"The King's champion challenges anyone opposing the King's authority; the King standing underneath a large drapery in a room of his palace on the left; courtiers surround him; his champion standing in the centre; three knights on horseback approach from the right; spectators in the back."--British Museum online catalogue
Description:
Title devised by cataloger., Date range for publication from the British Museum online catalogue, registration no.: 1849,0210.500., Series title given in the British Museum online catalogue: Engelants Schoutonneel., Two lines of text in Dutch on the left below image: S. Konings voorvegter daagt aldie geen die Koning William de III ..., Two lines of text in French on the right below image: Le champion du Roy fait un défi á tous ceux ..., and Temporary local subject terms: Joint coronation of William III and Mary II, April 11, 1689 -- Coronation challenge -- Coronation cups: silver-gilt chalice -- Champion of the King -- Yeomen of the Guard -- Royal canopies -- Constable's staff -- Royal arms upon shield -- Coronation banquet in the Westminster Hall -- Corner chairs -- Heralds -- Corinthian columns -- Westminster Hall -- Wall decoration -- Halberds -- Gloves: gauntlets -- Lion & unicorn -- Coronation costume.
Publisher:
Adriaan Schoonebeek
Subject (Geographic):
Great Britain
Subject (Name):
William III, King of England, 1650-1702, Mary II, Queen of England, 1662-1694, and Westminster Hall (London, England),
"Interior of Westminster Hall depicting the banquet following the coronation of James II."--British Museum online catalogue and "One of a series of four prints, all based on the large plates in Sandford's 'History of the Coronation', first published by Bowles as a composite plate in the series 'London Described' (see Adams 29.8). The plate used in Sandford's book had a shorter title, no text in lower margin, and was inscribed 'S Moore fecit'."--Curator's comments, British Museum online catalogue
Description:
Title engraved above image., Reissue of a plate first published ca. 1723 by John Bowles., Date of publication based on the mention of "John Bowles & Son", a partnership that lasted from 1752 to 1764. See British Museum online catalogue., Sheet trimmed within plate mark., Key to the illustration engraved below image., Plate numbered "4" in upper right corner., and Mounted on board to 29.2 x 26.0 cm
Publisher:
Printed for T. Bowles in St. Pauls Church Yard, & John Bowles & Son at the Black Horse in Cornhil
Subject (Geographic):
England.
Subject (Name):
James II, King of England, 1633-1701 and Westminster Hall (London, England),
"View of Westminster Bridge from the centre of the Thames; a number of small boats in foreground; Westminster Abbey and Hall beyond bridge to the right."--British Museum online catalogue
Alternative Title:
Vüe du Pont de Westminster du cote du nord
Description:
Titles etched below image, in English and French., Date of publication from description of 19th-century reissue by Francis West; see British Museum online catalogue, registration no.: 1875,0508.1462., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of the city of London and public buildings therein, accurately engraved from the originals taken on the spot", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 86, no. 8., Plate numbered "3" in upper right corner., and Leaf 22 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
London (England), Thames River (England),, Westminster Bridge (London, England),, England, and London.
Subject (Name):
Westminster Abbey, and Westminster Hall (London, England),
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
[1755?]
Call Number:
755.00.00.06+
Image Count:
1
Resource Type:
still image
Abstract:
An interior view of Westminster Hall, with lawyers and members of the Court talking in small groups. Around the perimeter book stalls, printersellers and book cases
Description:
Title etched above image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for John Ryall at Hogarth's Head in Fleet Street
Title etched above image., Sheet trimmed within plate mark in upper left corner only., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Reduced copy, with abbreviated title, of no. 4055 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Buildings: Wilkes's house -- Trials: the trial of John Wilkes, 1763 -- Personifications: Fame -- Reference to Chief Justice Pratt -- Reference to Serjeant Glynn -- Allusion to the Brazen Head -- Busts: bust of Lord Bute -- Emblems: Scotch thistle -- Reference to excise -- British Lion., and Mounted to 31 x 42 cm.
