"Husband and wife dressing in a bedroom, the tent-shaped bed-curtains forming a background. The woman is thin and has a mole on her face, the man broad, but their deficiencies are similar. She stands (left), about to raise her shift and adjust false posteriors. A false bust, false teeth, and wig, simulating natural curls, are on the table behind her, on which are also the man's wig and an eye in a tumbler of water. Both are bald. He sits (right) in shirt and breeches, about to put on a pair of stockings with false calves of fleece. Both register sour dissatisfaction with themselves and each other."--British Museum online catalogue, description of an earlier state
Alternative Title:
Persons in wedlock should be properly matched
Description:
Titles from text in French and English below image., Later state, with altered publication line, of no. 13455 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed to plate mark., Print stamped with price: Price 1s., On sheet with watermark: Smith & Allnut 1818., and ounted to: 44.1 x 37.5 cm.
Publisher:
Pub. Jan. 20, 1820 by S.W. Fores, 50 Piccadilly
Subject (Topic):
Spouses, Bedrooms, Baldness, Marriage, Wigs, Dentures, and Artificial eyes
Head-and-shoulder portrait of a gentleman in profile to the right in a bag wig and ruffled shirt. He has a very long, beak-like nose and wears spectacles
Description:
Title from British Museum catalogue. and Beginning of imprint statement is lightly etched and barely visible.
Publisher:
Pub. 14th Feb. 1783 by H. Humphrey, No. 51 New Bond St.
Title from no. 6360 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5. and Reversed version of an unidentified portrait of a man in bag wig, with long upper lip and receding chin (cf. British Museum catalogue o. 6360).
Gulston, Eliza B., 1749 or 1750-1779 or 1780, printmaker
Published / Created:
publish'd as the act directs 2d March 1772.
Call Number:
Folio 49 3588 v.1 (Oversize)
Collection Title:
Volume 1, page 71. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature: a stout gentleman standing in profile to right, grinning, right hand behind his back, left tucked into his waistcoat, wearing a sword, frock coat and queue wig."--British Museum online catalogue
Description:
Title devised by curator., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum., and Mounted on page 71 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Page 163. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Unsigned; questionable attribution to Thomas Walpole from local card catalog record., Date based on death date of Horace Walpole, who assembled the collection in which this drawing is found., The smaller sheet, on which the figure holding a muff is drawn, is pasted on the right portion of the larger sheet; the figure holding a fan is drawn on the left portion of the larger sheet., and Mounted on page 163 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Title from later state., Printmaker from unverified data in local card catalog record., State before title. Cf. Later state in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c., p. 79., Date of publication based on that of the volume in which the later state appears., Sheet trimmed within plate mark., A reduced copy of a print after Bunbury published in 1773. See no. 5213 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Temporary local subject terms: Fortifications -- Jack-boots -- Newspapers: London gazette -- Sentry boxes -- Uniforms: Grenadiers hats .
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... design'd in the Hogarthian style ... by Timo[thy] Bobbin. [Manchester] : John Heywood, 1773., Plate numbered '24' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Toupée wigs -- Club wigs -- Nosegays -- Female dress, 1773.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Corsages, and Flowers
Title and date supplied by curator., Verse below image., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Elephants, Teeth, and Newspapers
Toms, W. H. (William Henry), approximately 1700-1765, printmaker
Published / Created:
[circa 1730-1745]
Call Number:
Print10157
Image Count:
1
Resource Type:
still image
Description:
Title supplied by curator., Date and place of publication from British Museum website., Description from British Museum: A satire [of] political ignorance set in a country barber-surgeon's shop in which the people have been given the heads of animals. At centre left, an old woman with the head of a cat, is being bled by a man with the head of an elephant whose hand is on her left breast, a monkey-headed boy holds a basin to catch the blood spurting from her arm. Behind them a man, with a boar's head wearing a work-apron reads from the Grub Street Journal to a man with the head of an ass and a bell round his neck. In the centre a cat-man sitting on a barrel holding a shaving dish has his whiskers trimmed by a barber with an ape's head on top of which is a flamboyant hat with long feathers. An ape-man behind waits his turn, and a man with two wooden legs and a crutch leaves through an open door. Overhead on the left is a projecting sign from which hangs a board showing an owl beneath which is written "Shave & Bleed for A Peny". Stuffed creatures hang from the ceiling: a grotesque fish, an eel with gaping moth, and an ape. The wall at the rear has been chalked with tallies and three wigs hang from it. A table in the foreground on the right has pulled teeth and various barbers' instruments on it. A hat with a large feather lies on the ground., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Barber surgery & surgeons; Barber shops, interior.
