"A plebeian family of 'cits' drive in a rough two-wheeled cart (aping a fashionable gig) drawn by a clumsy carthorse. The man drives, wearing cocked hat and top-boots; his wife, wearing large feathers in her small straw cap, holds up a fan. Both are absurdly complacent. A boy and girl are crammed in. Behind rides a fat and grinning footman, with plodding dog. On the extreme right a newsboy with the 'London Gazette' blows his horn. Behind (left) is an open doorway inscribed 'Mash Brewer'; within are casks. The wall is inscribed 'Puddle Dock', and on it are two bills: 'Theatre Royal Covent Garden the Comedy of the Bankrupt with High Life Below Stairs and A House to be let in Grosvenor Square Suitable for a Genteel Family' (they appear to be bound for this house). Houses form a background."--British Museum online catalogue.
Alternative Title:
Road to ruin in the east
Description:
Temporary local subject terms: 'Cits' -- Vehicles: carts -- Breweries -- Mash-- Newspapers: London Gazette -- Newsboys -- Reference to Theatre Royal, Covent Garden -- Literature: reference to High Life Below Stairs by James Townley (1714-1778) -- Reference to The Bankrupt by Samuel Foote ( 1720-1777) -- Grosvenor Square -- Puddle Dock -- Female dress: plumed hats -- Expressions of speech: 'road to ruin'. and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Design in two compartments; the left-hand side, a judge declaiming with eyes directed upwards, while another seated beneath his gaze, in the foreground r, exchanges money with a desperate-looking man; the right-hand side, a night-watchman armed with truncheon and rattle, oblivious to two men putting a ladder to a window at left, and an officer embracing a young woman in a sentry-box to right."--British Museum online catalogue.
Description:
Described in Grego, J. Rowlandson the caricaturist, v. 1, page 328 with the additional subtitles 'A court of justice - a watchman', and dated 15 June 1796., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Two designs on one plate.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Male dress: riding habit -- Yokels., Title etched below image., and Two lines of text within image: That's for comtempt in court you scoundril ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A domestic scene; a grotesque elderly woman sits at her toilette, pointing to a mirror on which a mobcap hangs, and looking upwards as a wig decorated with ribbons and a feather is about to be placed on her head by a young maid standing at right, who is momentarily distracted by the embraces of a footman; at left, an elderly man standing and looking inside a cupboard full of shelves of pottery; a cat and dog in front of a fire at left, a dog on a chair opposite the old woman."--British Museum online catalogue.
Alternative Title:
Couple of antiques and My aunt and my uncle
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
A man lies on his back in bed, his face set in grim resignation, as his wife leans over him lecturing him, "Yes you base man --you dont you eat drink and sleep comfortably at home and still you must be jaunting abroad every nigth. I'll find out your intrigues-- you may depend upon it." A small dog sits at the foot of the bed yelping at the couple while a larger dog sleeps on the floor, his eyes squeezed shut.
Alternative Title:
Matrimonial comforts ; sketch 8
Description:
Earlier state of print described in: Grego, J. Rowlandson the caricaturist, v. 2, page 16., Earlier state, with date in publication line. Cf. No. 9627 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Series title and number etched above image., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: This is certainly a very devout animal ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications.
Alternative Title:
Matrimonial comforts ; sketch 6
Description:
Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Series title and number etched above print., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Clothing & dress--England--1790-1800., Mirrors., and Tailors.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Put -- Male dress, 1799 -- Yokels., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Napoleon plays a double bass, stooping forward, and looking with an agonized expression towards a music-book on a high stand, the pages headed 'Conquest of / Spain & Portugal' and ending in 'Volti Su . . . .' He says: "Plague take it! I never met with so difficult a 'passage' before - But if I can once get over the 'Flats', we shall do pretty well for you see the 'Key' will then change to B sharp." Behind Napoleon and on the right stand the Russian bear on his hind legs, muzzled, and blowing a French horn. He says: "Why that is 'Natural' enough brother Boney though this 'French horn' of yours seems rather out of Order I think." Napoleon, who wears a large bicorne, stands on a 'Map of the Continent' showing 'Spain' and 'Portugal'. Behind him are a drum and a roll of 'Boney's Orations Vol. 10th'."--British Museum online catalogue.
Alternative Title:
Boney playing base on the Continent and Boney playing bass on the Continent
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: Here's your acres roods and perches! ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: If thee tak'st it into thy head to stand still every five minutes ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A young man sprawls on a sofa, his right forefinger on his lip; from his left hand a newspaper, 'Morning Herald', dangles. He wears slippers and his breeches are unbuttoned at the knee. He has queer dreams after too much claret, rises at one, is dressed by half-past three, sees himself in a 'Caricature Shop', goes to the play, loses all his money at Hazard."--British Museum online catalogue.
Description:
One paragraph of letterpress text below title: Queer dreams-thought poll untrue, and fifty other Meagrims, ..., Statement from a more complete impression in the British Museum., and Title printed in letterpress below plate line.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: Here's grace and elegance-these are the pleasing effects ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"The instrumentalists are closely grouped round the armchair of the father of the family, a stout man in old-fashioned dress, who sits full face singing loudly, an open music book on his knees, his feet supported on the bar of his chair. His very fat wife sits beside him (right) blowing a trumpet to the grotesque inflation of cheek and neck. The eldest daughter (left) plays the double-bass; behind her stands a girl beating a tambourine. The younger children flank the design: a fat little girl (left) plays the triangle, looking up at her sister's tambourine. On the right a little boy sits at his mother's feet beating a large kettle-drum and shouting; he sits on two large volumes: 'Doctor Burneys Musical Travels [i.e., The Present State of Music in France and Italy ... 1771', and 'The Present State of Music in Germany . . . [etc.]', 2 v. 1773]. Mother and daughters are fashionably dressed; the daughters are comely. A howling dog seated on the extreme left adds to the impression of violent noise."--British Museum online catalogue.
Description:
Caption in design: Musick has charms to sooth the savage breast, to soften rocks, and bend the knotted oak. and Title etched below image.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within design: This is the sort for mending the roads ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: What are you poking your nose here about ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Donkeys -- Sailors -- Bird-cages -- Walking-stick -- Menageries., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"A sailor and his pregnant fiancée stand at left before a clergyman in a white surplice who stands at right, reading from papers inscribed 'Matrimony', and asking 'Wilt thou take this Woman to be thy wedded wife'; the sailor responds in affronted manner, asking 'do you doubt the word of a sailor'; an assisting cleric at right, wearing dark clothes and bands, drops his book in surprise."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Brides., Clergy., Grooms (Weddings), Pregnant women. , Sailors--British., and Weddings.
