Title etched above image., A reduced version in reverse of British Museum satires no. 3471; used as a frontispiece to the Literary Magazine, 15 February-15 March 1757., Sheet trimmed within plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 13., and Mounted to 24 x 28 cm.
Publisher:
publisher not identified
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Augustus III, King of Poland, 1696-1763, Louis XV, King of France, 1710-1774, Frederick II, King of Prussia, 1712-1786, and Brühl, Heinrich, Graf von, 1700-1763
"Satire on the public reaction to Admiral Byng's withdrawal from the defence of Minorca."--British Museum online catalogue
Alternative Title:
Byng triumphant
Description:
Title etched above image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Watermark: Strasburg lily., and 1 print : etching on laid paper, hand-colored ; plate mark 32 x 20 cm, on sheet 34 x 22 cm.
Publisher:
publisher not identified
Subject (Geographic):
Minorca (Spain)
Subject (Name):
Byng, John, 1704-1757, Wesley, John, 1703-1791, and La Galissonnière, Roland Michel Barrin, marquis de, 1693-1756
Subject (Topic):
History, Gallows, Hangings (Executions), and Memorial arches
A collection of 20 proof states of the 27 prints after George Cruickshank used as illustrations for The Universal songster; or, Museum of mirth. Most are signed with Marshall's initials 'JRM', with two signed 'J.R. Marshall' and most identify the artist as 'G.C.' (i.e. George Cruikshank) or G. Cruikshank'. One print based on William Hogarth's "O the roast beef of Old England, &c." includes the attribution "From Hogarth by G.C."
Description:
Title devised by cataloger., The Universal songster; or, Museum of mirth was first issued by John Fairburn in weekly numbers beginning in 1825, and then shortly afterwards by Jones & Co.; see Cohn., Printed on india paper with three additional prints, all duplicate impressions on a different paper stock and all faulty. One duplicate plate is annotated in the top margin: "3 blocks by G. Ck. 9 blocks by RC. 1 block by [illegible]. Rimil 1863 r/m/. Out of Universal songster. Bone has the others.", Bound in calf gilt, all edges gilt; two auction records tipped on first blank., and For further information, consult library staff.
The Duke of Cumberland rides a horse towards the left; in the distance are buildings which are labelled 'Eton College'. From his mouth come the words, "My all is in my possession, possession, possession. My all is in my posession. Mounted behind him on the horse is a pretty, young woman playing a hurdy-gurdy. From her mouth, the words, "Virgins are like [the] fair flowers in its lustre." A large belt labelled "The girdle of affection" encircles the two riders waists. A distressed young peasant, the girl's brother, chases the horse, crying, "My dear sister. Stop 'e. Stop 'e. Stop 'e. O, I fear she's gone for aye." He carries the box for the hurdy-gurdy on his back. An allusion to the Savoyards - and Mars. Quotation from Twelfth night, I.i.1, by William Shakespeare, 1564-1616
Alternative Title:
Mars on his journey
Description:
Title engraved below image., Sheet trimmed to plate mark., 'Price 6d.'--Lower right corner., One line of verse added after title: If musick be the food of love, play on. Gay., Temporary local subject terms: Savoyards -- Mythology: allusion to Mars., and Watermark: Strasburg bend with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765
"Satire on Samuel Touchet, a Manchester merchant and MP, who is said to importing French cloth to the detriment of the English textile trade. He is shown grasping the Golden Fleece, suspended from the ceiling, while £1200 worth of 'English Goods [are] Neglected' and £36000 per annum of 'French Goods [are] Promoted]; the Devil, dressed as a Frenchman, encourages Touchet and refers to 'Monsr. Belle Amy', i.e., the textile merchant William Bellamy."--British Museum online catalogue
Alternative Title:
French wolf in sheep's clothing and Englands belle amis
Description:
Title etched above image., Date from British Museum catalogue., Two lines of verse below image: Ev'n you your self to your own breast shall tell ..., Temporary local subject terms: Wool trade -- Satan -- Expression of speech: wolf in sheep's clothing -- Mythology: Golden Fleece., Truman's notes about the print are shelved as: LWL Mss Group 1 File 19., Watermark., and Mounted to 28 x 46 cm.
