Title and printmaker from British Museum catalogue., Printmaker Gillray signing with James Sayers's initials. Cf. British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Wool sacks.
Publisher:
Pubd. June 27th 1789, by J. Aitken, Castle Street, Leicester Fields
"Thurlow as Balaam, riding (right to left) on an ass with the head of Pitt, is confronted by Fox (left) holding a sword with a serpentine blade and the shield of Britannia. The ass says, "Am not I thy Pitt=ifull Ass; upon which thou hast ridden ever since I was thine". Thurlow, on a larger scale than Fox and the ass, which is much overweighted, wears his Chancellor's wig and gown and holds his mace against his right shoulder; he looks fixedly at Fox. A low and irregular stone wall forms a background. Beneath the design is etched: 'And they came unto Balaam and said unto him, thus saith Balak the Templeite, let nothing, I pray thee, hinder thee from coming unto me, for I will promote thee unto very great honour, and I will do whatsoever thou sayest unto me: come therefore I pray thee, curse me this People. Balaam rose up in the Morning and saddled his Ass, and went with the Lords of the Bed-Chamber, now the Man of the People stood in the way for an adversary against him, and when the Ass saw the Man of the People, he fell down under Balaam and Balaam's anger was kindled; and he smote the Ass with the Mace.'"--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Watermark in center of sheet: fleur-de-lis with initials G R., and Mounted to 28 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", Plate numbered "68" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 7937 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Printed on verso, left half only, an uncolored impression of James Gillray's: The Pacific entrance of Earl-Wolf into Blackhaven.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so.", and Mounted.
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"A burlesque of Fuseli's well-known picture illustrating 'Macbeth', i. 3. The three witches are Dundas, Pitt, and Thurlow, in profile to the right instead of to the left. Fuseli's drapery is replaced by clouds, and the three gaze with reflective and apprehensive intensity at the moon (right): the Queen's smiling profile in a brightly lit crescent faces them, enclosing the old moon, the darkened head of the King (eclipsed), with closed eyes in profile to the right. Each witch presses the fingers of his left hand (drawn with much expressiveness) to his lips (- 'each at once her choppy finger laying upon her skinny lips'); the outstretched left arm of Fuseli's picture is absent: they appear to be seeking knowledge of the future from the moon, not foretelling it."--British Museum online catalogue
Alternative Title:
Wierd sisters, ministers of darkness, minions of the moon and Weird sisters, ministers of darkness, minions of the moon
Description:
Title etched below image., Printmaker from British Museum catalogue., Dedication etched above image: To H. Fuzelli Esqr. this attempt in the caricatura-sublime, is respectfully dedicated., and One line quotation below title: "They should be women! and yet their beards forbid us to interpret, that they are so."
Publisher:
Pubd. Decr. 23d, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Dundas, Henry, 1742-1811, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Fuseli, Henry, 1741-1825, and Shakespeare, William, 1564-1616.
Subject (Topic):
Adaptations, parodies, etc, Regency, Politics and government, Eclipses, Moon, Politicians, Sun, and Witches
"Thurlow, in his Chancellor's wig and gown, kicks with much vigour the back of a bishop whom he urges along a road in the direction of a signpost (right) pointing 'To Durham' (the only title of the print). The bishop wears a mitre, a gown, and extravagantly large lawn sleeves; his left hand is raised deprecatingly, his right is behind his back as if to ward off the Chancellor's kick. Thurlow's arms are raised above his head; in his right hand is his hat. In the background (left) is a cathedral; a devil flying over it indicates that it is Lincoln. Beneath the design is engraved a dialogue between the two brothers: 'Græcari Nescio - Apage Thomas, Græcari non est Græci Loqui, sed est Epulari, Saturari, Expleri, Satiari, Helluari - Epulas quadrifariam vel Centifariam dispertire - In Capite, fortunisque hominum Te longe longeque honestiorum dominari - Ohe! Græcus Sum - Salve Græcule frater fraterrime - '."--British Museum online catalogue
Alternative Title:
Graecari nescio
Description:
Title derived from signpost in the top right of image. See British Museum catalogue., Questionable attribution to J. Baldrey from the British Museum catalogue., Temporary local subject terms: Horace Walpole's copy of this print is in NYPL -- Clergy: Bishop -- Signposts -- Lincoln Cathedral -- Devils -- Kicks -- Mitres -- Lord Chancellor's wig and gown., and Watermark.
Publisher:
Pubd. Feby. 1, 1788 by I. Baldrey, No. 19 Holborn
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Thurlow, Thomas, 1737-1791
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Costume: judge's robes -- Devil -- Signs: road sign -- Allusion to shop tax -- Allusion to Regency Bill -- Regency crisis, 1788., and Mounted to 37 x 27 cm.
Publisher:
Pubd. Jany. 29th, 1789 by Peter Pindar, London
Subject (Name):
Pitt, William, 1759-1806 and Thurlow, Edward Thurlow, Baron, 1731-1806
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India., 1 print on laid paper : etching ; sheet 40 x 56 cm., folded and mounted to 37 x 56 cm., and Sheet trimmed to and within plate mark.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
JH identified as monogram for James Hook. See British Museum catalogue., Title from item., Sheet trimmed to plate mark at top., and Temporary local subject terms: Allusion to William Shakespeare's The Merchant of Venice: iii.3.21; iv.1.206 -- Trials of Warren Hastings -- India.