A pretty young woman sits at a table opposite a fat, older man, asleep with his glasses pushed on his forehead. The sit before a fire in a bedroom with a canope over the bed or couch (left), a guitar leaning against it. Two other pretty young woman enter through the door. A bird in a cage hangs from the ceiling; a dog yawns at the feet of the seated woman. A book lies open on the table along with a carafe of wine. The couple both hold wine glasses.
Description:
Attributed to Rowlandson by Grego., Companion print to: A silly., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Bedrooms. , Birdcages., Dogs., Fireplaces., Guitars., Sleeping. , Women., and Young adults.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: This is the finest horse in the world for a calculator ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Three lines of text within image: If you must be at your vaulting vagaries ..., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: This is what I call travelling to music! ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
An angry, bare-breasted young woman in a night dress and cap enters the door of a sitting room from a bedroom (seen through the open door on the right). She scowls at the white-haired man relaxed in an armchair in front of a fire; he smokes a pipe and holds a goblet of wine in his left hand as he leans back in the chair, his feet resting on the grate of the roaring fire; at his elbow a table with a lit candle, carafe, jug, spoon, and book "Miseries of Human Life". One dog sleeps near a gun propped up against the mantel piece; a hunting cap hangs on back wall. Another dog looks at the woman from under the table at the man's side and barks. A large cat that has come in with the woman hisses back at him. A book on the mantel is titled "Rule a wife and have a wife"; the painting above the mantel "Mr. Pantons grey mare ranter out of doll tearsheet." In front of the and to the right are a bootjack and discarded boots pants; a clock hangs on the wall above a tiered table.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A young woman half reclines beside a breakfast-table, on which are urn, tea-pot, and two cups. A book is in her right hand. She 'Dreamt of the Captain . . . Breakfasted at Two . . . dined at Seven . . . went to the Opera . . . my ci-devant husband in the opposite Box.'"--British Museum online catalogue.
Description:
One paragraph of text printed in letterpress below title: Dreamt of the captain-certainly a fine man-counted my card money ..., Printmaker from Grego., and Title printed in letterpress below plate line.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"An imaginary scene on the deck of the 'Vanguard'. The sailors are crowded round an improvised table, drinking and huzza-ing. Nelson and his officers sit abovet hem in the stern; a wounded officer is wrapped in a blanket. An officer takes a glass held up to him by a sailor. One man plays a fiddle. A Turk sits on the deck (left) smoking a long pipe ..."--British Museum online catalogue.
Description:
Temporary local subject terms: Invasions: Ships decks -- Celebrations -- Sailors -- Turks -- Smoking: pipes -- Dishes: tankards -- Punch bowl -- Drinking glasses -- Musical instruments: fiddle -- Singing., Three stanzas of a song etched below title in three columns: Verse 1st. Dammy Jack, what a gig, what a true British whim, let the fiddles strike up on the Main. What seaman wou'd care for an eye or a limb to fight o'er the battle again., and Title etched below image.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title and series number etched below image.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Two lines of text within design: For my conscience Madam - you have got a most capitol frontispiece.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed.
Alternative Title:
Matrimonial comforts ; sketch 3
Description:
Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 14., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Adultery., Marriage., Spouses. , and Spouses--Caricatures and cartoons.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Title etched below image., and Two lines of text within image: This I presume is by way or proving to a certainty ...
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., One line of text within design: This horse is certainly an astronomer! ..., Series title and number etched above image., Temporary local subject terms: Male dress: riding habit., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Troops, crowded in carts, &c, approach Portsmouth, where distant ships are at anchor. In the foreground are country carts drawn by soldiers at a gallop. Other soldiers are in and on a coach, the 'Portsmouth Fly'; a drum and fife are being played on the roof; large flags float from the windows. This is followed by officers in a perch phaeton. Young women take leave of soldiers. A drummer gallops on a donkey with a young bandsman in each pannier. In the middle distance, besides other vehicles, are two of the new four-horsed conveyances for soldiers, who sit as in an Irish jaunting-car, see BMSat 9238. In the foreground (right) is the corner of a small thatched ale-house, 'The Jolly Soldier'. An old soldier with a wooden leg sits fiddling at the door, while the host and his family wave farewell."--British Museum online catalogue.
Alternative Title:
Instance of unexampled speed used by a body of guards
Description:
Title etched below image. and Two lines of text below title: ... consisting of 1920 rank & file, besides officers, who on the 10th of June, 1798, left London ...
A middle-aged woman in a cap, and wearing earrings, a bracelet and necklace, raises her fist in anger at a young servant girl. The girl also in a cap, looks back over her shoulder at her mistress in surprise and fear.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 18' in upper right corner., Title engraved above image., and Two lines of text below image: This unruly passion shews itself in a forcible degree in a termagant mistress scolding her maid servant.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Two grotesque and foolish connoisseurs standing admiring a collection of Egyptian statuary, both looking at a mummy case at left, one simpering, pointing and looking through pince-nez, the other squinting through a short spyglass; the antiquities include another mummy case, male and female statues, two sphinxes and a grotesque sculpture of a dog on a plinth decorated with hieroglyphs."--British Museum online catalogue.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A stout, bewigged and bespectacled man seated in an armchair in profile to left, looking with set disappointment at a letter in his right hand: 'Sir, I am sorry to inform you your scheme for manuring Land with Old Wigs - will not do. I am Sir yours."--British Museum online catalogue.
Alternative Title:
Comforts of the city! ; sketch 6
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A lank barber, holding his customer by the nose and negligently slicing at it with his razor, reads from 'The London Gazette' which his victim holds: They write from Amsterdam (cf. BMSat 9412). The enraged customer shouts "Hallohl you Sir - what are you about? are you going to cut my nose off."--British Museum online catalogue.
