"Folding frontispiece to "A Political Lecture on Heads, alias Blockheads!! A Characteristic Poem: . . .Drawn from Craniological Inspection, after the Manner of Doctors Gall and Spurzheim, of Vienna. By Don Juan Asmodeus. London. Printed for the Author, and Published by John Fairburn, 2, Broadway, Ludgate-Hill (Price One Shilling)." Ten half length caricature portraits arranged in two rows, and, except for the last two, in separate compartments, each illustrating a section of the verse-satire. The date is after Peterloo (16 August 1819), see British Museum Satires No. 13258, and before the King's death (29 Jan. 1820). [1] 'Derry-Down-Triangle', Castlereagh, with ass's ears, his head, adorned by a tiny gibbet, turned in profile to the left, holds up a scourge. On a scroll is the motto 'EIREN·GO·BRAY' (see British Museum Satires No. 13301). [2] 'State Jackal', Canning, directed to the left, holds a pistol in each hand. On his head is a triangle, bells hanging from its apex as from a fool's cap. Behind him is a package inscribed 'Lisbon 20.000 weight'. For his much-attacked mission to Lisbon see British Museum Satires No. 12872, for the duel with Castlereagh, British Museum Satires No. 11370, &c. [3] 'Quack Doctor' [cf. British Museum Satires No. 9849], Sidmouth, in profile to the left, holds a pike on which is speared a ball inscribed 'Circular Pills' [see British Museum Satires No. 13282, &c.]. On his head is a pestle and mortar inscribed 'Drugs for John Bull'. At his back is a large 'Bible' (like Liverpool he was an Evangelical). [4] 'Chancery Jack', the shoulders of Eldon, who scowls to the right, emerge from a 'Coal Tub' (as son of a Newcastle hoastman or coal-broker). He wears wig and gown, across his forehead is a bandage inscribed 'In Chancery'; from his mouth issues the word 'Equity'. [5] Liverpool, in profile to the left, spoons into his mouth liquid from a bowl of 'Water Gruel for the Poor' held in his left hand. On his head is a round tea-tray inscribed '£4.000'; on this are two cups and an urn inscribed 'Cordial Tea'. [6] 'Croaking-Frog--' Croker sits, pen in hand, in profile to the left; on his head is a frog. At his shoulder is a flag inscribed Dry . Rot . In . Navy' above two broken anchors. He says "Fal de Raltit," and before him is a paper: 'Talavira [sic] Algiers 2000'. He has an oddly shaped seat, resting his arm on a 'Quarterly Review', above a longer (curved) block inscribed 'Couriers'. (He was Secretary to the Admiralty, see British Museum Satires No. 12310, author of 'Talavera', a leading contributor to the 'Quarterly', and (with Arbuthnot) manager of the Press for the Ministry.) [7] 'Dunderass--' Lord Melville (First Lord of the Admiralty), in tartan, is in profile to the left, holding a pinch of snuff. Across his chest is a broad band: 'Pickings of Dad 60.000 [see British Museum Satires No. 10377, &c.] Place 10.000.' He wears a curious head-dress topped by a man-of-war surrounded by smoke. [8] 'Waterloo-Man--' Wellington, so styled by Hone, see British Museum Satires No. 13302, stands in profile to the left, wearing a cocked hat on which stands a cannon. He holds a dagger transfixing a bleeding heart; behind his back is a bundle inscribed 'Iquisition' [sic], across his chest is a placard: 'Coruption [sic] Prize . Money £60.000 Allowances £200.000 &c &c.' The text is a savage attack, e.g.: His soldiers 'sav'd the Spanish nation'; | Sav'd them--to send them to perdition | By 'Ferdinand's' crust [sic] 'Inquisition' [see British Museum Satires No. 13009] and (on Waterloo): The 'General' he'd not aught to do | But scenes of triumph to review [having lingered in Brussels]. For the campaign against pensions see British Museum Satires No. 12781, &c. [9 and 10] 'Chere-Amie', Lady Hertford in profile to the right, holds a sceptre and wears a crown-like coronet. She offers the Regent a large goblet of 'Noyau', saying, "Take another sup my Jewel. Grand-Lama--" The Regent leans back tipsily, his eyes almost closed. A little demon, holding a firebrand, flies towards him, flinging a noose at his head. See British Museum Satires No. 11853."--British Museum online catalogue
Description:
Title etched below image., Attribution to George and Robert Cruikshank from pencil annotation on the British Museum impression; see British Museum catalogue., Frontispiece to: Asmodeus, J. A political lecture on heads, alias blockheads!! A characteristic poem ... London : J. Fairburn, [1819], Approximate month of publication from the British Museum online catalogue, registration no.: 1865,1111.614., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 53 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and All figures except Lady Hertford (bottom row, second from the right) identified in ink beneath their respective caricatures. Typed key to the figures (with Lady Hertford misidentified as "Caroline") pasted above print.