Publisher:
Pubd. May 17th 1788 by S.W. Fores, N. 3 Piccadilly
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Plumer, Thomas, Sir, 1753-1824, Dallas, Robert, Sir, 1756-1824, Smith-Stanley, Edward, 1752-1834, and Ellenborough, Edward Law, Baron, 1750-1818
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[7 August 1797]
Call Number:
Print00543
Image Count:
1
Resource Type:
still image
Alternative Title:
Barbers triumphant
Description:
Title from item., Sheet trimmed within plate mark on sides., Temporary local subject terms: Surgeons: unpopularity of surgeons -- Barber-surgeons -- Barbers' implements: bowl -- City companies: allusion to barber-surgeons -- Petitions: surgeons' petition for Corporation of Surgeons in London, 1797., and Trimmed within platemark to 24.3 x 34.6 cm.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[7 August 1797]
Call Number:
797.08.07.03+
Image Count:
1
Resource Type:
still image
Alternative Title:
Barbers triumphant
Description:
Title from item., Sheet trimmed within plate mark on sides., Temporary local subject terms: Surgeons: unpopularity of surgeons -- Barber-surgeons -- Barbers' implements: bowl -- City companies: allusion to barber-surgeons -- Petitions: surgeons' petition for Corporation of Surgeons in London, 1797., and Watermark: Budgen 1794.
Thurlow (left) is seated behind a table in his Chancellor's wig and gown. He clutches the bag of the Great Seal, which Pitt (right) standing in front of the table, tries to tear from him. On the wall is a picture that amplifies thes subject; it shows two dogs, one sturdy, the other lean, struggling over a basket of fish; in the background is the gate of the Treasury
Alternative Title:
Compulsive resignation
Description:
Title engraved below image., Above image: Engraved for the Carlton House magazine., and Illustration to the dialog between Slender (Pitt) and Stout (Thurlow), in the Carlton House magazine, p. 312.
Publisher:
Published by W. & J. Stratford, No. 112 Holborn Hill
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Pitt, William, 1759-1806
"Hastings stands holding one end of a large pie in his left hand; in his right he raises a knife to cut the pie. On the left are Managers of his impeachment; on the right are Thurlow and the Devil: both drag at Hastings and at the pie, but the latter party appear to be gaining. Small demons or imps emerge from the pie which personifies Impey. Burke clutches Hastings's coat and right arm; a scroll issuing from his mouth extends above his assistants and is inscribed 'For the sake of Injured Millions, I and my worthy Friends and Colleagues demand these Wretches as Victims to Publick Justice'. Fox clutches Burke, another man (? Sheridan) clutches Fox, his arm being linked in that of the man (? Windham) on the extreme left. A fifth man in back view clutches with both hands at the pie; a paper protrudes from his pocket inscribed 'Sr Elijah's Impeachment', showing that he is Sir Gilbert Elliot who was entrusted with the case against Impey. Thurlow drags at Hastings's left arm and clutches two large money-bags; a scroll issues from his mouth, forming a pendant to that of Burke: 'And - for the sake of Consigned Millions, I - with the assistance of my old Friend and Colleague here am resolved to protect these worthy Gentlemen'. He wears his Chancellor's wig and gown; one hairy leg terminates in a cloven hoof. The Devil clutches Hastings's wrist and the pie; he is a ferocious muscular creature with webbed wings and scaly barbed tail. Hastings as usual wears oriental dress with a jewelled turban."--British Museum online catalogue
Alternative Title:
Struggle for a Bengal butcher and an Impey
Description:
Title etched below image., Temporary local subject terms: Law -- Horace Walpole refers to subject of print., and Watermark.
Publisher:
Pubd. March 18 1788 for J. Doughty and Co., No. 19 Holborn, London
Subject (Name):
George III, King of Great Britain, 1738-1820, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Minto, Gilbert Elliot, Earl of, 1751-1814, and Windham, William, 1750-1810
William Pitt, acting as an auctioneer in the dissoluted Parliament, sells from the rostrum decorated with Royal Arms "useless valuables," such as "Magna Charta." Cornwall, the Speaker sitting below the rostrum, records bids in the "Sundry acts." In front of him stands Thurlow in Chancellor's robes making dismissive comment on "nonsensical bidings of those common fellows," i.e. members of the House of Commons who leave through the door on the left. Last of them, Fox, turns back vowing to bid "with spirit" for lot 1, "rights of the people in 558 vol." held on display by Henry Dundas. A reference to the dissolution of the Parliament by the King on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. March 26th by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwall, Charles Wolfran, 1735-1789, and Dundas, Henry, 1742-1811
Subject (Topic):
Great Britain, Politics and government, Political elections, Auctions, and Clothing & dress
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., 1 print : etching and aquatint on laid paper ; plate mark 19.8 x 16.2 cm, on sheet 21.9 x 17.9 cm., and Mounted on verso of leaf 44 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., and Mounted on page 61 with two other prints.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
"A design divided into two portions by a vertical line and a slanting line which diverges to the right from the vertical line forming with it an obtuse angle. On the left of this division are the Speaker and three members of the House of Commons; on the right the Chancellor and three peers. Only a small part of the Speaker and his chair are visible on the extreme left. Fox stands facing him, his right hand extended, his left on his hip, a scroll inscribed 'Consuetudo et Lex Parliamenti' issues from his mouth. Burke stands with his back to Fox, scowling with folded arms; his scroll is inscribed 'Tropes Figures and a long Speech'. Sheridan stands in back view, facing Burke and bending forward, his scroll is 'Speech all Point'. The figures on the right have similar attitudes to those on the left, only the extreme left of the Chancellor and Woolsack being visible. Loughborough, in back view, wearing a judge's wig and gown, says "Lex Parliamenti"; Stormont says "Long Speech". Lord Derby, turning to the right in a mincing attitude, says, "Point de tout"."--British Museum online catalogue, description of another version of the same design
Description:
Title etched below image., Signed with the monogram of James Sayers., Four lines of verse in two columns below title: Each patriots speech another speech affords, the C----ns have their echo in the L---ds; thus Opposition proves the assertion true, that even shadows have their shadows too., Another version, with identical text and only slight differences in image, of no. 7289 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Mounted to 38 x 29 cm.
