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1. 'Curds an' green whey' this woman doth cry, let those that love curds come to her & buy [graphic].

Published / Created:: [1803]
Call Number:: 647 803C
Collection Title:: Leaf 8v. Cries of Edinburgh characteristically represented.
Image Count:: 1
Resource Type:: still image
Abstract:: A woman, balancing a basket on her head, stands in the foreground facing the viewer on the side of the street in front of Tron Kirk and an adjacent building. In the background, right, another peddler carrying a barrel on his back walks away
Alternative Title:: Tron Church, High Street
Description:: Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:: L. Scott
Subject (Geographic):: Scotland and Edinburgh.
Subject (Topic):: City & town life, Peddlers, Wash tubs, Dairy products, and Churches
Found in:: Lewis Walpole Library > 'Curds an' green whey' this woman doth cry, let those that love curds come to her & buy [graphic].

2. A cure for lovl [sic] no cure, no pay / [graphic]

Published / Created:: [9 January 1819]
Call Number:: 819.01.09.02+
Image Count:: 1
Resource Type:: still image
Abstract:: "A fat ugly man stands in a dilapidated wash-house, one foot on a rough stool, the other trampling on his wig; he gazes up at a noose hanging from a beam, saying, "Oh! my hard Fate!" / Why did I trust her ever?" / What story is not full of Womans Falsehood?" At his feet is a letter: 'You old Fool if you ever [? trouble] me again with your Stupid epistles I will expose you in the public Papers Peggy Perkins.' Below the title: 'No Cure no Pay.' Below the design are eight lines of verse, beginning and ending: 'The one end of a Rope fasten over a beam And make a slip noose at the other extreme, . . . The cricket [stool] kick'd down let him take a fair swing And leave all the rest of the work to the string."--British Museum online catalogue
Alternative Title:: Cure for love
Description:: Title from caption below image., Traces of an earlier imprint following statement of responsibility., "London" mostly burnished from plate following imprint., and Eight lines of verse below image: The one end of a rope, fasten over a beam and make a slip noose at the other extreme ...
Publisher:: Pub. Jan. 9, 1819 by S.W. Fores 50 Piccadilly & 312 Oxford St.
Subject (Topic):: Nooses, Obesitly, Suicides, Wash tubs, and Wigs
Found in:: Lewis Walpole Library > A cure for lovl [sic] no cure, no pay / [graphic]

3. Comfort to the corns [graphic]

Published / Created:: [approximately 1800]
Call Number:: 800.02.06.02
Collection Title:: V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:: 1
Resource Type:: still image
Abstract:: An old hag sits in a carved chair with a gothic back by a vast open fire-place (right), with sticks blazing on the hearth. She uses a large knife to slice at one of her distorted toes. Beside her are a tub and scrubbing-brush and a large cat. She wears spectacles and a shawl around her head
Description:: Title etched below image., Close copy, with plate number on border, of a print with the same title by James Gillray published by Hannah Humphrey on February 6, 1800., Publication date based on that of the original print by Gillray from which this copy was made., Sheet trimmed to plate mark., and Plate numbered '134' in upper right corner.
Publisher:: publisher not identified
Subject (Topic):: Cats, Chairs, Eyeglasses, Feet, Fireplaces, Medical procedures & techniques, Older people, Slippers, and Wash tubs
Found in:: Lewis Walpole Library > Comfort to the corns [graphic]

4. Comfort to the corns [graphic]

Published / Created:: [approximately 1800]
Call Number:: Folio 75 W87 807 v.2
Collection Title:: V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:: 1
Resource Type:: still image
Abstract:: An old hag sits in a carved chair with a gothic back by a vast open fire-place (right), with sticks blazing on the hearth. She uses a large knife to slice at one of her distorted toes. Beside her are a tub and scrubbing-brush and a large cat. She wears spectacles and a shawl around her head
Description:: Title etched below image., Close copy, with plate number on border, of a print with the same title by James Gillray published by Hannah Humphrey on February 6, 1800., Publication date based on that of the original print by Gillray from which this copy was made., Sheet trimmed to plate mark., Plate numbered '134' in upper right corner., 1 print : etching on wove paper, hand-colored ; plate mark 28.1 x 21.9 cm, on sheet 41.8 x 25.6 cm., and Leaf 95 in volume 2.
Publisher:: publisher not identified
Subject (Topic):: Cats, Chairs, Eyeglasses, Feet, Fireplaces, Medical procedures & techniques, Older people, Slippers, and Wash tubs
Found in:: Lewis Walpole Library > Comfort to the corns [graphic]