Publisher:
John Fairburn
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Croker, John Wilson, 1780-1857, Melville, Robert Saunders Dundas, Viscount, 1771-1851, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Title from item., Date inferred from printmaker's street address; Garnett Terry occupied various numbers on Paternoster Row from 1770 to 1796. See British Museum online catalogue., Sheet trimmed within plate mark at top and bottom., Text within banners surrounding central image, clockwise from upper right: Toupees; Wholesale & Retail; Cushion's; Braids; Perfumery; Wigs., and For further information, consult library staff.
A woman facing right under an enormous coiffure. Within her hair several scenes illustrate London low-life on May Day, including pigs, a horse-drawn cart, street-vendors, chimney-sweeps, and a Jack-in-the-green
Alternative Title:
May day
Description:
Title from item., Place of publication from publisher's entry in Maxted's The London book trades., and Probably a parody of British Museum catalogue no. 5330: Bunkers Hill.
Publisher:
Pubd. according to act of Parlt. May 1, 1776 by J. Lockington Shug Lane
Subject (Geographic):
London (England), Great Britain, United States, America., and England
Subject (Topic):
Bunker Hill, Battle of, Boston, Mass., 1775, May Day (Labor holiday), Social life and customs, Politics and government, History, Colonies, Wigs, Hairstyles, and Chimney sweeps
"Brougham stands in profile to the left, selling brooms; he holds up one, two are under his left arm. He wears a barrister's wig and bands, with a small conical cap tied under the chin, a tight-fitting bodice, and a full petticoat to the knee, showing flat feet and large and ill-formed legs in black stockings. The dress is that of the German and Flemish girls who sold brooms in the London streets ..."--British Museum online catalogue
Description:
Title etched below image., Attributed to George Cruikshank in the British Museum catalogue., On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis., and Watermark: J. Whatman 1825.
Publisher:
Pubd. May 13th, 1825, by G. Humphrey, 24 St. James's St. St. [sic]
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor's gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]--vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression."--British Museum online catalogue
Alternative Title:
To a benevolent public
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Date of publication from the British Museum catalogue., and Sheet trimmed within plate mark on right and left sides.
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Description:
Title engraved below image., Date of publication from watermark., Sheet trimmed to plate mark., Plate numbered "138" in lower left corner., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 144., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2299., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1817.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London
A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering "The company of undertakers". The three named quacks occupy the top, twelve other 'doctors' are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.
Alternative Title:
Company of undertakers
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 144., Copy of an engraving by Hogarth that was published in 1736. Cf. No. 2299 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 144., and Temporary local Medical Library subject terms: Criticism of the medical profession -- Dod, Pierce (1683-1754) -- Bamber, Dr.
Publisher:
Published by Longman, Hurst, Rees, & Orme
Subject (Geographic):
Great Britain
Subject (Name):
Mapp, Sarah, -1737,, Taylor, John, 1703-1772,, and Ward, Joshua, 1685-1761,
Subject (Topic):
Physicians, Quacks and quackery, Costume, Medical equipment & supplies, Staffs (Sticks), and Wigs
Volume 1, page 37. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Ladies and gentlemen seated in a semicircle, while a footman holds a circular tray on which are tea-cups, &c. In the foreground a man sits (centre) his bag-wig hanging over the back of his chair facing the semicircle. On the extreme left a man sits stiffly, hat under his right arm, tea-cup in his left hand; next is an elderly and ugly woman, holding a fan; then a stout man seated uncomfortably on the edge of his chair. Then a lean and ugly old woman sitting very upright, with a fan. In the centre of the circle, full face, holding a tea-cup in both hands and looking downwards, is a lady with enormously wide petticoats, who appears to be the hostess. Next stands the footman, who is glaring with scorn at a French manservant who stands behind the guests on the left holding a plate of bread and butter. The remaining guests are in a group on the right. A stout and ugly man, in profile to the left, stretches out his hand, either in gesticulation, or to take a cup of tea from the tray. Next him is a plainly dressed man with an enormous wig who is laughing and looking through a single eye-glass. These two are the only guests who show the slightest animation, the others sitting rigidly silent. On the extreme right sits a young lady of pleasing appearance, in profile to the left, looking down demurely at her fan. Behind her (right) appears the head of a good-looking young man, whose arm rests on the back of her chair. Two oval pictures are indicated on the back wall the room."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., "No. 14"--Upper right corner., and Mounted on page 37 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Feby. 11th, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
