Print reproduces Charles Deas's 1844 oil painting, "Long Jakes, the Rocky Mountain Man." Print depicts a bearded male trapper on horseback; horse, black with white blaze on forehead, facing right, head turned down and toward viewer; trapper's body facing right, half-turned to center, with head turned back to left; wearing a red tunic, buskskins, moccasins, spurs, and hat; carrying long gun in his right hand, reins in his left; mountains and sky in background
Alternative Title:
Long Jakes, the Rocky Mountain Man
Description:
Title from caption below image. and Date from metadata for another instance (black and white) of this print held by the Amon Carter Museum of American Art, Fort Worth, Texas.
Publisher:
published by M. Knoedler, successor to Goupil & Co. and printed at J.H. Bufford's
Photographs by William Henry Jackson and others of Utah, Colorado, Wyoming, and Idaho, including views in Utah of the San Juan and Colorado Rivers, the Great Natural Bridge, the Great Dragon Rock, Echo and Marble Canyons and Monument Park. There are also photographs of the Garden of the Gods and Uncompagre peak in the San Juan mountains of Colorado, and views of the Yellowstone River and of the Badlands in Wyoming, and Port Neuf Canyon in Idaho. In Mexico, there is a view of Popcatapetl peak
Description:
William Henry Holmes was a topographic artist with the Geological and Geographical Survey of the Territories under Ferdinand V. Hayden. In 1872 and again in 1878 he was with Hayden in the Yellowstone, and in 1874 he and the photographer William Henry Jackson explored the Mesa Verde region of Colorado. Holmes headed a division exploring the San Juan Region of Colorado in 1875, and was later in Idaho., Holmes continued his work as a geologist and topographer with the United States Geological Survey in the Grand Canyon in 1880, and his topographic drawings became the basic illustrations for Clarence E. Dutton's 'Tertiary History of the Grand Canyon.' He later served as chief of archaeological field work with the Bureau of Ethnology, Smithsonian Institution., and Manuscript captions written on verso of many photographs and inscribed into negatives of others. The single photograph by G. Wharton James bears a Bureau of Ethnology stamp.
Subject (Geographic):
Utah, Colorado, Idaho, Yellowstone River, Grand Canyon (Ariz.), and West (U.S.)
Photograph album containing 26 views of the West and the Union Pacific Railroad, probably distributed by C. M. Loomis, dealer in musical merchandise in New Haven, Connecticut. The album contains advertisements by other New Haven businesses on the front pastedown and versos of almost every photograph. The First leaf of the album is a photograph of C. M. Loomis by J. K Bundy. Other businesses represented are: Henry Austin, Architect; Wheeler & Wilson; J.N. Isbell & Co., Photographers (with a mounted portrait photograph); R.C. Russell, Architect (with a mounted photograph of a building); and John E. Bassett & Co.
Description:
The photographs of the west are reduced images from Andrew J. Russell's The Great West Illustrated., Letterpress captions on mounts., and Title from cover.
Publisher:
s.n.
Subject (Geographic):
West (U.S.)
Subject (Name):
Austin, Henry, 1804-1891., Bundy, J. K., Loomis, C. M. 1829-1890. (Clark Merrick),, C.M. Loomis, Sons (New Haven, Conn.), J.N. Isbell & Co. (New Haven, Conn.), John E. Bassett & Company., Russell, R. C., Union Pacific Railroad Company, and Wheeler & Wilson Company.
Print depicts two white men pursuing an Indigenous man; all on horseback. In the foreground, one rider has tossed a lasso toward the Indigenous man
Description:
Title from printed caption. and Below image: Entered according to act of Congress in the year 1856 by Currier & Ives, in the clerk's office of the district court of the Southern District of New York.
Print reproduces a 1905 painting by Remington called 'The smoke signal' that depicts three Crow Native American men with three horses, one roan, one black, and one white with a red right hand print (as a brand) on its left buttock and a bird's feather tied into its tail; two of the Crow men are dismounted, kneeling on the hill-side signalling with smoke
Publisher:
Reproduced by the Lakeside Press, R.R. Donnelley & Sons Company, Chicago by permission of the copyright owner, the Remington Art Memorial
Subject (Topic):
Crow Indians, Indians of North America, Great Plains, and West (U.S.)
Print reproduces a painting by A.F. Tait in a lithograph by Louis Maurer for Currier & Ives; it depicts trappers pursuing in combat Indigenous persons on horseback. In the foreground, one pair of riders; a trapper, on saddled roan mount, wearing hat and animal-skin clothing, aiming a pistol with his right hand; an Indigenous person, bareback on black horse, leaning to left side of mount, looking back, holding a spear in his right hand; in the mid-ground, more riders in thel tall grass; in the background, largely cloudy sky with a single bird in flight; a little less than half the print shows the sky
Description:
Title from printed caption below image. and Below image: Entered according to act of Congress in the year 1856 by N. Currier, in the clerk's office of the District Court of the Southern Distt. of N.Y.
Publisher:
Pubd. by Currier & Ives
Subject (Geographic):
West (U.S.) and Great Plains
Subject (Topic):
Indians of North America, Violence against, Trappers, and Frontier and pioneer life
Print shows four Native American men on horseback chasing a trapper through tall grass, from left to right; one of the Native American men is falling off his horse; the trapper is looking back at them, and he appears to have just shot the falling Native American; more than half the image is sky
Alternative Title:
One rubbed out
Description:
Title from caption below image., Signature in reverse on print in lower right: O. Knirsch 1852., and Text below image: Entered according to Act of Congress in the year 1852 by N. Currier, in the clerk's office in the District Court of the Southern District of N.Y.
Publisher:
N. Currier
Subject (Geographic):
Great Plains and West (U.S.)
Subject (Topic):
Indians of North America and First contact with Europeans
Print reproduces a painting by A.F. Tait that depicts a trapper on horseback holding a long gun, looking down at a Indigenous man who has been shot and unhorsed from his mount. The fallen man props himself up with one hand and raises his right hand to his mouth as he shouts. He wears a leather shirt, leggings and beaded moccasins. He is leaning on his bow and his shield. There is a spear on the ground in front of him. Other white men are in the background to the right looking back at others (Indigenous persons?) who are in the far distance further to the right
Description:
BEIN BrSides Zc10 856mc: On sheet 52 x 73 cm., Title from caption below image., After a painting by Arthur Fitzwilliam Tait that is the companian piece to "The pursuit.", and Copyright 1856 by N. Currier.
Publisher:
Published by N. Currier, 152 Nassau Street
Subject (Geographic):
West (U.S.) and Great Plains
Subject (Topic):
Indians of North America, Violence against, Trappers, Frontier and pioneer life, and Wars
Print depicts an unhorsed trapper beside his fallen horse; he is shooting a dismounted indigenous man who has a tomahawk raised in his right hand as he approaches the trapper. In the background, two horses, one riderless, grassland and sky; a little less than half the print shows the partly cloudy sky
Description:
Title from printed caption below image. and Below image: Entered according to Act of Congress in the year 1858 by Currier & Ives, in the clerk's office of the District Court of the Southern Dist. of N.Y.