5. Delivering a prophetess [graphic].

Creator:: Williams, Charles, active 1797-1830, printmaker
Published / Created:: [1 November 1814]
Call Number:: Print10267
Image Count:: 1
Resource Type:: still image
Abstract:: "A bedroom scene. Joanna Southcott sits in an arm-chair, attended by three women and four doctors. Between her legs is a large tub inscribed 'Living Water', into which water gushes from a tap projecting from under her petticoats. She leans back with extended arms, exclaiming: "Shiloh! let not this groupe dismay thee | Come forth into the World I pray thee!" One doctor, Reece, superintends the flow of water, kneeling in profile to the left on a large volume: '[R]eec's Medical Guide'. In his pocket is a paper: 'Account of Wonderful Pregnancies'. Behind him a second doctor sniffs at a tumbler of water, saying, "This is a very pretty rig! | Nothing but water d .... n my Wig!" Two others talk together on the right, one peers through a microscope into a goblet; the other asks: "What do you see in the water, Doctor!" He answers: "Bubbles Doctr "the earth hath bubbles, as the water hath ['Macbeth' I. iii]". I said it was all my eye." Behind him, on the chimney-piece, are a medicine-bottle and the bust of a lank-haired man wearing clerical bands. Three women stand behind Joanna's chair and in front of the curtains of a bed. One (left) holds out a lace cap, saying, "Doctor here is Shiloh's cap! bless me! why he has got a watery head! The next says: "Pray Doctr take care of the cawl if there is one." The third, offering a steaming bowl, says: "Come my blessed Lady sip some of this heavenly caudle I have made you." In the foreground (left), Tozer, dressed as an artisan, sits on a three-legged stool, corking up bottles of water. He is identified by a paper hanging from his pocket: 'Tozer Preacher to the Virgin Johanna'. In front of him are a basket of corks and a paper: 'Sermon on the Birth of Shiloh', Corked bottles are on the left, uncorked ones on the right."--British Museum online catalogue
Description:: Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed to on right edge., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 8 (November 1814), before page 321., and Temporary local Medical Library subject terms: Anecdotes -- Religious mania.
Publisher:: Pubd. Novr. 1st, 1814, by W.N. Jones, No. 5 Newgate Street
Subject (Name):: Southcott, Joanna, 1750-1814, Reece, Richard, 1775-1831, and Tozer, William, approximately 1770-1828
Subject (Topic):: Childbirth, Obstetrics, Pregnancy, Prophecy, Interiors, Bedrooms, Physicians, Bottles, Microscopes, Wash tubs, and Stools
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Delivering a prophetess [graphic].

6. Lord Sopesuds washing foul linen for the good of the nation

Published / Created:: [1 April 1782]
Call Number:: 782.04.01.01+
Image Count:: 1
Resource Type:: still image
Abstract:: Lord North at a wash-tub, washing clothes, with women standing round him. He stands in profile to the left stooping over a tub resting on a square stool or table; he is in his shirt, with his sleeves tucked up, but wearing his garter ribbon. His coat, with its star, lies on a stool behind him. He says, "Oh Lord I wish that Fox at the Devil". In the foreground (left) a fox with playing-cards under its feet, is biting a sack inscribed "Budgett". One woman, in profile to the right, holds up her hands, saying "Poor man he must want a drop of comfort [i.e. gin]". A woman standing full face, behind the tub, says, "Look at him, see what he has got by his Taxation". The third woman stands behind North holding a cloth, and saying "He deserves this Clout pin'd to his tail". A small child with curly hair is looking over the edge of the wash-tub. Over North's head is suspended an axe, suggestive of the impeachment and capital punishment with which he had been threatened by the Opposition and Press, cf. BMSat 5660, 5661, 5964, 6046, &c. [Threats of impeachment and the block had been made by Burke and Fox, e.g. by Fox, 27 Nov. 1781, 'Parl. Hist.' xxii. 692: Ministers would he trusted expiate their measures "on the public scaffold".] The room is poverty-stricken, with plaster coming off the walls. On the table (left) is bottle and glass. In the foreground (right) is a barrel lying on its side inscribed "Gin". On the wall hangs a paper or broadside inscribed, "to praise Lord North i thirst it (?) no ten for he has [? illegible forborne] to tax our Dear Gin".--British Museum online catalogue
Description:: Title from item.
Publisher:: Publish'd April 1, 1782 by E. Dachery [sic] No. 11 St. James's Street
Subject (Geographic):: England
Subject (Name):: North, Frederick, Lord, 1732-1792. and Fox, Charles James, 1749-1806.
Subject (Topic):: Laundresses, Wash tubs, Interiors, and Clothing & dress
Found in:: Lewis Walpole Library > Lord Sopesuds washing foul linen for the good of the nation