Publisher:
E. Sumpter
Subject (Name):
Wilkes, John, 1725-1797, Bute, John Stuart, Earl of, 1713-1792, Egremont, Charles Wyndham, Earl of, 1710-1763, Halifax, George Montagu-Dunk, Earl of, 1716-1771, Grenville, George, 1712-1770, and Westminster Hall (London, England),
Title from item. and Publication date based on Carington Bowles's succession to Thomas Bowles's business in 1764. See Ian Maxted's The London book trades, 1775-1800, p. 25.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Pauls Church Yard, London
Subject (Geographic):
Great Britain.
Subject (Name):
Westminster Hall (London, England), and Lovat, Simon Fraser, Lord, 1667?-1747
Subject (Topic):
Interiors, Legislative bodies, Legislative hearings, and Trials, litigation, etc
Title from item., Sheet trimmed to plate mark., Image contained within an ornamental frame., Book illustration. Placement instructions above image: Vol. X, pa. 29., and Temporary local subject terms: Historical illustrations: Lord Strafford's treason trial, 1641.
Publisher:
Published as the act directs, 10 Oct. 1774, by J. Johnson, St. Pauls Church Yd.
Subject (Name):
Strafford, Thomas Wentworth, Earl of, 1593-1641. and Westminster Hall (London, England),
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., Partial watermark upper left edge., and On verso, written in ink in a contemporary hand: Burlesque on the admission ticket to Hasting's trial. The three heads on the cannons are Burke, Fox, & Sheridan.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., and Mounted on page 60 with three other prints.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Parodied by, or a parody of, British Museum Satires No. 7277. A design based on the tickets of admission to Westminster Hall, which bore the name and arms of Sir Peter Burrell, Deputy Great Chamberlain; [in right of his wife, Lady Priscilla Bertie, who with her sister was jointly hereditary Great Chamberlain of England] in the centre of the escutcheon were the arms of his wife: three battering-rams placed horizontally. The crest was an embowed arm holding an olive-branch. In place of the rams' heads of the battering-rams are the heads, in profile to the left, of Burke, frowning, of Fox, smiling, and of Francis with a fixed stare. The arm of the crest holds a scourge whose lashes terminate in scorpions and is inscribed 'Lex Parliamenti omnipotens'. Beneath the escutcheon is a motto on a scroll: 'Sub libertate Tyran' [sic] which replaces the original motto: 'Sub Libertate Quietem'. Two supporters have been added: Dexter, a weeping judge, his cap inscribed 'Common Law', holds a scroll whose words are scored through: '[Magna] Charta Judicium Parium aut Lex Terrae'. Sinister, Justice, looking up in terror at the scourge by which she is threatened, and dropping her scales. Beneath the escutcheon is a view in miniature of Westminster Hall showing clearly the Managers' box (left), in which Fox stands, violently declaiming; Burke sits next him frowning. A document inscribed 'First Article' hangs over the side of the box. The head of Hastings, a good profile portrait, is turned towards Fox; on the right, are his three counsel in back view. Behind them are the heads of the peers, wearing hats, and on each side the Commons (left) and the ladies (right) in the peeresses' seats. At the far end of the hall the throne with the Queen's box and the Prince of Wales s box are freely sketched. The foreground is decorated by branches of leaves (? olive) and an open book inscribed 'From Envy Hatred & Malice and all Uncharitableness Good Lord deliver us.'"--British Museum online catalogue
Alternative Title:
For the trial of Warren Ha : seventh day and Seventh day
Description:
Title etched within banner at top of image, the head of the figure of Justice obscuring the remaining letters of Hastings's name; "seventh day" etched along bottom of image., Signed with the monogram of James Sayers., Date of publication from British Museum catalogue., 1 print : etching on wove paper ; plate mark 17.6 x 12.6 cm, on sheet 20.2 x 14.7 cm., and Mounted on verso of leaf 42 of James Sayers's Folio album of 144 caricatures.