Publisher:
publisher not identified
Subject (Topic):
Great Britain, Politics and government, Phlebotomy, Barbers, Barbershops, Peg legs, Shaving, Wigs, Donkeys, Swine, Monkeys, Cats, Surgical instruments, Crutches, and Elephants
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Fops -- Toupée wig with club., 'June' missing in original imprint due to a poorly mended tear in the sheet., and Publication date from watermark on plates 12, 24 ,30, and 32 in the series: 1816.
A half-length portrait in profile of a clergyman wearing spectacles and a wig. He holds a stack of paper in his right hand, while his left hand is raised with his finger pointing upward
Description:
Title devised by cataloger., Sitter tentatively identified as Edward Bearcroft., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. as the act directs
Subject (Geographic):
England
Subject (Name):
Bearcroft, Edward, ?1737-1796
Subject (Topic):
Clothing & dress, Clergy, Eyeglasses, Lawyers, and Wigs
Plate lettered in the top center 'H': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The fat man with the linen cap on his head, who sits stolidly smoking; 2. The back of the head of the man behind the last; 3. The man who, seen in profile at the side of the picture, sits and sleeps soundly, with his arms folded; 4. The gentleman in the bag-wig, who is about to vomit; 5. The neighbor of the last, who is endeavoring to light his pipe
Description:
Title from British Museum catalogue., Date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Plate lettered in the top center 'G': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The man who, holding a tobacco-pipe, rises at the further side of the table; 2. The man without his wig who speaks aloud and, standing behind the cleryman, waves his drinking glass; 3. A man smiling and wearing a large wig; 4. The clergyman himself, with a pipe at his lips; 5. The drunken man who staggers in front of the table, emptying the bottle; 6. The bare-headed man who has fallen to the floor
Description:
Title from British Museum catalogue., Printmaker and date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Clergy, Eating & drinking, Intoxication, Men, Pipes (Smoking), and Wigs
Title devised by curator., From: Das Leben und die Meinungen des Tristram Shandy: Karl Ernst Bohn, Berlin, 1776., Top inscription: VIII. ; VI. Th. pag.11., Sheet trimmed through top inscription., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
Plate lettered in the top center 'L': Reverse copies of details of three men after characters around the table on the right in Hogarth's first plate in Election entertainment. Each figure is numbered; 1. A distraught looking man with his wig askew. 2, 3. A doctor wipes the forehead of a man seated before him, eyes closed, appparently ill from eating oysters (as seen in the Hogarth original).
Description:
Title supplied by cataloger., Printmaker and date from other prints in the series in the British Museum online catalogue., Plates from: Lichtenberg's Göttinger Taschen Kalender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Physicians, Political elections, Wigs, and Taverns (Inns)
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Page 223. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man leans from a rostrum (right), holding up his wig, addressing an audience of men and women, seated and standing, most of whom hold up their wigs, disclosing bald or cropped heads. In his left hand is a wig of luxuriant curls which he has taken from the head of a protesting old woman. Most of the wigs simulate natural hair, either short or in ringlets. On the wall is a placard: 'For Debate, \ Opinions \ on \ Baldness. \ It is the sincere wish of the \ proprietors of this Institution, \ that Gentlemen and Ladies will be Uncover'd on this important Occasion'."--British Museum online catalogue
Alternative Title:
Debate on the baldness of the times
Description:
Title etched below image., One of the series of Laurie & Whittle drolls., Numbered '217' in lower left of plate., Temporary local subject terms: Architectural details: rostrum & paneling., 1 print : etching with engraving on wove paper ; plate mark 20.1 x 24.8 cm, on sheet 24.3 x 30.2 cm., Mounted to 26 x 32 cm., and Mounted on page 223 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Published 24th May 1798 by Laurie & Whittle, 53 Fleet Street, London
Page 223. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"A man leans from a rostrum (right), holding up his wig, addressing an audience of men and women, seated and standing, most of whom hold up their wigs, disclosing bald or cropped heads. In his left hand is a wig of luxuriant curls which he has taken from the head of a protesting old woman. Most of the wigs simulate natural hair, either short or in ringlets. On the wall is a placard: 'For Debate, \ Opinions \ on \ Baldness. \ It is the sincere wish of the \ proprietors of this Institution, \ that Gentlemen and Ladies will be Uncover'd on this important Occasion'."--British Museum online catalogue
Alternative Title:
Debate on the baldness of the times
Description:
Title etched below image., One of the series of Laurie & Whittle drolls., Numbered '217' in lower left of plate., Temporary local subject terms: Architectural details: rostrum & paneling., and Watermark: Russell & Co. 1799.
