"The Prince of Wales, Mrs. Fitzherbert (three quarter length figures), and Fox are seated at a rectangular table playing cards. Fox, who is full face, sits behind the table between the Prince (left) and his partner (right). He has taken three tricks, and holds one card above his head, about to play it, looking fixedly at Mrs. Fitzherbert. His other hand is under the table. His opponents hold two cards, and have taken no tricks. The profiles of the Prince and his partner are blank, except for the eyelashes of the concealed eye of each. Fox's features, especially his eyes, are marked and swarthy. Above his head, and between two pilasters which decorate the wall, is a picture of a fox running off with a goose, while a bystander lashes at him with a whip; in the background is a windmill."--British Museum online catalogue and The picture of a fox running off with a goose, while a bystander lashes at him with a whip amplifies the subject; the title is a reference to the song "Black Jack.".
Description:
Title etched below image., Sheet trimmed within plate mark., Publisher's statement following imprint: Where may be seen the completest collection of caricatures &c. in the kingdom. Admittance one shilling., and Watermark.
Publisher:
Pub. Oct. 24, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806
Title etched below image., Eight lines of verse in two columns on sides of title: When he came to the Court, oh, what giggle and sport ..., Temporary local subject terms: Costume: Turkish costume -- Plenipotentiaries -- Eye-glasses -- Court -- Turks -- Alllusion to Barbary Coast -- Wands: Lord Chamberlain's wand -- Naval uniforms: admiral's uniform -- Ministers: Turkish minister., and Matted to 41 x 56 cm.
Publisher:
Pub. Janry 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fitzherbert, Maria Anne, 1756-1837, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Salisbury, James Cecil, Marquess of, 1748-1823
"The reduction of the Prince of Wales's establishment at Carlton House is represented as the auction scene in 'The School for Scandal' (iv. 1). 'Lot 1', a portrait of the King and Queen, as a farmer and his wife, a copy of BMSat 6934 reversed, is being held up for sale by (?) Sheridan. The Prince, as Charles Surface, stands in the middle of the room, legs apart, his cane raised above his head, right hand in his breeches-pocket, saying, "Careless, Knock down the Farmer". George Hanger as Careless stands in a high-backed arm-chair (right), his hammer raised above his head, saying, "Going for no more than One Crown". Weltje, a stout man, stands beside the rostrum, his arms folded, looking down at a pile of plate at his feet inscribed 'Lot 6'. On the left stand three men: the bidder, pencil and note-book in his hand, saying, "Five shillings for that Lot", and two military officers, one stout, the other slim and foppish, looking through an eye-glass at the picture. 'Lot 2' and 'Lot 3' are pictures still on the wall, Three quarter length portraits of Mrs. Fitzherbert, her hands in a muff, and a lady wearing a large feathered hat, perhaps the Duchess of Devonshire, cf. BMSat 6961, &c. 'Lot 5' is a saddle on the floor beside a pair of top-boots. Through an open door (left) appears the corner of a building inscribed 'Tatersal's' (where the Prince's stud was sold) and a high phaeton which is 'Lot 1800' (see BMSats 6970, 6980)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark with loss of imprint statement. Imprint statement from British Museum catalogue., Temporary local subject terms: Auctions -- Contents of Carleton House -- Pictures amplify subject -- Tatersal's -- Prince of Wales' debts -- Richard Brinsley Sheridan's School for scandal., and On verso in pencil: George Towneley Stubbs?
Publisher:
Published July 18, 1786, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fitzherbert, Maria Anne, 1756-1837, and Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824
P- and his reduced household retiring for the summer season and Prince and his reduced household retiring for the summer season
Description:
Title from item., Sheet trimmed to plate mark on top edge., Attribution by British Museum catalogue., Temporary local subject terms: Cradle -- Warming pan -- Gridiron -- Wine raisan -- Hangercoach -- Food -- Coach and horses -- Bellows., and C Patch watermark in center of sheet.