Publisher:
publisher not identified
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, Sheridan, Richard Brinsley, 1751-1816, and Westminster Hall (London, England)
"Trial scene; Court of Peers in Westminster Hall, galleries packed with spectators."--British Museum online catalogue
Description:
Title etched below image., Plate from: The lady's magazine, or, Entertaining companion for the fair sex ..., v. 19 (April 1788)., A key to the image, labeled A-Q, is etched on either side of title., Imperfect; sheet trimmed within plate mark with loss of periodical name from upper margin. Missing text supplied from a more perfect impression., "Ladys magazine"--Above image., Mounted to 27.1 x 17.9 cm., and Mounted after page 182 in volume 4 part 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
Pubd. May 1st, 1788, according to act of Parliament by G. Robinson & Co., Pater Noster Row
Subject (Name):
Hastings, Warren, 1732-1818 and Westminster Hall (London, England),
Subject (Topic):
Impeachment, Government officials, Judicial proceedings, and Spectators
A simple-looking countryman scratches his head as he stands between a solicitor and a barrister in front of Westminster Hall; the solicitor, on the left, taps his nose and grins towards the viewer. The barrister with a watch and chain with fobs hanging from his vest holds four documents tied with string in his left hand. Two barristers are seen entering Westminster Hall in the distance (left). In the center of the design, lower edge, the title is represented by musical notations for sharps and flats -- a flat between two sharps
Description:
Title from text below image., Design attributed to Dighton., Verse below title: Law is like a fashion, folks are bewitched to get into it. It is also like bad weather, most people are very glad when they get out of it., Companion print to: A sharp between two flats., Sheet trimmed to plate mark., Numbered '605' in lower left corner., Later issue of No. 3763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., 1 print : mezzotint on laid paper ; sheet 34 x 25 cm, mounted to 35 x 26 cm., Sheet trimmed within plate mark, resulting in partial loss of imprint and plate number., and Music notes below image removed.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Clocks & watches, Clothing & dress, Customer relations, and Lawyers
A simple-looking countryman scratches his head as he stands between a solicitor and a barrister in front of Westminster Hall; the solicitor, on the left, taps his nose and grins towards the viewer. The barrister with a watch and chain with fobs hanging from his vest holds four documents tied with string in his left hand. Two barristers are seen entering Westminster Hall in the distance (left). In the center of the design, lower edge, the title is represented by musical notations for sharps and flats -- a flat between two sharps
Description:
Title from text below image., Design attributed to Dighton., Verse below title: Law is like a fashion, folks are bewitched to get into it. It is also like bad weather, most people are very glad when they get out of it., Companion print to: A sharp between two flats., Sheet trimmed to plate mark., Numbered '605' in lower left corner., Later issue of No. 3763 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., No. 43 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Geographic):
England
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Clocks & watches, Clothing & dress, Customer relations, and Lawyers
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image. and Signed with the monogram of James Sayers.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 63.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
"Letters on the design refer to an 'Explanation' etched below the title. A scene on the stage of a theatre symbolizes Westminster Hall. In the foreground a large cauldron is sinking through a rectangular opening in the floor. It is inscribed 'A. \ Exit in Fumo', explained as 'The Managers Cauldron'. From it rises a dense mass of dark smoke which divides into two curving branches, one on each side of a brightly irradiated bust of Hastings. The bust looks towards the Managers' box (right) and stands on a large rectangular pedestal inscribed: 'Virtus repulsæ \ nescia sordidæ \ incontaminatis \ fulget honoribus'. The cauldron is filled with burning documents, the origin of the smoke, inscribed, respectively: 'Charge', 'Charge Presents', 'Charge of Oppression', 'Charge of Cruelty', 'Charge of Extortion', 'Charge of Peculation in Contracts', 'Torture'. These are: 'B Ingredients mix'd up by the Managers to blacken C a character out of their reach'. Standing within another rectangular opening in the floor is Burke in profile to the left, gesticulating furiously, a paint-brush in his raised right hand, a document, 'more Ingredients', clasped in his left hand. He is: 'D One of the Managers & a principal Performer who having "Out-heroded Herod" retires from the Stage in a Passion at seeing the Farce likely to be damn'd.' Above the bust are two projecting beams, each supported by an angel (as in Westminster Hall), wearing a judge's wig and gown with a scroll issuing from the mouth. The figure on the left is Thurlow, looking calmly down, his hand on his breast and saying: "not black upon my Honour." The other is Loughborough, his head turned away, showing the back of