"Husband and wife dressing in a bedroom, the tent-shaped bed-curtains forming a background. The woman is thin and has a mole on her face, the man broad, but their deficiencies are similar. She stands (left), about to raise her shift and adjust false posteriors. A false bust, false teeth, and wig, simulating natural curls, are on the table behind her, on which are also the man's wig and an eye in a tumbler of water. Both are bald. He sits (right) in shirt and breeches, about to put on a pair of stockings with false calves of fleece. Both register sour dissatisfaction with themselves and each other."--British Museum online catalogue, description of an earlier state
Alternative Title:
Persons in wedlock should be properly matched
Description:
Titles from text in French and English below image., Later state, with altered publication line, of no. 13455 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed to plate mark., Print stamped with price: Price 1s., On sheet with watermark: Smith & Allnut 1818., and ounted to: 44.1 x 37.5 cm.
Publisher:
Pub. Jan. 20, 1820 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Spouses, Bedrooms, Baldness, Marriage, Wigs, Dentures, and Artificial eyes
Head-and-shoulder portrait of a gentleman in profile to the right in a bag wig and ruffled shirt. He has a very long, beak-like nose and wears spectacles
Description:
Title from British Museum catalogue. and Beginning of imprint statement is lightly etched and barely visible.
Publisher:
Pub. 14th Feb. 1783 by H. Humphrey, No. 51 New Bond St.
Title from no. 6360 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5. and Reversed version of an unidentified portrait of a man in bag wig, with long upper lip and receding chin (cf. British Museum catalogue o. 6360).
Gulston, Eliza B., 1749 or 1750-1779 or 1780, printmaker
Published / Created:
publish'd as the act directs 2d March 1772.
Call Number:
Folio 49 3588 v.1 (Oversize)
Collection Title:
Volume 1, page 71. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature: a stout gentleman standing in profile to right, grinning, right hand behind his back, left tucked into his waistcoat, wearing a sword, frock coat and queue wig."--British Museum online catalogue
Description:
Title devised by curator., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 71 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Page 163. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Unsigned; questionable attribution to Thomas Walpole from local card catalog record., Date based on death date of Horace Walpole, who assembled the collection in which this drawing is found., The smaller sheet, on which the figure holding a muff is drawn, is pasted on the right portion of the larger sheet; the figure holding a fan is drawn on the left portion of the larger sheet., and Mounted on page 163 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Title from later state., Printmaker from unverified data in local card catalog record., State before title. Cf. Later state in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c., p. 79., Date of publication based on that of the volume in which the later state appears., Sheet trimmed within plate mark., A reduced copy of a print after Bunbury published in 1773. See no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Fortifications -- Jack-boots -- Newspapers: London gazette -- Sentry boxes -- Uniforms: Grenadiers hats .
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... design'd in the Hogarthian style ... by Timo[thy] Bobbin. [Manchester] : John Heywood, 1773., Plate numbered '24' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Toupée wigs -- Club wigs -- Nosegays -- Female dress, 1773.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Corsages, and Flowers
Title and date supplied by curator., Verse below image., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Elephants, Teeth, and Newspapers
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[circa 1730-1745]
Call Number:
Print10157
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Date and place of publication from British Museum website., Description from British Museum: A satire [of] political ignorance set in a country barber-surgeon's shop in which the people have been given the heads of animals. At centre left, an old woman with the head of a cat, is being bled by a man with the head of an elephant whose hand is on her left breast, a monkey-headed boy holds a basin to catch the blood spurting from her arm. Behind them a man, with a boar's head wearing a work-apron reads from the Grub Street Journal to a man with the head of an ass and a bell round his neck. In the centre a cat-man sitting on a barrel holding a shaving dish has his whiskers trimmed by a barber with an ape's head on top of which is a flamboyant hat with long feathers. An ape-man behind waits his turn, and a man with two wooden legs and a crutch leaves through an open door. Overhead on the left is a projecting sign from which hangs a board showing an owl beneath which is written "Shave & Bleed for A Peny". Stuffed creatures hang from the ceiling: a grotesque fish, an eel with gaping moth, and an ape. The wall at the rear has been chalked with tallies and three wigs hang from it. A table in the foreground on the right has pulled teeth and various barbers' instruments on it. A hat with a large feather lies on the ground., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Barber surgery & surgeons; Barber shops, interior.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Surgical instruments, Crutches, and Elephants
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Fops -- Toupée wig with club., 'June' missing in original imprint due to a poorly mended tear in the sheet., and Publication date from watermark on plates 12, 24 ,30, and 32 in the series: 1816.