7. Love in a tub, or, A cure for a cold Ride to Rumford : "let the gall'd jade winch. [graphic]

Published / Created:: 1802.
Call Number:: Print00258
Image Count:: 1
Resource Type:: still image
Abstract:: "Bedroom scene. A young couple kiss while washing their feet in the same tub. A plump and smiling woman brings in a warming-pan and bowl of posset."--British Museum online catalogue, description of a different version of the top image and "The interior of the shop of an apothecary with a veterinary practice. A stout and agonized lady, whose horse looks through the door, raises her riding-habit to expose a bare posterior on which the kneeling apothecary is about to place a plaster; a jar of 'Diaculam' [sic] is beside him. The operation is watched by an assistant grinding his pestle in a mortar, by a woman, and by a cat seated on a stool. Coloured jars are in the window, canisters and druggist's china pots with spouts are ranged on shelves, with placards: 'Pills Rec tr drops &c' and 'Patent Horse Balls Ointment for the Itch'. A stuffed fish hangs from the roof."--British Museum online catalogue, description of a different version of the bottom image
Alternative Title:: Cure for a cold
Description:: Titles etched below images., Attribution to Thomas Rowlandson from the Princeton University Library online catalog., Two images on one plate, each titled below and dated "1802" in lower left., Imperfect; sheet trimmed with loss of image and text. Description partially based on a more perfect impression of the 1812 reissue in the Princeton University Library, call no.: GA 2014.00335 D North 52/GC112/Box 11/Normal/Prints/Titles La-Mi., For a copy of the top image, see no. 11690 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8. For a copy of the bottom image, see no. 9465 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 371., Temporary local Medical Library subject terms: Foot baths -- Sex behavior -- Coryza -- Pharmacies, interior -- Compounding of drugs., 1 print : etching, hand colored ; sheet 157 x 219 mm., Imperfect; top image only, with title and lower image trimmed away., and Mounted, with black ink border. Manuscript title "Love in a tub or a cure for a cold" added in pencil on mounting sheet.
Publisher:: publisher not identified
Subject (Topic):: Cold (Disease), Wash tubs, Couples, Kissing, Pharmacists, Riding habits, and Mortars & pestles
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Love in a tub, or, A cure for a cold Ride to Rumford : "let the gall'd jade winch. [graphic]

8. Love in a tub, or, A cure for a cold Ride to Rumford : "let the gall'd jade winch. [graphic]

Published / Created:: 1802.
Call Number:: Print00220
Image Count:: 1
Resource Type:: still image
Abstract:: "Bedroom scene. A young couple kiss while washing their feet in the same tub. A plump and smiling woman brings in a warming-pan and bowl of posset."--British Museum online catalogue, description of a different version of the top image and "The interior of the shop of an apothecary with a veterinary practice. A stout and agonized lady, whose horse looks through the door, raises her riding-habit to expose a bare posterior on which the kneeling apothecary is about to place a plaster; a jar of 'Diaculam' [sic] is beside him. The operation is watched by an assistant grinding his pestle in a mortar, by a woman, and by a cat seated on a stool. Coloured jars are in the window, canisters and druggist's china pots with spouts are ranged on shelves, with placards: 'Pills Rec tr drops &c' and 'Patent Horse Balls Ointment for the Itch'. A stuffed fish hangs from the roof."--British Museum online catalogue, description of a different version of the bottom image
Alternative Title:: Cure for a cold
Description:: Titles etched below images., Attribution to Thomas Rowlandson from the Princeton University Library online catalog., Two images on one plate, each titled below and dated "1802" in lower left., Imperfect; sheet trimmed with loss of image and text. Description partially based on a more perfect impression of the 1812 reissue in the Princeton University Library, call no.: GA 2014.00335 D North 52/GC112/Box 11/Normal/Prints/Titles La-Mi., For a copy of the top image, see no. 11690 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8. For a copy of the bottom image, see no. 9465 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 371., Temporary local Medical Library subject terms: Foot baths -- Sex behavior -- Coryza -- Pharmacies, interior -- Compounding of drugs., 1 print : etching, hand colored ; sheet 180 x 220 cm., and Imperfect; bottom image only, with upper image trimmed away.
Publisher:: publisher not identified
Subject (Topic):: Cold (Disease), Wash tubs, Couples, Kissing, Pharmacists, Riding habits, and Mortars & pestles
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Love in a tub, or, A cure for a cold Ride to Rumford : "let the gall'd jade winch. [graphic]