his wig only (cf. BMSat 6796), and saying: "Black upon my Honour". They are: 'K a great Critic in a high Situation, who has paid close Attention. L another great Critic, not quite so good a Judge, giving his Opinion on the other Side'. On the right is a stage-box, representing the Managers' box. From it Fox, wearing a bag-wig, leans forward, looking excitedly and near-sightedly through his glass, his hand outstretched as if to restrain Burke. Behind him is the quasi-imbecile profile of Sir James Erskine (see BMSat 7152) looking over his shoulder. On the extreme right are the backs of the heads and shoulders of two Managers who are leaving the box. Below (right) a profile looks gloomily towards the stage. Fox is 'E Another Manager a great Actor very anxious about the fate of the Farce'. The others are 'eee Other Managers very well dress 'd [cf. BMSat 7309] but not very capital performers some of them tired of acting'. Just outside the box is the profile head of Francis, his baleful stare (as in BMSat 7292, &c.) fixed on the bust. He is: 'F The Prompter, no Character in ye farce but very useful behind the Scenes.' The outside of the box ('G The Managers Box') is traversed by the winding track of a snail, beginning in '1787' and meandering past '1788', '1789', '1790', '1791', '1792', '1793', '1794', the snail's head touching '1795'. A rat has gnawed a hole in the front of the box, though which he peers; in his mouth is a ticket: 'Permit the Bearer to Pass & Repass 1787 renew'd 1795', on which are indicated the arms of Sir Peter Burrell (on all tickets of admission, cf. BMSat 7276). Above the design is a stage curtain with the usual motto, 'Veluti in Speculum'. Below the stage (right) appear, in an oblong aperture fringed with flames ('H. a Court below to which the Managers retire upon quitting the Stage.'), the head and hands of a corpse-like Devil holding a pitchfork which points directly to the Managers' box. He is 'I Usher of the Mack Rod there'. He says: "By the pricking of my Thumbs, Something wicked, this Way comes." Below the 'Explanation: The Scene lies in an old Hall (formerly a Court of Law).'"--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 39.1 x 27.6 cm, on sheet 40.8 x 28.5 cm., and Mounted on leaf 46 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 8th May 1795 by H. Humphrey, New Bond Street
Subject (Name):
Hastings, Warren, 1732-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Francis, Philip, 1740-1818, and Westminster Hall (London, England)
A watercolor drawing of a scene in Westminster Hall with three judges presiding over a crowded courtroom
Alternative Title:
Lawyers all alive in Westminster Hall and Peep into the Court of Kings Bench
Description:
Title "A peep into the Court of Kings Bench" written in lower margin but scored through; a new title "Term time or The lawyers all alive in Westminster Hall" is written below in the same hand., Signed by the artist in lower right corner of image., Date from: Padbury, D. View of Dightons., and Numbered "557" beneath lower left corner of image.
Subject (Name):
Westminster Hall (London, England),
Subject (Topic):
Courtrooms, Judicial proceedings, Lawyers, Judges, and Juries
"Westminster from the river; view of Westminster abbey taken from mid-stream, with the Parliament on the left the Hall and Westminster stairs in the centre; boats in the foreground."--British Museum online catalogue
Description:
Title etched at top of plate., Initial letters of printmaker's name in signature form a monogram., Restrike (probably retouched) of a print originally published in 1647 as part of a series of eight. See Adams., Approximate publication date from Adams, who notes that printsellers such as Laurie & Whittle were selling impressions on wove paper of the prints in this series at the turn of the 19th century. Decades earlier, the publishers Sayer and Bennett had offered impressions "on very good paper" in their 1775 catalogue, writing that the original plates had been "carefully cleaned" (that is, the worn lines had likely been re-engraved)., Imperfect; sheet trimmed within plate mark with some loss of image from right and left sides., Mounted to 20.5 x 27.2 cm., and Mounted before page 175 in volume 4 part 1 of an extra-illustrated copy of: Malcolm, J.P. Londinium redivivum, or, An antient history and modern description of London.
Publisher:
publisher not identified
Subject (Geographic):
Thames River (England), and London (England)
Subject (Name):
Westminster Abbey,, Westminster Hall (London, England),, and Westminster Palace (London, England),
"Interior of the court in session, in Westminster Hall; a tapestry with royal arms at back of room."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 23., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 203.
Publisher:
Pub. 1st June 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
England and London.
Subject (Name):
England. Court of Common Pleas, and Westminster Hall (London, England),
"Interior of the court room, in session; tapestry with royal arms and three statues in niches against back wall."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 24., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 205., and Watermark: J. Whatman 1806.
Publisher:
Pub. 1st June 1808 at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
England. Court of King's Bench. and Westminster Hall (London, England)