Alternative Title:
Country characters ; no. 3
Description:
Series title and number etched above image., Temporary local subject terms: Reference to Amsterdam -- Containers: jugs., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher. and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"BATTLEORUM: The head of an officer scowling angrily; he wears cocked hat and gorget. From his shoulders are suspended chain-shot, pistols, and bandolier. Below are kettle-drum, cartouche-box, musket, sword, and bayonet. BILLINGSGATINA: A buxom and comely fish-wife shouting her wares. A chain of eels, lobster, crab reaches a basket in which are oysters and large fish. The above two heads were closely copied, c. 1815, as a French caricature (title 'Caricature Angloise. N° 5') of Napoleon: 'Mons. va de bon-Cœur Caporale', and 'Mme Esturgion.' TRAFFICORUM: The head of a bearded Jew, wearing a hat, calling his wares with a cunning side-glance. These are draped from his shoulders and rest upon an open pedlar's box filled with scissors, spectacles, razors, spoons, purses, knives, rosaries, seals, a watch."--British Museum online catalogue.
Alternative Title:
Billingsgatina. and Trafficorum.
Description:
Plate numbered 'No. 5' in upper right corner., Printmaker from Grego., Temporary local subject terms: Military officers -- Trades: fish-wives -- Pedlars -- Weapons -- Pistol -- Bandolier -- Musket -- Cartouche-box -- Sword -- Bayonet -- Food -- Eels -- Lobster -- Oysters -- Fish -- Crabs -- Jews -- Pedlars' wares -- Pedlars' boxes., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes."--British Museum online catalogue description of alternate state.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate numbered "No. 17" in top right corner of sheet., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
Subject (Topic):
Billiard rooms., Billiards., Dogs., Pictures., and Servants.
In a series of three images Napoleon Bonaparte is first shown on the left as Emperor wearing royal regalia, with other crowns and pharaoh's insignia at his feet, the Tuilleries Palace behind him, signed "What I was," below and "A cruel tyrant" above. In the second image his weeping figure in military uniform is shown on the tiny island of Elba, and is signed "What I am," below and "A snivelling wretch" above. Lastly, on the right, his corpse hangs from a gibbet, his hat fallen to the ground and ass's ears exposed on his head, with caption "What I ought to be" below and "Hung for a fool" above.
Alternative Title:
What I was, what I am, what I ought to be
Description:
Title etched at bottom of plate.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
Crowns. , Gallows., Military uniforms--French--19th century., and Scepters.
"Scene in an English court of law. The judge, Blücher, wearing a legal wig with regimentals, stands up with left arm extended, addressing Napoleon, who crouches in the dock (right), handkerchief in hand, pleading for mercy. Beside the judge are the sovereigns of Europe, two on his right, three on his left, all gazing at the prisoner. In the well of the court aged and grotesque counsel, typical of Rowlandson's lawyers, surround the green-covered table. The jury (left) have stupid, morose, or astonished expressions. The usher, with a long rod, seated on a raised chair, faces the jury on the opposite side of the court. Corpulent constables with staves stand beside and in front of the dock. Freely sketched spectators look down from a crowded gallery above the dock. Almost all eyes are on the prisoner, behind whom stand the Devil, with folded arms, fiercely gloating over his victim. Behind the usher is a high white screen on which Napoleon's offences are inscribed: 'NAPOLEAN BONAPARTE The first and last by the Wrath of Heaven Ex Emperor of the Jacobins & head Runner of Runaways [see British Museum Satires No. 12192], Stands indicted 1ts [sic] for the Murder of Captain Wright in the Temple at Paris 2d for the murder of the Duke Dangulem [d'Enghien] Pichegrew & Georges 3 for the Murder of Palm Hoffer &c & 4th for the murder of the 12 inhabitants of Moscow 5th for inumerable Robberies committed on all Nations in Christendom & elsewhere, 6th for Bigamy & lastly for returning from Transportation, and setting the World in an uproar.' Blücher says fiercely: "You Nap Boneparte being found Guilty of all these Crimes it is fell to my lot to pronounce Sentence of Death on You--You are to be hung by the Neck for one hour till you are Dead, Dead, Dead, & your Body to be chained to a Mill Stone & sunk in the Sea at Torbay." Napoleon says: "Oh cruel Blucher, Oh! cruel Wellington it is you that have brought me to this End. Oh Magnanimous Emperors Kings & Princes intercede for me and spare my life; and give me time to attone for all my Sins, My Son Napoleon the Second will reward you for Mercy shewn me." The sovereigns are poorly characterized. On the extreme left is Alexander, next him and on Blücher's right is the Prince Regent. On Blücher's left is Louis XVIII. Next (?) the King of Prussia, then the Emperor of Austria; next, the Pope with clasped hands, wearing his tiara. On the extreme right is (?) Ferdinand of Spain looking through an eye-glass."--British Museum online catalogue.
Alternative Title:
Europe's injuries revenged
Description:
Printmaker from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Courtrooms -- Judges -- Military uniform: Regimentals --Lawyers -- Ushers -- Constables -- Constables' staves -- Devils -- Satan -- Popes -- Trials., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Alexander--I,--Emperor of Russia,--1777-1825--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Ferdinand--I,--Emperor of Austria,--1793-1875--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Boots., Clothing & dress--England--1800-1810., and Shoe polishes.
"No. 9."--Upper left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Text above image: A Pygmy cat hunt., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"Scene within the office; an assortment of colourful figures within office, which is separated into different sections; an open fire at far end."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 82., Plate numbered in upper right, above image: Plate 11., and Title etched below image.
Publisher:
R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
London (England)--Pictorial works.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Great Britain.--Magistrates' Court (London : Bow Street), Harvey, Francis--Ownership., Hill, John, 1770-1850, printmaker., and Pugin, Augustus, 1762-1832, artist.
"George III (right), in court dress, stands majestically, his left elbow resting on a column inscribed Fortitude; his head is turned in profile to the left; Britannia, beside him, raises her spear to threaten Hadfield, who drops his pistol and is dragged off by a winged demon by means of a halter. The demon says: "Hadfield for thy diabolical attempt, thou shall meet with thy reward". A festooned curtain is inscribed (right) 'God Save the King'."--British Museum online catalogue.
Alternative Title:
Loyalty triumphant
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., and Harvey, Francis--Ownership.
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue.