Viewbook with mounted albumen photographic prints of images created by Andrew J. Russell of locations along the Union Pacific Railroad in Utah and Wyoming, and printed by David H. Prime in New York, 1869, by authority of the Union Pacific Railroad Company. Photographs primarily show canyons, mountains, rock formations, and cuts along the railroad, as well as overviews of several towns and of buildings in Salt Lake City, and a couple group portraits. The photographs are geographically organized in the volume from locations along the railroad from east to west, Images of Laramie, Wyoming, include images of the Laramie Hotel, a large windmill, and the railroad machine shops of the Union Pacific Railroad Company. An exterior group portrait depicts officials gathered at Fort Sanders near Laramie, Wyoming, during the summer of 1868, which include Ulysses S. Grant, William Tecumseh Sherman, Philip H. Sheridan, and Sidney Dillon, a director of the Union Pacific Railroad Company, Images of rivers in Wyoming include views of the Laramie River and the Little Laramie River, as well as several images of Dale Creek that include a view of the Dale Creek Trestle, a wooden railroad bridge, and a view of Devil's Gate in the creek canyon, Images of railroad cuts in Wyoming include Burning Rock Cut, Carmichael's Cut, Hall's Cut, and Malloy's Cut, Images of rock outcroppings in Wyoming include views of Camel Rocks (identified as Granite Rock) near Buford (identified as Beaufort Station), Church Buttes near Fort Bridger, Dial Rock in the Laramie Basin, High Bluffs near Black Buttes, and Skull Rock near Sherman Station, Images of rock outcroppings in the Green River Valley in Wyoming and Utah include Castle Rock, Citadel Rock, and Smith's Buttes. Other images of locations in the Green River Valley include views of mountains and a supply train on the railroad, Incidental images of Wyoming include a view of snow and timber line in the Laramie Mountains, and a view of Granite Canyon from a water tank, Images of places and structures related to Brigham Young in Utah include views of his residences, known as the Beehive House and Lion House in Salt Lake City; one of these images includes the foundation for the Salt Lake Temple in the foreground. Another image shows his cotton and woolen mills in Parley Canyon with the Wasatch Range in the distance, Images of Bear River City, Utah, include an overview of the city and an image of the coal beds on the Bear River, as well as an image of a construction train in the Bear River Valley in Utah or Wyoming, Images of Echo Canyon, Utah, and vicinity include views of several rock outcroppings, including Death's Rock, Monument Rock, and Rock Great Eastern, Images of Echo, Utah, and vicinity include an overview of the city, as well as several rock formations, including Hanging Rock, Sentinel Rock, and Sphinx Rock, Images of the Weber River and Weber Canyon (identified as the Weber River Valley or Weber Valley), Utah, include a view of the city of Coalville; views of Wilhelmina Pass (identified as the Narrows of Weber Canyon); a view of Devil's Gate without a bridge, and a view of the Mormon Turnpike Bridge at the mouth of the canyon, and Incidental photographs of Utah include a view of City Creek Canyon; a portrait of a Mormon family in the Great Salt River Valley, and an image of the Tabernacle in Salt Lake City
Description:
The front and back boards of the book are both imprinted with the shortened title of the book, "Union Pacific Railroad. Photographical Illustrations."
Publisher:
printed by David H. Prime by authority of the Union Pacific Railroad Company
Subject (Geographic):
Bear River (Utah-Idaho), Bear River City (Utah), City Creek (Salt Lake County, Utah), Coalville (Utah), Dale Creek (Colo. and Wyo.), Echo (Utah), Echo Canyon (Utah), Fort Sanders (Wyo.), Great Salt Lake Valley (Utah), Green River (Wyo.-Utah), Green River Valley (Wyo.-Utah), Laramie (Wyo.), Laramie Basin (Wyo.), Laramie Mountains (Wyo. and Colo.), Laramie River (Colo. and Wyo.), Little Laramie River (Wyo.), Parley Canyon (Utah), Utah, Wasatch Range (Utah and Idaho), Weber Canyon (Utah), Weber River (Utah), Weber River Valley (Utah), West (U.S.), Wilhelmina Pass (Utah), and Wyoming
Subject (Name):
Dillon, Sidney, 1812-1892, Grant, Ulysses S. 1822-1885 (Ulysses Simpson),, Prime, David H., printer., Sheridan, Philip Henry, 1831-1888, Sherman, William T. 1820-1891 (William Tecumseh),, Young, Brigham, 1801-1877, Beehive House (Salt Lake City, Utah), Laramie Hotel (Laramie, Wyoming), Lion House (Salt Lake City, Utah), Salt Lake Temple, Tabernacle (Salt Lake City, Utah), Union Pacific Railroad Company., and Union Pacific Railroad Company
Reproduction of oil painting by Charles Schreyvogel, The attackers. Depicts a scene of four Native Americans on horseback, one with a rifle held over his head, riding away from an attack
Description:
BEIN WA Prints +218: Blind stamped in lower left corner: Copyright 1900 by Theo. Seiz, N.Y. Hand written in lower left corner: Colored by W.W. Hall., Title based on title of original painting., and In lower left corner of print, signed: Chas Schreyvogel.
Lithograph reproduces a painting by James Cameron that depicts a small party of trappers of with horses and with pack mules hiding near a rocky, tree-topped hill to avoid being seen by a large group of indigenous persons approaching them on horseback in the tall grass of the middle-ground
Description:
BEIN BrSides Zc10 866ca: On verso: Manuscript instructions for matting; manuscript notes: Sir John Hesketh Lethbridge from his dear son, "Albert." Ottawa, Canada West. Framed by W. Lee, Barnstaple, in 1871., Title from caption below image., Signature of Cameron within image., and Below image: Entered by act of Congress AD 1866 by Currier & Ives, in the clerk's office of the District Court of the United States, for the Southern District of N.Y.
Reproduction of a drawing by Seth Eastman that depicts in the foreground two Native Americans, on foot with saddled horses nearby, skinning a buffalo. In the background, the scene is of the riverine plains and distant hill tops. The upper half of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 13.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
35 pairs of photographs selected from the 122 sites visited by the Rephotographic Survey Project. The pairs consist of a copy print made from a nineteenth century image, and a print made from the Survey's field negatives
Description:
The Rephotographic Survey Project, which operated between 1977 and 1979, visited the sites of photographs taken in the nineteenth century and rephotographed them. The original landscape, photography from Colorado, Wyoming, Utah, New Mexico, Arizona, Idaho, and Nevada were originally made by William Henry Jackson, Timothy O'Sullivan, John Hillers, Andrew J. Russell, and Alexander Gardner. and Each photograph is labeled with a site number located on the bottom left corner on the back of the print.
Subject (Geographic):
Arizona, Colorado, Idaho, New Mexico, Nevada, Utah, West (U.S.), and Wyoming
Subject (Name):
Bushaw, Gordon., Dingus, Rick, 1951-, Gardner, Alexander, 1821-1882., Hillers, John K., 1843-1925., Jackson, William Henry, 1843-1942., Klett, Mark, 1952-, O'Sullivan, Timothy H., 1840-1882., Russell, Andrew J., and Rephotographic Survey Project.
Subject (Topic):
Landscape photography and Photography in geography
Geographical Surveys West of the 100th Meridian (U.S.)
Published / Created:
1871-1874.
Call Number:
WA Photos Folio 55
Image Count:
68
Abstract:
Album of mounted photographic prints created by Timothy H. O'Sullivan and William Bell, and later compiled by the United States War Department. Photographs document the Geographical Surveys West of the 100th Meridian led by George Montague Wheeler, 1871-1873, The photographic prints were arranged into three consecutive series by the United States War Department, "Explorations in Nevada and Arizona - Expedition of 1871," with photographs by O'Sullivan; "Explorations & Surveys West of the 100th Meridian - Expedition of 1872," with photographs by Bell; and "Geographical & Geological Explorations West of the 100th Meridian - Expedition of 1873," with photographs by O'Sullivan, Images of the expedition of 1871 by O'Sullivan include locations along the Colorado River in the Black Canyon, Iceberg Canyon, and Grand Canyon between Arizona and Nevada. Other images include a view of men and women in the mining town of Logan, Nevada; a view of Saguaro cacti, probably in the upper Sonoran desert in southern Arizona; a detailed view of a rock marked with striations from wind erosion near Grand Wash, Utah (misidentified by a typescript caption as below Fortification Rock, Arizona); and a view of an alpine lake, in the Sierra Nevada mountains in California, Images of the expedition of 1872 by Bell include views of steep rock walls and narrow valleys in vicinity of Kanab Canyon, Arizona, as well as views of the Colorado River and Marble Canyon (identified as Grand Cañon) near the confluence with the Paria River in Arizona. Other images include a view of geologic rock formations in Salt Creek Canyon, Utah, and Perched Rock near Rocker Creek, Arizona, Images of the expedition of 1873 by O'Sullivan in Arizona include views in the vicinity of the White Mountains with several views of Apache Lake, including an image that shows Western Apache Indian military scouts, as well as a view of the ranch owned by Corydon Eliphalet Cooley. Several images in the vicinity of Canyon de Chelly include views of the White House and Anasazi ruins, as well as images of rock towers and canyon walls. Other images include a view at the confluence of the Colorado River and Paria River; a view of the North Fork Canyon and the White River (identified as Sierra Blanca Creek); and an overview of Fort Apache, Images of the expedition of 1873 by O'Sullivan in New Mexico include images related to Inscription Rock, with a view of the steep rock spires and detail photographs of Spanish inscriptions carved in sandstone. Images of the community of Zuni, include a view of the Nuestra Señora de Guadalupe mission church, as well as views of multi-story stone and adobe pueblos. An image shows a view of an entrance or narthex of the Mission of San Miguel in Santa Fe. An informal portrait near Fort Defiance shows Navajo men and women sitting and standing beside a loom, and An incidental image from the expedition of 1873 by O'Sullivan in Utah shows a view of mesa tops and canyon walls near the confluence of the San Juan River and the Colorado River
Description:
Copy of album in WA MSS S-744 described in finding aid for collection., Each photograph accompanied by guard sheet with descriptive letter-press. Letterpress captions on mounts: War Department Corps of engineers. U.S. army . . . Lieut. Geo. M. Wheeler, Com'd'g., and Photographs by Timothy O'Sullivan for the 1871 expedition to Nevada and Arizona, numbered 1 through 16; photographs by William Bell for the 1872 expedition along the Colorado River and the Grand Canyon, numbered 1 through 15; and photographs by O'Sullivan for the 1873 expedition to Arizona and New Mexico, numbered 1 through 19.