Publisher:
Published 24th May 1798 by Laurie & Whittle, 53 Fleet Street, London
Leaf 25. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 5169. Fourteen caricature heads showing the different types of wig worn in 1773. Most appear to be portraits: one is evidently a caricature of Lord Chancellor Bathurst, see British Museum Satire No. 4888."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. Cf. No. 5170 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Companion print to: Hats., On leaf 25., and 1 print : etching on laid paper ; plate mark 24.6 x 34.9 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accorg. to act, Octr. 12, 1773, by M. Darly, 39 Strand
A companion print to British Museum satire no. 5169. Fourteen caricature heads showing the different types of wig worn in 1773. Most appear to be portraits: one is evidently a caricature of Lord Chancellor Bathurst, see British Museum satire no. 4888."--British Museum online catalogue
Description:
Title engraved below image., Plate numbered '29' in upper left corner. Plate number cited in the British Museum Catalogue: 28., and Watermark: Strasburg bend with initials G R below.
Publisher:
Pubd. accorg. to act, Octr. 12, 1773, by M Darly, 39 Strand
Leaf 25. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 5169. Fourteen caricature heads showing the different types of wig worn in 1773. Most appear to be portraits: one is evidently a caricature of Lord Chancellor Bathurst, see British Museum Satire No. 4888."--British Museum online catalogue, description of a variant state
Description:
Title etched below image., State without plate number. Cf. No. 5170 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Companion print to: Hats., and Watermark : countermark W.
Publisher:
Pubd. accorg. to act, Octr. 12, 1773, by M. Darly, 39 Strand
An old English farmer (left) dressed in top boots, breeches, a flat felt hat, and carrying a riding-whip arrives in town and is startled at seeing his son (right) dressed as a macaroni with very high toupée wig, a cane with a tassle, a sword, and a little cocked hat
Description:
Title etched below image., After a drawing by Grimm. This is a copy in reverse of Carington Bowles in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4536., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for R. Sayer & I. Bennet, No. 53 Fleet Street, London, as the act directs
Subject (Topic):
Dandies, British, Farmers, Hairstyles, Staffs (Sticks), and Wigs
An old English farmer (left) dressed in top boots, breeches, a flat felt hat, and carrying a riding-whip arrives in town and is startled at seeing his son (right) dressed as a macaroni with very high toupée wig, a cane with a tassle, a sword, and a little cocked hat
Description:
Title from caption below image., Companion print to: Heyday! is this my daughter Anne., Sheet trimmed to plate mark with loss of imprint., Possibly after a drawing by Grimm. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.4, no. 4536 for a similar print with the same title., No. 5 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Topic):
Dandies, British, Farmers, Hairstyles, Staffs (Sticks), and Wigs
In an outdoor setting, a bare-chested Lord Thurlow, his judge's wig at his feet, faces a bare-chested Charles Fox in a boxing match over the proposed regulation of the fees of the Exchequer Officers. Rigby's, proposition to exempt him from this new regulation was opposed in Parliament by Fox. The contenders'seconds are Rigby for Thurlow and Sheridan for Fox
Description:
Title from item., Sheet trimmed within plate mark., and Mounted to 30 x 41 cm.
Publisher:
Pub. by D. Archery, July th [sic] 1783, St. James's Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806., Rigby, Richard, 1722-1788., Thurlow, Edward Thurlow, Baron, 1731-1806., and Sheridan, Richard Brinsley, 1751-1816.
Subject (Topic):
Politics and government, Boxing, Wigs, and Clothing & dress
"The stern of one of the hoys from London to Margate, with passengers suffering from the effects of a fresh breeze. The steersman, leaning against the tiller, holds up a mug of frothing beer. The eight passengers are in various stages of distress and sea-sickness, except for a naval officer with a wooden leg who holds his wife's forehead and pours the contents of a bottle on her head; a sailor boy proffers a bucket to this couple. A man's hat and wig blow overboard, as does a young woman's large hat."--British Museum online catalogue
Description:
Title engraved below image., Engraver suggested by British Museum catalogue., and Watermark.
Publisher:
Printed & publish'd by W. Hinton No. 5 Sweetings Alley Road Exchange
Subject (Geographic):
England.