Lower left corner: Vide Roderick Random, Vol. II, Chap. XXXII., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Architectural details: door frame -- Bow window -- Furniture: armchair -- Furnishings: window curtains., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Singleton, Henry, 1766-1839, artist., and Smollett, T.--(Tobias),--1721-1771.--Adventures of Roderick Random--Illustrations.
"Scene in an auction room, a sale in progress; paintings hang from walls and are displayed from an easel, a crowd gathers in room."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 32., Plate numbered in upper right, above image: Plate 6., and Title etched below image.
Publisher:
R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
London (England)--Pictorial works.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Bluck, John (Printmaker), printmaker., Christie, Manson & Woods., and Pugin, Augustus, 1762-1832, artist.
Subject (Topic):
Art auctions--England--London., Audiences--England--London., Crowds--England--London., Events--England--London., and Interiors--England--London.
A group of four academics sit at a table playing cards; a fifth stands to the right in front of an open door. A thin serving woman (left) brings in a bottle of wine and a glass of wine on a tray. A portrait of a smiling man hangs on the back wall, on either side a cloak adn hats. One little dog stands next to the servant, a second dog is on the right.
Alternative Title:
Christmas academics, playing a rubber at whist
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
Subject (Topic):
Card games. , Dogs., Eating & drinking., Servants., and Teachers.
"Another version, reversed and altered, of British Museum Satires no. 8196 (1772). A fat woman on her back has been added to the group of two fleeing men, and beside the three men standing on the bank is a fat woman, horrified at the calamity."--British Museum online catalogue. and "Skaters have fallen upon breaking ice, some lie flat; heads and legs and arms emerge in wild confusion. In the middle distance (right) two skaters, one a parson, flee headlong from the danger-spot. On the shore (left) three men stand watching the catastrophe with amusement. Farther off is a marquee within which are tiny figures seated at a table."--British Museum online catalogue, description of an earlier version.
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Publisher and date of publication from the British Museum online catalogue., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A large pig wears fashionable man's dress: coat with high collar and cravat, breeches; fore-legs in Hessian boots, hind-legs in slippers, with spectacles, a wig simulating short hair, an eyeglass hanging from the neck. Farm buildings form a background."--British Museum online catalogue.
Alternative Title:
Collared pork
Description:
Companion print to: Beef a la mode. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"An adaptation of British Museum Satires No. 10039, by Gillray, the place of George III being taken by 'Blucher', the name on a ribbon worn over his uniform. The horse (left) is a restive charger instead of a hunter standing quietly. Blücher leans towards the pack in a fierce attitude, unlike that of the King. The grip of the hand on the fox's neck is as before, and the fox with the profile head of Napoleon registering despair is closely copied. In place of six hounds there are fourteen, six with names on their collars: 'Wellington', 'Swartsenberg', 'Crown Prince' [Bernadotte], 'D. York', 'Kutusoff', 'Row' [with a fourth letter which is perhaps 'L'], Two monarchs wearing crowns gallop up from the right, on a larger scale than the tiny horsemen headed by Pitt in British Museum Satires No. 10039. In the background (right) is a flaming town."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Kutuzov, Mikhail Illarionovich,--svetleĭshiĭ kni︠a︡zʹ Smolenskiĭ,--1745-1813., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Schwarzenberg, Karl Philipp,--Fürst zu,--1771-1820., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state.
Description:
For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
"Interior of the Athenian Lyceum on Piccadilly, during a meeting of the Debating Society."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 223., Plate numbered in upper right, above image: Plate 29., and Title etched below image.
Publisher:
R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
London (England)--Pictorial works.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Pugin, Augustus, 1762-1832, artist., and Stadler, Joseph Constantine, printmaker.
A pretty, young woman (right) sleeps, head in profile to the left, leaning against the back of a chair. An elderly man leans towards her, inspecting her avidly through his quizzing glass. The figures (three-quarter length) are cut off by the side margins. Beneath the design: Female attraction is frequently the cause of this passion, as above represented in the delineation of the Old Beau, & the sleeping Lady.
Description:
Plate numbered 'No. 7' in upper right corner., Publisher's stamp 'RA' in lower right corner of design., Seventh plate in a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Title engraved above image., and Two lines of text below image: Female attraction is frequently the cause of this passion, as above represented in the delineation of the old beau & the sleeping lady.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Eyeglasses. , Leering., Older people. , and Young adults.
A hunger boy (left) holding the string of a bag over his shoulder, scratches his hair under his hat, as he looks in a window. On the otherside of the window, a grinning cook holds up a large plum pudding on a platter.
Description:
“No. 7”--Upper right corner above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Children -- Cooks -- Hunger., Three lines of text below image: Various are the ways this passion might be depicted, in this delineation the subjects chosen are simple -- a hungry boy -- and a plumb pudding., and Title etched above image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Two juxtaposed but unrelated half length figures, a man (right) and woman, with expressions of angry despair, anger prevailing in the woman's face. Beneath the design: 'A disappointed Old Maid & Bachelor, are selected as proper Subjects to represent the Passion of Despair.'"--British Museum online catalogue.
Description:
Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., Plate numbered 'No. 20' in upper right corner., Title engraved above image., and Two lines of text below image: A disappointed old maid & bachelor are selected as proper subjects to represent the passion of despair.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Ackermann, Rudolph,--1764-1834--Stamp., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Bachelors. , Despair., Older people. , and Single women.
"A pretty young maidservant stands on a doorstep (right) while a man, Irish in appearance, gazes insinuatingly into her face as he fills her bowl with brick-dust from a jar. He has an ass which stands patiently, a double sack pannier-wise across his back and a second jar or measure standing on the sack. The profile of a shrewish old woman looks through the door at the couple, who are intent on each other. A dog barks at the girl. Behind is a street, the nearer houses tall the farther ones lower and gabled. At the doorway opposite a woman appears to be giving food to a poor woman and child. A man and woman lean from the attic windows of adjacent houses to converse. A little chimney-sweep emerges from a chimney, waving his brush."--British Museum online catalogue.
Attributed to Rowlandson by Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Six lines of text in two columns on either side of title: High o'er the gaping crowd, on market day, ..., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"A man with a prodigious stomach and projecting nose and mouth stands at left in profile, opposite an elderly woman whose profile is shaped to accommodate his, having a crescent face with projecting forehead and chin, her body bent back and curved in at the waist and stomach, with bent knees."--British Museum online catalogue.
