Title from item., Publication date from British Museum catalogue., 'Price six pence'--Lower left corner of plate., Twelve lines of verse in two columns below title: Old I----y [i.e., Johnny] to show a most elegant tast [sic] in improveing his gardens purloind from the Wast ..., and Temporary local subject terms: Hounslow Heath -- Kingston -- Trades: Scotch gardener -- Gardens -- Domestic service: black servant -- Whitton -- Literature: Scotch Taste in Vistas by James Bramston, 1694?-1744.
"Satire on Robert Walpole and attempts to remove him from office. Walpole, illuminated by rays, stands in a cart, at the tail of which walks Dr Conyers Middleton, drawn from right to left by six broken down horses and asses on the leader of which rides the postillion Lord Hervey, identified by his fan ("Lord Fanny") and the Seal around his neck; overhead flies a devil with a banner lettered, "The Death of M[iddleto]n in the Life of Cicero. Walpole raises his arms in surprise at a Trojan horse appearing to follow him. Argyll wearing a tartan sash and a purse of £1000 at his waist is seated onthe horse's back saying "77 Commissions baits for votes, in Parliament; a monkey swings from a tree behind him holding a ribbon lettered, "C. La. John". A trapdoor, against which rests a ladder, is open in the belly of the horse revealing the heads of two men within, a ribbon from the mouth of one is lettered, "for giveing a girl of 14", the phrase continuing around the opening, "to 4 score/in ye fleet". A head with an expression of alarm appears beneath the horse, obscured by shadow. Beside the horse stands an officer brandishing a stick and saying, "he wants, caning"; to his right, stands a group of three men and a women, one man, wearing clerical or legal bands holds up a bell, a clergyman grasps him by the hand saying, "I may sell gin again". At lower right stands the Duke of Grafton, Lord Chamberlain, holding his wand of office and saying, "My wages runs deep" (see BM Satires 2491); a small black page holds his train. In the centre, a woman on all fours has pulled up her skirts to allow elegant man with a monkey's head to kiss her backside through a short ladder; she winks and holds up the first two fingers of her right hand; the monkey-man is identified as the surgeon, Esquire Carey of Pall Mall, by a ribobon lettered, "your Taa; Pall-mal", a clyster pipe, and a hat with a label inside reading, "Carey in ye Minor". Behind Carey, appears a small bald-headed man, his wig falling off, who holds up his hands saying, "Direectors of ye Assical Print & Procession, by ye Authors of Manners" (a reference to BM Satires 2494 and to Paul Whitehead's anti-Walpole satire "Manners" published in February 1739. On the left, is a group of those in opposition to Walpole, identified by the legend beneath in which they disparage Walpole, each voices an insult including a reference to his Secret Service, to the Black Joke (a suggestive ballad) and to a Lapland witch (reputed to have the power to conjure up winds and tempests): 1. Lord Chesterfield, defecating on to the satirical print entitled "Funeral of Faction" (BM Satires 2487); 2. Lord Cobham; 3. John Myddelton; 4. William Pulteney; 5. the Duchess of Marlborough; 6. Samuel Sandys holding his nose has he looks down at Chesterfield. In the background stands the recently established Foundling Hospital with a sign above its door reading, "This House is full" and a roundel with a woman laying down a child; a sailor sits on an inn sign (with two ships) lettered "he'll inslave us" and pointing towards Walpole; he holds a tankard in his other hand."--British Museum online catalogue
Alternative Title:
Motley team of state
Description:
Title from item., Attributed to George Bickham the younger in an unverified card catalog record., Twenty four lines of text in six columns below image: 1. C-t-d. He's a musician, to his prince he plays ..., State with imprint partially burnished from plate. Cf. No. 2495 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Personifications: Discord -- The White Horse of Hanover as a Trojan Horse -- Military uniforms: officer's uniform -- Naval uniforms: sailor's uniform -- Buildings: The Foundling Hospital -- Medical implements: clyster pipe., and Watermark: Strasburg lily with initials L V G below.