Subject (Topic):
Hats, Military uniforms, British, Resorts, Sailors, Ships, Peg legs, and Wigs
"A leech with the head and barrister's wig of Leach is coiled round an upright cylindrical document to which is tied with red tape a second bill; these are respectively 'Bill of Pains . . .' [see British Museum Satires No. 13825] and 'Divorce'. Propped against the former are two green bags (see British Museum Satires No. 13735), both closed with a large red seal on which is a 'G.R.' monogram. These are inscribed 'Fill'd with Filth and Lies!!!' and 'Lies . . . [L]ies'. With them are other large documents: 'List of Witness[es] against Q . . . N'; 'Expen[ces] & Bribes at Milan'; 'Protoc[ol]' (cf. British Museum Satires No. 13764). The small shambling Wilberforce is being pushed towards the leech by Castlereagh (left), who is a pendant to the more stalwart and bulky Duke of York (right). The Duke wears uniform, holds his unsheathed sword, and has a pyramid of cannon-balls crooked in his left arm. A paper, 'Bp Osnabu[rgh]', is thrust through his sash. He says fiercely: "Rascals! Villains!! Traitors!!! I have set the Claret running in One Place, and if any of you attempt, to deprive me of My succession, I will make your Bodies, a thoroughfare for York dumplings!! alias Artillery Bolouses." Castlereagh, with a scourge hanging from his pocket, says to Wilberforce: "O dear! O dear! That Bishop quite alarms me, now my dear Christian Friend, pray do persuade that great Horse Leech to muster up all his Italian Witnesses [see British Museum Satires No. 13762, &c.] immediately or that Military Bishop [cf. British Museum Satires No. 11227] will send us to Kingdom come along with out Master." Wilberforce holds a book: 'New Litany &c'; a Pet[ition] To Q--N' is under his arm; a paper, 'Slave Tra[de]' (cf. British Museum Satires No. 8793) hangs from his pocket. He says: "Pray Sr--Horse Leech, endeavour to stop the Q--'s mouth by bringing the whole host of Witnesses, before the L--ds, so as to Crush Her at once, otherwise that Terrable Bishop, will send us into Abrahams bosom, sooner, than We wish.""--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Mounted to 58 x 39 cm., Mounted on leaf 69 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "D. York," "Sir John Leach," "Wilberforce," and "Londondery [sic]" identified in ink at bottom of image; date "16 Aug. 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Carlile, 55 Fleet Stt
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Leach, John, 1760-1834, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Worms, Parasites, Wigs, Bags, Documents, Divorce, Military uniforms, British, Daggers & swords, and Cannon balls
Leaf 12. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"On the Pont Neuf in Paris, various street-traders advertise their business, including a chocolate seller and a lemonade seller on the left, and a shoe-black and a barber on the right, houses and churches in the background; a reversed copy of the larger plate."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Initial letters of publisher's name in imprint form a monogram., Publisher's advertisement following imprint: Where may be had all the works of Mr. Bunbury &c., Plate numbered "I" in upper right corner., For later state with additional plate numbering, see no. 4918 in the the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Signboards -- French lemonade merchants -- Lemonade tanks -- Paris skyline from the Pont Neuf -- French poodles -- Sentries -- Parasols -- French portresses -- French shoeblacks -- Trades: Seller of chocolate -- Basket containing cups -- Pot for 'milling' chocolate., On leaf 12., 1 print : etching on laid paper ; plate mark 25.4 x 35.8 cm, on sheet 27.5 x 44.4 cm., and Sheet trimmed to plate mark on bottom edge.
Publisher:
Pubd. accordg. to act of Parlt. by MDarly, 39 Strand
Subject (Geographic):
Pont-Neuf (Paris, France)
Subject (Topic):
Bridges, Signs (Notices), Street vendors, Muffs, Dogs, Umbrellas, Whips, Coach drivers, Guards, Lawyers, Barbers, Wigs, and Bells
Title from caption below image., Initial letters of artist's name in signature form a monogram., Later state with plate numbering. For earlier state with numbering in upper right corner only, see Lewis Walpole Library call no. Bunbury 771.10.01.02.1+., Initial letters of publisher's name in imprint form a monogram., Publisher's advertisement following imprint: Where may be had all the works of Mr. Bunbury &c., Plate numbered "13" in upper left corner and "I" in upper right corner., Temporary local subject terms: Signboards -- French lemonade merchants -- Lemonade tanks -- Paris skyline from the Pont Neuf -- Muffs -- French poodles -- Sentries -- Parasols -- French portresses -- Whips -- French shoeblacks -- Trades: Seller of chocolate -- Basket containing cups -- Pot for 'milling' chocolate -- Bells -- Paris: Le Pont Neuf., Watermark., and Imperfect; artist's signature erased from lower left corner of sheet.