Subject (Geographic):
Apache Lake (Ariz.), Arizona, Black Canyon (Ariz. and Nev.), Bull Run Mountains (Nev.), Canyon de Chelly National Monument (Ariz.), Colorado River (Colo.-Mexico), El Morro National Monument (N.M.), Fort Apache (Ariz.), Fort Defiance (N.M.), Grand Canyon (Ariz.), Iceberg Canyon (Ariz. and Nev.), Inscription Rock (N.M.), Kanab Canyon (Ariz.), Logan (Nev.), Marble Canyon (Coconino County, Ariz. : Canyon), Nevada, New Mexico, North Fork Canyon (Ariz.), Paria River (Utah and Ariz.), Salt Creek Canyon (Utah), San Juan River (Colo.-Utah), Sierra Nevada (Calif. and Nev.), Southwest, New, United States, Utah, West (U.S.), White Mountains (Ariz.), White River (Nev.), and Zuni (N.M.)
Subject (Name):
Bell, William, 1830-1910., Cooley, Corydon Eliphalet, O'Sullivan, Timothy H., 1840-1882, Mission San Miguel (Santa Fe, N.M.), Nuestra Señora de Guadalupe (Mission : Zuni, N.M.), Geographical Surveys West of the 100th Meridian (U.S.), and United States. War Department.
Subject (Topic):
Homes & haunts, Indians of North America, Navajo Indians, Paiute Indians, Pueblo Indians, Pueblos, Saguaro, Western Apache Indians, Exploring expeditions, and Surveys
Snapshots of a westward rail journey in 1892, possibly taken by someone traveling with a group of Freemasons. Men in masonic caps and regalia appear in several of the images, and one is captioned "Group of citizens (at Station to see Sir Kts.)". The photos show Niagara Falls, New York, including a boat moving through the streets on a trolley track; Pullman, Illinois; the depots at Red Oaks, Iowa, and Omaha, Nebraska; the railroad bridge between Omaha and Council Bluffs, Iowa; Florence and other unidentified towns in Nebraska; Gunnison, Roggin, and Glenwood Springs in Colorado; the Marshall Pass through the Rocky Mountains; unidentified prairie homesteads and scenes; and several unidentified depots and scenic stops
Description:
Photographer unidentified., Title devised by cataloger., and Manuscript captions on verso of most photos. Card mounts printed on verso: "From Dame, Stoddard & Kendall, 374 Washington Street, Boston. Kodak, Kamaret and Hawk-eye Cameras, Developing & Reloading."
Subject (Geographic):
United States, West (U.S.), Missouri river, Niagara Falls (N.Y.), Pullman (Chicago, Ill.), Omaha (Neb.), Nebraska, Iowa, Colorado, Glenwood Springs (Colo.), Gunnison (Colo.), and Marshall Pass (Colo.)
Subject (Topic):
Railroads, Railroad travel, Freemasons, Travelers, Railroad stations, Railroad bridges, Frontier and pioneer life, and Prairies
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Photograph album relating to Frank N. Barrett's cross-country trip from New York to California in 1889, titled "From Ocean to Ocean." The album contains newspaper clippings and other emphemera in addition to commercial photographs of scenery and sites in Chicago, Philadelphia, Kansas City, various parts of New Mexico, Arizona, and Oregon, and scenery in Yellowstone National Park, New York and California and Views in California include Coronado, San Diego, Point Loma, San Gabriel Valley in Pomona, San Jose Valley, Santa Barbara, Monterey, Del Monte, San Rafael, Sacramento, Fresno, Los Angeles, San Francisco, the Sierra Madre Mountains, Mt. Tamalpais, and Mt. Shasta
Description:
Frank N. Barrett was secretary of the New York Mercantile Exchange and the editor of American Grocer when he travelled from New York to California in order to study that state's "contribution to the world food supply." The newspaper clippings represent the letters he sent back to the American Grocer, published under the heading "From Ocean to Ocean: Notes by the Way" in 1889., Accompanied by two folders, one containing a 26-page typescript with manuscript annotations describing the cross-country trip illustrated in the album, and the other containing clippings and miscellaneous commercial photographs of scenery along the route of the trip., and Album pages are extremely fragile.
Reproduction of Charles Schreyvogel's oil painting "On the skirmish line." Depicts a scene of battle between about a dozen Native Americans on horseback and a dozen U.S. Army troops on foot
Description:
BEIN WA Prints +211:, Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Written in lower right corner of image: Copyright c. 1900. Hand printed in lower right corner of image: From painting owned by C. M. Butte Hoboken.
Reproduction of Charles Schreyvogel's oil painting "My bunkie." Depicts a scene of battle between Native Americans and U.S. Army troops. Three soldiers on horseback in foreground with one soldier being pulled up from the ground by another
Description:
Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and Text in lower left: copyrighted 99.
Photographs created from mammoth plate negatives primarily by photographers Carleton E. Watkins and William Henry Jackson of various locations in the American West, primarily in the states of California, Colorado, and Oregon, as well as Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1898, Photographs by Watkins consist of images created in the states of California and Oregon, and in Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1890, An image created by Watkins of Tombstone, Arizona Territory shows the Old South Shaft Ore Quarry of the Tough Nut Mine with a view of the town, the Dragoon Mountains, and the Cochise Stronghold in the distance, 1880, Images created by Watkins in California consist primarily of locations in Yosemite National Park, including Half Dome, Sentinel Rock, Tutocanula Pass (consisting of El Capitan and Cathedral Rocks cliff), and views of the Yosemite Valley from the Mariposa Trail and Eagle Point, 1878-1881. Other images from California include two different views from the top of Round Top Mountain, with one of the images showing a view of the Blue Lakes and the other the Mokelumne River, 1879; views in the vicinity of San Gabriel showing residences and wine houses of the Lake Vineyard, near the Sierra Madre Mountains and a date palm tree on the grounds of the Mission San Gabriel Arcangel, ca. 1874-1880; a view of the Carmel Valley from the Mission Road, Monterey; and a view of a waterfall, probably the Palisades Falls on the North Fork American River at Soda Springs, ca. 1874-1880, Images created by Watkins in Marysville, Montana Territory, consist of a view of the town, three interior views of a mill, and a view of the Drumlummon Mine and the Maskelyne Tunnel, 1884-1885 or 1890, Images created by Watkins along the Columbia River, Oregon, consist of views of rock bluffs along the river, a Native American village located at the Dalles, a winter view of the river with snow-covered shores, and a view of the Tooth Bridge and Eagle Creek Crossing, 1884-1885, Images created by Watkins in Washington Territory include a view of the Spokane Falls of the Spokane River, a mill in Port Ludlow, and ships at a dock in Port Madison on Bainbridge Island, 1882, Images created by Watkins of geothermal features in Yellowstone National Park, Wyoming Territory, consist of Giant Geyser, Grotto Geyser, Old Faithful Geyser, and Pulpit Terrace, 1884-1885, A majority of the images created by William Henry