Publisher:
Leghorn invt. and print London ; reprinted at the Acorn Fleet Market, Ludgate Hill
"Satire on the king and government concerning the employment of Hanoverian troops in England. A cart loaded with Hanoverian turnips is drawn from the right by three horses into the parade ground behind the Treasury.On the left, in front of the leading horse, stands John Perceval, his coat labelled "Deceivall" and holding a paper lettered, "Independant", saying, "In my popular station". Facing him, the bulky figure of William Pulteney, holding a driver's whip and a handful of turnips, says, "Honest Friend S[an]d[y]s rejoyce & sing here's H[anove]r T[urni]p will now come again Ho"; Robert Walpole stands on the other side of the horses saying, "Ha S[an]d[y]s you've a short reign". The man standing on the shafts of the cart calling out, "Stop Boy they shall buy th'all" is apparently identifiable as Samuel Sandys, now Chancellor of the Exchequer; Amalia von Wallmoden sits on the turnips saying, "Thank you Sr for ye Honr. you've done me & yor. Man Will", presumably a reference to Pulteney. Behind the horses stand two other men, evidently Treasury officials, one, holding Treasury tallies, says "Let me be S[and]y[s] I'm not squeamish", the other saying "Ill make a round sum"; the king leans over a balcony of the Treasury brandishing a broom and saying "Pay for ye whole S[an]d[y]s I'll sweep the T[reasu]ry clean". On a wall in the background are pasted "S[an]d[y]s Speeches, a halfpeny a Peice" concerning the Place Bill, the Motion to enquire into the conduct of Walpole and the Triennial Act 1743; a ballad seller sits on the ground beside them. The Hanoverian cavalry enters from the right, led by a commander carrying the standard with the white horse of Hanover, and followed by mounted bandsmen, including a kettle drummer and a trumpeter. One Hanoverian remarks, "For us 260" in reference to the number of members of parliament who voted to retain the troops. In the foreground an Englishman kneels on the ground grasping a bunch of turnips and saying, "By G[o]d these Turnips are dear"."--British Museum online catalogue
Alternative Title:
Hanover turnip man come again
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet partially trimmed within plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 5., Subjects identified by numbers placed below the print on mounting sheet and explained in the key in upper right. Summary of the description in the British Museum Catalogue follows below the key., Mounted to 32 x 46 cm., and Watermark: Strasburg lily.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Name):
George II, King of Great Britain, 1683-1760, Bath, William Pulteney, Earl of, 1684-1764, Egmont, John Perceval, Earl of, 1711-1770, Walpole, Robert, Earl of Orford, 1676-1745, Ombersley, Samuel Sandys, Baron of, 1695-1770, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
"Satire on the king and government concerning the employment of Hanoverian troops in England. A cart loaded with Hanoverian turnips is drawn from the right by three horses into the parade ground behind the Treasury.On the left, in front of the leading horse, stands John Perceval, his coat labelled "Deceivall" and holding a paper lettered, "Independant", saying, "In my popular station". Facing him, the bulky figure of William Pulteney, holding a driver's whip and a handful of turnips, says, "Honest Friend S[an]d[y]s rejoyce & sing here's H[anove]r T[urni]p will now come again Ho"; Robert Walpole stands on the other side of the horses saying, "Ha S[an]d[y]s you've a short reign". The man standing on the shafts of the cart calling out, "Stop Boy they shall buy th'all" is apparently identifiable as Samuel Sandys, now Chancellor of the Exchequer; Amalia von Wallmoden sits on the turnips saying, "Thank you Sr for ye Honr. you've done me & yor. Man Will", presumably a reference to Pulteney. Behind the horses stand