Print reproduces Charles Deas's 1844 oil painting, "Long Jakes, the Rocky Mountain Man." Print depicts a bearded male trapper on horseback; horse, black with white blaze on forehead, facing right, head turned down and toward viewer; trapper's body facing right, half-turned to center, with head turned back to left; wearing a red tunic, buskskins, moccasins, spurs, and hat; carrying long gun in his right hand, reins in his left; mountains and sky in background
Alternative Title:
Long Jakes, the Rocky Mountain Man
Description:
Title from caption below image. and Date from metadata for another instance (black and white) of this print held by the Amon Carter Museum of American Art, Fort Worth, Texas.
Publisher:
published by M. Knoedler, successor to Goupil & Co. and printed at J.H. Bufford's
Print depicts two white men pursuing an Indigenous man; all on horseback. In the foreground, one rider has tossed a lasso toward the Indigenous man
Description:
Title from printed caption. and Below image: Entered according to act of Congress in the year 1856 by Currier & Ives, in the clerk's office of the district court of the Southern District of New York.
Print reproduces a 1905 painting by Remington called 'The smoke signal' that depicts three Crow Native American men with three horses, one roan, one black, and one white with a red right hand print (as a brand) on its left buttock and a bird's feather tied into its tail; two of the Crow men are dismounted, kneeling on the hill-side signalling with smoke
Publisher:
Reproduced by the Lakeside Press, R.R. Donnelley & Sons Company, Chicago by permission of the copyright owner, the Remington Art Memorial
Subject (Topic):
Crow Indians, Indians of North America, Great Plains, and West (U.S.)
Print reproduces a painting by A.F. Tait in a lithograph by Louis Maurer for Currier & Ives; it depicts trappers pursuing in combat Indigenous persons on horseback. In the foreground, one pair of riders; a trapper, on saddled roan mount, wearing hat and animal-skin clothing, aiming a pistol with his right hand; an Indigenous person, bareback on black horse, leaning to left side of mount, looking back, holding a spear in his right hand; in the mid-ground, more riders in thel tall grass; in the background, largely cloudy sky with a single bird in flight; a little less than half the print shows the sky
Description:
Title from printed caption below image. and Below image: Entered according to act of Congress in the year 1856 by N. Currier, in the clerk's office of the District Court of the Southern Distt. of N.Y.
Publisher:
Pubd. by Currier & Ives
Subject (Geographic):
West (U.S.) and Great Plains
Subject (Topic):
Indians of North America, Violence against, Trappers, and Frontier and pioneer life
Print shows four Native American men on horseback chasing a trapper through tall grass, from left to right; one of the Native American men is falling off his horse; the trapper is looking back at them, and he appears to have just shot the falling Native American; more than half the image is sky
Alternative Title:
One rubbed out
Description:
Title from caption below image., Signature in reverse on print in lower right: O. Knirsch 1852., and Text below image: Entered according to Act of Congress in the year 1852 by N. Currier, in the clerk's office in the District Court of the Southern District of N.Y.
Publisher:
N. Currier
Subject (Geographic):
Great Plains and West (U.S.)
Subject (Topic):
Indians of North America and First contact with Europeans
Print reproduces a painting by A.F. Tait that depicts a trapper on horseback holding a long gun, looking down at a Indigenous man who has been shot and unhorsed from his mount. The fallen man props himself up with one hand and raises his right hand to his mouth as he shouts. He wears a leather shirt, leggings and beaded moccasins. He is leaning on his bow and his shield. There is a spear on the ground in front of him. Other white men are in the background to the right looking back at others (Indigenous persons?) who are in the far distance further to the right
Description:
BEIN BrSides Zc10 856mc: On sheet 52 x 73 cm., Title from caption below image., After a painting by Arthur Fitzwilliam Tait that is the companian piece to "The pursuit.", and Copyright 1856 by N. Currier.