9. Lucifera's procession Fairy-Queen. [graphic]

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: May 12, 1821.
Call Number:: Folio 75 H89 821 (Oversize)
Collection Title:: Page 46. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:: Published by G. Humphrey, 27 St. James's St.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
Subject (Topic):: Parades & processions, Carriages & coaches, Coach drivers, Whips, Bottles, Wine, Bags, Cannons, Wash tubs, Tents, Coats of arms, Devil, Donkeys, Robes, Banners, Liberty cap, Pipes (Smoking), Swine, Wolves, Brooms & brushes, Lions, Armor, Torches, Camels, and Newspapers
Found in:: Lewis Walpole Library > Lucifera's procession Fairy-Queen. [graphic]

10. Lucifera's procession Fairy-Queen. [graphic]

Creator:: Lane, Theodore, 1800-1828, printmaker
Published / Created:: May 12, 1821.
Call Number:: Folio 724 835G v.2 (Oversize)
Collection Title:: Page 46. George Humphrey shop album.
Image Count:: 1
Resource Type:: still image
Abstract:: "Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:: Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 27.5 x 41.9 cm., Printed on wove paper; hand-colored., Mounted to 39 x 58 cm., Mounted on leaf 71 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," " Dr. Parr," "G. Noel[?]," "Brougham," "Sir. R.[?] Wilson," "Times Paper," and "Caroline" identified in ink below image; date "12 May 1821" written in ink in lower right corner. Typed extract of thirty-seven lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:: Published by G. Humphrey, 27 St. James's St.
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
Subject (Topic):: Parades & processions, Carriages & coaches, Coach drivers, Whips, Bottles, Wine, Bags, Cannons, Wash tubs, Tents, Coats of arms, Devil, Donkeys, Robes, Banners, Liberty cap, Pipes (Smoking), Swine, Wolves, Brooms & brushes, Lions, Armor, Torches, Camels, and Newspapers
Found in:: Lewis Walpole Library > Lucifera's procession Fairy-Queen. [graphic]

11. Political medicine, or, John Bulls recipe [graphic].

Creator:: Williams, Charles, active 1797-1830, printmaker
Published / Created:: May 1805.
Call Number:: Print10273
Image Count:: 1
Resource Type:: still image
Abstract:: "John Bull, an ungainly yokel, short and stout, stands between Melville (left) and Pitt (right). Melville, wearing Highland dress, sits full face, vomiting a shower of guineas (as in British Museum Satires Nos. 10392, 10400) into a tub. Pitt, rather behind and in profile to the right, rests his elbow on a table and supports his head; a similar tub is before him on the ground. On the table are two large books, 'Debates' and 'Interest Tables'. In the foreground lies a large tankard inscribed 'Whtbr[ead]'. John holds a decanter of 'Conscience Emetic'; he grins, saying, "It do work em rarely to be zure it be better zo than having a continual load on the Stomach tho!" Melville says: "Mercy on me now sick I am! curse this Whitbreads Porter oh Billy, Billy, how is it we you Mon I shall disgorge every thing to the last Baubee!" Pitt, who is desperately thin, looks far more ill and miserable but is not vomiting; he answers: "O Lord afraid I shall reach my heart up by and bye! I never was so sick in all my life.""--British Museum online catalogue
Alternative Title:: John Bulls recipe
Description:: Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Temporary local Medical Library subject terms: Politics, British -- Emetics.
Publisher:: Pubd. by R. Rapine, Great Knaves Acre, Golden Square
Subject (Name):: Pitt, William, 1759-1806, Dundas, Henry, 1742-1811, and Whitbread, Samuel, 1764-1815
Subject (Topic):: John Bull (Symbolic character), Vomiting, Coins, Sick persons, Books, Wash tubs, and Drinking vessels
Found in:: Medical Historical Library, Cushing/Whitney Medical Library > Political medicine, or, John Bulls recipe [graphic].