Publisher:
Pub'd as the act directs, for the proprietor, by J. Carter, Oxford Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Weltje, Louis, 1745-1810, Hanger, George, 1751?-1824, and Fox, Charles James, 1749-1806
Mrs. Fitzherbert (left) and the Prince of Wales (right), their arms round each other's shoulders, leap over a broom-stick (see BMSat 6929), inscribed 'Pro Salute Animæ', held out by Weltje who kneels (right) in profile. With his right arm he pushes the Prince forward. George Hanger (left) kneels facing him, he is helping Mrs. Fitzherbert to leap the broom-stick. She is also pushed forward by Weltje, who stands behind Hanger. The Prince is stout with a double chin, unusual in prints of this date. On the wall are two half length portraits, their heads turned away from the group with the broom-stick: Mrs. Robinson (Perdita) in profile to the left, a free copy of Reynolds's portrait now in the Wallace Collection, and (?) the Duchess of Devonshire (right) in a large feathered hat, perhaps deriving from Gainsborough's famous whole length portrait. Both frames are decorated with the ostrich plumes of the Prince of Wales--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Figures identified on print as: M.A. Taylor, G. Hanger, Mrs. Fitzherbert, P. Wales, Weltjce., Temporary local subject terms: Morganatic marriages -- Pictures amplify subject -- Emblem: Ostrich feathers for Prince of Wales -- Motto on stick: Pro salute animae., Watermark in center of sheet., Stamp on verso: British Museum 1868., and Another stamp on verso: "British Museum Duplicate" with "CD" written in center of stamp.
Publisher:
Publish'd March 25, 1786, by I. Mills, Strand
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, and Taylor, Michael Angelo, 1757-1834
"The Duke of York (left) and the Prince of Wales (right) stand one on each side of a church door, each holding out a collecting-plate, and each saying, "Pray remember the poor Charity Children of St Jams parish". Behind, a crowd of men leave the Church, Pitt holding out a plate to them, saying, "What is £130,000 pr Ann when you consider the price of provisions & other things pray remember." Three labels rise from the heads of the reluctant congregation (M.P.s): "I have disinherited my own Son for contracting Debts at Brothels & gaming Tables; At the last Charity Sermon both his Father & he promis'd. that he shd not become chargeable to the parish again"; "This Begging is made a Trade of". The tiny Duchess of York, also holding a plate, stands with her left hand under the Duke's arm, saying, "I was born in a strange Land of honest Parents, but their characters are neither here nor there pray remember". The Princess of Wales, three ostrich plumes in her hair, stands with her plate behind the Prince's back, looking at him reproachfully over her right shoulder and saying, "I came here naked & he hath half cover'd me pray remember". On the extreme right stands the stout Mrs. Fitzherbert in profile to the left, clutching papers inscribed '6000 Pr Ann' (see BMSat 8485); she says: "It's always good to have something in hand." The Duke of Clarence, wearing striped sailor's trousers and a cocked hat, stands on the extreme left with an infant (one of the Fitzclarences) in his arms; he holds a paper (or collecting-box): 'Mrs Jordans Night'. The infant holds a paper: 'For the Benefit of Mrs Jordan - a new Way to pay Old Debts the part of Sr Giles Overreach by Mr George, being his second Appearance in that Character.' (Massinger's comedy, revived several times in the eighteenth century.) The Duke looks down disconsolately as if aware that he would have no share in the collection but would be forced to rely on his mistress's earnings. In the background the King and Queen are seated on one horse as in BMSat 6918, a sign-post pointing 'To Windsor'. The King says: "I never interfere in Parish Business they must provide for their own poor." The Queen says: "Charity begins at home Love who knows what we may all come to." (Cf. BMSat 7836.) 19 June [1795]."--British Museum online catalogue
Alternative Title:
Mock charity sermon to a dissenting congregation
Description:
Title etched below image., Watermark., and Mounted to 34 x 42 cm.