Publisher:
Publd. 31st March 1788 by Thos. Cornell
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Smith-Stanley, Edward, 1752-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Thurlow, Edward Thurlow, Baron, 1731-1806, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, Hastings, Warren, 1732-1818, and East India Company.
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., and Printed on top half of same sheet is companion print "The prince at grass", assigned the second call number: 787.06.02.01 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., 1 print : etching on laid paper, hand-colored ; sheet 12.7 x 18.9 cm., and Window mounted to 14 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., and Printed on bottom half of same sheet is companion print "The prince in clover", assigned the second call number: 787.06.02.02 Impression 1.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince of Wales stands outside the gate of Carlton House, turning away and covering his eyes to avoid seeing the scaffolding which is being pulled down by Pitt, Richmond, and Dundas, who strain at ropes. A long cloak hangs from his shoulders and he holds a coronet decorated with three feathers. Thurlow with a broom and Dundas with a whip chase away a terrified crowd of artisans (left) who have been employed at Carlton House. Beside the Prince stand his friends, who look towards a rising sun appearing over the roof of Carlton House; m the disk stands Liberty, beckoning to them. Fox holds out a roll inscribed 'Magna Chart[a]'; Burke stands with his hand on North's shoulder; Sheridan holds the 'Bill of Rights'."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince in clover., Sheet trimmed within plate mark., Temporary local subject terms: Pitt's attitude toward Prince's debts -- Artisans expelled -- Figure of Liberty -- Carlton House -- Magna Carta -- Bill of Rights., 1 print : etching on laid paper, hand-colored ; sheet 12.9 x 18.9 cm., and Window mounted to 15 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, and Burke, Edmund, 1729-1797
"The Prince of Wales and his adherents are travestied as negroes; the Prince stands in a doorway inscribed 'Brookes Rectifier of Spirits', which is represented as a debtor's prison: the heads of George Hanger and Burke are seen through a barred window on the left outside which hangs a basket inscribed 'Pray Remember us Poor Blacks'. Both are naked, except for Hanger's accustomed cocked hat (cf. BMSat 6924), and Burke's biretta (cf. BMSat 6026). The Prince wears a girdle of leaves, a helmet feathered like the head-dress of a Red Indian, but decorated with the triple ostrich plume, and his ribbon and star. He holds out his hands in consternation at the approach of Fox and North (as a woman), their arms interlaced, their faces contorted with grief (cf. BMSat 6193, &c). Fox's hat is inscribed 'Carlo Crusoe'; on his breast is a placard: 'We were unfortunately cast away in the British Channel on board the Portland East Indiaman' (an allusion to the defeat of the Coalition on Fox's India Bill, and probably an imitation of the placards of begging seamen). Their scanty garments are ragged; from North's Garter ribbon hangs a placard: 'Ruined by the American War'. Behind them is another couple with arms interlaced: Lord George Gordon (not a negro) with a black man who carries a primitive stringed instrument, his cap inscribed 'Man Friday'. He is perhaps intended for Sheridan. Gordon flourishes a paper inscribed 'Defence of the Blacks by Lo[rd] G------G------' and says "By all the glories of mischief they have no right to send us to Africa". At the end of the procession Thurlow with a raised stick chases a negro wearing a cap inscribed 'Purveyor', who resembles Weltje, except that he is short and fat, and says, with clasped hands, "O! Oh! - bless your heart Massa Beetle-brow - if you no lick apoor neger man he'll pimp for you.""--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Statement following imprint: ... of whom may be had the new, very popular and comprehensive print entitled "The French treaty reviewed", &c, &c., and Mounted to 29 x 43 cm.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, No. 9, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Weltje, Louis, 1745-1810, and Gordon, George, Lord, 1751-1793
"Pitt runs forward (left to right) to the waterside, a large sabre raised above his head, saying, "The Russian trade down the first"; he threatens a number of stranded ships with broken masts. The blade of his sabre is inscribed: 'General War in Europe. Hartzberg Cutler Berlin'. In his left hand he holds up a paper: 'Responsibility Unpd Debts £20,00000 Ditto 3000000 New Taxes . . . Taxes'. Above him is a scroll inscribed: 'Under the Protection of the Commercial Treaty with France [see British Museum satires no. 6995], or by the Armed Neutrality improved Trade of Russia carried by French bottoms'. On the right a man stands on a quay inscribed 'Company of Russia Kay to be let'; he raises in both hands a headsman's axe, inscribed 'Hard Steel badly temper'd, to smite the masts of the ships below him', saying, "Down with it [ ? or its] Poland its as well Vengeance". Above his head, rays issuing from the upper right corner of the design, inscribed 'Remote fate, no more wars M--rs [Ministers] ultimatum', impinge on a semi-circle of cloud inscribed Confidence. On this stand five tiny gibbets, each with its pendent body. On the horizon is the open sea, on which are four French ships in full sail, the nearest flying a tricolour flag inscribed 'la Nation la loi le Roi'. On the left, next Pitt, stands Thurlow, holding against his left shoulder the mace, which is labelled 'Prerogative' and 'by G--d' (cf. British Museum satires no. 7320). In his right hand is a paper: 'Law Authorities for rendering defensive treatys ofensive'. His Chancellor's wig, over which is inscribed 'Geographical Knowledge', is divided into small sections, each inscribed with the name of a place: immediately surrounding his face are six portions each inscribed 'Russia'; on his nose is 'Poland'; above his forehead is 'England'. Other places in juxtaposition are 'Oczakow', 'Isle of Dogs', 'Botany Bay', 'Persia', 'Jordaine', 'Terras incognitas', 'Turin', 'Constantinople', and 'Antwerp', 'China', 'Swisserland', 'Africa', 'Nootka', 'Germany', 'Jerusalem', 'Paris', 'Pekin', 'Patagonia', 'France'. In the background on the extreme left is a building: 'National Assembly', with the cap of Liberty surmounting a tricolour flag inscribed 'French liberty benefitted by the blunders from the English M--r'. From the door issues a label inscribed 'oui oui une adresse de tanks a Mr P--t'. From the Assembly walk two kings, France and Spain; they say (pointing to Pitt): "How he plays our game" and "Bravo! bravo! bravo!""--British Museum online catalogue
Description:
Title etched above image., Printmaker identified as Frederick George Byron in dealer's description., Text below image: Inscribed to The Russian Company by their customers, the ship builders, sail makers, rope makers and other contemptible trades that contribute to the prosperity of Old England., Publisher's advertisement at bottom of plate: In Hollands Exhibition Rooms may be seen the larges [sic] collection in Europe of caricatures, admitce. one shilling., Sheet trimmed within plate mark on top and bottom edges., Mounted in modern matte: 36 x 49 cm., and Watermark: J. Taylor.