Jackson depict locations and geological features in Colorado, while other images show locations in Utah, Idaho, New Mexico, and Oregon, 1878-1898, Images from El Paso County, Colorado, created by Jackson include geological features in the Garden of the Gods, such as Cathedral Spires, Gate Rock, Tower of Babel, and the abutting Seal Rock and Bear Rock, with many images showing Pikes Peak in the distance; a view of Monument Park showing eroded sandstone rock formations; a view of a waterfall identified as Castle Falls, on North Cheyenne Creek in North Cheyenne Canyon; a view of Phoebe's Arch, near Palmer Lake; a view of Sheltered Falls on Ruxton Creek; a view of foothills and snow on Pikes Peak and Austin Bluffs; a view of Seven Falls (also known as Cheyenne Falls) on South Cheyenne Creek in South Cheyenne Canyon, and a view of Fountain Creek near Colorado City with a snow-covered Pikes Peak in the distance, Images from Gunnison County, Colorado, created by Jackson include a view of the Curecanti Needle rock formation in the Black Canyon with the Gunnison River and the railroad of the Denver and Rio Grande Railroad Company, and a view of a man standing on a rock by the Gunnison River near Sapinero, Two images in the Royal Gorge, Fremont County, Colorado, created by Jackson show the Denver and Rio Grande Railroad near the Arkansas River, with one of the images showing a suspension bridge known as Hanging Bridge, Other images created by Jackson in Colorado include a view of the city of Glenwood Springs in Garfield County and the stone and wood frame buildings at the Yampah Hot Springs bathhouse and pool; a view of the Georgetown Loop and tracks of the Colorado Central Railroad Company in Clear Creek Canyon in Clear Creek County; a view of Cathedral Spires and the Platte Canyon of the South Platte River with tracks of the Denver, South Park, and Pacific Railroad Company in Jefferson County; a view of people sitting in a horse-drawn carriage on a dirt road in Ute Pass, showing Twin Creek and Rainbow Falls, in Teller County; and a view of Sierra Blanca mountains, a stream and railroad tracks, possibly in Costilla County, Images created by Jackson in Utah include a view of Bridal Veil Falls on the Provo River in Provo Canyon, Utah County; and a view in the vicinity of Echo, depicting men standing and sitting on a rock formation identified as Pulpit Rock, Summit County, Other images created by Jackson include a view of the Twin Falls waterfall on the Snake River, Jerome County, Idaho; a view of Rio de los Pinos and rock formations in the Toltec Gorge, Rio Arriba County, New Mexico; and a view of Multnomah Falls on Multnomah Creek in Multnomah County, Oregon, and The collection includes an additional view created by F. Jay Haynes that shows an unidentified body of water beside two railroad tracks and a telegraph line; and an image probably by Watkins or Haynes that depicts an interior view of large industrial machinery in a brick building
Description:
A mammoth plate is a photographic negative plate, 18 by 21 inches (53.5 x 45.7 cm.) or larger, from which photographic prints are made through contact printing., Title devised by cataloger., Captions inscribed in the negatives created by Jackson., Manuscript inscription on the recto and verso of several photographic prints., and Photographs previously bound in a volume with the spine title "Photographs by Ezra Meeker and W. H. Jackson." The original boards and spine are filed with the collection.
Subject (Geographic):
Wyoming, Montana, West (U.S.), Arizona, Arkansas River, Austin Bluffs (Colo.), Black Canyon of the Gunnison (Colo.), Blue Lakes (Calif.), Bridal Veil Falls (Utah), California, Cathedral Rocks (Calif.), Cathedral Spires (El Paso County, Colo.), Cathedral Spires (Jefferson County, Colo.), Clear Creek Canyon (Colo.), Clear Creek County (Colo.), Cochise Stronghold (Ariz.), Colorado, Columbia River, Costilla County (Colo.), Curecanti Needle (Colo.), Dalles (Or.), Dragoon Mountains (Ariz.), Drumlummon Mine (Mont.), Eagle Creek (Or.), Echo (Utah), El Capitan (Calif.), El Paso County (Colo.), Fountain Creek (Colo.), Fremont County (Colo.), Garden of the Gods (Colorado Springs, Colo.), Garfield County (Colo.), Gate Rock (El Paso County, Colo.), Giant Geyser (Wyo.), Glenwood Springs (Colo.), Grotto Geyser (Wyo.), Gunnison County (Colo.), Gunnison River (Colo.), Half Dome (Calif.), Jefferson County (Colo.), Jerome County (Idaho), Lake Vineyard (San Gabriel, Calif.), Marysville (Lewis and Clark County, Mont.), Mokelumne River (Calif.), Monument Park (El Paso County, Colo.), Multnomah County (Or.), Multnomah Creek (Or.), Multnomah Falls (Or.), North Cheyenne Canyon (Colo.), North Cheyenne Creek (Colo.), North Fork American River (Calif.), Old Faithful Geyser (Wyo.), Oregon, Palisades Falls, Pikes Peak (Colo.), Platte Canyon (Colo.), Port Ludlow (Wash.), Port Madison (Bainbridge Island, Wash.), Provo Canyon (Utah), Provo River (Utah), Pulpit Rock (Utah), Pulpit Terrace (Wyo.), Rainbow Falls (Colo.), Rio Arriba County (N.M.), Rio de los Pinos (Colo. and N.M.), Round Top Mountain (Calif.), Royal Gorge (Colo.), San Gabriel (Calif.), Sentinel Rock (Calif.), Seven Falls (Colo.), Sierra Blanca (Colo.), Snake River (Wyo.-Wash.), Soda Springs (Calif.), South Cheyenne Canyon (Colo.), South Cheyenne Creek (Colo.), South Platte River (Colo. and Neb.), Spokane (Wash.), Spokane River (Idaho and Wash.), Teller County (Colo.), Toltec Gorge (N.M.), Tombstone (Ariz.), Tombstone Region (Ariz.), Twin Creek (Colo.), Twin Falls (Idaho : Waterfalls), Utah, Ute Pass (Teller County, Colo.), Washington (State), Yampah Hot Springs (Colo.), Yellowstone National Park, Yosemite National Park (Calif.), and Yosemite Valley (Calif.)
Subject (Name):
Haynes, F. Jay 1853-1921. (Frank Jay),, Jackson, William Henry, 1843-1942., Meeker, Ezra, 1830-1928., Watkins, Carleton E., 1829-1916., Colorado Central Railroad Company, Denver and Rio Grande Railroad Company, Denver, South Park, and Pacific Railroad Company, Mission San Gabriel Arcangel (San Gabriel, Calif.), and Tough Nut Mine
Subject (Topic):
Geysers, Landscape photography, Mineral industries, and Railroads