"Ladies and gentlemen seated in a semicircle, while a footman holds a circular tray on which are tea-cups, &c. In the foreground a man sits (centre) his bag-wig hanging over the back of his chair facing the semicircle. On the extreme left a man sits stiffly, hat under his right arm, tea-cup in his left hand; next is an elderly and ugly woman, holding a fan; then a stout man seated uncomfortably on the edge of his chair. Then a lean and ugly old woman sitting very upright, with a fan. In the centre of the circle, full face, holding a tea-cup in both hands and looking downwards, is a lady with enormously wide petticoats, who appears to be the hostess. Next stands the footman, who is glaring with scorn at a French manservant who stands behind the guests on the left holding a plate of bread and butter. The remaining guests are in a group on the right. A stout and ugly man, in profile to the left, stretches out his hand, either in gesticulation, or to take a cup of tea from the tray. Next him is a plainly dressed man with an enormous wig who is laughing and looking through a single eye-glass. These two are the only guests who show the slightest animation, the others sitting rigidly silent. On the extreme right sits a young lady of pleasing appearance, in profile to the left, looking down demurely at her fan. Behind her (right) appears the head of a good-looking young man, whose arm rests on the back of her chair. Two oval pictures are indicated on the back wall the room."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 11 February 1782 by W. Dickinson. Cf. No. 6141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: No. 14., Temporary local subject terms: Tea services -- Male costume, 1782 -- Female costume, 1782 -- Domestic service: Footmen -- French man-servant -- Monocles., 1 print : stipple engraving and etching on laid paper, hand-colored ; sheet 450 x 545 mm., and Watermark.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
"Ladies and gentlemen seated in a semicircle, while a footman holds a circular tray on which are tea-cups, &c. In the foreground a man sits (centre) his bag-wig hanging over the back of his chair facing the semicircle. On the extreme left a man sits stiffly, hat under his right arm, tea-cup in his left hand; next is an elderly and ugly woman, holding a fan; then a stout man seated uncomfortably on the edge of his chair. Then a lean and ugly old woman sitting very upright, with a fan. In the centre of the circle, full face, holding a tea-cup in both hands and looking downwards, is a lady with enormously wide petticoats, who appears to be the hostess. Next stands the footman, who is glaring with scorn at a French manservant who stands behind the guests on the left holding a plate of bread and butter. The remaining guests are in a group on the right. A stout and ugly man, in profile to the left, stretches out his hand, either in gesticulation, or to take a cup of tea from the tray. Next him is a plainly dressed man with an enormous wig who is laughing and looking through a single eye-glass. These two are the only guests who show the slightest animation, the others sitting rigidly silent. On the extreme right sits a young lady of pleasing appearance, in profile to the left, looking down demurely at her fan. Behind her (right) appears the head of a good-looking young man, whose arm rests on the back of her chair. Two oval pictures are indicated on the back wall the room."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Reissue, with different imprint statement, of a print originally published 11 February 1782 by W. Dickinson. Cf. No. 6141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: No. 14., Temporary local subject terms: Tea services -- Male costume, 1782 -- Female costume, 1782 -- Domestic service: Footmen -- French man-servant -- Monocles., Watermark., and Imperfect; plate number partially erased from upper right corner of sheet.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
Leaf 100. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
"Whole length caricature portrait of a lawyer walking in profile to the left. He is obese with several chins; his head is shaved and he carries a large wig. In his left hand is a rolled document. He wears a voluminous gown which rests on the ground."--British Museum online catalogue., Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "21" in upper right corner., Third of three plates on leaf 100., and 1 print : etching on laid paper ; plate mark 17.4 x 12.4 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accorg. to act Octr. 21th [sic], 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Lawyers, Obesity, Wigs, and Robes
Leaf 100. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
"Whole length caricature portrait of a lawyer walking in profile to the left. He is obese with several chins; his head is shaved and he carries a large wig. In his left hand is a rolled document. He wears a voluminous gown which rests on the ground."--British Museum online catalogue., Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "21" in upper right corner., Watermark: Strasburg bend with initials L V G below. Initials partially trimmed., and 1 print : etching on laid paper ; plate mark 17.8 x 12.5 cm., on sheet 19 x 13 cm.
Publisher:
Pubd. accorg. to act Octr. 21th [sic], 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Lawyers, Obesity, Wigs, and Robes
Leaf 100. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Description:
"Whole length caricature portrait of a lawyer walking in profile to the left. He is obese with several chins; his head is shaved and he carries a large wig. In his left hand is a rolled document. He wears a voluminous gown which rests on the ground."--British Museum online catalogue., Title etched below image., Initial letters of publisher's name in imprint form a monogram., and Plate numbered "v. 6" in upper left corner and "21" in upper right corner.