Description:
"Man is the only creature endowed with the power of laughter, is he not also the only one that deserves to be laughed at?"--Text below title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Date from alternate state. See The Lewis Walpole Library, call no. 799.09.10.02., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Doctors -- Medicine bottles -- Food: reference to beans & bacon., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Seeing a little rascally bright eyed mouse enter your chamber ...
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably one of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Three lines of text below title: Seeing a little rascally bright eyed mouse enter your chamber, which you have cursed through many a sleepless night ..., and Title etched below image.
Publisher:
1807
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Scene within the drawing school at the Royal Academy; a male life model poses while the academicians sit in a semi circle drawing, a large lamp above model directs light onto the subject; busts and other sculptures line walls of the room."--British Museum online catalogue.
Description:
Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 1, opposite page 9., Plate numbered in upper right, above image: Plate 1., and Title etched below image.
Publisher:
R. Ackermann's Repository of the Arts, 101 Strand
Subject (Geographic):
London (England)--Pictorial works.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bluck, John (Printmaker), printmaker., Harvey, Francis--Ownership., Pugin, Augustus, 1762-1832, artist., Royal Academy of Arts (Great Britain), and Somerset House (London, England)
"Napoleon lies in bed, with a fat Dutchman seated on his chest, puffing tobacco smoke at his face, and saying "Orange Boven." He grips Napoleon's neck between his legs; the two men face each other in profile, one staring up, terrified, the other looking down. Napoleon's right arm hangs down from the bed, his fist is clenched, his feet (right), with crisped toes, project from under the coverlet. The Dutchman wears a high-crowned hat, with a large (orange) cockade, and bulky breeches; his left hand is in his breeches pocket. The curtains and counterpane are patterned with eagles; the curtains hang from a circular canopy topped by a large crown and a trophy of sword, sceptre, and eagle. They are drawn aside to frame the two figures. On the fringed pelmet eagles alternate with crowns and a papal tiara, emblem of the humiliation of the Papacy. On the right stand two enormous fasces with projecting lictor's axes, the blades turned towards Napoleon. On a stool in front of the bed are the Emperor's bicorne and sword."--British Museum online catalogue.
Alternative Title:
Dutch nightmare, or, The fraternal hug returned with a Dutch squeeze and Fraternal hug returned with a Dutch squeeze
Description:
Printmaker from British Museum catalogue. and Title etched below image; letter "z" in final word "squeeze" is etched backwards.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Dated "April 2, 1801" in Grego, J. Rowlandson the caricaturist, v. 2, page 33., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Publication year from unverified data from local card catalog record., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"French soldiers, who have just landed, are being bayoneted and ridden down by English troops. They flee in terror-stricken confusion. Among the Englishmen are yokels with pitchforks. Three Frenchmen, dead or painfully dying, lie in the foreground ; beside them is a drum. The scene is a grassy slope leading to the sea, where distant ships are in action and where four French troop-carrying rafts, cf. BMSat 9160, are foundering. Tiny figures flee into the sea (right)."--British Museum online catalogue.
Alternative Title:
Frenchmen naturalized
Description:
Temporary local subject terms: Invasions: French invasion. and Titles etched below image.
Publisher:
Ackermann's Gallery, No. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Date from alternate state. See The Lewis Walpole Library, call no. 799.09.10.03., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., Temporary local subject terms: Excisemen -- Barrels -- Writing implements: tax collector's ink bottle., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"An altered version (like British Museum Satires No. 12205) of British Museum Satires No. 11057, from the original plate. ... The shield, sinister supporter, crest and motto are the same, but the dexter supporter is altered, apparently by Rowlandson, from 'The French Devil' (Talleyrand, now a supporter of Louis XVIII) to Death, a skeleton holding up an hour-glass. This has necessitated the re-drawing of the Gallic cock at his feet, but it pecks at a crucifix as before. The (printed) text is as before (allusions to Jaffa, d'Enghien, &c.) except for the addition to the title and the descriptions of the supporters: '. . . The Gallic Cock, vainly pecking the crucifix, is symbolic of the Corsican's impiety.' The description of 'The Corsican Devil' is altered to 'Satan, wearing an Iron Crown,... cutting down the Cap of Liberty, and accompanied by the Serpent and Hyaena, the attributes of the Corsican Emperor's wily and sanguinary reign'. The inscriptions (now obsolete) hanging from the mouth of the hyena are altered to: 'Cambaceres', 'Davoust', 'Augereau', 'Sebastiani', 'Vandamme', 'Savory'."--British Museum online catalogue.
Description:
Attributed to George Cruikshank in the British Museum online catalogue, registration no.: 1978,U.827., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with substantial loss of letterpress text, including publisher's and printer's statements, from bottom edge. Missing text supplied from impression in the British Museum., Six lines of letterpress text, followed by four additional columns of text, below title: ... the tyrant of France, who created himself Emperor of the French 18th May 1803 ..., and Title from letterpress text below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Enghien, Louis-Antoine-Henri de Bourbon,--duc d',--1772-1804--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Harrison & Leigh, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., and Wright, John Wesley,--1769-1805--Caricatures and cartoons.
"Eight authors, lean and elderly, dine at an oval table in a handsome book-lined room. A plump man sits at the head of the table (left), reading and gesticulating. The others drink wine, or eat dessert; one helps himself from a punch-bowl. Below the design: "People think that we often dine with Democritus, and there they are mistaken. There is not one of my fraternity, not even excepting the makers of Almanacks who is not welcome to some good table - As for my own part, there are two families where I am received with pleasure. I have two covers laid for me every day one at the house of a fat director of the farms to whom I have dedicated a romance, and the other at the house of a rich Citizen who has the desease of being thought to entertain wits ever) day at his table, luckily he is not very delicate in his choice and the city furnishes him with great plenty"."--British Museum online catalogue.
Description:
One of a group of prints that were collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Publisher from the British Museum online catalogue., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker.