two other men, evidently Treasury officials, one, holding Treasury tallies, says "Let me be S[and]y[s] I'm not squeamish", the other saying "Ill make a round sum"; the king leans over a balcony of the Treasury brandishing a broom and saying "Pay for ye whole S[an]d[y]s I'll sweep the T[reasu]ry clean". On a wall in the background are pasted "S[an]d[y]s Speeches, a halfpeny a Peice" concerning the Place Bill, the Motion to enquire into the conduct of Walpole and the Triennial Act 1743; a ballad seller sits on the ground beside them. The Hanoverian cavalry enters from the right, led by a commander carrying the standard with the white horse of Hanover, and followed by mounted bandsmen, including a kettle drummer and a trumpeter. One Hanoverian remarks, "For us 260" in reference to the number of members of parliament who voted to retain the troops. In the foreground an Englishman kneels on the ground grasping a bunch of turnips and saying, "By G[o]d these Turnips are dear"."--British Museum online catalogue
Alternative Title:
Hanover turnip man come again
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet partially trimmed within plate mark., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Name):
George II, King of Great Britain, 1683-1760, Bath, William Pulteney, Earl of, 1684-1764, Egmont, John Perceval, Earl of, 1711-1770, Walpole, Robert, Earl of Orford, 1676-1745, Ombersley, Samuel Sandys, Baron of, 1695-1770, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
A satirical representation of the Battle of Dettingen, 1743. Overturned canons are piled in a ditch with fascines in the foreground; a large dead limb of a tree separates it from the battle ground. In the left corner the word 'Steelingensat' suggests the scene is a view from the fortress. In the center George II as the white horse of Hanover rides a British lion from whose mouth come the words "Starv'd on Bon pour nicole". The Hanoverian general Otto Christian von Ilten (nicknamed "Confectioner General") confronts the lion and his rider. Also depicted are the French and Austrian generals who shout encouragement to the troups
Alternative Title:
Hanoverian Confectioner General
Description:
Title etched above image., Publication date based on event depicted., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image, with title: A song sung by [the] soldiers in [the] B-h [i.e., British] camp to [the] tune of [the] Cucco., Truman's notes about the print are shelved as: LWL Mss Group 1 File 6., Short description by Bowditch in upper right of mounting sheet., Watermark., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Stair, John Dalrymple, Earl of, 1673-1747, and Ilten, Otto Christian von, ca. 1687- 1749
A satire of the Congress and Treaty of Aix-la-Chapelle with references to Silesia and Gibraltar and the territorial concessions made by the British, specifically relinguishing Capr Breton to France. Here the European powers are represented as beasts: France is depicted as a crowing cock; England as lion; Holland as boar; Genoa as dog; Prussia as wolf; Spain as leopard; Germany as griffin; Austria as eagle; and the Duchy of Lorraine as dog
Description:
Title engraved above image., Truman's notes about the print are shelved as: LWL Mss Group 1 File 10., Watermark: Pro patria., and Mounted to 30 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Europe
Subject (Topic):
Foreign relations, Politics and government, Animals in human situations, Roosters, Lions, Boars, Dogs, Wolves, Eagles, Leopards, and Griffins
A courier on horseback blows his horn as he approaches a small building with a sign board dangling from its post "Popularity, The Blown Bladder by W P". A bandaged foot (gouty) resting on a stool is sticking out the door; crutches resting against the side of the hovel. Behind the rider is a cushion with a royal crown, decorates with thistles labeled B-e (for Lord Bute) and M-d (for the Earl of Mansfield). Three young trees on the lower right represent the three British kingdoms. A quotation from Book II of Virgil's Aeneid in lower right corner of image
