hardy, Strand
Subject (Name):
George III, King of Great Britain, 1738-1820, Lonsdale, James Lowther, Earl of, 1736-1802, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Robinson, John, 1727-1802, Barré, Isaac, 1726-1802, and Mason, William, 1725-1797
Subject (Topic):
Thrones, Buttocks, Legislators, Kneeling, Crowns, Flags, and Bribery
Title from item., Sheet trimmed within plate mark., Printmaker from similar print. Cf. British Museum catalogue no. 6387., Original publication statement burnished from the plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Allusion to John Stuart, 3rd Earl of Bute, 1713-1792 -- Personifications: Rumor blowing trumpet -- Brookes's Club, London -- Demon wearing tartan -- Charters -- East India Bill, 1783 -- Gambling: Dice and dice-box -- Crown -- Thistle -- Allusion to Fox-North Coalition, 1783 -- Satire on Pitt's ministry -- King's Prerogative -- Tax-receipt -- Signs: Sign-post -- 'Secret Influence'., and Watermark in center of sheet: J Whatman.
Publisher:
Pubd. 12 Apr. 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Nugent, Robert Craggs Nugent, Earl, 1702?-1788, Alvanley, Richard Pepper Arden, Baron, 1745-1804, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
"The managers of the impeachment of Hastings advance (left to right), led by Cornwall the Speaker who, raising his hat, holds out a roll, 'Articles of Impeachment', to Thurlow. Only the point of the Chancellor's hat and his hands, one holding the bag of the Great Seal, are visible on the extreme right. Burke, frowning fiercely, is next Cornwall. Immediately behind him is Francis, his left hand on Burke's shoulder, fixing Thurlow with a baleful glare; under his right arm is a large rolled document inscribed 'Evidence of Accusation'. Next are Fox and Sheridan facing each other, Sheridan in back view. Behind are Sir James Erskine with an imbecile expression (cf. British Museum Satires No. 7151), and John Anstruther (M.P. for Fifeshire boroughs) whose back is turned to Erskine. On the extreme left is Windham facing Andrew St. John. Behind them, seemingly taller than the others, and wearing a hat, is Courtenay."--British Museum online catalogue
Description:
Title etched at top of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Text below image: And after five days the High Priest descended with the elders and a certain orator named Tertullus who informed the Governor against Paul, and when he was called forth Tertullus began to accuse him saying &ca. Acts of the Apostles, Cap. XXIV., 1 print : etching on wove paper ; plate mark 26.3 x 36.7 cm, on sheet 28 x 40.2 cm., and Mounted on leaf 42 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Warren, 1732-1818, Cornwall, Charles Wolfran, 1735-1789, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, Francis, Philip, 1740-1818, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Anstruther, John, Sir, 1753-1811, Windham, William, 1750-1810, and St. John of Bletso, St. Andrew, Baron, 1759-1817
"The managers of the impeachment of Hastings advance (left to right), led by Cornwall the Speaker who, raising his hat, holds out a roll, 'Articles of Impeachment', to Thurlow. Only the point of the Chancellor's hat and his hands, one holding the bag of the Great Seal, are visible on the extreme right. Burke, frowning fiercely, is next Cornwall. Immediately behind him is Francis, his left hand on Burke's shoulder, fixing Thurlow with a baleful glare; under his right arm is a large rolled document inscribed 'Evidence of Accusation'. Next are Fox and Sheridan facing each other, Sheridan in back view. Behind are Sir James Erskine with an imbecile expression (cf. British Museum Satires No. 7151), and John Anstruther (M.P. for Fifeshire boroughs) whose back is turned to Erskine. On the extreme left is Windham facing Andrew St. John. Behind them, seemingly taller than the others, and wearing a hat, is Courtenay."--British Museum online catalogue
Description:
Title etched at top of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Text below image: And after five days the High Priest descended with the elders and a certain orator named Tertullus who informed the Governor against Paul, and when he was called forth Tertullus began to accuse him saying &ca. Acts of the Apostles, Cap. XXIV., and Mounted on page 59.