Publisher:
Pubd. by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Great Britain and Russia
Subject (Name):
Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Charles IV, King of Spain, 1748-1819, Louis XVI, King of France, 1754-1793, and Hertzberg, Ewald Friedrich, Graf von, 1725-1795
"Pitt as the modern Egbert (king of the West Saxons, d. 839) is rowed by four kings, and tows behind him a small boat in which the Prince of Wales is seated, his wrists and ankles chained. Pitt, who steers, is seated high in the stern of the 'Treasury Barge', he wears a combined coronet and mitre, and says to his four oarsmen, 'Pull together Boys'. They are Thurlow (stroke), Buckingham, Dundas, and Richmond (bow). All wear crowns on their heads and badges like those of watermen on their sleeves. Thurlow, stripped to the waist, his badge a rose, says, "Damme! I've got precedence of the Young Lion"; he rows with the Chancellor's mace. Buckingham (Lord Lieutenant of Ireland), an Irish harp on his coat-sleeve, rows with a shillelagh, saying, "I'll answer for the Shelalagh without Authority". Dundas, wearing a thistle badge, rows with a long spoon, saying, "He shall remember old Nemo impune". Richmond, wearing a fleur-de-lis badge (he was due d'Aubigny), rows with a cannon (emblem of the ordnance, cf. BMSat 6921, &c), saying, "We'll shew him Gallic Faith." They row on one side of the boat only. A large flag in the stern of Pitt's boat has his crest (reversed), a stork grasping an anchor, with the motto: 'Devil take the Right P.W. [Prince William]'. The Prince wears a coronet with three feathers; he says, "I feel not for myself but for my country". His boat flies a flag with Pitt's crest above a flag with the royal arms. In the background is the river bank with trees, a church (the House of Commons) flying a (blank) flag (right), and (left) the dome of St. Paul's."--British Museum online catalogue
Alternative Title:
King of kings
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., State with additions to the plate., Watermark: L Taylor., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by Charles Bronwn [sic], Strand
Subject (Geographic):
England. and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Melville, Henry Dundas, Viscount, 1742-1811, and Richmond, Charles Lennox, 3d Duke of, 1735-1806
Pitt and Fox stand square-off, fists raised in the House of Commons at the height of the Regency Crisis, just before the passage of the Regency Bill, 1789
Alternative Title:
Humphreys & Mendoza fighting for a crown and Humphreys and Mendoza fighting for a crown
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 27 x 38 cm., and Watermark.
Publisher:
Pub'd by W. Dent December 22 1788 and Sold by W. Moore, Oxford Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Dundas, Henry, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Humphries, Richard, d. 1827, Mendoza, Daniel, 1764-1836, and Great Britain. House of Commons,
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 39.1 x 27.6 cm, on sheet 40.8 x 28.5 cm., and Mounted on leaf 46 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"The managers of the impeachment of Hastings advance (left to right), led by Cornwall the Speaker who, raising his hat, holds out a roll, 'Articles of Impeachment', to Thurlow. Only the point of the Chancellor's hat and his hands, one holding the bag of the Great Seal, are visible on the extreme right. Burke, frowning fiercely, is next Cornwall. Immediately behind him is Francis, his left hand on Burke's shoulder, fixing Thurlow with a baleful glare; under his right arm is a large rolled document inscribed 'Evidence of Accusation'. Next are Fox and Sheridan facing each other, Sheridan in back view. Behind are Sir James Erskine with an imbecile expression (cf. British Museum Satires No. 7151), and John Anstruther (M.P. for Fifeshire boroughs) whose back is turned to Erskine. On the extreme left is Windham facing Andrew St. John. Behind them, seemingly taller than the others, and wearing a hat, is Courtenay."--British Museum online catalogue
Description:
Title etched at top of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Text below image: And after five days the High Priest descended with the elders and a certain orator named Tertullus who informed the Governor against Paul, and when he was called forth Tertullus began to accuse him saying &ca. Acts of the Apostles, Cap. XXIV., 1 print : etching on wove paper ; plate mark 26.3 x 36.7 cm, on sheet 28 x 40.2 cm., and Mounted on leaf 42 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Warren, 1732-1818, Cornwall, Charles Wolfran, 1735-1789, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, Francis, Philip, 1740-1818, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Anstruther, John, Sir, 1753-1811, Windham, William, 1750-1810, and St. John of Bletso, St. Andrew, Baron, 1759-1817
"The managers of the impeachment of Hastings advance (left to right), led by Cornwall the Speaker who, raising his hat, holds out a roll, 'Articles of Impeachment', to Thurlow. Only the point of the Chancellor's hat and his hands, one holding the bag of the Great Seal, are visible on the extreme right. Burke, frowning fiercely, is next Cornwall. Immediately behind him is Francis, his left hand on Burke's shoulder, fixing Thurlow with a baleful glare; under his right arm is a large rolled document inscribed 'Evidence of Accusation'. Next are Fox and Sheridan facing each other, Sheridan in back view. Behind are Sir James Erskine with an imbecile expression (cf. British Museum Satires No. 7151), and John Anstruther (M.P. for Fifeshire boroughs) whose back is turned to Erskine. On the extreme left is Windham facing Andrew St. John. Behind them, seemingly taller than the others, and wearing a hat, is Courtenay."--British Museum online catalogue
Description:
Title etched at top of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Text below image: And after five days the High Priest descended with the elders and a certain orator named Tertullus who informed the Governor against Paul, and when he was called forth Tertullus began to accuse him saying &ca. Acts of the Apostles, Cap. XXIV., and Mounted on page 59.