Description:
Title etched at top of image., Publication date from British Museum catalogue., Second state, as described in the British Museum catalogue, with the large cushion substituted for the public house behind the duke; It intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., A satire intended to express that Lords Bute and Mansfield though not in the cabinet, overshadowed the King., Sheet trimmed to plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 23., and Watermark: J Whatman.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Mansfield, David Murray, Earl of, 1727-1796, and Pitt, William, Earl of Chatham, 1708-1778
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., Truman's notes about the print are shelved as: LWL Mss Group 1 File 7., Bowditch's note on mounting sheet: Truman Sale 1906; mounted to 32 x 44 cm., and Contemporary mss. annotations on front of print identifying the names of the person depicted.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
"Satire on the partiality of the king and of Newcastle's ministry for Hanover at the expense of Britain. The orchards of England have been stripped and boats loaded with apples are being rowed across the channel to Hanover where the king and his ministers are tending a single crab apple tree. In the foreground the horse of Hanover, now well-fed thanks to British support, produces "fine manure for the Crab Tree", in the form of coins, caught in his mitre by a bishop. In the distance, Bubb Doddington buries Britannia beside a church on which the weather vane is the Hanoverian horse to the delight of a passing French ship."--British Museum online catalogue
Alternative Title:
Epilogue to the recruiting serjeant
Description:
Title etched above image., Publisher Matthias Darly identified from address and date., Temporary local subject terms: Hanover -- Emblems: the white horse of Hanover -- Fruit: apples -- British Lion., Truman's notes about the print are shelved as: LWL Mss Group 1 File 16., Watermark: countermark I V., and Mounted to 34 x 45 cm.
Publisher:
To be had at the Acorn facing Hungerford Strand & facing Little Suffolk Street, Hedge Lane
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Holland, Henry Fox, Baron, 1705-1774, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Title etched above image., Publication date in British Museum catalogue: August 1762., Below image: To the courteous readers of the Monitor, Briton, North Briton, & other political Quixotes, this print is humbly inscrib'd., "Price 6d.", Temporary local subject terms: Journals: The Patriot -- Signboards -- Emblems: Caduceus -- Buildings., and Watermark: Strasburg bend.
Publisher:
publisher not identified
Subject (Name):
Beardmore, Arthur, d. 1771., Brühl, Heinrich, Graf von, 1700-1763., Bute, John Stuart, Earl of, 1713-1792., Pitt, William, Earl of Chatham, 1708-1778., Murphy, Arthur, 1727-1805, Churchill, Charles, 1731-1764, Beckford, William, 1709-1770, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Sedition, Newspapers, Signs (Notices), Taverns (Inns), and Fishing nets
Satire of a witch carrying two Scotsmen on a broomstick from Edinburgh to London, the thistle being an emblemic reference to Scotland and the crown, to England. The coat of arms engraved at top of image with quote from Hopkins Junr. on left and Joel Chap. 2, Ver. 3. The title is a reference to Fingal by James MacPherson
Description:
Title from item., Printmaker from British Museum catalogue., "Price 6d.", Placement instructions in upper right corner: Brit. Antid. No. 24., Variant state, with placement line and publication date added, of No. 3859 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Truman's notes about the print are shelved as: LWL Mss Group 1 File 21.