Publisher:
publisher not identified
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Warren, 1732-1818, Cornwall, Charles Wolfran, 1735-1789, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, Francis, Philip, 1740-1818, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Anstruther, John, Sir, 1753-1811, Windham, William, 1750-1810, and St. John of Bletso, St. Andrew, Baron, 1759-1817
"The managers of the impeachment of Hastings advance (left to right), led by Cornwall the Speaker who, raising his hat, holds out a roll, 'Articles of Impeachment', to Thurlow. Only the point of the Chancellor's hat and his hands, one holding the bag of the Great Seal, are visible on the extreme right. Burke, frowning fiercely, is next Cornwall. Immediately behind him is Francis, his left hand on Burke's shoulder, fixing Thurlow with a baleful glare; under his right arm is a large rolled document inscribed 'Evidence of Accusation'. Next are Fox and Sheridan facing each other, Sheridan in back view. Behind are Sir James Erskine with an imbecile expression (cf. British Museum Satires No. 7151), and John Anstruther (M.P. for Fifeshire boroughs) whose back is turned to Erskine. On the extreme left is Windham facing Andrew St. John. Behind them, seemingly taller than the others, and wearing a hat, is Courtenay."--British Museum online catalogue
Description:
Title etched at top of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Text below image: And after five days the High Priest descended with the elders and a certain orator named Tertullus who informed the Governor against Paul, and when he was called forth Tertullus began to accuse him saying &ca. Acts of the Apostles, Cap. XXIV., and Mounted to 37 x 56 cm.
Publisher:
publisher not identified
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Warren, 1732-1818, Cornwall, Charles Wolfran, 1735-1789, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, Francis, Philip, 1740-1818, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Anstruther, John, Sir, 1753-1811, Windham, William, 1750-1810, and St. John of Bletso, St. Andrew, Baron, 1759-1817
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 39.1 x 27.6 cm, on sheet 40.8 x 28.5 cm., and Mounted on leaf 46 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
Pitt and Fox stand square-off, fists raised in the House of Commons at the height of the Regency Crisis, just before the passage of the Regency Bill, 1789
Alternative Title:
Humphreys & Mendoza fighting for a crown and Humphreys and Mendoza fighting for a crown
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 27 x 38 cm., and Watermark.
Publisher:
Pub'd by W. Dent December 22 1788 and Sold by W. Moore, Oxford Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, and Great Britain. House of Commons,
"Pitt as the modern Egbert (king of the West Saxons, d. 839) is rowed by four kings, and tows behind him a small boat in which the Prince of Wales is seated, his wrists and ankles chained. Pitt, who steers, is seated high in the stern of the 'Treasury Barge', he wears a combined coronet and mitre, and says to his four oarsmen, 'Pull together Boys'. They are Thurlow (stroke), Buckingham, Dundas, and Richmond (bow). All wear crowns on their heads and badges like those of watermen on their sleeves. Thurlow, stripped to the waist, his badge a rose, says, "Damme! I've got precedence of the Young Lion"; he rows with the Chancellor's mace. Buckingham (Lord Lieutenant of Ireland), an Irish harp on his coat-sleeve, rows with a shillelagh, saying, "I'll answer for the Shelalagh without Authority". Dundas, wearing a thistle badge, rows with a long spoon, saying, "He shall remember old Nemo impune". Richmond, wearing a fleur-de-lis badge (he was due d'Aubigny), rows with a cannon (emblem of the ordnance, cf. BMSat 6921, &c), saying, "We'll shew him Gallic Faith." They row on one side of the boat only. A large flag in the stern of Pitt's boat has his crest (reversed), a stork grasping an anchor, with the motto: 'Devil take the Right P.W. [Prince William]'. The Prince wears a coronet with three feathers; he says, "I feel not for myself but for my country". His boat flies a flag with Pitt's crest above a flag with the royal arms. In the background is the river bank with trees, a church (the House of Commons) flying a (blank) flag (right), and (left) the dome of St. Paul's."--British Museum online catalogue
Alternative Title:
King of kings
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., State with additions to the plate., Watermark: L Taylor., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by Charles Bronwn [sic], Strand
Subject (Geographic):
England. and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Melville, Henry Dundas, Viscount, 1742-1811, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