Publisher:
Pubd. May 25, 1795, by J. Aitken, Castle Street, Leiceter [sic] Square
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, William IV, King of Great Britain, 1765-1837, Fitzherbert, Maria Anne, 1756-1837, and Jordan, Dorothy, 1761-1816
"The Prince of Wales reclines on a sofa, half-sitting, half-lying, and leaning against Mrs. Fitzherbert. He is intent on a circular box or 'bandelure' at the end of a string which he holds round the second finger of his raised right hand, playing with the toy revived in the twentieth century as Yo-yo. Sheridan leans over the back of the sofa, embracing Mrs. Fitzherbert and thrusting his hand inside her decolletage. She puts her left hand on Sheridan's cheek, her right arm is round the Prince. The expressions of all three excellently indicate their preoccupations. On the left a fire blazes in the grate; above it is a decorative panel of a horse-race. On the shelf above is a bust of 'Claudius Rom: Imp:', a dice-box and dice, and the figure of an infant Bacchus, astride a cask and holding up a glass. On the wall behind Sheridan's head is a picture of 'Joseph & Potiphers Wife'. Behind him and on the extreme right is an open door showing a staircase. The Prince is stouter than in earlier prints; he wears his star, but his wrinkled stockings and slippers, like his pose, suggest indolence and domesticity. Mrs. Fitzherbert wears a tiara inscribed 'Ich dien', with three ostrich feathers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Four lines of quoted verse on each side of title: "Thus sits the dupe, content! "Pleases himself with toys, thinks Heav'n secure ..., Sheet trimmed to plate mark on top edge and sides., and Temporary local subject terms: Busts: Claudius, emperor of Rome, 10 B.C.-54 A.D. -- Images amplifying subject: Bacchus as an infant -- Images amplifying subject: depiction of horse race on mantelpiece -- Pictures amplifying subject: Joseph and Potiphar's wife -- Toys: bandalore (yo-yo) -- Gambling: dice and dice-box -- Interiors: sitting rooms -- Furniture: sofas -- Fireplaces -- Morganatic marriages: George IV to Mrs. Fitzherbert -- Allusion to Bible: Genesis, 39.7-12 -- Emblems: frivolity (bandalore) -- Prince of Wales's feathers -- Mottoes: Prince of Wales's motto -- Literature: quotation from Sir Richard Blackmore.
Publisher:
Pubd. Feby. 28th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Sheridan, Richard Brinsley, 1751-1816
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Mrs. Dawkins, fl. 1788 as Gloc -- Miss Pigott, fl. 1788 as Glum -- Regency crisis., and Mounted to 28 x 38 cm.
Publisher:
Pub Nov 16 1788 by SW Fores No. 3 Piccadilly
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806, George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806
One of many satires on the morganatic marriage of George IV and Mrs. Fitzherbert. on the left Mrs. Fitzherbert as Dido sits on a funeral pyre made up of phallic-shaped logs and watches the Prince of Wales sail away in a small boat whose flag is inscribed with the word 'Windsor' [Castle]. The wind which fills the ragged sail of the boat appears to be produced by a blast from the mouths of Dundas and Pitt, whose profile heads are on the extreme left. It is directed at Dido's head, and has blown off a royal crown, an orb and sceptre, and a coronet decorated with the Prince of Wales's feathers. With a tragic gesture she holds out in her right hand a mutilated crucifix. Her breast is bare and her girdle of 'Chastity' is broken. At her feet lie emblems of Popery: a sharp-toothed harrow inscribed 'For the conversion of Heretics', shackles, a pair of birch-rods, an axe, a scourge, and a rosary and crucifix. The pyre seems to be made of money-bags. The boat is the 'Honor'; the Prince is seated between Fox, who holds the tiller, and Burke, who holds the sail; his arms are folded and he looks over his shoulder at Fox, saying, "I never saw her in my Life". Fox echoes "No, never in all his Life, Damme"; Burke, wearing a Jesuit's biretta, says "Never", and North, who sits beside him, apparently asleep, says "No, never". After the title is engraved: 'Sic transit gloria Reginae' (pardoy of "Sic transit gloria mundi"). See British Museum online catalogue
Description:
Title etched below image., Attributed to Gillray in the British Museum catalogue., Sheet trimmed within plate mark., and 1 print : etching with stipple, hand-colored, on laid paper ; sheet 274 x 371 mm.