Photographs created from mammoth plate negatives primarily by photographers Carleton E. Watkins and William Henry Jackson of various locations in the American West, primarily in the states of California, Colorado, and Oregon, as well as Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1898, Photographs by Watkins consist of images created in the states of California and Oregon, and in Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1890, An image created by Watkins of Tombstone, Arizona Territory shows the Old South Shaft Ore Quarry of the Tough Nut Mine with a view of the town, the Dragoon Mountains, and the Cochise Stronghold in the distance, 1880, Images created by Watkins in California consist primarily of locations in Yosemite National Park, including Half Dome, Sentinel Rock, Tutocanula Pass (consisting of El Capitan and Cathedral Rocks cliff), and views of the Yosemite Valley from the Mariposa Trail and Eagle Point, 1878-1881. Other images from California include two different views from the top of Round Top Mountain, with one of the images showing a view of the Blue Lakes and the other the Mokelumne River, 1879; views in the vicinity of San Gabriel showing residences and wine houses of the Lake Vineyard, near the Sierra Madre Mountains and a date palm tree on the grounds of the Mission San Gabriel Arcangel, ca. 1874-1880; a view of the Carmel Valley from the Mission Road, Monterey; and a view of a waterfall, probably the Palisades Falls on the North Fork American River at Soda Springs, ca. 1874-1880, Images created by Watkins in Marysville, Montana Territory, consist of a view of the town, three interior views of a mill, and a view of the Drumlummon Mine and the Maskelyne Tunnel, 1884-1885 or 1890, Images created by Watkins along the Columbia River, Oregon, consist of views of rock bluffs along the river, a Native American village located at the Dalles, a winter view of the river with snow-covered shores, and a view of the Tooth Bridge and Eagle Creek Crossing, 1884-1885, Images created by Watkins in Washington Territory include a view of the Spokane Falls of the Spokane River, a mill in Port Ludlow, and ships at a dock in Port Madison on Bainbridge Island, 1882, Images created by Watkins of geothermal features in Yellowstone National Park, Wyoming Territory, consist of Giant Geyser, Grotto Geyser, Old Faithful Geyser, and Pulpit Terrace, 1884-1885, A majority of the images created by William Henry Jackson depict locations and geological features in Colorado, while other images show locations in Utah, Idaho, New Mexico, and Oregon, 1878-1898, Images from El Paso County, Colorado, created by Jackson include geological features in the Garden of the Gods, such as Cathedral Spires, Gate Rock, Tower of Babel, and the abutting Seal Rock and Bear Rock, with many images showing Pikes Peak in the distance; a view of Monument Park showing eroded sandstone rock formations; a view of a waterfall identified as Castle Falls, on North Cheyenne Creek in North Cheyenne Canyon; a view of Phoebe's Arch, near Palmer Lake; a view of Sheltered Falls on Ruxton Creek; a view of foothills and snow on Pikes Peak and Austin Bluffs; a view of Seven Falls (also known as Cheyenne Falls) on South Cheyenne Creek in South Cheyenne Canyon, and a view of Fountain Creek near Colorado City with a snow-covered Pikes Peak in the distance, Images from Gunnison County, Colorado, created by Jackson include a view of the Curecanti Needle rock formation in the Black Canyon with the Gunnison River and the railroad of the Denver and Rio Grande Railroad Company, and a view of a man standing on a rock by the Gunnison River near Sapinero, Two images in the Royal Gorge, Fremont County, Colorado, created by Jackson show the Denver and Rio Grande Railroad near the Arkansas River, with one of the images showing a suspension bridge known as Hanging Bridge, Other images created by Jackson in Colorado include a view of the city of Glenwood Springs in Garfield County and the stone and wood frame buildings at the Yampah Hot Springs bathhouse and pool; a view of the Georgetown Loop and tracks of the Colorado Central Railroad Company in Clear Creek Canyon in Clear Creek County; a view of Cathedral Spires and the Platte Canyon of the South Platte River with tracks of the Denver, South Park, and Pacific Railroad Company in Jefferson County; a view of people sitting in a horse-drawn carriage on a dirt road in Ute Pass, showing Twin Creek and Rainbow Falls, in Teller County; and a view of Sierra Blanca mountains, a stream and railroad tracks, possibly in Costilla County, Images created by Jackson in Utah include a view of Bridal Veil Falls on the Provo River in Provo Canyon, Utah County; and a view in the vicinity of Echo, depicting men standing and sitting on a rock formation identified as Pulpit Rock, Summit County, Other images created by Jackson include a view of the Twin Falls waterfall on the Snake River, Jerome County, Idaho; a view of Rio de los Pinos and rock formations in the Toltec Gorge, Rio Arriba County, New Mexico; and a view of Multnomah Falls on Multnomah Creek in Multnomah County, Oregon, and The collection includes an additional view created by F. Jay Haynes that shows an unidentified body of water beside two railroad tracks and a telegraph line; and an image probably by Watkins or Haynes that depicts an interior view of large industrial machinery in a brick building
Description:
A mammoth plate is a photographic negative plate, 18 by 21 inches (53.5 x 45.7 cm.) or larger, from which photographic prints are made through contact printing., Title devised by cataloger., Captions inscribed in the negatives created by Jackson., Manuscript inscription on the recto and verso of several photographic prints., and Photographs previously bound in a volume with the spine title "Photographs by Ezra Meeker and W. H. Jackson." The original boards and spine are filed with the collection.
Subject (Geographic):
Wyoming, Montana, West (U.S.), Arizona, Arkansas River, Austin Bluffs (Colo.), Black Canyon of the Gunnison (Colo.), Blue Lakes (Calif.), Bridal Veil Falls (Utah), California, Cathedral Rocks (Calif.), Cathedral Spires (El Paso County, Colo.), Cathedral Spires (Jefferson County, Colo.), Clear Creek Canyon (Colo.), Clear Creek County (Colo.), Cochise Stronghold (Ariz.), Colorado, Columbia River, Costilla County (Colo.), Curecanti Needle (Colo.), Dalles (Or.), Dragoon Mountains (Ariz.), Drumlummon Mine (Mont.), Eagle Creek (Or.), Echo (Utah), El Capitan (Calif.), El Paso County (Colo.), Fountain Creek (Colo.), Fremont County (Colo.), Garden of the Gods (Colorado Springs, Colo.), Garfield County (Colo.), Gate Rock (El Paso County, Colo.), Giant Geyser (Wyo.), Glenwood Springs (Colo.), Grotto Geyser (Wyo.), Gunnison County (Colo.), Gunnison River (Colo.), Half Dome (Calif.), Jefferson County (Colo.), Jerome County (Idaho), Lake Vineyard (San Gabriel, Calif.), Marysville (Lewis and Clark County, Mont.), Mokelumne River (Calif.), Monument Park (El Paso County, Colo.), Multnomah County (Or.), Multnomah Creek (Or.), Multnomah Falls (Or.), North Cheyenne Canyon (Colo.), North Cheyenne Creek (Colo.), North Fork American River (Calif.), Old Faithful Geyser (Wyo.), Oregon, Palisades Falls, Pikes Peak (Colo.), Platte Canyon (Colo.), Port Ludlow (Wash.), Port Madison (Bainbridge Island, Wash.), Provo Canyon (Utah), Provo River (Utah), Pulpit Rock (Utah), Pulpit Terrace (Wyo.), Rainbow Falls (Colo.), Rio Arriba County (N.M.), Rio de los Pinos (Colo. and N.M.), Round Top Mountain (Calif.), Royal Gorge (Colo.), San Gabriel (Calif.), Sentinel Rock (Calif.), Seven Falls (Colo.), Sierra Blanca (Colo.), Snake River (Wyo.-Wash.), Soda Springs (Calif.), South Cheyenne Canyon (Colo.), South Cheyenne Creek (Colo.), South Platte River (Colo. and Neb.), Spokane (Wash.), Spokane River (Idaho and Wash.), Teller County (Colo.), Toltec Gorge (N.M.), Tombstone (Ariz.), Tombstone Region (Ariz.), Twin Creek (Colo.), Twin Falls (Idaho : Waterfalls), Utah, Ute Pass (Teller County, Colo.), Washington (State), Yampah Hot Springs (Colo.), Yellowstone National Park, Yosemite National Park (Calif.), and Yosemite Valley (Calif.)