Publisher:
1741 by authority, printed for G. Bickham
Subject (Name):
Argyle, John Campbell, Duke of, 1680-1743, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Cobham, Richard Temple, Viscount, 1669?-1749, Grafton, Charles Fitzroy, 2nd Duke of, 1683-1757, Carteret, John, Earl Granville, 1690-1763, Hervey, John Hervey, Baron, 1696-1743, Middleton, Conyers, 1683-1750, Bath, William Pulteney, Earl of, 1684-1764, Ombersley, Samuel Sandys, Baron of, 1695-1770, Marlborough, Charles Spencer, Duke of, 1706-1758, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on Robert Walpole and attempts to remove him from office. Walpole, illuminated by rays, stands in a cart, at the tail of which walks Dr Conyers Middleton, drawn from right to left by six broken down horses and asses on the leader of which rides the postillion Lord Hervey, identified by his fan ("Lord Fanny") and the Seal around his neck; overhead flies a devil with a banner lettered, "The Death of M[iddleto]n in the Life of Cicero. Walpole raises his arms in surprise at a Trojan horse appearing to follow him. Argyll wearing a tartan sash and a purse of £1000 at his waist is seated onthe horse's back saying "77 Commissions baits for votes, in Parliament; a monkey swings from a tree behind him holding a ribbon lettered, "C. La. John". A trapdoor, against which rests a ladder, is open in the belly of the horse revealing the heads of two men within, a ribbon from the mouth of one is lettered, "for giveing a girl of 14", the phrase continuing around the opening, "to 4 score/in ye fleet". A head with an expression of alarm appears beneath the horse, obscured by shadow. Beside the horse stands an officer brandishing a stick and saying, "he wants, caning"; to his right, stands a group of three men and a women, one man, wearing clerical or legal bands holds up a bell, a clergyman grasps him by the hand saying, "I may sell gin again". At lower right stands the Duke of Grafton, Lord Chamberlain, holding his wand of office and saying, "My wages runs deep" (see BM Satires 2491); a small black page holds his train. In the centre, a woman on all fours has pulled up her skirts to allow elegant man with a monkey's head to kiss her backside through a short ladder; she winks and holds up the first two fingers of her right hand; the monkey-man is identified as the surgeon, Esquire Carey of Pall Mall, by a ribobon lettered, "your Taa; Pall-mal", a clyster pipe, and a hat with a label inside reading, "Carey in ye Minor". Behind Carey, appears a small bald-headed man, his wig falling off, who holds up his hands saying, "Direectors of ye Assical Print & Procession, by ye Authors of Manners" (a reference to BM Satires 2494 and to Paul Whitehead's anti-Walpole satire "Manners" published in February 1739. On the left, is a group of those in opposition to Walpole, identified by the legend beneath in which they disparage Walpole, each voices an insult including a reference to his Secret Service, to the Black Joke (a suggestive ballad) and to a Lapland witch (reputed to have the power to conjure up winds and tempests): 1. Lord Chesterfield, defecating on to the satirical print entitled "Funeral of Faction" (BM Satires 2487); 2. Lord Cobham; 3. John Myddelton; 4. William Pulteney; 5. the Duchess of Marlborough; 6. Samuel Sandys holding his nose has he looks down at Chesterfield. In the background stands the recently established Foundling Hospital with a sign above its door reading, "This House is full" and a roundel with a woman laying down a child; a sailor sits on an inn sign (with two ships) lettered "he'll inslave us" and pointing towards Walpole; he holds a tankard in his other hand."--British Museum online catalogue
Alternative Title:
Motley team of state
Description:
Title from item., Attributed to George Bickham the younger in an unverified card catalog record., Twenty four lines of text in six columns below image: 1. C-t-d. He's a musician, to his prince he plays ..., State with imprint partially burnished from plate. Cf. No. 2495 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Personifications: Discord -- The White Horse of Hanover as a Trojan Horse -- Military uniforms: officer's uniform -- Naval uniforms: sailor's uniform -- Buildings: The Foundling Hospital -- Medical implements: clyster pipe., and With spine title: Caricatures anglaise 1740.
Publisher:
1741 by authority, printed for G. Bickham
Subject (Name):
Argyle, John Campbell, Duke of, 1680-1743, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Cobham, Richard Temple, Viscount, 1669?-1749, Grafton, Charles Fitzroy, 2nd Duke of, 1683-1757, Carteret, John, Earl Granville, 1690-1763, Hervey, John Hervey, Baron, 1696-1743, Middleton, Conyers, 1683-1750, Bath, William Pulteney, Earl of, 1684-1764, Ombersley, Samuel Sandys, Baron of, 1695-1770, Marlborough, Charles Spencer, Duke of, 1706-1758, and Walpole, Robert, Earl of Orford, 1676-1745
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Title from item., Publication date from British Museum catalogue., Quotation below title: He hath swallowed down riches and he shall vomit them up again ..., Temporary local subject terms: Bible: quotation from Job xx.15 -- Elections: Westminster election, 1742 -- Elections: Chippenham election, 1742 -- Medical: vominting -- Medical implements: drenching horn., Bowditch's ms. annotations on the mounting sheet., and Mounted to 32 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Compton, Spencer, Earl of Wilmington, 1673?-1743, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lee, George, Sir, 1700-1758, Ombersley, Samuel Sandys, Baron of, 1695-1770, Smalbroke, Richard, 1672-1749, Thomas, John, 1691-1766, and Walpole, Robert, Earl of Orford, 1676-1745
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., Mounted to 33 x 48 cm., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
Title from item., Publication date from British Museum online catalogue., Five stanzas of verse below title: Fortune's wheel is turning quickly round, and nothing in our court of certainty is found ..., and Temporary local subject terms: Personifications: figure of Fortune -- Interiors: Court of Request -- Architectural details: tradesmen's stalls -- Shops: bookseller -- Vehicles: fire-engine.