Publisher:
Pubd. May 21st, 1787, by S.W. Fores, Piccadilly, London
Subject (Name):
Virgil., George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, and Melville, Henry Dundas, Viscount, 1742-1811
A reduced copy probably from a book and resembling the folding plates to the 'Hibernian Magazine'. The groups are arranged from left to right as in British Museum satire no. 7301, but each figure is reversed and the groups are in two rows, one above the other
Alternative Title:
Picture of the times
Description:
Title etched below image., Place of publication based earlier state. See British Museum catalogue., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark at top.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, William IV, King of Great Britain, 1765-1837, Fitzherbert, Maria Anne, 1756-1837, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Hastings, Warren, 1732-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Pigot, Hugh, 1721?-1792, Farren, Elizabeth, 1762-1829, Smith Stanley, Edward, 1752-1834, Greville, Charles, 1762-1832, Billington, Elizabeth, 1765-1818, and Archer, Sarah West, Lady, 1741-1801
"A cavalcade of ladies and gentlemen on horseback riding close together, the legs of the horses being cut off by the lower margin of the print. Beneath the title is etched: 'The World - and all the great "which it inherit" - was there - Equestrian motion, universal - we saw all - mark'd all! - the Duelist with one Curl, & the Fraternal, one degree higher, down to the intelligencers of the Low-Pnnts (who cast their eyes around, that witness'd huge affliction & dismay); all was splendid - who (& what dignity but contained in that monosyllable?) not present? - Becky - was there!! - attraction spontaneous! - Old Quiz, cast a single glance! - "O the days when I was young! - one pang arose! - we view'd the field - captivating - beautiful - most beautiful! - but - Bunbury - where was Harry Bunbury? - we return'd - as (craving appetites of Cheapside satisfied) cent. pr cent. Citz: - Mans-mercers & Womens-mercers, were arriving, to inhale the clouded Air - Heat - Dust - Ibid - Ibidem. -" Topham rides (left to right) in the foreground, enormously fat, looking through a quizzing-glass. Next him is a stout lady probably intended for 'Becky' (Mrs. Wells) though resembling Mrs. Fitzherbert; she wears a hat with a floating veil. Queensberry (left) rides behind her, holding up a bunch of reins in his right hand. The other persons mentioned, the Duke of York (the duellist, see BMSat7531, &c.) and the Prince, are not depicted, unless a very stiff and erect officer (right) is intended for the Duke. The shoulders of the ultra-fashionable Topham are sprinkled with powder, cf. BMSat 8190."--British Museum online catalogue
Alternative Title:
Both hemispheres of the world in a sweat
Description:
Title etched below image., Printmaker from British Museum catalogue., "Price 1 sh./6.", Sheet trimmed within plate mark., Temporary local subject terms: Satire on newspapers -- Newspapers: World, or Fashionable Intelligencer -- Horsemanship -- Cavalcades -- 'Cits' -- Hyde Park -- Costume: riding habits -- Allusion to the Prince of Wales -- Allusion to the Duke of York -- Allusion to Henry William Bunbury, 1750-1811 -- Wells?, Mary (Davies), fl. 1781-1812., and Watermark: Armorial shield with crown above and monogram SL below.
Publisher:
Pubd. June 1st, 1789, by J. Aitken, Castle Street, Leicester Fields
Subject (Name):
Topham, Edward, 1751-1820, Fitzherbert, Maria Anne, 1756-1837, and Queensberry, William Douglas, Duke of, 1725-1810
"John Bull's head and shoulders emerge from a gigantic coffee-mill. He is being ground by Pitt into guineas which pour from the spout of the machine into the inverted coronet of the Prince of Wales, held out by the Prince (left). John Bull, his hands clasped, shrieks "Murder! Murder!" Pitt (right), both hands on the handle, is working hard, stripped to his shirt. His coat lies across an enormous heap of guineas on which he rests his left knee. He says: "God save great George our Ki . . ." Behind him, and in the upper right corner of the design, is the crown, the centre of a sun whose rays extend behind Pitt's head, with the words: "Grind away! grind away grind away Billy! never mind his bawling! grind away." Other words from the crown are directed towards the victim: "What! - What! - what! Murder hay? why, you poor Stupe, is it not for the good of your Country? hay? hay". Between Pitt and the post of the mill Dundas and Burke are grovelling for guineas: Burke, frowning, uses both hands; Dundas, who wears a plaid, fills his Scots cap. Behind the post Loughborough grovels, his elongated judge's wig turned in back view (cf. BMSat 6796). The Prince (right) wearing a Garter ribbon, with the letters 'G.P' on the jewel, kneels on one knee, his head turned in back view; he points out his harvest of coins to a row of creditors. These stand in a row on the left: a jockey, probably Chifney (given a pension by the Prince, see BMSat 7918), holds out a paper: 'Debts of Honor'. Next, a bearded Jew holds out a paper headed 'Money Lent at £500 pr Cent'. Next is Mrs. Fitzherbert (caricatured) and another woman (? Mrs. Crouch); others are indicated. Behind this group is part of the colonnade and façade of Carlton House."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Temporary local subject terms: Coffee-mills -- Taxation -- Debts: Prince of Wales's debts -- Buildings: Carlton House -- Creditors -- Jews -- Pensions: pension for Samuel Chifney, the jockey -- George III as sun -- Crowns -- Emblems: Prince of Wales's feathers., and Mounted to 34 x 48 cm.