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Abstract:
Falstaff is carried to bed by three men and a woman. To the left his bride arranges her cap in the mirror on a bureau. To the right a maid holds a candlestick and in her other hand a bed warmer. The large bed is covered in bed curtains; the room is decorated with two chairs and two mirrors.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Two rows with six men and women from various walks of life, comment on Roscius.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Betty, William Hen. West--(William Henry West),--1791-1874., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"The Powers of Europe toss Napoleon in a blanket. He flies into the air, legs above his head, dropping crown and sceptre, his sword also falls. He exclaims with an agonized expression: "O Misericordé." Three figures hold the front of the sheet, in back view, but with upturned profiles: in the centre is John Bull, a fat 'cit', bald-headed, his hat and wig on the ground. On his left, their hands touching, is a Dutchman smoking, and with a big orange cockade in his hat. On his right is a Spanish don, in feathered hat, ruff, cloak, slashed tunic and breeches. At the extreme ends of the sheet are (left) a Cossack, next the Dutchman, and (right) the fat King of Würtemberg. Seven men hold the farther side of the blanket (left to right): the Pope, wearing his tiara, a man wearing a fur cap with a star, inscribed 'Polar Star', identified in a contemporary hand as Poland, despite the association with Sweden (see British Museum Satires No. 10997). His neighbour is identified as Bernadotte, but resembles Francis I. The next two are identified as Russia and Austria, one is perhaps Bavaria (Russia being represented by the Cossack as England is by John Bull). Next is the hussar who commonly stands for Prussia. A man wearing cocked hat and star is identified as Hanover, but does not resemble the Duke of Cambridge or of Cumberland and is not unlike Bernadotte."--British Museum online catalogue.
Alternative Title:
Friends and foes, up he goes :
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Francis--I,--Emperor of Austria,--1768-1835., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Joseph, neatly dressed as an avocat, takes an enormous step from the rail of a desk (right) on which his right toe is poised to a wall 'Map of Spain & Portugal' on a level with his shoulders, where his left toe touches 'Madrid'. His hands are raised above his head to clutch at a mass of fringed cushions on which is the crown of 'Spain', with a sceptre. On the wall is pinned a notice: 'Notary Public Bayonne'. Four clerks sit facing each other at the desk he has left, which has double slopes, divided by the low rail from which he steps. One asks: "Why Joseph wither art thou going"; he looks down answer: "Whither - but to fill my high destiny? And like my noble Brother Sway tne Sceptre of another." The other clerks say respectively: "But proverbs tell of many Slips, Between the tankard & the lips, And really I am apt to give, The proverb credit as I live" and "He must needs go whom the Devil drives and should it cost his Neck; Ownds! what a prodigious step for a Notary's clerk"."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
R. Ackermann, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Joseph Bonaparte,--King of Spain,--1768-1844--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838.
"Napoleon, surrounded by the Powers of Europe who puff smoke at him, dances, frantic with rage and fear, upon the head of a large cask of 'Real Hollands Geneva'. The cask-head tilts under his feet, the contents splash out, and he is on the point of disappearing inside it. On the cask are the words: 'The Fly that sips Treacle is lost in the sweet' [Gay, 'Beggar's Opera']. The most prominent smoker, nearest the cask on the left, is a fat Dutchman in bulky breeches, with a big orange cockade in his small hat. He sits on a small barrel inscribed 'Dutch Herrings' and 'Crimp Cod' and leans forward and to the right, puffing upwards a cloud of smoke. In his left hand he holds up his long pipe, his right is on the handle of a jug inscribed 'Success to his Serene Highness'. Beside him are a 'Dutch Cheese' [cf. British Museum Satires No. 9412], a 'Tobacco Pouch', three closely coiled twists of tobacco, and a jug of 'Dutch Drops' [a balsam or popular nostrum, prepared with oil of turpentine, nitric ether, &c. 'O.E.D.'; see British Museum Satires No. 12118]. Almost equally prominent is an obese John Bull, a 'cit' holding a pipe and a frothing tankard of 'Brown Stout', who stands close to the cask in profile to the left, looking up with amused satisfaction, a cloud of smoke rising from his mouth. Next him and on the right, a Prussian hussar sits on a cannon, holding a pipe with a long curved stem, and turning a grotesque profile toward Napoleon. Behind John Bull is a (?) Hanoverian wearing a helmet, puffing steadily. Above them and near the upper margin are four heads: one very close to Napoleon, emerging from cloud, is perhaps a Saxon. A man wearing a high fur-bordered cap is probably a Russian, and a profile smoking a pipe with an ornate bowl may be Swedish. The man on the extreme right smoking a German pipe may represent Bavaria. On the left, standing behind the Dutchman, the bulky King of Würtemberg is conspicuous. His antique dress, with a long flowered and gold-laced waistcoat, is reminiscent of the caricatures of his courtship and marriage, see British Museum Satires No. 9014, &c. He holds a bottle of 'Wirtemberg Drops', and smokes a large curved German pipe. Above him are the heads of two men, an Austrian and a Spanish don, probably the Emperor of Austria and Ferdinand of Spain. Napoleon stands among clouds of smoke, which also form a background to the heads. He storms: "Oh you base Traitors and Deserters. Eleven Hundred Thousand Lads of Paris [cf. British Museum Satires No. 12113, &c.] shall roast every one of you alive, as soon as they can catch you!"."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Fores, S. W.--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Design in a circle. A man (three-quarter length) wearing a night-cap and holding a candle in a flat candlestick yawns cavernously, his left arm outstretched, the hand cut off by the upper margin. Cf. BMSat 9652."--British Museum online catalogue.
Description:
Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and number etched above image., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"No. 12" etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"Three strips arranged horizontally, belonging to the same set as BMSat 9488, &c. There are seven groups, five grotesque or 'Lilliputian', with large heads, the others realistic. One strip is covered by 'A Lilliputian Vauxhall' showing the entrance with ticket office, a supper-box, and the orchestra. Other scenes include: a 'Stilish Muddy', a coach hung very low, and with three footmen behind; a military band in which the cymbal-player and drummer are negroes."--British Museum online catalogue.
Alternative Title:
Grotesque borders for rooms and halls and Lillipution Vauxhall!