Subject (Name):
Haynes, F. Jay 1853-1921. (Frank Jay),, Jackson, William Henry, 1843-1942., Meeker, Ezra, 1830-1928., Watkins, Carleton E., 1829-1916., Colorado Central Railroad Company, Denver and Rio Grande Railroad Company, Denver, South Park, and Pacific Railroad Company, Mission San Gabriel Arcangel (San Gabriel, Calif.), and Tough Nut Mine
Subject (Topic):
Geysers, Landscape photography, Mineral industries, and Railroads
Photographs created from mammoth plate negatives primarily by photographers Carleton E. Watkins and William Henry Jackson of various locations in the American West, primarily in the states of California, Colorado, and Oregon, as well as Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1898, Photographs by Watkins consist of images created in the states of California and Oregon, and in Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1890, An image created by Watkins of Tombstone, Arizona Territory shows the Old South Shaft Ore Quarry of the Tough Nut Mine with a view of the town, the Dragoon Mountains, and the Cochise Stronghold in the distance, 1880, Images created by Watkins in California consist primarily of locations in Yosemite National Park, including Half Dome, Sentinel Rock, Tutocanula Pass (consisting of El Capitan and Cathedral Rocks cliff), and views of the Yosemite Valley from the Mariposa Trail and Eagle Point, 1878-1881. Other images from California include two different views from the top of Round Top Mountain, with one of the images showing a view of the Blue Lakes and the other the Mokelumne River, 1879; views in the vicinity of San Gabriel showing residences and wine houses of the Lake Vineyard, near the Sierra Madre Mountains and a date palm tree on the grounds of the Mission San Gabriel Arcangel, ca. 1874-1880; a view of the Carmel Valley from the Mission Road, Monterey; and a view of a waterfall, probably the Palisades Falls on the North Fork American River at Soda Springs, ca. 1874-1880, Images created by Watkins in Marysville, Montana Territory, consist of a view of the town, three interior views of a mill, and a view of the Drumlummon Mine and the Maskelyne Tunnel, 1884-1885 or 1890, Images created by Watkins along the Columbia River, Oregon, consist of views of rock bluffs along the river, a Native American village located at the Dalles, a winter view of the river with snow-covered shores, and a view of the Tooth Bridge and Eagle Creek Crossing, 1884-1885, Images created by Watkins in Washington Territory include a view of the Spokane Falls of the Spokane River, a mill in Port Ludlow, and ships at a dock in Port Madison on Bainbridge Island, 1882, Images created by Watkins of geothermal features in Yellowstone National Park, Wyoming Territory, consist of Giant Geyser, Grotto Geyser, Old Faithful Geyser, and Pulpit Terrace, 1884-1885, A majority of the images created by William Henry Jackson depict locations and geological features in Colorado, while other images show locations in Utah, Idaho, New Mexico, and Oregon, 1878-1898, Images from El Paso County, Colorado, created by Jackson include geological features in the Garden of the Gods, such as Cathedral Spires, Gate Rock, Tower of Babel, and the abutting Seal Rock and Bear Rock, with many images showing Pikes Peak in the distance; a view of Monument Park showing eroded sandstone rock formations; a view of a waterfall identified as Castle Falls, on North Cheyenne Creek in North Cheyenne Canyon; a view of Phoebe's Arch, near Palmer Lake; a view of Sheltered Falls on Ruxton Creek; a view of foothills and snow on Pikes Peak and Austin Bluffs; a view of Seven Falls (also known as Cheyenne Falls) on South Cheyenne Creek in South Cheyenne Canyon, and a view of Fountain Creek near Colorado City with a snow-covered Pikes Peak in the distance, Images from Gunnison County, Colorado, created by Jackson include a view of the Curecanti Needle rock formation in the Black Canyon with the Gunnison River and the railroad of the Denver and Rio Grande Railroad Company, and a view of a man standing on a rock by the Gunnison River near Sapinero, Two images in the Royal Gorge, Fremont County, Colorado, created by Jackson show the Denver and Rio Grande Railroad near the Arkansas River, with one of the images showing a suspension bridge known as Hanging Bridge, Other images created by Jackson in Colorado include a view of the city of Glenwood Springs in Garfield County and the stone and wood frame buildings at the Yampah Hot Springs bathhouse and pool; a view of the Georgetown Loop and tracks of the Colorado Central Railroad Company in Clear Creek Canyon in Clear Creek County; a view of Cathedral Spires and the Platte Canyon of the South Platte River with tracks of the Denver, South Park, and Pacific Railroad Company in Jefferson County; a view of people sitting in a horse-drawn carriage on a dirt road in Ute Pass, showing Twin Creek and Rainbow Falls, in Teller County; and a view of Sierra Blanca mountains, a stream and railroad tracks, possibly in Costilla County, Images created by Jackson in Utah include a view of Bridal Veil Falls on the Provo River in Provo Canyon, Utah County; and a view in the vicinity of Echo, depicting men standing and sitting on a rock formation identified as Pulpit Rock, Summit County, Other images created by Jackson include a view of the Twin Falls waterfall on the Snake River, Jerome County, Idaho; a view of Rio de los Pinos and rock formations in the Toltec Gorge, Rio Arriba County, New Mexico; and a view of Multnomah Falls on Multnomah Creek in Multnomah County, Oregon, and The collection includes an additional view created by F. Jay Haynes that shows an unidentified body of water beside two railroad tracks and a telegraph line; and an image probably by Watkins or Haynes that depicts an interior view of large industrial machinery in a brick building
Description:
A mammoth plate is a photographic negative plate, 18 by 21 inches (53.5 x 45.7 cm.) or larger, from which photographic prints are made through contact printing., Title devised by cataloger., Captions inscribed in the negatives created by Jackson., Manuscript inscription on the recto and verso of several photographic prints., and Photographs previously bound in a volume with the spine title "Photographs by Ezra Meeker and W. H. Jackson." The original boards and spine are filed with the collection.
Subject (Geographic):
Wyoming, Montana, West (U.S.), Arizona, Arkansas River, Austin Bluffs (Colo.), Black Canyon of the Gunnison (Colo.), Blue Lakes (Calif.), Bridal Veil Falls (Utah), California, Cathedral Rocks (Calif.), Cathedral Spires (El Paso County, Colo.), Cathedral Spires (Jefferson County, Colo.), Clear Creek Canyon (Colo.), Clear Creek County (Colo.), Cochise Stronghold (Ariz.), Colorado, Columbia River, Costilla County (Colo.), Curecanti Needle (Colo.), Dalles (Or.), Dragoon Mountains (Ariz.), Drumlummon Mine (Mont.), Eagle Creek (Or.), Echo (Utah), El Capitan (Calif.), El Paso County (Colo.), Fountain Creek (Colo.), Fremont County (Colo.), Garden of the Gods (Colorado Springs, Colo.), Garfield County (Colo.), Gate Rock (El Paso County, Colo.), Giant Geyser (Wyo.), Glenwood Springs (Colo.), Grotto Geyser (Wyo.), Gunnison County (Colo.), Gunnison River (Colo.), Half Dome (Calif.), Jefferson County (Colo.), Jerome County (Idaho), Lake Vineyard (San Gabriel, Calif.), Marysville (Lewis and Clark County, Mont.), Mokelumne River (Calif.), Monument Park (El Paso County, Colo.), Multnomah County (Or.), Multnomah Creek (Or.), Multnomah Falls (Or.), North Cheyenne Canyon (Colo.), North Cheyenne Creek (Colo.), North Fork American River (Calif.), Old Faithful Geyser (Wyo.), Oregon, Palisades Falls, Pikes Peak (Colo.), Platte Canyon (Colo.), Port Ludlow (Wash.), Port Madison (Bainbridge Island, Wash.), Provo Canyon (Utah), Provo River (Utah), Pulpit Rock (Utah), Pulpit Terrace (Wyo.), Rainbow Falls (Colo.), Rio Arriba County (N.M.), Rio de los Pinos (Colo. and N.M.), Round Top Mountain (Calif.), Royal Gorge (Colo.), San Gabriel (Calif.), Sentinel Rock (Calif.), Seven Falls (Colo.), Sierra Blanca (Colo.), Snake River (Wyo.-Wash.), Soda Springs (Calif.), South Cheyenne Canyon (Colo.), South Cheyenne Creek (Colo.), South Platte River (Colo. and Neb.), Spokane (Wash.), Spokane River (Idaho and Wash.), Teller County (Colo.), Toltec Gorge (N.M.), Tombstone (Ariz.), Tombstone Region (Ariz.), Twin Creek (Colo.), Twin Falls (Idaho : Waterfalls), Utah, Ute Pass (Teller County, Colo.), Washington (State), Yampah Hot Springs (Colo.), Yellowstone National Park, Yosemite National Park (Calif.), and Yosemite Valley (Calif.)