Publisher:
publisher not identified
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Warren, 1732-1818, Cornwall, Charles Wolfran, 1735-1789, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, Francis, Philip, 1740-1818, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Anstruther, John, Sir, 1753-1811, Windham, William, 1750-1810, and St. John of Bletso, St. Andrew, Baron, 1759-1817
"The managers of the impeachment of Hastings advance (left to right), led by Cornwall the Speaker who, raising his hat, holds out a roll, 'Articles of Impeachment', to Thurlow. Only the point of the Chancellor's hat and his hands, one holding the bag of the Great Seal, are visible on the extreme right. Burke, frowning fiercely, is next Cornwall. Immediately behind him is Francis, his left hand on Burke's shoulder, fixing Thurlow with a baleful glare; under his right arm is a large rolled document inscribed 'Evidence of Accusation'. Next are Fox and Sheridan facing each other, Sheridan in back view. Behind are Sir James Erskine with an imbecile expression (cf. British Museum Satires No. 7151), and John Anstruther (M.P. for Fifeshire boroughs) whose back is turned to Erskine. On the extreme left is Windham facing Andrew St. John. Behind them, seemingly taller than the others, and wearing a hat, is Courtenay."--British Museum online catalogue
Description:
Title etched at top of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Text below image: And after five days the High Priest descended with the elders and a certain orator named Tertullus who informed the Governor against Paul, and when he was called forth Tertullus began to accuse him saying &ca. Acts of the Apostles, Cap. XXIV., and Mounted to 37 x 56 cm.
Publisher:
publisher not identified
Subject (Name):
Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Warren, 1732-1818, Cornwall, Charles Wolfran, 1735-1789, Thurlow, Edward Thurlow, Baron, 1731-1806, Burke, Edmund, 1729-1797, Francis, Philip, 1740-1818, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Anstruther, John, Sir, 1753-1811, Windham, William, 1750-1810, and St. John of Bletso, St. Andrew, Baron, 1759-1817
Title from item., Sheet trimmed within plate mark., Printmaker from similar print. Cf. British Museum catalogue no. 6387., Original publication statement burnished from the plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Allusion to John Stuart, 3rd Earl of Bute, 1713-1792 -- Personifications: Rumor blowing trumpet -- Brookes's Club, London -- Demon wearing tartan -- Charters -- East India Bill, 1783 -- Gambling: Dice and dice-box -- Crown -- Thistle -- Allusion to Fox-North Coalition, 1783 -- Satire on Pitt's ministry -- King's Prerogative -- Tax-receipt -- Signs: Sign-post -- 'Secret Influence'., and Watermark in center of sheet: J Whatman.
Publisher:
Pubd. 12 Apr. 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Nugent, Robert Craggs Nugent, Earl, 1702?-1788, Alvanley, Richard Pepper Arden, Baron, 1745-1804, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
"Pitt stands in front of the throne to which he points with a hand holding a number of threads attached to the noses of his supporters, who advance through a doorway, the foremost kneeling or prostrating themselves. Across his forehead is a placard inscribed 'Interest'; he says, "Approach & Salute the Broad Bottom of Royalty!!" He holds a large flag inscribed 'Standard of venality' on which are a large earl's coronet indicating Lonsdale (see British Museum Satires No. 6579), two duke's coronets, a mitre, a baron's and a viscount's coronet, and three money-bags, each inscribed 'Cole' (cf. British Museum Satires No. 6213), followed by the words 'to be Given Away'. On the ground at Pitt's feet are the words, 'Road to Preferment'. The king kneels on the throne exposing his 'broad bottom' to the Pittites; it is irradiated and to it are attached a pair of small wings; it is further adorned with Garter star and ribbon inscribed 'Honi Soit qui mal...'. He bends forward, his body in a horizontal position, so that his head and shoulders are hidden by a curtain (left) inscribed 'Secret Influence Drying Clouts! Nursing Making toast [cf. British Museum Satires No. 7923] Rocking the Cradle, &c. &c. &c.' The crowd of Pittites advances through a doorway surmounted by a large royal crown flanked by a birch-rod and a sword. Across the doorway is inscribed 'Hall of Prerogative 1784', and over the heads of the members, 'Majority of ye New P------T We are your Devoted Slaves'. Their heads are crudely drawn and few can be identified: a man in the forefront in tartan is evidently Dundas. A man full-face in the centre of the crowd who is inscribed 'Rat Catcher' and has a rat on his forehead is John (or Jack) Robinson, see British Museum Satires No. 6427, &c. Thurlow in wig and gown kneels in profile to the left, and a man on the extreme right resembles Barré. A parson in the foreground is probably Mason, cf. British Museum Satires No. 6485."--British Museum online catalogue
Alternative Title:
First levee of the new Parliament
Description:
Title from item., Temporary local subject terms: Parliamentary levees -- Secret influence -- Members of Parliament as slaves -- Royal prerogative -- Homage -- 'Broad Bottom'., Watermark in center of sheet: J Whatman., and Mounted to 29 x 46 cm.