Description:
"No. 17."--Upper right corner. and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
'verliehrt auf der Heimreise von der Leipziger Messe alles' (reproduced Broadley, ii. 117). Napoleon runs in profile to the left, holding in both hands a pole like that of a running footman, but topped by the head of the sceptre of Charlemagne (an emblem of the Empire) inscribed 'Carolus Magnus'. His head and uniform evidently derive from Dähling's engraving of Napoleon in the uniform of the Colonel of the Chasseurs of the Guard (reproduced, Dayot, 'Napoléon', p. 205), on which British Museum Satires No. 12177 is based, but on his back is the hairy knapsack of a private (as in British Museum Satires No. 12308). Its contents fly out as he runs. On the ground are two prints of French soldiers at attention, 'Alte Garde' and 'Junge Garde'; maps fall to the ground: 'Poland', 'Rhein Bund', 'Hanstat [sic] Departement', 'Sewitszerla[nd]' [sic], 'Holland', 'Italy', which has hardly left the knapsack; two rolled maps are about to fall: 'Brabant' and 'Bheisufer' [i.e. Rheinufer or Bouches du Rhin]. He runs diagonally towards a broad river, the Rhine; on the farther side are the buildings of 'Maynz', reflected in the water. Just before him runs a hare. The original, including inscriptions, is closely followed, but the hare (cf. British Museum Satires No. 12564) has been added and a bush removed."--British Museum online catalogue. and "A copy, probably much enlarged, of a German print, der rheinische courier
Alternative Title:
Head runner of runaways, from Leipzig fair
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Monroe (not caricatured), heavily armed, carrying a long spear across his shoulder, rides, right to left, across a grassy mound, followed by a rabble of ill-armed and ragged Irishmen. In the background small figures flee from burning buildings. Beneath the title: 'Who Commanded on the 13th of June 1798 an Army of about 7000 Rebels, on the high grounds behind Lord Moira's house, near Ballynahinch was after the defeat of his Army taken prisoner the 15th Inst skulking in the fields. . . . he was tried by a Court Martial at Lisburn, where he had been a Shopkeeper) and on the Evidence of his own Adherents he was found guilty of High Treason and executed before his own door...'."--British Museum online catalogue.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"John Bull stands with a whip, jovially watching the baking of ships for France in a 'Dutch Oven' (right). A fat Dutchman, an empty pipe in his mouth, pushes into the oven on a shovel a batch of ships, saying, "Donder & Blaxan to Dis Fraternization instead of smoaking mine Pipes & sacking De Gold, Dis french Broders make me build Ships Dat Mynheer Jan Bull may have De Fun to take dem." A ragged Frenchman kneels behind him holding out another batch of ships on a tray, saying, "Sacredieu Citoyens make a Haste wit one autre Fleet, den we will shew you how to make one grande Invasion." Beside the oven (right) a French peasant, more ragged and abject, approaches with a heavy receptacle inscribed: 'Ruination, Botheration, Confiscation, Requisition, Plunderation, Limitation, Execution, Constitution, Fraternization, Naturalization, Expedition, Abolition, Cutthroatation & Damnation'. Behind the Dutchman a Spaniard supports on his head a tray of cannon, saying, "How! That Nelson wit one Arm & Eye, can take our Ships by Dozens then vat shall we do against the autres, wid two Arms and Eyes, dey will have two dozen at a Time". John Bull answers, a hand on his fat paunch, "What? you could not find that out before you stupid Dupes, but since you began the fun you shall keep on - So work away Damn ye else Jack Tar will soon be idle". Behind (left) a grinning Jack Tar capers, with a large tray of ships on his head, saying, "Push on keep moving [cf. BMSat 9010] I'll soon come for another Cargo for Old England for ever Huzza."--British Museum online catalogue.
Alternative Title:
High fun for John Bull and Republicans put to their last shift
Description:
"No. 19" etched in upper left corner. and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Riviere & Son Binding.
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Signed in image, lower left., Temporary local subject terms: Hoaxes: allusion to bottle conjurer Male costume -- Furniture: chest -- Philosopher's stone., Title etched below image., and Traces of burnished lettering in lower right corner of design.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Cagliostro, Alessandro,--conte di,--1743-1795--Caricatures and cartoons., and Harvey, Francis--Ownership.
Subject (Topic):
Alchemy., Fireplaces., Fraud., Jews,--depicted, Laboratories., Mortars & pestles., and Thermometers.
"A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him."--British Museum online catalogue.
Alternative Title:
Cries of London ; no. 8 and Hot cross buns, two a penny buns
Description:
Title etched below series title and number.
Publisher:
R. Ackermann's, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher. and Rowlandson, Thomas, 1756-1827, artist.
Subject (Topic):
Baked products., Beggars. , Children., Churches., City & town life., Clergy., Peddlers., Vegetables., and Women.
How to pass a carriage., How to ride up Hyde Park., How to stop your horse at pleasure., Symptoms of kicking., and Symptoms of tumbling.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Six designs on one plate, each individually titled below., and Title etched below images.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
"A bogus wizard stands raising his wand while a grotesque figure, in answer, snorting fire, emerges in clouds of smoke from a rectangular aperture in the floor (left), dagger in one hand, cup of 'poison' in the other. The dupe, an ugly man in old-fashioned dress, watches terror-struck, while a woman picks his pocket from behind a curtain. A magic circle, with toad, skull, &c, a cat, a book with cabalistic signs, a stuffed crocodile suspended from the ceiling, give the required atmosphere."--British Museum online catalogue.
Alternative Title:
Raising the devil
Description:
Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
One print in a series of views in Oxford and Cambridge. See Grego. and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Cambridge--Pictorial works.
Subject (Topic):
Universities and colleges--England--Cambridge--Pictorial works.
"John Bull (left), a benevolent 'cit', and a Spaniard (right), stand in front of piles of military stores. John's right hand is deep in his coat-pocket, in his left hand is a cudgel of 'Oak'. He says, smiling at the Spaniard: "My good Friend you see I have brought you Clothing for Ten thousand men Viz Cheese Shoes stockings belts and small Clothes besides Arms and Amunition, and if that wont do Ill bring you Gully and Gregson and the Devil is in it if they wont do!" The Spaniard, with his hands on his hips, and an expression of stern resolution, answers: "We thank thee Johnny for all thou hast brought, and if thou cans't bring the other two we shall be more obliged to thee." At John's feet are guineas and a bag of 'Gold'; the stores behind him are cannon-balls, packages of 'Coats', 'Shirts', 'Belts', piles of cheeses inscribed 'Stilton Cheese' [on top], 'Cheshire Cheese', 'Gloucester Cheese', 'Cambridge Cheese', 'Yorkshire Cheese', 'Leistershire Cheese', 'Cottenham Cheese', and 'Bath Cheese', 'Wiltshire Cheese', 'Cream Cheese', 'Derbyshire Cheese', partly hidden by a great pile of shoes. Beside the Spaniard are swords, pistols, a package of 'Stockings' a cask, and bayoneted muskets."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
A brewer (left) accepts a note for five thousand [pounds] from a young man in profile (right). Three lines of text below image: "This passion is represented by a philosophical brewer, who having gained a considerable prize in the lottery, receives it with the most perfect composure -- a useful lesson for those persons who are too apt to be over elated at an unexpected change of fortune."