"Pitt runs forward (left to right) to the waterside, a large sabre raised above his head, saying, "The Russian trade down the first"; he threatens a number of stranded ships with broken masts. The blade of his sabre is inscribed: 'General War in Europe. Hartzberg Cutler Berlin'. In his left hand he holds up a paper: 'Responsibility Unpd Debts £20,00000 Ditto 3000000 New Taxes . . . Taxes'. Above him is a scroll inscribed: 'Under the Protection of the Commercial Treaty with France [see British Museum satires no. 6995], or by the Armed Neutrality improved Trade of Russia carried by French bottoms'. On the right a man stands on a quay inscribed 'Company of Russia Kay to be let'; he raises in both hands a headsman's axe, inscribed 'Hard Steel badly temper'd, to smite the masts of the ships below him', saying, "Down with it [ ? or its] Poland its as well Vengeance". Above his head, rays issuing from the upper right corner of the design, inscribed 'Remote fate, no more wars M--rs [Ministers] ultimatum', impinge on a semi-circle of cloud inscribed Confidence. On this stand five tiny gibbets, each with its pendent body. On the horizon is the open sea, on which are four French ships in full sail, the nearest flying a tricolour flag inscribed 'la Nation la loi le Roi'. On the left, next Pitt, stands Thurlow, holding against his left shoulder the mace, which is labelled 'Prerogative' and 'by G--d' (cf. British Museum satires no. 7320). In his right hand is a paper: 'Law Authorities for rendering defensive treatys ofensive'. His Chancellor's wig, over which is inscribed 'Geographical Knowledge', is divided into small sections, each inscribed with the name of a place: immediately surrounding his face are six portions each inscribed 'Russia'; on his nose is 'Poland'; above his forehead is 'England'. Other places in juxtaposition are 'Oczakow', 'Isle of Dogs', 'Botany Bay', 'Persia', 'Jordaine', 'Terras incognitas', 'Turin', 'Constantinople', and 'Antwerp', 'China', 'Swisserland', 'Africa', 'Nootka', 'Germany', 'Jerusalem', 'Paris', 'Pekin', 'Patagonia', 'France'. In the background on the extreme left is a building: 'National Assembly', with the cap of Liberty surmounting a tricolour flag inscribed 'French liberty benefitted by the blunders from the English M--r'. From the door issues a label inscribed 'oui oui une adresse de tanks a Mr P--t'. From the Assembly walk two kings, France and Spain; they say (pointing to Pitt): "How he plays our game" and "Bravo! bravo! bravo!""--British Museum online catalogue
Description:
Title etched above image., Printmaker identified as Frederick George Byron in dealer's description., Text below image: Inscribed to The Russian Company by their customers, the ship builders, sail makers, rope makers and other contemptible trades that contribute to the prosperity of Old England., Publisher's advertisement at bottom of plate: In Hollands Exhibition Rooms may be seen the larges [sic] collection in Europe of caricatures, admitce. one shilling., Sheet trimmed within plate mark on top and bottom edges., Mounted in modern matte: 36 x 49 cm., and Watermark: J. Taylor.
Publisher:
Pubd. by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Great Britain and Russia
Subject (Name):
Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Charles IV, King of Spain, 1748-1819, Louis XVI, King of France, 1754-1793, and Hertzberg, Ewald Friedrich, Graf von, 1725-1795
"The Prince of Wales and his adherents are travestied as negroes; the Prince stands in a doorway inscribed 'Brookes Rectifier of Spirits', which is represented as a debtor's prison: the heads of George Hanger and Burke are seen through a barred window on the left outside which hangs a basket inscribed 'Pray Remember us Poor Blacks'. Both are naked, except for Hanger's accustomed cocked hat (cf. BMSat 6924), and Burke's biretta (cf. BMSat 6026). The Prince wears a girdle of leaves, a helmet feathered like the head-dress of a Red Indian, but decorated with the triple ostrich plume, and his ribbon and star. He holds out his hands in consternation at the approach of Fox and North (as a woman), their arms interlaced, their faces contorted with grief (cf. BMSat 6193, &c). Fox's hat is inscribed 'Carlo Crusoe'; on his breast is a placard: 'We were unfortunately cast away in the British Channel on board the Portland East Indiaman' (an allusion to the defeat of the Coalition on Fox's India Bill, and probably an imitation of the placards of begging seamen). Their scanty garments are ragged; from North's Garter ribbon hangs a placard: 'Ruined by the American War'. Behind them is another couple with arms interlaced: Lord George Gordon (not a negro) with a black man who carries a primitive stringed instrument, his cap inscribed 'Man Friday'. He is perhaps intended for Sheridan. Gordon flourishes a paper inscribed 'Defence of the Blacks by Lo[rd] G------G------' and says "By all the glories of mischief they have no right to send us to Africa". At the end of the procession Thurlow with a raised stick chases a negro wearing a cap inscribed 'Purveyor', who resembles Weltje, except that he is short and fat, and says, with clasped hands, "O! Oh! - bless your heart Massa Beetle-brow - if you no lick apoor neger man he'll pimp for you.""--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Statement following imprint: ... of whom may be had the new, very popular and comprehensive print entitled "The French treaty reviewed", &c, &c., and Mounted to 29 x 43 cm.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, No. 9, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Weltje, Louis, 1745-1810, and Gordon, George, Lord, 1751-1793