Publisher:
Pubd. June 1st, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Fitzherbert, Maria Anne, 1756-1837
"A lady stands on a mound in profile to the left; a young military officer (left) fires a cannon from an embrasure, while another fires a trench-mortar at her from behind. Her dress caricatures the fashion for a very projecting breast, and a large protuberance at the back of the petticoats. She wears a hat with an enormous brim, her hands are in a large fur mutt. She resembles Mrs. Fitzherbert. At the foot of the mound a Cupid uses his arrow to undermine the ground on which she stands. Beneath the title is engraved: 'In vain Before the Fair one Arms, With Breastworks high her panting charms, In vain Behind yon Mount is plac'd, Which Wits may say is Bum proof cas'd, Ifparts More Weak to guard she fails, Where artful Love by Mine assails. Tho' Fox's Brush as Muff may warm And snug conceal what all must charm, Guard well that Pass: there lies the Proof Jove! dearly lov'd a well Thatch'd Roof.'"--British Museum online catalogue
Alternative Title:
Siege of Fort Phyllis
Description:
Title etched below image. and Temporary local subject terms: Ladies' costumes -- Hat -- Muff -- Derrières -- Bosoms -- Military uniforms -- Fortification -- Cannon
Publisher:
Pub'd 16 May, 1786, by Geo. Townley Stubbs Peters Court St. Martins Lane
Title from item., Printmaker from British Museum catalogue., Publisher's advertisement following imprint: ... who has just fitted up his exhibition in an entire novel stile [sic], admittance one shillg. NB. folios of caracatures [sic] lent., Sheet trimmed to plate mark., and Temporary local subject terms: Morganatic marriages: George IV to Mrs. Fitzherbert, Dec. 15, 1785 -- Deeds: George IV to Mrs. Fitzherbert -- Bible: I, Kings, 11, 3, altered quotation -- Pictures amplifying subject: King Solomon.
Publisher:
Pub. August 26 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Jersey, Frances Villiers, Countess of, 1753-1821
"The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed 'Restri[ctions]'), He sings "How happy could I be with either." Mrs. Fitzherbert, a long rosary dangling from her waist, says: "The Benediction of His Holiness light on the Defender of Our Faith." Lady Hertford, sultana-like in a jewelled turban, says: "You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!" Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer's gown, and holding a brief-bag, says: "The Greys won't move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work." Eldon, in a huge wig, holds the Purse of the Great Seal; he says: "We must hire Jobs for the Night Work but we are Pro' Rogued." McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: "These Garters & Ribbonds are all returned." On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing 'To the Kings Bench'. This is 'George & his Hanger On, takeing a ride together to a Lodging in Surry'. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of 'Old Sherry'."--British Museum online catalogue
Alternative Title:
Polly & Lucy taking off the restrictions, Polly and Lucy takeing off the restrictions, and Polly and Lucy taking off the restrictions
Description:
Title etched below image. and Watermark: J. Whatman.
Publisher:
Published March 1812 by J. Jonhston, 98 Cheapside
Subject (Name):
Gay, John, 1685-1732., George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Fitzherbert, Maria Anne, 1756-1837, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, McMahon, John, approximately 1754-1817, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845., Whitbread, Samuel, 1764-1815., and Dionysus (Greek deity),
Subject (Topic):
Harlequin (Fictitious character), Military uniforms, British, Shackles, Religious articles, Turbans, Wigs, Bags, and Pictures
"The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
Alternative Title:
Wonderful effects of a proclamation
Description:
Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
Publisher:
Pubd. by Paddy Whack, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
Subject (Topic):
Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
Title from item., Printmaker suggested in British Museum catalogue., Sheet trimmed within plate mark., Statement following imprint: ... of whom may be had the new and much admired prints of A trip to Brighton, The jovial crew, or merry beggears, The sudden squall, &c, &c., Temporary local subject terms: Vehicles: Coach and four -- Bellow -- Prince's debts -- Personification: Hope -- Anchor with Prince of Wales' motto: Ich Dien -- Hare -- Flowers, and Mounted to 28 x 42 cm.