Description:
"No. 8.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from a series of twenty without letterpress: Le Brun travested, or, Caricatures of the passions / design'd by G.M. Woodward and etch'd by T. Rowlandson. London : Pubd. 21 Jany. 1800 at R. Ackermann''s Repository of Arts, 101 Strand., and Title and plate number etched above image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Original of No. 9486A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Series title and number etched above image., Temporary local subject terms: Law: justice -- Law: lawyer -- Writing implements: inkstand and quills., and Title etched below image.
Publisher:
R. Ackerman, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
A fat elderly citizen, solidly seated, is beset by two pretty young women who offer him fruit. His wife (left) says "You must have some apricots my love." The woman on his right adds, "Just taste these grapes brother in law you never eat finer." He shouts up with angry suspicion to the latter, "Won't eat anything more I tell you. I shall be choaked. Got an eye to the estate I suppose."
Alternative Title:
Matrimonial comforts ; sketch 5
Description:
Earlier state of print described in Grego, v. 2, page 15., Earlier state, with dated imprint, of no. 9624 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Series title and number etched above image., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Fruit., Marriage., Obesity. , Spouses. , and Spouses--Caricatures and cartoons.
A sour looking wife, her face covered in carbuncles, chastises her abject-looking husband for keeping her waiting. The wife sits before a clock which reads 8:30. Behind her chair is hidden a wine glass and a wine bottle labelled "Nants". She says: "Here have I been sitting up for you these four hours without anything to comfort me Mr. Fillpot. I will not suffer it." He responds: "Don't be angry, you beauty! I have only been drinking your health with Squir Guzzle 'pon honor."
Alternative Title:
Matrimonial comforts ; sketch 2
Description:
Earlier state of print described in Grego, v. 2, page 14., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Series title and series number etched above image., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Intoxication. , Longcase clocks., Spouses. , and Spouses--Caricatures and cartoons.
Attribution to Rowlandson from description by Grego of other prints in the series., Probably part a series of views in Oxford and Cambridge. See: Grego, J. Rowlandson the caricaturist, v. 2, page 184., and Title etched below image.
Publisher:
R. Ackermann's Repository of Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and University of Oxford--Pictorial works.
Subject (Topic):
Universities and colleges--England--Oxford--Pictorial works.
Illustration to Adventures of Roderick Random., Lower left corner: Vide Roderick Random, Vol. II, Chap. XXV., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
"A bedroom scene. A fat woman in night-cap and (short) night-dress drinks from a jug taken from the wash-stand (right); the water flows in a stream over her shoulder to the floor. Within a curtained four-poster (left) an aged man is asleep, his feet projecting from under the bed-clothes towards the spectator. On the floor are his hat, shoes, and breeches on which sleeps a cat. There is a high-backed armchair (left) which is also a commode. Over the fireplace hangs a blunderbuss."--British Museum online catalogue.
Alternative Title:
Waking in the middle of the night in a state of raging thirst ...
Description:
Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below title: Waking in the middle of the night in a state of raging thirst, eagerly blundering in the dark to the washing stand and there finding the broad mouthed pitcher which you lift to your lips ..., and Title etched below image.
Publisher:
1806
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Beresford, James,--1764-1840.--Miseries of human life--Illustrations., and Harvey, Francis--Ownership.
Cupboard in the parlour in which you are making love ...
Description:
Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably one of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Title etched below image., and Two lines of text below title: A cupboard in the parlour in which you are making love, with the consquent perpetual intrusion of one prying servant after another ...
Publisher:
1806
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Beresford, James,--1764-1840.--Miseries of human life--Illustrations., and Harvey, Francis--Ownership.
"A man, hat in hand, sits on a cat, which was on a low chair beside the fire. His hostess, a lean and ugly old maid, tugs angrily at a bell-rope; another cat sits on the back of her armchair; a dog barks. An ugly (?) maid-servant of similar type enters the room. Before the fire is a round table with work-basket, &c. Against the wall hangs a bird in a cage."--British Museum online catalogue.
Alternative Title:
Squatting plump on an unsuspected cat in your chair
Description:
"Page 214"--Upper right corner., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below title: Squatting plump on an unsuspected cat in your chair., and Title etched below image.
Publisher:
R. Ackermann, Repository of the Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Beresford, James,--1764-1840.--Miseries of human life--Illustrations., and Harvey, Francis--Ownership.
"A scene on the shore. A fat woman is in the water, her skirts floating round her. A man tries to pull her up, a young woman tugs at his coat-tails, both in the water. Beside them is a boat (right) from which a man has fallen head first; a boatman clutches his foot, another uses a boat-hook; a man with a sunshade and a girl scream and gesticulate. A dog swims. Behind is the sea or a tidal estuary, with smaller figures in the background (left)."--British Museum online catalogue.
Alternative Title:
Stepping out of a boat at low water on a slippery causeway ...
Description:
One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below image: Stepping out of a boat at low water on a slippery causeway, upon a stone which slides under you and you descend in the mud up to the chin., and Title etched in bottom part of image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
"Two ladies, fashionable and pretty, stand by the door of a neo-Gothic lodge or gate-house. One addresses a gardener who tugs at his hair; two elderly men (left) walk off to the left."--British Museum online catalogue.
Alternative Title:
Necessity of sending a verbal message of the utmost consequence ...
Description:
"Page 287"--Upper right corner., Illustration to James Beresford's Miseries of human life, 1806. See no. 10815 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Text below title: The necessity of sending a verbal message of the utmost consequence, by an ass, who, you plainly perceive, will forget (or rather has already forgotten) every word you have been saying., and Title etched below image.
Publisher:
R. Ackermann, Repository of the Arts, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Beresford, James,--1764-1840.--Miseries of human life--Illustrations., and Harvey, Francis--Ownership.