"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., 1 print : etching on laid paper, hand-colored ; sheet 12.9 x 18.9 cm., and Window mounted to 15 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., and Printed on bottom half of same sheet is companion print "The prince in clover", assigned the second call number: 787.06.02.02 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., 1 print : etching on laid paper, hand-colored ; sheet 12.7 x 18.9 cm., and Window mounted to 14 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., and Printed on top half of same sheet is companion print "The prince at grass", assigned the second call number: 787.06.02.01 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue, description of another version of the same design
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., Another version, with identical text and only slight differences in image, of no. 7289 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 38 x 29 cm.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., and Mounted on page 61 with two other prints.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., 1 print : etching and aquatint on laid paper ; plate mark 19.8 x 16.2 cm, on sheet 21.9 x 17.9 cm., and Mounted on verso of leaf 44 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
William Pitt, acting as an auctioneer in the dissoluted Parliament, sells from the rostrum decorated with Royal Arms "useless valuables," such as "Magna Charta." Cornwall, the Speaker sitting below the rostrum, records bids in the "Sundry acts." In front of him stands Thurlow in Chancellor's robes making dismissive comment on "nonsensical bidings of those common fellows," i.e. members of the House of Commons who leave through the door on the left. Last of them, Fox, turns back vowing to bid "with spirit" for lot 1, "rights of the people in 558 vol." held on display by Henry Dundas. A reference to the dissolution of the Parliament by the King on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 26th by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwall, Charles Wolfran, 1735-1789, and Dundas, Henry, 1742-1811
Subject (Topic):
Great Britain, Politics and government, Political elections, Auctions, and Clothing & dress
"Hastings stands holding one end of a large pie in his left hand; in his right he raises a knife to cut the pie. On the left are Managers of his impeachment; on the right are Thurlow and the Devil: both drag at Hastings and at the pie, but the latter party appear to be gaining. Small demons or imps emerge from the pie which personifies Impey. Burke clutches Hastings's coat and right arm; a scroll issuing from his mouth extends above his assistants and is inscribed 'For the sake of Injured Millions, I and my worthy Friends and Colleagues demand these Wretches as Victims to Publick Justice'. Fox clutches Burke, another man (? Sheridan) clutches Fox, his arm being linked in that of the man (? Windham) on the extreme left. A fifth man in back view clutches with both hands at the pie; a paper protrudes from his pocket inscribed 'Sr Elijah's Impeachment', showing that he is Sir Gilbert Elliot who was entrusted with the case against Impey. Thurlow drags at Hastings's left arm and clutches two large money-bags; a scroll issues from his mouth, forming a pendant to that of Burke: 'And - for the sake of Consigned Millions, I - with the assistance of my old Friend and Colleague here am resolved to protect these worthy Gentlemen'. He wears his Chancellor's wig and gown; one hairy leg terminates in a cloven hoof. The Devil clutches Hastings's wrist and the pie; he is a ferocious muscular creature with webbed wings and scaly barbed tail. Hastings as usual wears oriental dress with a jewelled turban."--British Museum online catalogue
Alternative Title:
Struggle for a Bengal butcher and an Impey
Description:
Title etched below image., Temporary local subject terms: Law -- Horace Walpole refers to subject of print., and Watermark.
Publisher:
Pubd. March 18 1788 for J. Doughty and Co., No. 19 Holborn, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Minto, Gilbert Elliot, Earl of, 1751-1814, and Windham, William, 1750-1810
Thurlow (left) is seated behind a table in his Chancellor's wig and gown. He clutches the bag of the Great Seal, which Pitt (right) standing in front of the table, tries to tear from him. On the wall is a picture that amplifies thes subject; it shows two dogs, one sturdy, the other lean, struggling over a basket of fish; in the background is the gate of the Treasury
Alternative Title:
Compulsive resignation
Description:
Title engraved below image., Above image: Engraved for the Carlton House magazine., and Illustration to the dialog between Slender (Pitt) and Stout (Thurlow), in the Carlton House magazine, p. 312.