12. Preparing the witnesses a view in Cotton Garden / [graphic]

Creator:: Cruikshank, Robert, 1789-1856, printmaker
Published / Created:: [August 1820]
Call Number:: Folio 724 835G v.1 (Oversize)
Image Count:: 1
Resource Type:: still image
Abstract:: "Italian witnesses, in a large bare room or warehouse, where three are being washed in a large bath by Castlereagh, Sidmouth, and Liverpool. The bath is inscribed: 'Waters of Oblivion. Non mi Recordo [sic]--Ministerial Washing Tub--!' The three witnesses are villainous-looking, and coloured brown. Castlereagh empties a bucket over the head of one, saying: "Can the Etheopean change his Colour." Sidmouth, plying comb and scrubbing-brush, says: "Or the leper his Spots." Liverpool turns to a lawyer (right) saying: "I never had such a dirty job in my life." The lawyer, Gifford the Attorney-General, answers: "We must have them perfect in their Story before they go." He holds a document inscribed 'Milan' [see British Museum Satires No. 13755, &c.]. A second lawyer sits at his feet, mending a pair of breeches. He says: "They are truely a filthy set, we must clear them of Vermin." The discarded garments of the men in the tub lie on the ground, with combs, a lump of 'Itch Ointment', and a box of 'Sulphor'. There are also two boxes: one (left) of 'Windsor Soap', the other (right), 'New Rigging from Monmouth Street' (where second-hand clothes were sold). Three ragged ruffians wait their turn, seated on the ground. Two play cards; one says: "Quel Maledetto Sacco"; the other responds "Ah! quel Sacco" (the Green Bag, see British Museum Satires No. 13735). On the wall behind them hang 'Italian Masks and Daggers just imported.' A high shelf runs round the room, on which stand a pile of 'Dutch Cheese', bottles of 'Italian Oil' and 'Botled Frogs', casks of 'Shalots and Garlick', 'Sour Grout', 'Portable Soup', 'Salt Herrings', 'Butter', a huge basket of 'Eggs', and three jars of 'Pickle'. By the wall on the extreme right, next the lawyers, is a cannon pointing through an aperture."--British Museum online catalogue
Description:: Title etched below image., Sheet trimmed within plate mark., Watermark: J. Whatman Turkey Mills., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Londonderry," "Liverpool," and "Eldon" identified in pencil at bottom of sheet; date "1820" written in ink in lower right. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:: Pubd. August 1820 by T. Dolby, 132 Strand
Subject (Name):: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Gifford, Robert Gifford, Baron, 1779-1826
Subject (Topic):: Interiors, Warehouses, Witnesses, Ethnic Stereotypes, Wash tubs, Bathing, Pails, Combs, Lawyers, Brooms & brushes, Trousers, Sewing, Card games, Smoking, Eating & drinking, Gin, Food, Barrels, Eggs, Daggers & swords, and Cannons
Found in:: Lewis Walpole Library > Preparing the witnesses a view in Cotton Garden / [graphic]

13. Scotch washing [graphic]

Creator:: Cruikshank, Isaac, 1764-1811, printmaker
Published / Created:: [ca. 1868?]
Call Number:: Folio 724 836C (Oversize)
Collection Title:: Leaf 69. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:: 1
Resource Type:: still image
Abstract:: "A comely young woman, the centre figure, stands bare-legged in a wash-tub, holding her petticoats high, and smiling coyly. Behind (left), another woman with kilted petticoats steps into a tub, looking over her shoulder. In the foreground (right) a man in Highland dress sits on the ground, taking snuff. Water gushes into a rectangular tank of masonry from a satyr's head set in a wall. Behind is a tree and in the distance (?) Edinburgh Castle."--British Museum online catalogue
Description:: Title etched below image., Signed by the printmaker in lower left corner of image., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Krumbhaar, E.B. Isaac Cruikshank: a catalogue raisonné, no. 1069., and On leaf 69 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:: Field & Tuer
Subject (Geographic):: Scotland.
Subject (Name):: Restrike, with remnants of a burnished imprint statement above image. For original issue of the plate, published ca. 1809, see no. 11476 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Subject (Topic):: Ethnic stereotypes, Clothing & dress, Wash tubs, Laundry, and Castles & palaces
Found in:: Lewis Walpole Library > Scotch washing [graphic]