Publisher:
Published by N. Currier, 152 Nassau Street
Subject (Geographic):
West (U.S.) and Great Plains
Subject (Topic):
Indians of North America, Violence against, Trappers, Frontier and pioneer life, and Wars
Print depicts an unhorsed trapper beside his fallen horse; he is shooting a dismounted indigenous man who has a tomahawk raised in his right hand as he approaches the trapper. In the background, two horses, one riderless, grassland and sky; a little less than half the print shows the partly cloudy sky
Description:
Title from printed caption below image. and Below image: Entered according to Act of Congress in the year 1858 by Currier & Ives, in the clerk's office of the District Court of the Southern Dist. of N.Y.
Reproduction of oil painting by Charles Schreyvogel, The attackers. Depicts a scene of four Native Americans on horseback, one with a rifle held over his head, riding away from an attack
Description:
BEIN WA Prints +218: Blind stamped in lower left corner: Copyright 1900 by Theo. Seiz, N.Y. Hand written in lower left corner: Colored by W.W. Hall., Title based on title of original painting., and In lower left corner of print, signed: Chas Schreyvogel.
Lithograph reproduces a painting by James Cameron that depicts a small party of trappers of with horses and with pack mules hiding near a rocky, tree-topped hill to avoid being seen by a large group of indigenous persons approaching them on horseback in the tall grass of the middle-ground
Description:
BEIN BrSides Zc10 866ca: On verso: Manuscript instructions for matting; manuscript notes: Sir John Hesketh Lethbridge from his dear son, "Albert." Ottawa, Canada West. Framed by W. Lee, Barnstaple, in 1871., Title from caption below image., Signature of Cameron within image., and Below image: Entered by act of Congress AD 1866 by Currier & Ives, in the clerk's office of the District Court of the United States, for the Southern District of N.Y.
Reproduction of a drawing by Seth Eastman that depicts in the foreground two Native Americans, on foot with saddled horses nearby, skinning a buffalo. In the background, the scene is of the riverine plains and distant hill tops. The upper half of the image is of sky
Description:
Title from caption below image. and Below image, centered: Pl. 13.
Publisher:
Lippincott, Grambo & Company
Subject (Geographic):
West (U.S.)
Subject (Topic):
American bison hunting and Indians of North America
35 pairs of photographs selected from the 122 sites visited by the Rephotographic Survey Project. The pairs consist of a copy print made from a nineteenth century image, and a print made from the Survey's field negatives
Description:
The Rephotographic Survey Project, which operated between 1977 and 1979, visited the sites of photographs taken in the nineteenth century and rephotographed them. The original landscape, photography from Colorado, Wyoming, Utah, New Mexico, Arizona, Idaho, and Nevada were originally made by William Henry Jackson, Timothy O'Sullivan, John Hillers, Andrew J. Russell, and Alexander Gardner. and Each photograph is labeled with a site number located on the bottom left corner on the back of the print.
Subject (Geographic):
Arizona, Colorado, Idaho, New Mexico, Nevada, Utah, West (U.S.), and Wyoming
Subject (Name):
Bushaw, Gordon., Dingus, Rick, 1951-, Gardner, Alexander, 1821-1882., Hillers, John K., 1843-1925., Jackson, William Henry, 1843-1942., Klett, Mark, 1952-, O'Sullivan, Timothy H., 1840-1882., Russell, Andrew J., and Rephotographic Survey Project.
Subject (Topic):
Landscape photography and Photography in geography
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; industry; educational, financial, and government facilities; naval vessels and yachting events; canals and waterfronts; roads, railroads, and other methods of transportation and Also scenes of urban and rural communities and other points of interest in the United States, Canada, Mexico, and the Caribbean area, and a series of mammoth panoramic views mostly of western mountain ranges. There are also portraits of Native Americans, Asian Americans, and portraits employing racist stereotypes of African Americans
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights to use the Swiss color photolithography "Photochrom" process. This process permitted the mass production of color postcards, prints, and albums for sale to the American market., In 1897 William Henry Jackson became a partner in the firm, adding thousands of negatives to the inventory, some taken as early as the 1870s. In 1905 the company changed its name to the Detroit Publishing Company. It went into receivership in 1924, and liquidated its assets in 1932., Accompanied by a container list., Letterpress captions, numbers and copyright statement on most prints. Manuscript captions on verso of some prints., and Photographers of individual images are not identified, but many images may be attributed to William Henry Jackson.
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