Publisher:
Pubd. accordg. to act of Parlt. by MDarly, 39 Strand
Subject (Topic):
Barbers, Coachdrivers, Dogs, Lawyers, Umbrellas, and Wigs
Leaf 12. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"On the Pont Neuf in Paris, various street-traders advertise their business, including a chocolate seller and a lemonade seller on the left, and a shoe-black and a barber on the right, houses and churches in the background; a reversed copy of the larger plate."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Initial letters of publisher's name in imprint form a monogram., Publisher's advertisement following imprint: Where may be had all the works of Mr. Bunbury &c., Plate numbered "I" in upper right corner., For later state with additional plate numbering, see no. 4918 in the the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Signboards -- French lemonade merchants -- Lemonade tanks -- Paris skyline from the Pont Neuf -- French poodles -- Sentries -- Parasols -- French portresses -- French shoeblacks -- Trades: Seller of chocolate -- Basket containing cups -- Pot for 'milling' chocolate., and Watermark: Strasburg bend and lily with initials G.R. below.
Publisher:
Pubd. accordg. to act of Parlt. by MDarly, 39 Strand
Subject (Geographic):
Pont-Neuf (Paris, France)
Subject (Topic):
Bridges, Signs (Notices), Street vendors, Muffs, Dogs, Umbrellas, Whips, Coach drivers, Guards, Lawyers, Barbers, Wigs, and Bells
"Eldon, in wig and gown, seated in an armchair, on which are the Royal Arms, leans forward to place a paper folded to form an extinguisher and inscribed Judgment over a tiny man who leans back, terrified. Eldon gazes sternly down at the mannikin, Wellesley-Pole, who holds out a large paper: Purity of my Morals--Constancy Shewn to my Wife. On the floor (left) is another paper: Grounds on which I claim the Education of Childr[en]."--British Museum online catalogue
Alternative Title:
Vice and proeligacy extinguished by equity
Description:
Title etched below image., Print signed using the letter "Q" within an open pentagon. Questionablly attributed to T.H. Jones in the British Museum catalogue., Sheet trimmed within plate mark., and Mattet to: 44.5 x 30.9 cm.
Publisher:
Pubd. Feby. 1827 by G. Humphrey, 27 St. James's St., London
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Mornington, William Long Wellesley, Earl of, 1788-1857, and Wellesley, Catherine Tylney-Long, -1825.
Subject (Topic):
Chairs, Coats of arms, Wigs, Robes, and Fire extinguishers
Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to "Keep joging, I'le be your Pilot, don't fear his Wakeing - I have Composed his Highness, I warrant you." George IV pours out the contents of a bottle labeled "opium" and on the ground next to the chair is a broken bottle also labeled "opium." and "Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., "Price one shilling coloured"--Lower right corner of image., Not in the Catalogue of prints and drawings in the British Museum., and Imperfect; selected text erased from sheet, including publication date and some dialogue within speech bubble in upper right.
Publisher:
Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Spouses, Sedan chairs, Mistresses, Judges, Scepters, Wigs, Bottles, Opium, Cupids, Infants, and Bagpipes
"The interior of a barber's shop. The barber, ranting and gesticulating wildly, holds up the open tragedy of Alexander the Great; in his right hand is a pair of tongs. His hair hangs loose and on his head is his barber's basin. He is fashionably dressed, but wears an apron, which, blowing aside in his violent action, displays a large hole in his breeches. A stool, jug, &c, have been overturned, hair-pins lie on the ground, a cat flees in alarm. His little apprentice (left), holding a wig and a tress of hair, looks on with amusement, as do a man and woman (right) who look over a flight of stairs which ascends from the room. The room is a poor one, with plaster coming from the wall, a broken candle on the chimney-piece, over which is a torn print of a tragedy-king reclining on a couch. Two wig-boxes stand on the floor, one inscribed 'Tragedy Wigs', the other 'Comedy Wigs'."--British Museum online catalogue
Description:
Title from caption below image., Numbered "588" in lower left corner., No. 38 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Leaf 105. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A man is shown full-length walking to the right, a large hat box tucked under his right arm; he carries a bag of supplies for his trade, including a smaller box marked "BLOND", in his left hand. He is dressed in macaroni fashion, with a large club wig, a hat, and a neckcloth
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Date of publication from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Male milliners., and Second of three plates on leaf 105.
Publisher:
Pubd. by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Occupations, Hats, and Wigs
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
March 1, 1777.
Call Number:
777.03.01.04+
Image Count:
1
Abstract:
A small-waisted lady with towering coiffure topped by a beribboned hat stands in her boudoir holding onto post of canopy bed, as her footman, bracing his foot on her rump, tightens her stays. A decorative carpet is visible underfoot, and her dressing table may be seen to the left
Alternative Title:
Hold fast behind
Description:
Title from item., MD of publisher's name form a monogram., and Numbered in plate at top: 29, V. 2.
Title from item., The blindfolded judge may represent Sir John Fielding., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Judges -- Justice blindfolded -- Male dress: legal dress.
