Mr. Pulteney duels with Lord Hervey in a country road, an open field behind them and in the distance trees against a dark, cloudy sky. In the foreground on the right stands the figure of Sir Robert Walpole who points to the two duelers
Description:
Title and imprint from British Museum catalogue., Sheet partially trimmed within plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 1., Subjects identified below image in contemporary hand., and Window mounted to 20 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
Bath, William Pulteney, Earl of, 1684-1764, Ickworth, John Hervey, Baron, 1696-1743, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on the defeat of the Excise Bill. In the foreground, on the left, stands Justice trampling on Oppression, in her scales papers lettered, "Magna Charta", "City Petition" and "204" (the number of members of parliament who voted against the Bill) outweigh chains and wooden shoes; on the right, Trade, a merchant holding a ship standing on two barrels, one of wine and one of tobacco, is supported by Liberty holding a hat on a staff. In the background, Britons, including a sailor, dance around a maypole decorated with tobacco leaves and grapes and topped with a sign lettered "Perry & Barnard" referring to the members for the City of London. Above fly Plenty and Fame."--British Museum online catalogue
Alternative Title:
Glorious CCIIII and Glorious 204
Description:
Title from item., Title etched above image., Publication date from British Museum catalogue., "Price 6 Pence."--Lower right corner., Twenty lines of verse in three columns below image: 'Arise Britannia! joyfull now arise! ... And the Vine's fruit, they raise and dance around'., Below the verses is an explanation of the 'two hundred and twice two' as 'The number of the Senators who oppos'd the Excise Bill'., State without subtitle "Sacred to their Immortal Honour down to the latest Posterity". Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2, no. 1921., and Truman's notes about the print are shelved as: LWL Mss Group 1 File 2.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Topic):
Excise tax, Tobacco taxation, Internal revenue, Allegories, and Justice
"Satire on Robert Walpole, showing the grounds for the Motion to remove him from office. In the foreground an extravagantly dressed young woman, representing bribery and corruption, distributes lucrative offices to the clergy, judges, army officers and members of parliament all of whom wear yokes about their necks and profess their loyalty to her and to Walpole's policies including, in the case of the politicians, a general Excise. At her feet is a pile of money bags, coronets, orb and sceptre, bank bills and pensions. In the background Walpole rides on a wagon in the form of a large money chest labelled "for the word "king" has been added here in a later hand] /For Secret Services /For [th]e Projector / for Friends and Assistants"; its wheels are labelled "Expence of Law &c./Penal Laws/G[i]n A[c]t/Debts/Civel List/Taxes" crush men representing "Manufactures/Trade/Honesty/Liberty"; penants attached to the waggon name taxes levied under Walpole's ministry, "Malt Ale/Tobacco Wine/Leather/Gin/Stamp/Land Tax/Candles/Soap/Salt/Coals". Walpole himself, lettered, "Volpone the Projector", stands on top of the waggon saying "Whoever flinches I'll discard"; he slices open an infant ("Sinking Fund") with a sword so that coins from its belly fall into the money chest, at the same time he blows French and Spanish ships out of Brest and Ferol into the Atlantic to frustrate Admiral Vernon's efforts in the Caribbean, while breaking wind that holds British ships in Torbay; a devil flying above, observes, "this wind is strong agt. them). The waggon is driven by "Volpone Junior" (Robert, Baron Walpole) and drawn by six yoked placemen, while the "Balance Master" (Horatio Walpole) sits on the back exclaiming, "Lawful plunder". Bishop Herring (labelled "Salty") follows the waggon acting as a recruiting officer holding a spear and encouraging, "All B[isho]ps, P[ee]rs, C[ommon]ers or others, willing to List in Projectrs Service. repair thither & meet with suitable Encouragemt."; a pamphlet of 1740, "Letter to a Member [of Parliament concerning the present state of affairs at home and abroad]" protrudes from his pocket; he is accompanied by two journalists, "Freeman" (Raphael Courteville) playing the drum and "Sidney" blowing the horn each has a copy of the "Gazeteer" in his pocket
Description:
Title etched above image., Description based on imperfect impression; sheet trimmed to plate mark resulting in loss of imprint and verse in letterpress below the plate., Publication date from variant state described in the British Museum Catalogue., Variant state of no. 2484, with additional words added to the back left wheel of the wagon. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Truman's notes about the print are shelved as: LWL Mss Group 1 File 3., and Watermark: Pro Patria.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Herring, Thomas, 1693-1757, and Courteville, Raphael, -1772
Subject (Topic):
Taxation, Misconduct in office, Great Britain, Politics and government, Clergy, Corruption, Lawyers, and Politcians