14. The aerostatick stage balloon Setts out from Swan with two Necks Lad Lane every Monday Morg. / [graphic]

Creator:: Nixon, John, -1818, attributed name
Published / Created:: [23 December 1783]
Call Number:: 783.12.23.01+
Image Count:: 1
Resource Type:: still image
Abstract:: "A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:: Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:: Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):: Great Britain.
Subject (Name):: Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),
Subject (Topic):: Monument, The (London, England), Beer, Balloons (Aircraft), Cats, Devil, Drinking vessels, Mistresses, Politicians, Quacks, Ropes, Scepters, Telescopes, Wash tubs, and Knives
Found in:: Lewis Walpole Library > The aerostatick stage balloon Setts out from Swan with two Necks Lad Lane every Monday Morg. / [graphic]

15. The chance seller of the Exchequer putting an extinguisher on lotteries [graphic].

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [18 September 1823] and [approximately 1868?]
Call Number:: Folio 724 836C (Oversize)
Collection Title:: Leaf 30. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:: 1
Resource Type:: still image
Abstract:: "Robinson, wearing his Chancellor of the Exchequer's gown, leans forward from the right to place an extinguisher on the head of Fortune who sits in profile to the left, on a small globe, regardless of her fate. He says: Come Madam put on your Night Cap. She is a comely young woman with feathered wings, and a high-waisted dress with classical sandals. Her Wheel of Fortune serves as back to her seat. She holds out a Ticket £20 000 to an eager and indignant crowd; in her left hand is a full purse. At her feet is a box of jewels, behind her a cornucopia from which pour gold coins, with a bag of Filings. At her feet four little blue-coat boys from Christ's Hospital kneel imploringly. Behind them are a brawny washer-woman and a gaily dressed young woman. The former points to tub, Soap, linen, and brush at her feet, and shouts to Robinson: Let her alone take off the Soap Tax. The latter screams Stop let Me get a Prize first. A burly bare-legged cobbler holds up an old shoe, shouting, give us a Lottery and no Leather Tax. A man next him shouts Shut up the Subscription Houses [clubs such as Brooks's]. The two on the extreme left shout No Tax on Tallow and No Horse Racing. A hideous man grovels on the ground behind Robinson to grab coins and two bags, Filings and Gold Dust, and a Prize Bag. He looks up, saying, Persevere and the Saints shall Praise you. Three men stand behind Robinson, watching; two say, with cynical smiles: Hear Hear I knew they'd Grumble and He's only a Young Chancsellor. The third says with a frown: Little Van knew [better] than to Abolish a Voluntary Tax. On Fortune's right is a pillar on which bills are pasted: Races Kings Cup, over which is a playbill: Fudge a Farce; above both is Reform . . . Parliament . . . Public Morals."--British Museum online catalogue
Description:: Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 14525 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 374-5., and On leaf 30 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:: Publd. September 18, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
Subject (Name):: Ripon, Frederick John Robinson, Earl of, 1782-1859
Subject (Topic):: Fire extinguishers, Gems, Coins, Purses, Cornucopias, Children, Wash tubs, Soaps, Brooms & brushes, Shoemakers, Lotteries, and Taxes
Found in:: Lewis Walpole Library > The chance seller of the Exchequer putting an extinguisher on lotteries [graphic].

16. The last shift [graphic].

Published / Created:: published as the act directs, 21 Dec. 1792.
Call Number:: Quarto 724 771N
Collection Title:: Opposite page 214. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:: 1
Resource Type:: still image
Abstract:: "A courtesan stands at a wash-tub, washing her last shift. She wears a cap over ringlets in curl-papers and a tattered petticoat, a shawl covers her naked shoulders. The room is squalid, with plaster falling from the bricks. Across the fireplace stockings hang on a string to dry. The corner of a bed appears on the right. On the table by the wash-tub is a small gin tankard. Under it is a pair of stays. A cat tries to reach a (broken) plate of cheese on a chair. On the floor, beside a fashionable high-crowned hat, lies a ballad: 'How happy were my days till now...'. Papers are thrust under the vertical bar of the casement window, one inscribed 'Admit Two to the Boxes'. Probably an imitation of Gillray's 'The Whores Last Shift', see British Museum Satires No. 5604."--British Museum online catalogue
Description:: Title etched below image., Sheet trimmed within plate mark on left edge., Plate numbered "626" in lower left corner., Folded to 31.3 x 25.5 cm., and Bound in opposite page 214 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:: Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):: Courtesans, Interiors, Wash tubs, Fireplaces, Hosiery, Corsets, and Cats
Found in:: Lewis Walpole Library > The last shift [graphic].