Publisher:
Publish'd December 15, 1772, by W. Darling in Great Newport Street
Title from item., Publication place and date inferred from those of the original from which this copy was made., Four lines of verse below image: The puppets blindly led away, / Are made to act for ends unknown ..., Reversed copy of No. 4230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Buildings: St. James's Palace -- Puppets -- Puppeteers -- Theater: stage -- Devil -- Audiences.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Barrington, William Wildman Barrington, Viscount, 1717-1793, Warburton, William, 1698-1779, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lyttelton, George Lyttelton, Baron, 1709-1773, and Granby, John Manners, Marquis of, 1721-1770
Leaf 88. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing with his feet crossed. In his right hand is a tasselled cane and under his right arm are sections of a pair of stays in course of construction. He wears a macaroni club, a laced hat, short coat and laced waistcoat, cravat, and ruffled shirt. Probably a stay-maker."--British Museum online catalogue
Alternative Title:
Whalebone macaroni
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "v. 5" in upper left corner and "9" in upper right corner., Third of three plates on leaf 88., and 1 print : etching on laid paper ; plate mark 17.5 x 12.6 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Publish'd according to act, Octr. 22, 1772, by M. Darly, 39 Strand
Leaf 88. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing with his feet crossed. In his right hand is a tasselled cane and under his right arm are sections of a pair of stays in course of construction. He wears a macaroni club, a laced hat, short coat and laced waistcoat, cravat, and ruffled shirt. Probably a stay-maker."--British Museum online catalogue
Alternative Title:
Whalebone macaroni
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "v. 5" in upper left corner and "9" in upper right corner.
Publisher:
Publish'd according to act, Octr. 22, 1772, by M. Darly, 39 Strand
Leaf 88. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Whole length portrait of a man standing with his feet crossed. In his right hand is a tasselled cane and under his right arm are sections of a pair of stays in course of construction. He wears a macaroni club, a laced hat, short coat and laced waistcoat, cravat, and ruffled shirt. Probably a stay-maker."--British Museum online catalogue
Alternative Title:
Whalebone macaroni
Description:
Title etched below image., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., Plate numbered "v. 5" in upper left corner and "9" in upper right corner., Watermark: Strasburg bend., 1 print : etching on laid paper ; plate mark 17.4 x 12.4 cm, on sheet 18 x 12.4 cm., and Sheet trimmed to plate mark on sides and top.
Publisher:
Publish'd according to act, Octr. 22, 1772, by M. Darly, 39 Strand
"A show-room in which ladies are being fitted with various types of underclothing, specimens of which hang from the walls. An elderly man of quasi-clerical appearance fits a very fat lady with knickerbockers and braces; he looks over his shoulder at the spectator; from his pocket issues a roll of 'Complieations'. She is the central figure and regards herself with admiration in an ornate wall-mirror which reflects her face. Her stockings are held up by cords issuing from a disk on each hip. A lady and little girl (left) walk eagerly into the room. A shopman offers two false breasts to a wizened knock-kneed hag wearing knickerbockers. On the right a complacent lady in knickerbockers is having her suspenders fastened by a kneeling shopman. Another, seated on a chair, pulls on knickerbockers; other bulky garments to tie at the knee hang on the wall (left). On a shelf are wigs on stands (see BMSat 9313, &c), and from it hang garments having some resemblance to the modern brassiere (or soutien-gorge) to which braces are attached. There are also suspenders. Beneath the design: 'Dr Trussup takes the liberty to acquaint the Ladies, that he has by dint of intense Study, Astronomical . . . [&c. &c] Calculations, Discovered an immense variety, of Convenient, Comfortable, and Captivating Articles for the Ladies, first, his warm & well contrived Drawers, which will in all weathers, keep warm . ... in spite of the rage for thin covering, they are made of flannell, Cotton, fleecy hose & various other commodities . . . Dr Trussupp has from much observation and reflection, prepared commodious Spring Garters [ ? suspenders] . . . . without that banefull ligatue above the Knee, which makes the Ancle so inelligantly thick & Clumsy, also his wonder-full Wigs . . . but above all, his favourite & accommodating Circassian Vests, alias Bosom Friends, which permits free respiration, prevents all pressure on the chest, raises the languid Breast to the appearance of a Juvenile heaving Bosom. . . . NB resolves all sorts of lawful & unlawful Questions .... Casts Nativeties, and in short is the only Man in existance, caperble [sic] of treating on all Subjects in the Habitable World.'"-British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Sheet trimmed to plate mark., Three columns of text below image: Chevr. [sic] Trussup takes the liberty to acquaint the ladies that he has by dint of intense study, astronomical, geographycal, clerical ..., Cf. No. 9456 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Temporary local subject terms: Female dress: poking hat --
Publisher:
Publish'd Sepr. 1st, 1799, by S.W. Fores, No. 50 Piccadilly
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 111. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire: a barber in profile outside his shop holding out his instruments."--British Museum online catalogue
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Early state of the plate, before drypoint shading added to the figure's face and hair. For a later state with this additional shading, see British Museum online catalogue, registration no.: J,6.94., Sheet trimmed to plate mark on left side., Temporary local subject terms: Surgeons -- Signboards -- Medical instruments: Lancet -- Barbers implements: Razor and shaving dish -- Bob wigs -- Bob-majors wigs -- Scratches wigs -- Food: Reference to sausages -- Reference to washballs -- Black pudding -- Medicine: Reference to Scotch pills -- Reference to powder for the itch., and Mounted on page 111 of: Bunbury album.