Subject (Name):
Haynes, F. Jay 1853-1921. (Frank Jay),, Jackson, William Henry, 1843-1942., Meeker, Ezra, 1830-1928., Watkins, Carleton E., 1829-1916., Colorado Central Railroad Company, Denver and Rio Grande Railroad Company, Denver, South Park, and Pacific Railroad Company, Mission San Gabriel Arcangel (San Gabriel, Calif.), and Tough Nut Mine
Subject (Topic):
Geysers, Landscape photography, Mineral industries, and Railroads
Photographs created from mammoth plate negatives primarily by photographers Carleton E. Watkins and William Henry Jackson of various locations in the American West, primarily in the states of California, Colorado, and Oregon, as well as Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1898, Photographs by Watkins consist of images created in the states of California and Oregon, and in Arizona, Montana, Utah, Washington, and Wyoming Territories, ca. 1874-1890, An image created by Watkins of Tombstone, Arizona Territory shows the Old South Shaft Ore Quarry of the Tough Nut Mine with a view of the town, the Dragoon Mountains, and the Cochise Stronghold in the distance, 1880, Images created by Watkins in California consist primarily of locations in Yosemite National Park, including Half Dome, Sentinel Rock, Tutocanula Pass (consisting of El Capitan and Cathedral Rocks cliff), and views of the Yosemite Valley from the Mariposa Trail and Eagle Point, 1878-1881. Other images from California include two different views from the top of Round Top Mountain, with one of the images showing a view of the Blue Lakes and the other the Mokelumne River, 1879; views in the vicinity of San Gabriel showing residences and wine houses of the Lake Vineyard, near the Sierra Madre Mountains and a date palm tree on the grounds of the Mission San Gabriel Arcangel, ca. 1874-1880; a view of the Carmel Valley from the Mission Road, Monterey; and a view of a waterfall, probably the Palisades Falls on the North Fork American River at Soda Springs, ca. 1874-1880, Images created by Watkins in Marysville, Montana Territory, consist of a view of the town, three interior views of a mill, and a view of the Drumlummon Mine and the Maskelyne Tunnel, 1884-1885 or 1890, Images created by Watkins along the Columbia River, Oregon, consist of views of rock bluffs along the river, a Native American village located at the Dalles, a winter view of the river with snow-covered shores, and a view of the Tooth Bridge and Eagle Creek Crossing, 1884-1885, Images created by Watkins in Washington Territory include a view of the Spokane Falls of the Spokane River, a mill in Port Ludlow, and ships at a dock in Port Madison on Bainbridge Island, 1882, Images created by Watkins of geothermal features in Yellowstone National Park, Wyoming Territory, consist of Giant Geyser, Grotto Geyser, Old Faithful Geyser, and Pulpit Terrace, 1884-1885, A majority of the images created by William Henry Jackson depict locations and geological features in Colorado, while other images show locations in Utah, Idaho, New Mexico, and Oregon, 1878-1898, Images from El Paso County, Colorado, created by Jackson include geological features in the Garden of the Gods, such as Cathedral Spires, Gate Rock, Tower of Babel, and the abutting Seal Rock and Bear Rock, with many images showing Pikes Peak in the distance; a view of Monument Park showing eroded sandstone rock formations; a view of a waterfall identified as Castle Falls, on North Cheyenne Creek in North Cheyenne Canyon; a view of Phoebe's Arch, near Palmer Lake; a view of Sheltered Falls on Ruxton Creek; a view of foothills and snow on Pikes Peak and Austin Bluffs; a view of Seven Falls (also known as Cheyenne Falls) on South Cheyenne Creek in South Cheyenne Canyon, and a view of Fountain Creek near Colorado City with a snow-covered Pikes Peak in the distance, Images from Gunnison County, Colorado, created by Jackson include a view of the Curecanti Needle rock formation in the Black Canyon with the Gunnison River and the railroad of the Denver and Rio Grande Railroad Company, and a view of a man standing on a rock by the Gunnison River near Sapinero, Two images in the Royal Gorge, Fremont County, Colorado, created by Jackson show the Denver and Rio Grande Railroad near the Arkansas River, with one of the images showing a suspension bridge known as Hanging Bridge, Other images created by Jackson in Colorado include a view of the city of Glenwood Springs in Garfield County and the stone and wood frame buildings at the Yampah Hot Springs bathhouse and pool; a view of the Georgetown Loop and tracks of the Colorado Central Railroad Company in Clear Creek Canyon in Clear Creek County; a view of Cathedral Spires and the Platte Canyon of the South Platte River with tracks of the Denver, South Park, and Pacific Railroad Company in Jefferson County; a view of people sitting in a horse-drawn carriage on a dirt road in Ute Pass, showing Twin Creek and Rainbow Falls, in Teller County; and a view of Sierra Blanca mountains, a stream and railroad tracks, possibly in Costilla County, Images created by Jackson in Utah include a view of Bridal Veil Falls on the Provo River in Provo Canyon, Utah County; and a view in the vicinity of Echo, depicting men standing and sitting on a rock formation identified as Pulpit Rock, Summit County, Other images created by Jackson include a view of the Twin Falls waterfall on the Snake River, Jerome County, Idaho; a view of Rio de los Pinos and rock formations in the Toltec Gorge, Rio Arriba County, New Mexico; and a view of Multnomah Falls on Multnomah Creek in Multnomah County, Oregon, and The collection includes an additional view created by F. Jay Haynes that shows an unidentified body of water beside two railroad tracks and a telegraph line; and an image probably by Watkins or Haynes that depicts an interior view of large industrial machinery in a brick building
Description:
A mammoth plate is a photographic negative plate, 18 by 21 inches (53.5 x 45.7 cm.) or larger, from which photographic prints are made through contact printing., Title devised by cataloger., Captions inscribed in the negatives created by Jackson., Manuscript inscription on the recto and verso of several photographic prints., and Photographs previously bound in a volume with the spine title "Photographs by Ezra Meeker and W. H. Jackson." The original boards and spine are filed with the collection.
Subject (Geographic):
Wyoming, Montana, West (U.S.), Arizona, Arkansas River, Austin Bluffs (Colo.), Black Canyon of the Gunnison (Colo.), Blue Lakes (Calif.), Bridal Veil Falls (Utah), California, Cathedral Rocks (Calif.), Cathedral Spires (El Paso County, Colo.), Cathedral Spires (Jefferson County, Colo.), Clear Creek Canyon (Colo.), Clear Creek County (Colo.), Cochise Stronghold (Ariz.), Colorado, Columbia River, Costilla County (Colo.), Curecanti Needle (Colo.), Dalles (Or.), Dragoon Mountains (Ariz.), Drumlummon Mine (Mont.), Eagle Creek (Or.), Echo (Utah), El Capitan (Calif.), El Paso County (Colo.), Fountain Creek (Colo.), Fremont County (Colo.), Garden of the Gods (Colorado Springs, Colo.), Garfield County (Colo.), Gate Rock (El Paso County, Colo.), Giant Geyser (Wyo.), Glenwood Springs (Colo.), Grotto Geyser (Wyo.), Gunnison County (Colo.), Gunnison River (Colo.), Half Dome (Calif.), Jefferson County (Colo.), Jerome County (Idaho), Lake Vineyard (San Gabriel, Calif.), Marysville (Lewis and Clark County, Mont.), Mokelumne River (Calif.), Monument Park (El Paso County, Colo.), Multnomah County (Or.), Multnomah Creek (Or.), Multnomah Falls (Or.), North Cheyenne Canyon (Colo.), North Cheyenne Creek (Colo.), North Fork American River (Calif.), Old Faithful Geyser (Wyo.), Oregon, Palisades Falls, Pikes Peak (Colo.), Platte Canyon (Colo.), Port Ludlow (Wash.), Port Madison (Bainbridge Island, Wash.), Provo Canyon (Utah), Provo River (Utah), Pulpit Rock (Utah), Pulpit Terrace (Wyo.), Rainbow Falls (Colo.), Rio Arriba County (N.M.), Rio de los Pinos (Colo. and N.M.), Round Top Mountain (Calif.), Royal Gorge (Colo.), San Gabriel (Calif.), Sentinel Rock (Calif.), Seven Falls (Colo.), Sierra Blanca (Colo.), Snake River (Wyo.-Wash.), Soda Springs (Calif.), South Cheyenne Canyon (Colo.), South Cheyenne Creek (Colo.), South Platte River (Colo. and Neb.), Spokane (Wash.), Spokane River (Idaho and Wash.), Teller County (Colo.), Toltec Gorge (N.M.), Tombstone (Ariz.), Tombstone Region (Ariz.), Twin Creek (Colo.), Twin Falls (Idaho : Waterfalls), Utah, Ute Pass (Teller County, Colo.), Washington (State), Yampah Hot Springs (Colo.), Yellowstone National Park, Yosemite National Park (Calif.), and Yosemite Valley (Calif.)
Subject (Name):
Haynes, F. Jay 1853-1921. (Frank Jay),, Jackson, William Henry, 1843-1942., Meeker, Ezra, 1830-1928., Watkins, Carleton E., 1829-1916., Colorado Central Railroad Company, Denver and Rio Grande Railroad Company, Denver, South Park, and Pacific Railroad Company, Mission San Gabriel Arcangel (San Gabriel, Calif.), and Tough Nut Mine
Subject (Topic):
Geysers, Landscape photography, Mineral industries, and Railroads
Reproduction of a Charles Schreyvogel oil painting. Depicts a two troopers in a narrow canyon; one on horseback, the other unmounted; pistols drawn, looking back at approaching riders
Description:
BEIN WA Prints +217: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel., Title devised by cataloger., and In lower right corner of print: Chas Schreyvogel copyright 1912.
Reproduction of a drawning by Seth Eastman that depicts in the foreground a European American on foot hunting buffalo with a long gun. The scene is of the rolling, grassy plains with bison in the distance. The upper two-thirds of the image are of sky
Reproduction of Charles Schreyvogel's oil painting "How kola." Depicts a scene of battle between Native Americans and U.S. Army troops. Troupers riding directly at viewer with a fallen Native American and horse about to be trampled by trouper on horseback in the foreground
Description:
Title from the oil painting on which the print is based., Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York., and In hand at bottom left corner of print: Copyright 1901 by Chas Schreyvogel.