Publisher:
Pubd. as the act directs, May 29, 1784, by T. Hardy, Strand
Subject (Name):
George III, King of Great Britain, 1738-1820, Lonsdale, James Lowther, Earl of, 1736-1802, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Robinson, John, 1727-1802, Barré, Isaac, 1726-1802, and Mason, William, 1725-1797
Subject (Topic):
Thrones, Buttocks, Legislators, Kneeling, Crowns, Flags, and Bribery
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Plate numbered "112[?]" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 8096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With an impression on the verso of a reprint of James Gillray's, with number in upper right '80': Vices overlook'd in the new proclamation. [London] : Pubd. May 24th 1792 by H. Humphrey, N. 18, Old Bond Street, [24 May 1792].
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Publisher and date of publication from those of the volume in which the plate was issued., Plate numbered "112[?]" in upper right corner., Plate from: The works of James Gillray, from the original plates ... London : Printed for H.G. Bohn by C. Whiting, [1849?]., For an earlier state lacking plate number, see no. 8096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and With an impression on the verso of a reprint of James Gillray's, with number in upper right '80': Vices overlook'd in the new proclamation. [London] : Pubd. May 24th 1792 by H. Humphrey, N. 18, Old Bond Street, [24 May 1792].
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn]
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., Temporary local subject terms: Allusion to Cardinal Thomas Wolsey, 1475-1530 -- Nicknames: 'Old Nobbs' (George III) -- Expressions of speech: George III's 'what, what, what' -- Government officials: chancellor -- Dismissals: Thurlow's dismissal from Chancery, 1792 -- Great Seal -- Tug-of-war -- Containers: woolsack., and Mounted to 30 x 40 cm.
Publisher:
Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Thurlow, Edward Thurlow, Baron, 1731-1806
"Indian men and women kneel before a large rectangular pedestal on which stands a golden calf with the head of Hastings. Three Indians lie on the pedestal at Hastings's feet, making gestures of despair and entreaty. From his mouth protrudes a sword (left) inscribed 'The Brand of Devastation'. On his back sits Wilkes facing the tail (right) which he lifts with one hand; in the other is the cap of 'Liberty' in which he catches large jewels excreted by the Golden Calf. He wears a livery gown and says: "Who would not wipe a Calf's Backside, To gain the Sparks of Eastern Pride". At the Calf's feet lie a crown, sceptre, and orb, with (?) scimitars. On the ground and on the extreme left a well-dressed man stands before an altar holding a knife which drips blood over the altar; he says, pointing to an Indian who lies at his feet, stabbed through the heart: 'When British Judges rule the Coast, The Natives must obey, No palliative means we boast, By G------you die or pay'. In the foreground (right) stand Thurlow and a military officer. The Chancellor, who wears his wig and robe, is blindfolded; in his right hand he holds erect the 'Sword of Justice', which is being taken from him by the officer who holds a diamond against the blade. In Thurlow's left hand is a bag inscribed 'Gold Moors'; he says: "Which Powerful God my wavering mind controuls, And my Sage Brows with Golden bands infolds, 'Tis Mammons self I can be Just no more, Take thou the Sword give me the Golden Store". The officer, who wears a wallet or haversack inscribed 'Diamonds', says: "So shall we Triumph while the Diamond's smile, Can melt the Soul and Justice's beguile." Three Indians who kneel in the foreground below the pedestal of the Golden Calf are offering money (a bag inscribed 'Gold Moors') and jewel-boxes to Hastings."--British Museum online catalogue
Alternative Title:
Children of India worshipping the golden calf
Description:
Title etched below image., Possibly after John Boyne according to Andrew Edmunds., Sheet trimmed to plate mark on top edge., and Mounted to: 56 x 62 cm.
Publisher:
Publish'd May 15, 1788, by J. Berry, No. 129 Oxford Road
Subject (Name):
Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Wilkes, John, 1725-1797, and East India Company.
Subject (Topic):
Impeachment, Adoration, Ceremonial objects, Corruption, Idols, Justice, and Liberty
"A parody of BMSat 7309. Warren Hastings, seated on a close-stool containing guineas, his feet resting on a stool, leans forward, a bag of 'Pagodas' in his left hand, of 'Roopees' in his right, which he hands to Thurlow and Pitt respectively, who bow before him with hands outstretched to take the money-bags. He says, "Dear Gentlemen this is too little your modesty really distresses me". He wears oriental dress with a crown on his turban. On his seat is a reversed crown. Queen Charlotte (in place of Burke) grovels on the floor, kissing Hastings's toe; she clasps a large money-bag inscribed '£200000'; under her left arm is a box inscribed 'Bu[ls]e' (see BMSat 6966, &c). George III (in place of Francis) emerges from the ground behind Hastings, clutching a great heap of guineas which is piled on the floor; his left arm is in the close-stool, taking out guineas; he says, "I am at the Bottom of it". In place of the wigs and swords of BMSat 7309 are hats held out to be filled with gifts: a pair of hands (in the Windsor uniform) holds out a hunting-cap (probably intended for one of the King's equerries); a hand holds out a three-cornered hat, a hand in a lawn sleeve holds out a mitre, a hand in a similar sleeve holds out a mortar-board cap. These are inscribed 'Turbæ cætera'. The insignia of the Garter are similarly inscribed. On the wall behind Hastings is a picture (left) of a vast human body emerging from the summit of a mountain scattering coins to a crowd of kneeling suppliants. The frame is inscribed: '"Out it came - "Not a little tiny Mouse, but a Mountain of delight.' After the title is etched: 'Mew mew mew, fal lal &c &c'."--British Museum online catalogue
Alternative Title:
Begging bow
Description:
Title etched below image., Attributed to Gillray in British Museum catalogue., Text in lower right, below title: Mew mew mew, fal lal &c. &c., and Temporary local subject terms: Mottoes: 'Turbae caetera' -- Order of the Garter -- Bags of money -- Uniforms: Windsor -- Pictures that amplify subect -- Hats: Mortar boards -- Reversed crown on Close-stools.