Publisher:
Publish'd as the act directs March 1, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Topic):
Barbering, Medical equipment & supplies, Pharmacists, Physicians, Shaving equipment, Signs (Notices), Stocks (Punishment), and Wigs
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1 March 1772]
Call Number:
Bunbury 772.03.01.02.1
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a country barber-surgeon: a bespectacled man holding a lancet and razor stands in profile to right, a basin under his right arm, beside his shop-sign which bears an image of a wig; the village stocks can be seen beyond."--British Museum online catalogue
Description:
Title from text below image., Initial letters of artist's name in signature form a monogram., Later state with slight alterations in design. For earlier state, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed within plate mark., and Temporary local subject terms: Surgery -- Lancet -- Scratches -- Food: Reference to sausages -- Reference to washballs -- Reference to black pudding -- Red herrings -- Medicine: Reference to Scotch pills -- Reference to powder for the itch.
Publisher:
Publish'd as the act directs March 1, 1772, by J. Bretherton, No. 134 New Bond Street
Subject (Topic):
Barbering, Medical equipment & supplies, Pharmacists, Physicians, Shaving equipment, Signs (Notices), Stocks (Punishment), and Wigs
Leaf 67. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A whole length standing figure, full-face, of a man dressed in the height of fashion. He stamps with rage, his right leg being raised high; his right arm is also raised, his fist clenched. His face (adorned with two patches) is distorted with anger. His hair is curled. He wears a small hat, a fringed cravat, a sprigged and laced waistcoat, sprigged stockings with clocks. A cane hangs from his left wrist and he wears a sword."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 2" in upper left corner and "9" in upper right corner., Temporary local subject terms: Little cocked hat -- Macaronies -- Hilt of sword -- Canes -- Large club wig, ringlets in disorder -- Unlucky gambler? -- Male costume: Stockings sprigged with clocks., and Third of three plates on leaf 67.
Publisher:
Pub. accor. to act Feby. 5, 1772, by MDarly, Strand
A corpulent man, whole length in profile facing right, holds a walking stick with hooked handle and wears his hair in a long pig-tail
Description:
Title etched below image., Numbers in upper left "V.5" and upper right corner of plate "1"., Plate from vol. V: Caricatures, macaronies, & characters. [London] : Pubd. by MDarly, 39 Strand, 1772., and Bound as 19.