17. Time thrown away [art original].

Creator:: Cruikshank, George, 1792-1878, artist
Published / Created:: [approximately 1827]
Call Number:: Drawings C889 no. 10 Box D115
Image Count:: 1
Resource Type:: still image
Abstract:: Four ugly old women try to scrub a black man white with brushes, a kettle of boiling water, as steam billows around the room. A fifth woman brings buckets of hot water. A sixth, in the center background, drinks gin. The black man squats in a big tub, with a pained expression on his face
Description:: Title inscribed beneath central image., Attributed to George Cruikshank., Date inferred from the 1827 publication date of George Cruikshank's Illustrations of time, plate 3 of which includes a smaller version of the central image. Cf. No. 15472 in the Catalogue of prints and drawings in the British Museum, v. 10., Image also used in Plate 3 of Cruikshank's 'Illustrations of Time'; the attempt to 'wash a black man white' was a traditional example of an impossible task., and On paper watermarked "J. Whatman 1821".
Subject (Topic):: Black people, Ethnic stereotypes, Racism, Wash tubs, and Brooms & brushes
Found in:: Lewis Walpole Library > Time thrown away [art original].

18. Washing day [graphic]

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [1800]
Call Number:: 800.00.00.32
Image Count:: 1
Resource Type:: still image
Abstract:: "A man in hat, long coat, and boots (and wearing spectacles),, grasps his friend's hand with a smile. The host, ugly and angry, says: "Ah! my old Friend I wish you had called at some more convenient time but this is washing day - I have nothing to give you but cold Fish, cold tripe & cold potatoes - you may smell soap suds a mile! Ah Jack - Jack you dont know these Comforts! you are a Bachelor!" Behind (left), two women stand at a wash-tub"--British Museum online catalogue
Description:: Title etched below image., Series title and number etched above image., Publication date from British Museum catalogue and Grego., and Later state with altered publication line and original date of publication removed: Pub. 1 Oct. 1799, by R. Ackermann, 101 Strand.
Publisher:: Pubd by R. Ackermann, 101 Strand
Subject (Topic):: Spouses, Bachelors, Eyeglasses, Laundresses, and Wash tubs
Found in:: Lewis Walpole Library > Washing day [graphic]

19. Washing day [graphic]

Creator:: Rowlandson, Thomas, 1756-1827, printmaker
Published / Created:: [1 October 1799]
Call Number:: 799.10.01.09
Image Count:: 1
Resource Type:: still image
Abstract:: "A man in hat, long coat, and boots (and wearing spectacles), grasps his friend's hand with a smile. The host, ugly and angry, says: "Ah! my old Friend I wish you had called at some more convenient time but this is washing day - I have nothing to give you but cold Fish, cold tripe & cold potatoes - you may smell soap suds a mile! Ah Jack - Jack you dont know these Comforts! you are a Bachelor!" Behind (left), two women stand at a wash-tub"--British Museum online catalogue
Description:: Title etched below image., Series title and number etched above image., Earlier state with date in imprint. Cf. No. 9626 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state of the print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16.
Publisher:: Pub. 1 Oct. 1799, by R. Ackermann, 101 Strand
Subject (Topic):: Spouses, Bachelors, Eyeglasses, Laundresses, and Wash tubs
Found in:: Lewis Walpole Library > Washing day [graphic]

20. [A trimmer] [graphic].

Published / Created:: [1689]
Call Number:: 689.00.00.18
Image Count:: 1
Resource Type:: still image
Abstract:: "A version of British Museum Satires No. 1231 with the additon of, to left behind the pulpit, a table on which lies a bag from which fall a bishop's mitre, papal tiara, cross, orb, broken sceptre and a divided crown, and at the foot of the pulpit, an open copy of the Book of Common Prayer."--British Museum online catalogue
Description:: Title and publication date from British Museum catalogue., Six lines of verse below image: A true blew priest a Lincey Woolsey brother ..., and Subject identified in pencil below plate line.
Publisher:: publisher not identified
Subject (Name):: Burnet, Gilbert, 1643-1715
Subject (Topic):: Clergy, Bags, Pulpits, Miters, Scepters, Crowns, and Wash tubs
Found in:: Lewis Walpole Library > [A trimmer] [graphic].