Print depicts a herd of bison on the Great Plains; several bison face the viewer in the foreground; grassland swells into low hills in middle-and back-ground; filled with bison; the top half of the image is sky
Description:
BEIN BrSides Zc10 862ha: State before title and imprint letters., Title and imprint from caption on another state of this print., Within image in lower left, signed: W.J. Hays, 1861., and Below image: Entered according to act of Congress in the year 1862, by W.J. Hays in the clerks office of the District Court of the Southern District of New York
Reproduction of Charles Schreyvogel's oil painting "Going for reinforcements." Depicts a scene of battle between Native Americans and U.S. Army troops in the west in which two soldiers are galloping on horses away from Native Americans who are in pursuit
Description:
BEIN WA Print +214: In lower left corner of print, blind stamped: Copyright 1901 by Chs. Schreyvogel., Title from the oil painting on which the print is based., and Imprint devised by cataloger from an advertisement in Publishers’ Weekly (No. 1817; Nov. 24, 1906) for prints by Charles Schreyvogel of western frontier life by Moffat, Yard, & Company of New York.
Viewbook of mounted photographic prints compiled by the George W. Williams & Company, fertilizer merchants, ca. 1869. A photographic print appears on the recto of each mount that depicts an advertisement for Carolina Fertilizer with a letterpress testimonial below it. The verso of each mount carries a photographic print of an image created by Andrew J. Russell. The exception is the last mount, which carries a photographic advertisement for BD Sea Fowl Guano on the recto of the mount and no photographic print on the verso. The images by Russell document landscape views and buildings along the Union Pacific Railroad in Nebraska, Wyoming, and Utah, ca. 1867-1869. Many images of landscapes include men and women posited in the terrain to provide scale, An image shows a view of Echo, Utah, as well as rock outcroppings in its vicinity, including Hanging Rock, Monument Rock, and Sphinx Rock, Images of locations in the Weber River Valley, Utah, include views of Coalville city, Devil's Gate, Tunnel No. 4, Bridge No. 32, and of the Mormon Turnpike Bridge at the mouth of the canyon, Images of Wyoming include views of a large windmill at Laramie; Granite Canyon from a water tank; High Bluffs in the Black Buttes area; and an overview of the Laramie River Valley, as well as railroad cuts consisting of the Burning Rock Cut and Hall's Cut (identified in a caption as the Great Mountain Pass)., An image of Omaha, Nebraska, shows a street leading to the Missouri River, An image shows a group of people during the laying of the last rail connecting the Union Pacific Railroad and Central Pacific Railroad on May 10, 1869, near Promontory, Utah, and Sixteen plates without mounted photographic prints in the volume contain graphical advertisements for the products of the George W. Williams Company including BD Sea Fowl Guano, Bradley's Super Phosphate of Lime, C. C. Coe's Ammoniated Super Phosphate of Lime, Carolina Fertilizer, and Palmetto Soluble Acid Phosphate, as well as powdered raw bones and dissolved unburnt bones
Description:
Title from cover., Autograph on front board of Frank E. Taylor., Twenty photographs of the west are reduced images from Andrew J. Russell's, The Great West illustrated . . . New York, 1869., and Photographic prints measure 13 x 7 cm.
Publisher:
s.n.
Subject (Geographic):
United States., West (U.S.), Coalville (Utah), Echo (Utah), Laramie (Wyo.), Missouri River, Nebraska, Omaha (Neb.), Salt Lake City (Utah), Utah, Weber River Valley (Utah), and Wyoming
Subject (Name):
Russell, Andrew J., Williams, George Walton, 1820-1903., Young, Brigham, 1801-1877, Beehive House (Salt Lake City, Utah), Central Pacific Railroad Company, Lion House (Salt Lake City, Utah), Tabernacle (Salt Lake City, Utah), and Union Pacific Railroad Company
Subject (Topic):
Homes and haunts, Advertising, Agriculture, Fertilizer industry, and Railroads
Reproduction of a work by Seth Eastman from a sketch by J. H. Eaton. Depicts Fort Defiance as built in 1851-1852. In the foreground, Native Americans approach the fort in a line on horseback; within the fort, U.S. Army soldiers drill. The fort is at the foot of an escarpment. One-third of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 29.
Reproduction of Charles Schreyvogel's oil painting "Fight to the finish." Depicts a scene of Native Americans on horseback. Two in close combat foregrounded. Others in background
Description:
BEIN WA Prints +216: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel., Title from the oil painting on which the print is based., and In lower right corner of print, signed: Chas Schreyvogel copyright 1912.
Photograph album created by Sumner Matteson from a selection of his photographs of the Southwest, Montana, and Colorado. The photographs, which are captioned in a typed list that accompanies the album, date from 1899 to 1902, and depict a variety of places and events. The majority of the photographs are of the Hopi Indians, their Snake, Antelope, and Flute ceremonies, kiva interiors, as well as weaving, grinding corn, courting, working in fields, making pottery, and marketing at the Moenkopi, Mishongnovi, Shipolovi and Shongopovi Pueblos. There are also photographs of cliff-dwellings at Mesa Verde and Mancos Canyon, Colorado; Canyon de Chelly, Arizona; Pueblo Indians at Isleta and Acoma, New Mexico; Navajo and Ute Indians in New Mexico and Colorado; Penitentes in Abiquiu, New Mexico; and views of wagon trains, Indian encampments, mines, and sheepherding in Montana
Description:
Sumner Matteson, a bicycle salesman in Denver who became a photographer, traveled around the West between 1899 and 1903, photographing the Mesa Verde and Pueblo Bonito cliff-dwellings, Navajo Indians, Penitentes in New Mexico, Hopi Snake and Flute ceremonies in Arizona, the Pueblo villages of Acoma and Isleta, Montana wagon trains, and cattle and sheep roundups. He sold his own photographs, wrote articles and provided illustrations for popular magazines, and provided photographs for several books on Southwestern Indians written by others., Accompanied by a contemporary typescript containing captions and often explanatory background for almost all of the photographs in the album. Typescript titled "Index to the Frank Klepetko Album. Photos and Data by Sumner W. Matteson" and signed "Sumner W. Matteson, D.A.C. [Denver Athletic Club] Denver, Colo. Jan. 1903.", Individual photographs are 12 x 17 cm. and smaller., 157 of the photographs are platinum prints., Album and copy prints in 2 boxes., and Copy prints available for every page except the first.
Subject (Geographic):
Southwest, New, Montana, New Mexico, Arizona, Abiquiu (N.M.), Acoma (N.M.), Canyon de Chelly National Monument (Ariz.), Colorado, Isleta (N.M.), Mancos Site (Colo.), Mesa Verde National Park (Colo.), Moenkopi Pueblo (Ariz.), and West (U.S.)
Subject (Name):
Klepetko, Frank., Matteson, Sumner W., 1867-1920., and Hermanos Penitentes
Subject (Topic):
Hopi Indians, Rites and ceremonies, Indians of North America, Cliff-dwellings, Kivas, Navajo Indians, Pueblo Indians, Snake dance, Mines and mineral resources, Sheep ranches, Wool industry, and Religious life and customs
Reproduction of a painting by Seth Eastman that depicts in the foreground two Native Americans on horseback, one with a long gun, the other with bow and arrow, hunting buffalo. In the background, the scene is of the riverine plains. The upper three-quarters of the image are of sky
Description:
Title from caption below image. and Below image, centered: Pl. 9.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
Print by John Cameron depicts, in the left foreground, two trappers with horses and pack animals waiting and watching on guard; in the middle ground, a trapper and a Native American ride toward each other to talk; in the background, more Native Americans on horseback in the distance; mountains and sky in the top half of the image
Description:
Title from caption below image. and Below image: Entered by act of Congress A.D. 1868 by Currier & Ives, in the clerk's office of the District Court of the United States, for the Southern District of N.Y.
Reproduction of 1852 painting by A.F. Tait that depicts two trappers, men of European descent, and four Native American men fighting on horseback on a plain with tall grass; one of the trappers in center foreground wears a buckskin fringed jacket, aims his rifle; the other trapper driving the pack animals away from the scene. The first trapper is shown with a percussion cap and ball rifle, steer powder horn, and an arrow lodged into his camp blanket. Native American men to right in middle ground are armed with bows and arrows. Top half of image is sky
Alternative Title:
Keep your distance
Description:
Below image: Entered according to Act of Congress in the year 1853, by N. Currier, in the Clerk’s Office of the District-Court of the Southern District of N.Y. and Title from caption below image.