Publisher:
Publish'd according to the act, Octr. 22, 1772, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Hairstyles, Staffs (Sticks), and Wigs
Leaf 72. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of a country 'quack' doctor standing behind an alarmed looking female patient with his fingers in her mouth. A young boy stands on the left holding a dish and pliers. In the background stands a woman wearing a ... cape and holding the side of her mouth whilst exhibiting obvious pain. Suspended from the ceiling is a bird in a cage. A bill on the wall reads: 'Barnaby Factotum / Draws teeth Bleeds and Shaves / Wigs made here, also sausages / wash Balls, Black puddings. / Scotch pills Powder for the Itch / Red Herrings / Breeches Balls / and small beer by the maker / In Utrumque Paratus'."--Royal Collection Trust online catalogue and "Print of a tailor seated cross legged on a table as he irons a garment. Beside him on the table, stands a pewter tankard and shears. A second tailor, also ironing, sits behind the first with a look of surprise cast in the direction of a woman who stands at the door holding a basket of ?cucumbers on her head. The woman resembles Rowlandson's etching of a 'Shrimp Girl' (RCIN 913702). In the foreground, a small boy warms irons by a fire as cat stands next to him, yawning."--Royal Collection Trust online catalogue
Alternative Title:
Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Titles etched below images., Two images on one plate, each with its own title, signature, and imprint statement., Restrike. For original issue of the left side of the plate, see Royal Collection Trust, RCIN 810964. For original issue of the right side of the plate, see Royal Collection Trust, RCIN 810963., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 375., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 374., and On leaf 72 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill and Field & Tuer
Toothache, or, Torment and torture, Torment & torture, and Torment and torture
Description:
Title etched below image., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published August 1, 1823, by John Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Toothache, Dentistry, Quacks and quackery, Dental equipment & supplies, Pain, Birdcages, Wigs, and Dogs
"An elaborate symbolical clock has a dial on which the hands are represented by the arms of the Queen, who kneels within it. Canning stands within the smaller disk of the pendulum. The dial and pendulum hang from a curved bar supported on two uprights, one (left) representing the forces of the Army and Navy, the Crown and the Church, and the other the Radicals and their pikes. A fat and carbuncled John Bull, much larger in scale than the other figures, and wearing a huge judge's wig, sits astride the dial where it is surmounted by a crown; he holds a paper: 'Chief justice Bull--Jurisdiction--ad Infinitum'. On the rim of the dial: (left) 'King', 'Lords', (right) 'Commons'. The Queen kneels in profile to the right, her left arm pointing to the crown, her right towards the 'Commons'. The supports of the dial are (left) a cornucopia filled with sovereigns, and (right) a giant cap of Liberty, shaped like the cornucopia, from which project the heads of men wearing bonnets-rouges. On the cornucopia are Liverpool, holding out the 'Green Bag', see British Museum Satires No. 13735, Eldon, Sidmouth with his clyster-pipe, and a fourth Minister. On the bonnet rouge stand four of the Queen's supporters, one (apparently Wood) holding out to her a cap of Liberty. A small scene is inset below the dial, flanked by cornucopia and cap of Liberty. The Green Bag lies on a table, across which Castlereagh (left) and Brougham (right), both wearing boxing-gloves, are fighting, the former on the defensive. Each has a second, Brougham's is a second barrister (? Denman). Below this appear seven vertical rods to which the disk of the pendulum is attached. The centre one is 'Unhappy Medium'. On the left, held by cross-bands inscribed 'Golden Argument' and 'Valuable ties', are 'Royal Sunshine', 'Sinecure', and 'Tangible etcetrias'. On the right, held by 'Magnanimity' [tricolour], are 'Quixotism', 'Public Champion', and 'Radical Celebrity'. Canning stands within the disk of the pendulum, both hands held up, looking in gloomy perplexity to the left. He hesitates between the contrasted lures of the pendulum bars. He is standing between a crown and a cap of Liberty. On the left a winged infant flies off with a money-bag, inscribed '1000', saying, "Adieu!" A similar infant (right) proffers a cap of Liberty, saying, "See here Glory waits thee." Above the disk: 'The Uncertainty of all Sublunary Honors'. The design is bordered, left and right, by the two supports of the beam. On the left a jovial sailor and a handsome soldier stand on a base formed of a 'Treasury Iron Chest'. The corresponding figures on the right are two ragged ruffians with linked arms, each holding a spiked bludgeon and a dagger, who stand on a similar chest: 'Pandora's Box'. Flags are draped above the heads of both: the Royal Arms and Union Jack with a crown (left), and a tricolour flag and a (piratical) black flag (right). Above these are (left) a mitre resting on a Bible, crossed swords, and bayonets, supporting a block on which is a crown. On the opposite side are three caps of Liberty, crossed bludgeon and dagger, and pikes, supporting a block on which is yet another cap of Liberty."--British Museum online catalogue
Alternative Title:
Time piece! & Canning Jack o' both sides, Time piece! and cunning Jack o' both sides, and Time piece! and Canning Jack o' both sides
Description:
Title etched below image; the letter "u" in "cunning" is etched above a scored-through letter "a", altering the name "Canning"., 1 print : etching ; plate mark 39.1 x 25.8 cm, on sheet 40.3 x 26.7 cm., Printed on wove paper with watermark "J. Whatman 1820"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 28 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With manuscript annotations within image that identify several of the persons depicted. The figures of "Sidmouth," "Liverpool," and "Caroline" are identified in red ink; "Londondery [sic]" and "Brougham" in black ink; and "Canning" in pencil. Date "June 1820" added in black in ink lower right. Typed extract of forty lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by G. Humphrey, 27 St. Jamess St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canning, George, 1770-1827
Subject (Topic):
John Bull (Symbolic character), Clocks & watches, Soldiers, Sailors, Spears, Wigs, Crowns, Cornucopias, Liberty cap, Bags, Medical equipment & supplies, Boxing, Lawyers, Money, and Putti