Publisher:
Pubd. May 6th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Pitt, William, 1759-1806
Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., A reduced copy of a print by Gillray with the same title. Cf. No. 7308 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 46 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Saint James's Palace (London, England), Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Thurlow, Edward Thurlow, Baron, 1731-1806, Leeds, Francis Godolphin Osborne, Duke of, 1751-1799, North, Frederick, Lord, 1732-1792, Sydney, Thomas Townshend, Viscount, 1733-1800, Taylor, Michael Angelo, 1757-1834, Sheridan, Richard Brinsley, 1751-1816, Francis, Philip, 1740-1818, Burke, Edmund, 1729-1797, and Fox, Charles James, 1749-1806
"A pack of hounds is in full cry after an animal with the head of Hastings which runs through the gate of St. James's Palace (right). He wears a turban; a collar round his neck is inscribed 'Hyana', and a large bag inscribed 'Diamonds & Rupees' is tied to his tail. The hounds are being whipped back by Thurlow (left) who rides an ass with the head of the King, shouting "Back! Back!" He wears a hunting-cap and boots with monstrous spurs, with his Chancellor's wig and gown. He is riding over the hounds who have the heads of the leading Managers of Hastings's impeachment. North (not a Manager) lies prostrate and apparently dead under the ass's heels. Burke is being crushed under the animal's off foreleg, while the other kicks Fox. The foremost of the pack is Sheridan, his collar inscribed 'Drury Lane'. Behind him are Fox, a dog whose collar is inscribed 'Francis' (not a Manager, see BMSat 7268), and Michael Angelo Taylor, his collar inscribed 'Law-Chick', see BMSat 6777. The King's head is in profile to the right, his saddle is ornamented with a crown and a jewel is suspended from his neck, probably the famous diamond, see BMSat 6966, &c. Two sentries stand at the gate of the Palace with pens in their caps, probably indicating that they are the two Secretaries of State, [In Wright and Evans they are identified as Sydney and Pitt. Sidney's vis-à-vis, scarcely recognizable, resembles Pitt in BMSat 7312] Sydney (left) and Carmarthen (right), to whom there is some resemblance, and who are peers, cf. BMSat 7300, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bulse -- Military sentries.
Publisher:
Pubd. April 27th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Hastings, Warren, 1732-1818, George III, King of Great Britain, 1738-1820, Thurlow, Edward Thurlow, Baron, 1731-1806, Leeds, Francis Godolphin Osborne, Duke of, 1751-1799, North, Frederick, Lord, 1732-1792, Sydney, Thomas Townshend, Viscount, 1733-1800, Taylor, Michael Angelo, 1757-1834, Sheridan, Richard Brinsley, 1751-1816, Francis, Philip, 1740-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and St. James's Palace (London, England)
Original date in imprint scored through, but visible: statement: Decembr., Imprint statement continues: "where may be had the largest collection of caraccatures [sic].", Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Games: tug-of-war -- Crowns -- Whigs -- Tories -- Thrones -- Emblems: Prince of Wales's feathers -- Jesuits -- Judges -- Spectacles., and Mounted to 27 x 26 cm.