Publisher:
publisher not identified
Subject (Name):
Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Ombersley, Samuel Sandys, Baron of, 1695-1770, Bolingbroke, Henry St. John, Viscount, 1678-1751, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
"Satire on Robert Walpole at the time of his fall. Extended across a room is a large screen with twenty scenes described metaphorically in the text below. The scenes refer to instances of corruption and maladministration in his career: (1) three soldiers standing outside a prison referring to Walpole's alleged acceptance of a bribe in awarding two forage contracts for the army in Scotland when secretary of war in 1711 for which he was committed to the Tower; (2) a figure stretched across a screen indicating his "screening" of those involved in the South Sea Bubble; (3) a "Strumpet, called Corruption" with mitres and other symbols of office at her feet and Walpole at her side while "Pl[ace]m[e]n and Pensioners" gather around; (4) a snake-haired Fury drives men burdened with "Gin Act Dutys Taxes Debts"; (5) Walpole drives a chaise drawn by men instead of horses referring to the deeply unpopular Excise Scheme of 1733 and the Register Bill proposing the registration of seamen for defence purposes; (6) Walpole cutting in half a child representing the Sinking Fund; (7) Walpole embezzling public funds from chests in a strong room; (8) a hydra-headed Standing Army; (9) Walpole on his knees kissing the bare backside of Cardinal Fleury; (10) the "Mansion House" of the Constitution runs to ruin while (11) Walpole builds the splendid Houghton Hall for himself; (12) with the treaties of Hanover and Seville he inhibits the cause of Maria Theresa to the benefit of France and Spain; (13) "Spanish Depredeantions" of timber and cattle apparently in the Caribbean; (14) the export of "Wool to France"; (15) "Negotiations" with France and Spain in which Walpole frivolously blows bubbles, giving up all demands; (16) the Convention of the Pardo of 1738 which was condemned as making concessions to Spain; (17) the under-resourced War of Jenkins' Ear against Spain; (18) the "Spithead Expedition" of 1740 when the fleet was prevented from leaving port, allegedly by contrary orders rather than by unfavourable winds; (19) "His Flight", i.e. his resignation in February 1742, shown as a colossus cut in two and falling to earth while Walpole throws gold dust in the eyes of pursuers; (20) Walpole's "Trial", then in progress, before a committee of Parliament investigating aspects of his record in office shown here as resulting in his execution and the exposure of his severed head in the manner of a traitor. On either side of the screen large windows reveal a night sky in which, seen on the left, three men fly on a broomstick towards the moon; on the right, four others identify one of them as Walpole, one exclaiming "It must be the Comet", his neighbour, holding a telescope, "No! by Jove, tis Robin Goodfellow from R[i]chm[on]d", the third, "I wish the Telescope was a Gun". The Devil, smiling, peers from behind the screen muttering, "Hah! I shall have business here again." as he observes Walpole advising the king and his supporters, all wearing sashes. The king, sitting by a table on which burn two candles, asks, "What is to be done", to which Walpole replies, "Mix and divide them"; a gentleman responds, "tis good advice", another whose pockets are bulging, says, "I can keep up my Britches no longer"; another remarks, "this was an unlucky Change", to which a bishop replies, ""Yes - but I can change too". the Duke of Argyll and another gentleman approach from the left, the latter asks, "What think you?" to which Argyll replies, "I'll throw up tomorrow", referring to his impending resignation.Engraved inscriptions and title, and with letterpress text below in four columns."--British Museum online catalogue
Alternative Title:
Relapse
Description:
Title from item., 'Price 6 pence'--Lower right corner of plate., Letterpress broadside with etching at top of sheet (plate mark 21 x 35 cm). Letterpress overlaps the lower plate line., Four columns of text entitled "Explanation of the screen": 1. He is sent to gaol for selling oats and hay out of his Lady's stables. Getting at liberty again, he transforms himself ..., Cf. No. 2559 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 48 cm., and Watermark.
Publisher:
Publish'd April 12, 1742, by J. Huggonson, in Sword-and-Buckler Court, on Ludgate Hill
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Fleury, André Hercule de, 1653-1743, and Argyle, John Campbell, Duke of, 1680-1743
Title from item., Publication date from British Museum online catalogue., Five stanzas of verse below title: Fortune's wheel is turning quickly round, and nothing in our court of certainty is found ..., Temporary local subject terms: Personifications: figure of Fortune -- Interiors: Court of Request -- Architectural details: tradesmen's stalls -- Shops: bookseller -- Vehicles: fire-engine., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Ombersley, Samuel Sandys, Baron of, 1695-1770, Bolingbroke, Henry St. John, Viscount, 1678-1751, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Walpole, Robert, Earl of Orford, 1676-1745
