Views throughout the United States of prominent buildings, clubs, estates, monuments, and colleges and universities; historical sites, including battlefields and forts; natural landmarks, such as canyons, islands, rock formations, and waterfalls; indu...
Description:
The Detroit Photographic Company began as a photographic publishing firm in the late 1890s. The founders, Detroit businessman and publisher William A. Livingston, Jr., and photographer and photopublisher Edwin H. Husher, obtained the exclusive rights ...
Publisher:
Detroit Photographic Co. or Detroit Publishing Co.
Subject (Geographic):
West (U.S.), Mexico, Bahamas, and Canada
Subject (Name):
Husher, Edwin H. and Livingston, William A.
Subject (Topic):
Indians of North America and Universities and colleges
Photograph album created by Sumner Matteson from a selection of his photographs of the Southwest, Montana, and Colorado. The photographs, which are captioned in a typed list that accompanies the album, date from 1899 to 1902, and depict a variety of p...
Description:
Sumner Matteson, a bicycle salesman in Denver who became a photographer, traveled around the West between 1899 and 1903, photographing the Mesa Verde and Pueblo Bonito cliff-dwellings, Navajo Indians, Penitentes in New Mexico, Hopi Snake and Flute cer...
Subject (Geographic):
Southwest, New, Montana, New Mexico, Arizona, Abiquiu (N.M.), Acoma (N.M.), Canyon de Chelly National Monument (Ariz.), Colorado, Isleta (N.M.), Mancos Site (Colo.), Mesa Verde National Park (Colo.), Moenkopi Pueblo (Ariz.), and West (U.S.)
Subject (Name):
Klepetko, Frank., Matteson, Sumner W., 1867-1920., and Hermanos Penitentes
Subject (Topic):
Hopi Indians, Rites and ceremonies, Indians of North America, Cliff-dwellings, Kivas, Navajo Indians, Pueblo Indians, Snake dance, Mines and mineral resources, Sheep ranches, Wool industry, and Religious life and customs
Reproduction of oil painting by Charles Schreyvogel, The attackers. Depicts a scene of four Native Americans on horseback, one with a rifle held over his head, riding away from an attack
Description:
BEIN WA Prints +218: Blind stamped in lower left corner: Copyright 1900 by Theo. Seiz, N.Y. Hand written in lower left corner: Colored by W.W. Hall.
Reproduction of Charles Schreyvogel's oil painting "How kola." Depicts a scene of battle between Native Americans and U.S. Army troops. Troupers riding directly at viewer with a fallen Native American and horse about to be trampled by trouper on horse...
Description:
Title from the oil painting on which the print is based.
Reproduction of Charles Schreyvogel's oil painting "On the skirmish line." Depicts a scene of battle between about a dozen Native Americans on horseback and a dozen U.S. Army troops on foot
Reproduction of Charles Schreyvogel's oil painting "Going for reinforcements." Depicts a scene of battle between Native Americans and U.S. Army troops in the west in which two soldiers are galloping on horses away from Native Americans who are in purs...
Description:
BEIN WA Print +214: In lower left corner of print, blind stamped: Copyright 1901 by Chs. Schreyvogel.
Reproduction of Charles Schreyvogel's oil painting "My bunkie." Depicts a scene of battle between Native Americans and U.S. Army troops. Three soldiers on horseback in foreground with one soldier being pulled up from the ground by another
Description:
Title from the oil painting on which the print is based.
Reproduction of Charles Schreyvogel's oil painting "Fight to the finish." Depicts a scene of Native Americans on horseback. Two in close combat foregrounded. Others in background
Description:
BEIN WA Prints +216: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel.
Reproduction of a Charles Schreyvogel oil painting. Depicts a two troopers in a narrow canyon; one on horseback, the other unmounted; pistols drawn, looking back at approaching riders
Description:
BEIN WA Prints +217: Blind stamped in lower left corner: Copyright 1912 by Chs. Schreyvogel.
Print reproduces a 1905 painting by Remington called 'The smoke signal' that depicts three Crow Native American men with three horses, one roan, one black, and one white with a red right hand print (as a brand) on its left buttock and a bird's feather...
Publisher:
Reproduced by the Lakeside Press, R.R. Donnelley & Sons Company, Chicago by permission of the copyright owner, the Remington Art Memorial
Subject (Topic):
Crow Indians, Indians of North America, Great Plains, and West (U.S.)