Publisher:
Published by W. & J. Stratford, No. 112 Holborn Hill
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Pitt, William, 1759-1806
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[7 August 1797]
Call Number:
Print00543
Image Count:
1
Resource Type:
still image
Alternative Title:
Barbers triumphant
Description:
Title from item., Sheet trimmed within plate mark on sides., Temporary local subject terms: Surgeons: unpopularity of surgeons -- Barber-surgeons -- Barbers' implements: bowl -- City companies: allusion to barber-surgeons -- Petitions: surgeons' petition for Corporation of Surgeons in London, 1797., and Trimmed within platemark to 24.3 x 34.6 cm.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[7 August 1797]
Call Number:
797.08.07.03+
Image Count:
1
Resource Type:
still image
Alternative Title:
Barbers triumphant
Description:
Title from item., Sheet trimmed within plate mark on sides., Temporary local subject terms: Surgeons: unpopularity of surgeons -- Barber-surgeons -- Barbers' implements: bowl -- City companies: allusion to barber-surgeons -- Petitions: surgeons' petition for Corporation of Surgeons in London, 1797., and Watermark: Budgen 1794.
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., and Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India., 1 print on laid paper : etching ; sheet 40 x 56 cm., folded and mounted to 37 x 56 cm., and Sheet trimmed to and within plate mark.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: judge's robes -- Devil -- Signs: road sign -- Allusion to shop tax -- Allusion to Regency Bill -- Regency crisis, 1788., and Mounted to 37 x 27 cm.
Publisher:
Pubd. Jany. 29th, 1789 by Peter Pindar, London
Subject (Name):
Pitt, William, 1759-1806 and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, in his Chancellor's wig and gown, kicks with much vigour the back of a bishop whom he urges along a road in the direction of a signpost (right) pointing 'To Durham' (the only title of the print). The bishop wears a mitre, a gown, and extravagantly large lawn sleeves; his left hand is raised deprecatingly, his right is behind his back as if to ward off the Chancellor's kick. Thurlow's arms are raised above his head; in his right hand is his hat. In the background (left) is a cathedral; a devil flying over it indicates that it is Lincoln. Beneath the design is engraved a dialogue between the two brothers: 'Græcari Nescio - Apage Thomas, Græcari non est Græci Loqui, sed est Epulari, Saturari, Expleri, Satiari, Helluari - Epulas quadrifariam vel Centifariam dispertire - In Capite, fortunisque hominum Te longe longeque honestiorum dominari - Ohe! Græcus Sum - Salve Græcule frater fraterrime - '."--British Museum online catalogue
Alternative Title:
Graecari nescio
Description:
Title derived from signpost in the top right of image. See British Museum catalogue., Questionable attribution to J. Baldrey from the British Museum catalogue., Temporary local subject terms: Horace Walpole's copy of this print is in NYPL -- Clergy: Bishop -- Signposts -- Lincoln Cathedral -- Devils -- Kicks -- Mitres -- Lord Chancellor's wig and gown., and Watermark.
Publisher:
Pubd. Feby. 1, 1788 by I. Baldrey, No. 19 Holborn
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Thurlow, Thomas, 1737-1791
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", and Mounted.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., and One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so."
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", Plate numbered "68" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 7937 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Printed on verso, left half only, an uncolored impression of James Gillray's: The Pacific entrance of Earl-Wolf into Blackhaven.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"Thurlow as Balaam, riding (right to left) on an ass with the head of Pitt, is confronted by Fox (left) holding a sword with a serpentine blade and the shield of Britannia. The ass says, "Am not I thy Pitt=ifull Ass; upon which thou hast ridden ever since I was thine". Thurlow, on a larger scale than Fox and the ass, which is much overweighted, wears his Chancellor's wig and gown and holds his mace against his right shoulder; he looks fixedly at Fox. A low and irregular stone wall forms a background. Beneath the design is etched: 'And they came unto Balaam and said unto him, thus saith Balak the Templeite, let nothing, I pray thee, hinder thee from coming unto me, for I will promote thee unto very great honour, and I will do whatsoever thou sayest unto me: come therefore I pray thee, curse me this People. Balaam rose up in the Morning and saddled his Ass, and went with the Lords of the Bed-Chamber, now the Man of the People stood in the way for an adversary against him, and when the Ass saw the Man of the People, he fell down under Balaam and Balaam's anger was kindled; and he smote the Ass with the Mace.'"--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Watermark in center of sheet: fleur-de-lis with initials G R., and Mounted to 28 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title and printmaker from British Museum catalogue., Printmaker Gillray signing with James Sayers's initials. Cf. British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Wool sacks.
Publisher:
Pubd. June 27th 1789, by J. Aitken, Castle Street, Leicester Fields