Publisher:
Published by J. Aicken Jany. [the] 2nd 1789, Bear Streett [sic] Leicester Squares
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Below image on left: Price 1s., Eight lines of verse in two columns below image: A prophet fourteen years ago, foretold Britannia's fate ..., Temporary local subject terms: Buildings: King's Bench prison -- Military: Scotch soldiers -- Riots: reference to St. George's Fields, May10, 1768 -- Animals: Lord Bute as a crocodile -- Nicknames: Lord Bute as Moloch -- Mythology: Hecate -- Cerberus -- Hydra -- Emblems: jack boot -- Emblems: thistle -- Hell -- Britannia (Symbolic character) -- Law: judges -- Birds: peacock -- Animals: cat -- Monkey -- William Allen, d. 1768., Mounted to 35 x 46 cm., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Mansfield, William Murray, Earl of, 1705-1793, Thurlow, Edward Thurlow, Baron, 1731-1806, and Wilkes, John, 1725-1797
"A strip design of figures, generally in pairs, in the manner made popular by Bunbury's 'Long Minuet' (BMSat 7229). All attempt to imitate the bow of the Prince of Wales; the words spoken are etched above the head of the speaker. A tall thin man bows, facing a short fat one who says, "What do you think of mine, Sir". The former answers, "It won't do upon my honor." An isolated middle-aged man stoops, his left hand on his back, his right leg raised, his face contorted with pain, saying, "Oh, damn the Lumbago!" A tall thin man, whose dress imitates that of the Prince of Wales, bows, hat in hand, saying, "Monstrous like the Prince, the very bow dem me". His stout and ungainly 'vis-à-vis', dressed in the fashion of c. 1760, is a doctor with medicine-phials projecting from his coat-pocket; he bends low, saying, "Curse it, I've burst the waistband of my breeches". A man wearing a sword bows, holding his hat in both hands; he says to his 'vis-à-vis', a young Irish volunteer in regimentals, "Good God, Sir, you should take off your hat when you make a bow!" The other (the first figure on the second sheet) answers, "Arrah let a Volunteer alone, my dear, did you ever know a man fire before he presented!" A stiff, thin man, resembling BMSat 6718 (Furtado), says to a man who bows from the waist, his body almost horizontal, his long pigtail queue projecting stiffly, "You bow too low, Sir". The other answers, "And you seem to be spitted, Mr few." A Frenchman, 'chapeau-bras' and wearing a bag-wig, capers like a dancing-master, saying, "Ha! Ha! by gar poor John Bull's back will ache at this amusement". His foppishly dressed 'vis-à-vis' stiffly imitates his attitude, saying, "These tight stays will be the death of me." A plainly dressed man bends towards a boy who bows awkwardly, saying, "Vary weel, Sawny, vary like the Prince's bow!" A stout and ugly bishop (the first figure on the third sheet) with an ill-fitting wig, bowing obsequiously, his hands on his breast, faces a thin stiff man who looks at him through an eye-glass, saying, "It may do for a poor Curate presenting a Petition!" The bishop answers, "Better than yours you Pulpit Prig." Burke and Fox, both 'chapeau-bras', bow facing each other: Burke says, "Garrick's bow at the Shrine of Shakespeare was nothing to it." Fox answers, "This is to a certainty something like it." Thurlow, in Chancellor's wig and gown, bows, saying, "He take precedence of me! d-----n his bow!" (cf. BMSat 7320). He faces George Hanger, wearing regimentals, who bows, hat in hand, saying, "It would kick up the heels of chastity in Maid, Wife, or Widow.""-British Museum online catalogue
Description:
Title from item.
Publisher:
Published by William Holland, printseller at Garrick's Richard, No. 50 Oxford Street, near Berner's Street
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, and Burke, Edmund, 1729-1797
"The interior of a dairy: George III (left), in shirt-sleeves, is churning; the Queen, dressed as a farmer's wife, sits in the window counting the coins which the Princess Royal pours on to the table. The Princess has a basket on her arm and is dressed like a country-girl. The Queen says, "Bless me, Child, you have made a very bad market! Good Heavens is it possible the people can be so unreasonable these plentiful times to expect six eggs for a groat! You shall tramp to London next market day." The King adds, "A very bad market girl, indeed, a very bad market girl - Limy shall go next" (cf. British Museum Satires No. 6947). Behind the King are shelves with bowls of cream, a furtive cat drinks from one of them. Above them, three milk-scores are chalked on the wall, headed, 'Cartwheel's score', 'The Widow Waggonrut', and 'Mrs Towser'. On the ground (left) is a pile of cheeses. Outside the wide doorway (right) Pitt, elegantly dressed, is milking a cow with a fastidious air; he sings: "I made war with Kate, a buxom Northern Lass: But such my cruel fate - " Thurlow, wearing a smock, stands with his back to Pitt, cracking a whip; he says, "She bid you kiss her A------! Damn the Whip I'll never learn the right smack of a Carter.""--British Museum online catalogue
Alternative Title:
Summer amusement at Farmer George's near Windsor
Description:
Title etched below image., Attributed to Richard Newton by Alexander., Publisher's advertisement above image: In Holland's Exhibition Rooms may be seen the largest collection in Europe of caricatures. Admittance, one shilling., Sheet trimmed within plate mark., and Watermark in center of sheet: CR.
Publisher:
Pubd. August 9, 1791, by W. Holland, No. 50 Oxford Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Catherine II, Empress of Russia, 1729-1796.
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Four lines of verse below title: "Who wrought such wonders as might make, Egyptian sorcerers forsake ..." Churchll., Temporary local subject terms: Literature: quotations: Charles Churchill, 1731-1764 -- Jugglers -- See-saws -- Naval logs -- Allusion to Mother Shipton -- Gate of St. James's Palace -- Fishwives -- Punch -- Coins -- Chimney sweeps -- Trials: Warren Hastings's trial -- Alexander Hood, Viscount Bridport, 1727-1814., 1 print : etching on laid paper ; plate mark 34.8 x 24.8 cm, on sheet 40.5 x 27.3 cm., and Mounted to 43 x 30 cm.
Publisher:
Pubd. May 16th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Saint James's Palace (London, England),
"A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., and Mounted to 36 x 49 cm.
Publisher:
Pubd. June 9th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Shakspeare Gallery., Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Cerberus (Greek mythology), Medusa (Greek mythology), and Serpents
Title from item., Publisher's announcement following imprint: who has lately fitted up his caracature [sic] exhibition in an entirely novel stile [sic], admittance one shilling. NB folios lent out for the evening., Temporary local subject terms: Treasury -- Orbs and scepters -- Maces -- Literature: William Shakespeare's The Tempest., Publisher's stamp in lower right of sheet: S.W.F., and Matted to 47 x 63 cm.; subjects numbered on mat below and above image and identified in a key on the right.
Publisher:
Pub. Febry 19, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
Title from item., Publisher's announcement following imprint: who has lately fitted up his caracature [sic] exhibition in an entirely novel stile [sic], admittance one shilling. NB folios lent out for the evening., Temporary local subject terms: Treasury -- Orbs and scepters -- Maces -- Literature: William Shakespeare's The Tempest., 1 print on wove paper : etching ; sheet 29 x 45 cm., and Sheet trimmed witihin plate mark on right.
Publisher:
Pub. Febry 19, 1795, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