Publisher:
Pubd. accorg. to act Octr. 21th [sic], 1773, by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Lawyers, Obesity, Wigs, and Robes
Title above image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Craniology, Phrenology, Scientists, Baldness, and Wigs
The Count sits in a large chair, a basket of frogs on the floor between his wide-spread legs; he wears a powdered wig under his hat, his uniform, a gold cross on a black ribbon around his neck, high black boots with spurs, and sword at his waist. He is wide-eyed and stiff -- marionette-like -- as he eats a frog. A man servant with a worried expression on his face and wearing a red liberty cap approaches him from the left, holding a tray labeled "Fricasee of Frogs". From the right, a woman, her face mostly obscured by her large head scarf, carries a bowl labeled “Soup meager”.
Alternative Title:
French admiral in all his glory
Description:
Title from caption below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
United States
Subject (Name):
Estaing, Charles Henri, comte d', 1729-1794
Subject (Topic):
History, Foreign participation, French, Frogs, and Wigs
"Brougham, seated in profile to the right in a chair inscribed Place, makes a bonfire on the floor of documents and his Old Stuff gown. This he holds over the flames on a levelled broomstick, the broom being inscribed Treasury Broom. Under one foot is a paper inscribed Opposition. He says: I think I shall cut a dash with my new gown; so here goes for the old one--Silk against Stuff for any money. But this worn out concern stinks most damnably: tis true, a great deal of dirty work has been done in it and it was only stuff at first:--it now emits more smoke than flame; yet I can distinguish a magic picture through this volume of vapour. O, glorious precedence! "Tam venerabile erat praecedere" Juvl. The burning papers are: March of Intellect [see British Museum Satires No. 15178], Liberty [of the] Pres[s], Blacks, Catholic Emancipation, Mulatoes, Reform. The smoke from the fire is inscribed Independence, Patriotism, Public Charities, Vapour, Retrenchment. Behind him (left) his new gown hangs on a stand made of an upright which supports his new wig, and a cross-bar inscribed Treasury. The gown is Patent New Silk. Partly concealed by the smoke is the 'magic picture': Anticipation; the Purse of the Great Seal suspended above mace and sword. Below the picture is a big bag stuffed with Briefs."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Matted to: 31 x 46 cm.
Publisher:
Pubd. by E. King, Chancery-Lane
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
published as the act directs, [approximately 1773]
Call Number:
773.01.19.01.2
Image Count:
1
Resource Type:
still image
Description:
Title from item., Date from Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, p. 786., Plate numbered '216' in lower left corner., Cf. No. 4527 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Trades -- Butchers' stalls -- Macaronies -- Male dress, 1773.
Publisher:
Printed for Carington Bowles, No. 69 in St. Paul's Church Yard, London
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat doctor is trundled down a hill in a wheelbarrow by a lean and amused countryman. His fat wife walks beside the barrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. They have just left a thatched and gabled inn (left), with a sign, 'The Horns', and a placard over the door: 'Real Yorkshire Stingo Wines Cordials'. Jovial village notables sit outside the door, drinking and smoking; two, much amused, stand to watch the departure. A cock (left) with three hens squawks at the barrow."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image, Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. November 30th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11641 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark on top edge., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 194., Temporary local subject terms: Doctors -- Medical disease: gout -- Birds -- "Henpecked husband" -- Inns: 'The Horns' -- Signboards: 'The Horns,' 'Real Yorkshire Stingo Wines Cordials'., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching, hand-colored ; sheet 25.5 x 35.0 cm., and Series statement partially rubbed out.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A fat doctor is trundled down a hill in a wheelbarrow by a lean and amused countryman. His fat wife walks beside the barrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. They have just left a thatched and gabled inn (left), with a sign, 'The Horns', and a placard over the door: 'Real Yorkshire Stingo Wines Cordials'. Jovial village notables sit outside the door, drinking and smoking; two, much amused, stand to watch the departure. A cock (left) with three hens squawks at the barrow."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image, Reissue; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. November 30th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11641 in the Catalogue of prints and drawings in the British Museum, v. 8., Sheet trimmed within plate mark on top edge., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 194., Temporary local subject terms: Doctors -- Medical disease: gout -- Birds -- "Henpecked husband" -- Inns: 'The Horns' -- Signboards: 'The Horns,' 'Real Yorkshire Stingo Wines Cordials'., Temporary local Medical Library subject terms: Marriage & married life., 1 print : etching on wove paper, hand-colored ; plate mark 24.3 x 34.8 cm, on sheet 25.6 x 41.8 cm., Watermark: 1817., and Leaf 21 in volume 1.