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"Satire on Robert Walpole, showing the grounds for the Motion to remove him from office. In the foreground an extravagantly dressed young woman, representing bribery and corruption, distributes lucrative offices to the clergy, judges, army officers and members of parliament all of whom wear yokes about their necks and profess their loyalty to her and to Walpole's policies including, in the case of the politicians, a general Excise. At her feet is a pile of money bags, coronets, orb and sceptre, bank bills and pensions. In the background Walpole rides on a wagon in the form of a large money chest labelled "for the word "king" has been added here in a later hand] /For Secret Services /For [th]e Projector / for Friends and Assistants"; its wheels are labelled "Expence of Law &c./Penal Laws/G[i]n A[c]t/Debts/Civel List/Taxes" crush men representing "Manufactures/Trade/Honesty/Liberty"; penants attached to the waggon name taxes levied under Walpole's ministry, "Malt Ale/Tobacco Wine/Leather/Gin/Stamp/Land Tax/Candles/Soap/Salt/Coals". Walpole himself, lettered, "Volpone the Projector", stands on top of the waggon saying "Whoever flinches I'll discard"; he slices open an infant ("Sinking Fund") with a sword so that coins from its belly fall into the money chest, at the same time he blows French and Spanish ships out of Brest and Ferol into the Atlantic to frustrate Admiral Vernon's efforts in the Caribbean, while breaking wind that holds British ships in Torbay; a devil flying above, observes, "this wind is strong agt. them). The waggon is driven by "Volpone Junior" (Robert, Baron Walpole) and drawn by six yoked placemen, while the "Balance Master" (Horatio Walpole) sits on the back exclaiming, "Lawful plunder". Bishop Herring (labelled "Salty") follows the waggon acting as a recruiting officer holding a spear and encouraging, "All B[isho]ps, P[ee]rs, C[ommon]ers or others, willing to List in Projectrs Service. repair thither & meet with suitable Encouragemt."; a pamphlet of 1740, "Letter to a Member [of Parliament concerning the present state of affairs at home and abroad]" protrudes from his pocket; he is accompanied by two journalists, "Freeman" (Raphael Courteville) playing the drum and "Sidney" blowing the horn each has a copy of the "Gazeteer" in his pocket
Description:
Title etched above image., Description based on imperfect impression; sheet trimmed to plate mark resulting in loss of imprint and verse in letterpress below the plate., Publication date from variant state described in the British Museum Catalogue., Variant state of no. 2484, with additional words added to the back left wheel of the wagon. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Truman's notes about the print are shelved as: LWL Mss Group 1 File 3., and Watermark: Pro Patria.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Herring, Thomas, 1693-1757, and Courteville, Raphael, -1772
Subject (Topic):
Taxation, Misconduct in office, Great Britain, Politics and government, Clergy, Corruption, Lawyers, and Politcians
"Satire on the early stages of the Seven Years War with a map of the German states supported by the double-headed Imperial eagle; Louis XV seizes Alsace and Lorraine and Russian bears tear at Hungary and Moravia; on either side stand commentators uncluding the pope the Emperor and a figure represening Holland who express fears of French, Russian and Prussian ambitions. In the background, to left, the Prussian eagle is caged unable to defend Protestantism, and to right, a Frenchman attempts to lure the horse of Hanover to his side."--British Museum online catalogue
Alternative Title:
Emblematic representation of the duty incumbent on a patriot prince ... and Indulgent care of the Roman Eagle displayed
Description:
Title etched at top of image., Sheet trimmed within plate mark., Three columns of verse below image: Unhappy Germany, what woes are thine! E'en who shou'd most protect against thee joyn! ..., Temporary local subject terms: Wall map of Germany -- Emblems: double-headed German eagle -- Prussian eagle -- Russian bears -- Cages -- Personifications: figure of France -- Figure of Holland., Truman's notes about the print are shelved as: LWL Mss Group 1 File 18., and Mounted to 23 x 36 cm.
Publisher:
Published according to act of Parliament, July the 29, 1757 by T. Kitchin at the Star on Holborn Hill
Subject (Name):
Louis XV, King of France, 1710-1774, Benedict XIV, Pope, 1675-1758, and Francis I, Holy Roman Emperor, 1708-1765
A crowd of people, most wearing Scotch plaid, stand before a mountebank's stage, holding out their hands to the charlatan, a caricature of Lord Bute who holds bags of money. Behind him on the floor of the stage is a chest filled with more bags of money. A woman in a Welsh hat, the Princess of Wales, looks out from the curtains of a bed in the back of the stage and listens with pleasure. A tall quack (T. Smollet) wears a fool's cap, a hornbook hangs from his girdle, and the newspapers The Briton rolled under his arm; at his feet are other copies of The North Briton and The Monitor
Description:
Title etched below image., Numbered in upper right corner: "Brit. Antidote. Pl. 20.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 20., Bowditch's transcription of E. Truman's note on the mounting sheet; "Truman Sale 1906.", and Mounted to 31 x 47 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Political corruption, Patronage, Political, Crowds, Fools & jesters, and Quacks