A half-length portrait in profile of a clergyman wearing spectacles and a wig. He holds a stack of paper in his right hand, while his left hand is raised with his finger pointing upward
Description:
Title devised by cataloger., Sitter tentatively identified as Edward Bearcroft., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. as the act directs
Subject (Geographic):
England
Subject (Name):
Bearcroft, Edward, ?1737-1796
Subject (Topic):
Clothing & dress, Clergy, Eyeglasses, Lawyers, and Wigs
Plate lettered in the top center 'H': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The fat man with the linen cap on his head, who sits stolidly smoking; 2. The back of the head of the man behind the last; 3. The man who, seen in profile at the side of the picture, sits and sleeps soundly, with his arms folded; 4. The gentleman in the bag-wig, who is about to vomit; 5. The neighbor of the last, who is endeavoring to light his pipe
Description:
Title from British Museum catalogue., Date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Plate lettered in the top center 'G': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The man who, holding a tobacco-pipe, rises at the further side of the table; 2. The man without his wig who speaks aloud and, standing behind the cleryman, waves his drinking glass; 3. A man smiling and wearing a large wig; 4. The clergyman himself, with a pipe at his lips; 5. The drunken man who staggers in front of the table, emptying the bottle; 6. The bare-headed man who has fallen to the floor
Description:
Title from British Museum catalogue., Printmaker and date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Clergy, Eating & drinking, Intoxication, Men, Pipes (Smoking), and Wigs
Title devised by curator., From: Das Leben und die Meinungen des Tristram Shandy: Karl Ernst Bohn, Berlin, 1776., Top inscription: VIII. ; VI. Th. pag.11., Sheet trimmed through top inscription., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
Plate lettered in the top center 'L': Reverse copies of details of three men after characters around the table on the right in Hogarth's first plate in Election entertainment. Each figure is numbered; 1. A distraught looking man with his wig askew. 2, 3. A doctor wipes the forehead of a man seated before him, eyes closed, appparently ill from eating oysters (as seen in the Hogarth original).
Description:
Title supplied by cataloger., Printmaker and date from other prints in the series in the British Museum online catalogue., Plates from: Lichtenberg's Göttinger Taschen Kalender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Physicians, Political elections, Wigs, and Taverns (Inns)
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Page 223. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man leans from a rostrum (right), holding up his wig, addressing an audience of men and women, seated and standing, most of whom hold up their wigs, disclosing bald or cropped heads. In his left hand is a wig of luxuriant curls which he has taken from the head of a protesting old woman. Most of the wigs simulate natural hair, either short or in ringlets. On the wall is a placard: 'For Debate, \ Opinions \ on \ Baldness. \ It is the sincere wish of the \ proprietors of this Institution, \ that Gentlemen and Ladies will be Uncover'd on this important Occasion'."--British Museum online catalogue
Alternative Title:
Debate on the baldness of the times
Description:
Title etched below image., One of the series of Laurie & Whittle drolls., Numbered '217' in lower left of plate., Temporary local subject terms: Architectural details: rostrum & paneling., 1 print : etching with engraving on wove paper ; plate mark 20.1 x 24.8 cm, on sheet 24.3 x 30.2 cm., Mounted to 26 x 32 cm., and Mounted on page 223 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 24th May 1798 by Laurie & Whittle, 53 Fleet Street, London