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"Satire on the king and government concerning the employment of Hanoverian troops in England. A cart loaded with Hanoverian turnips is drawn from the right by three horses into the parade ground behind the Treasury.On the left, in front of the leading horse, stands John Perceval, his coat labelled "Deceivall" and holding a paper lettered, "Independant", saying, "In my popular station". Facing him, the bulky figure of William Pulteney, holding a driver's whip and a handful of turnips, says, "Honest Friend S[an]d[y]s rejoyce & sing here's H[anove]r T[urni]p will now come again Ho"; Robert Walpole stands on the other side of the horses saying, "Ha S[an]d[y]s you've a short reign". The man standing on the shafts of the cart calling out, "Stop Boy they shall buy th'all" is apparently identifiable as Samuel Sandys, now Chancellor of the Exchequer; Amalia von Wallmoden sits on the turnips saying, "Thank you Sr for ye Honr. you've done me & yor. Man Will", presumably a reference to Pulteney. Behind the horses stand two other men, evidently Treasury officials, one, holding Treasury tallies, says "Let me be S[and]y[s] I'm not squeamish", the other saying "Ill make a round sum"; the king leans over a balcony of the Treasury brandishing a broom and saying "Pay for ye whole S[an]d[y]s I'll sweep the T[reasu]ry clean". On a wall in the background are pasted "S[an]d[y]s Speeches, a halfpeny a Peice" concerning the Place Bill, the Motion to enquire into the conduct of Walpole and the Triennial Act 1743; a ballad seller sits on the ground beside them. The Hanoverian cavalry enters from the right, led by a commander carrying the standard with the white horse of Hanover, and followed by mounted bandsmen, including a kettle drummer and a trumpeter. One Hanoverian remarks, "For us 260" in reference to the number of members of parliament who voted to retain the troops. In the foreground an Englishman kneels on the ground grasping a bunch of turnips and saying, "By G[o]d these Turnips are dear"."--British Museum online catalogue
Alternative Title:
Hanover turnip man come again
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet partially trimmed within plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 5., Subjects identified by numbers placed below the print on mounting sheet and explained in the key in upper right. Summary of the description in the British Museum Catalogue follows below the key., Mounted to 32 x 46 cm., and Watermark: Strasburg lily.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Name):
George II, King of Great Britain, 1683-1760, Bath, William Pulteney, Earl of, 1684-1764, Egmont, John Perceval, Earl of, 1711-1770, Walpole, Robert, Earl of Orford, 1676-1745, Ombersley, Samuel Sandys, Baron of, 1695-1770, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
A satirical representation of the Battle of Dettingen, 1743. Overturned canons are piled in a ditch with fascines in the foreground; a large dead limb of a tree separates it from the battle ground. In the left corner the word 'Steelingensat' suggests the scene is a view from the fortress. In the center George II as the white horse of Hanover rides a British lion from whose mouth come the words "Starv'd on Bon pour nicole". The Hanoverian general Otto Christian von Ilten (nicknamed "Confectioner General") confronts the lion and his rider. Also depicted are the French and Austrian generals who shout encouragement to the troups
Alternative Title:
Hanoverian Confectioner General
Description:
Title etched above image., Publication date based on event depicted., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image, with title: A song sung by [the] soldiers in [the] B-h [i.e., British] camp to [the] tune of [the] Cucco., Truman's notes about the print are shelved as: LWL Mss Group 1 File 6., Short description by Bowditch in upper right of mounting sheet., Watermark., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Stair, John Dalrymple, Earl of, 1673-1747, and Ilten, Otto Christian von, ca. 1687- 1749
"Satire on the king and government concerning the employment of Hanoverian troops in England. A cart loaded with Hanoverian turnips is drawn from the right by three horses into the parade ground behind the Treasury.On the left, in front of the leading horse, stands John Perceval, his coat labelled "Deceivall" and holding a paper lettered, "Independant", saying, "In my popular station". Facing him, the bulky figure of William Pulteney, holding a driver's whip and a handful of turnips, says, "Honest Friend S[an]d[y]s rejoyce & sing here's H[anove]r T[urni]p will now come again Ho"; Robert Walpole stands on the other side of the horses saying, "Ha S[an]d[y]s you've a short reign". The man standing on the shafts of the cart calling out, "Stop Boy they shall buy th'all" is apparently identifiable as Samuel Sandys, now Chancellor of the Exchequer; Amalia von Wallmoden sits on the turnips saying, "Thank you Sr for ye Honr. you've done me & yor. Man Will", presumably a reference to Pulteney. Behind the horses stand two other men, evidently Treasury officials, one, holding Treasury tallies, says "Let me be S[and]y[s] I'm not squeamish", the other saying "Ill make a round sum"; the king leans over a balcony of the Treasury brandishing a broom and saying "Pay for ye whole S[an]d[y]s I'll sweep the T[reasu]ry clean". On a wall in the background are pasted "S[an]d[y]s Speeches, a halfpeny a Peice" concerning the Place Bill, the Motion to enquire into the conduct of Walpole and the Triennial Act 1743; a ballad seller sits on the ground beside them. The Hanoverian cavalry enters from the right, led by a commander carrying the standard with the white horse of Hanover, and followed by mounted bandsmen, including a kettle drummer and a trumpeter. One Hanoverian remarks, "For us 260" in reference to the number of members of parliament who voted to retain the troops. In the foreground an Englishman kneels on the ground grasping a bunch of turnips and saying, "By G[o]d these Turnips are dear"."--British Museum online catalogue
Alternative Title:
Hanover turnip man come again
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet partially trimmed within plate mark., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Name):
George II, King of Great Britain, 1683-1760, Bath, William Pulteney, Earl of, 1684-1764, Egmont, John Perceval, Earl of, 1711-1770, Walpole, Robert, Earl of Orford, 1676-1745, Ombersley, Samuel Sandys, Baron of, 1695-1770, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., Truman's notes about the print are shelved as: LWL Mss Group 1 File 7., Bowditch's note on mounting sheet: Truman Sale 1906; mounted to 32 x 44 cm., and Contemporary mss. annotations on front of print identifying the names of the person depicted.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