Publisher:
Pub'd as the act directs for the proprietor, by E. Macklew, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Weltje, Louis, 1745-1810
"Notorious rakes and gamblers ride or run furiously towards rays descending from a sun in the upper left corner of the design inscribed 'Chance'; its centre, a segment of which is visible, is composed of the letters on an 'E.O.' (roulette) table (cf. British Museum Satires No. 5928). The foremost pair are the Duke of Clarence and the Prince of Wales; the Duke, slightly ahead, wears a chamber-pot on his head marked with an anchor (cf. British Museum Satires No. 7909) and sits behind Mrs. Jordan, who cries, "Push away! that's your sort!" He cries, "Straight Sailing! that's your sort!" Both the horses have human heads; that of the Duke says, "I'm the Sort for Leading; that of the Prince is Fox." The Prince's hat with feathers and the motto 'Ich dien' flies from his head, two women sit behind him; the one holding his waist (? Mrs. Crouch) says, "No Jealous Fitz - that's your sort!" The other, seated behind her, holds the end of the Prince's shirt, she has a large fox's brush and is probably Mrs. Armistead; she says, "Well done Charley! That's your sort!" The Prince says, "I'm the sort for a Widow - she's done over!" Mrs. Fitzherbert has fallen from the horse into a stream and holds out her arms towards the Prince. From the water emerges a post inscribed 'Styx', a bridge or culvert beside it is 'Hazard'. Behind this group the Duke of York runs forward, wearing a hat made of playing-cards surmounted by a teetotum inscribed 'ABC....' In his right hand he holds out a dice-box inscribed 'Oat - ' shaking from it two dice inscribed 'la' and 'nds' (he had recently bought Oatlands); in his left is a tennis racquet. He wears regimentals; the ribbon across his shoulder is formed of playing-cards; at his back is a knapsack full of 'Tennis Balls' (cf. British Museum Satires No. 7903) which resemble guineas. He says, "I'm the sort! for running out!" For his gaming see British Museum Satires No. 7301 (5), &c. Just behind him ride three bloods with cropped hair, wearing the high hats, long breeches, and coats with shawl collars hanging away from the neck which such young men affected (see British Museum Satires No. 8040, &c). The one nearest the spectator rides a horse with a bandage over his eyes inscribed 'Lottery Hack'; he looks up, regardless of the fact that he is riding into a pit, and points with his long whip to a castle resting on clouds inscribed 'Illegal Insurance' (cf. British Museum Satires No. 7750); he says, "That's your sort - I'm in for it - I shall do the deep Ones!" The other two shout, "Go it! Dam'me! that 's your sort!" and "Dam Trade! Life and a Racer! that 's your sort." Behind this group is a couple on a galloping horse: a stout jovial woman wearing breeches rides astride, waving her whip, behind her sits an anxious-looking elderly citizen, wearing petticoats. He says, "We're the wrong side of Temple Bar, my dear, we are only the sort to be laughed at"; she answers, "Peace good Mr Jerry Candle-wick, its life! and Life and the Breeches! thats the sort." By their horse's head is a signpost inscribed 'Rotten Row', with a pointing hand inscribed 'Hoyle' (on Whist), the vertical post inscribed 'Crim. con.' The last rider is a stout woman, probably Mrs. Hobart (noted for her faro-table, see British Museum Satires No. 8167), on a rocking-horse inscribed 'Faro'; she carries on her arm a wicker cage containing pigeons and says, "Unplucked Pidgeons! that's the sort." In the foreground on the extreme right an elderly Jew sits on a bank watching the mad race with a smile; he says, "50 per Cent! dats de sort! if dey ride to de Devil, dey leave coot Security behind, Ah! Security! dot's de sort." Near him is a card house; at his feet is the Knave of Clubs. In the front of the design and near the Duke of York are other playing cards (left to right): four aces, the two of diamonds, King of Hearts, and (?) Queen of Diamonds, the last two having some resemblance to George III and Queen Charlotte."--British Museum online catalogue
Description:
Title from text in image., Printmaker from British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. by W. Dent
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, George IV, King of Great Britain, 1762-1830, Jordan, Dorothy, 1761-1816, Fox, Charles James, 1749-1806, Fox, Elizabeth, 1750-1842, Fitzherbert, Maria Anne, 1756-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Crouch, Anna Maria, 1763-1805
Subject (Topic):
Gambling, Social life and customs, Horses, and Playing cards
"design in two strips, one headed the intention, the other (below), the fact. Each strip is divided into three compartments of unequal width. [1] Two councils sit, each round a circular table. On the left is 'An Infernal Council'. The Devil, irradiated, presides at a meeting of six demons. He says "Such is the Plan Now choose your Parts". The three on his right hand say (right to left): "Blasphemy Atheism & P-----st-----y [Priestley] are mine. I will assist B--r--g--n [? Barrington] F-----zh------t [Fitzherbert] & the Catholicks in their Bigotry & Ambition. And I Pr------e [Price] & such as are full of Disaffection & Treason". The three on the Devil's left say (right to left): "I will patronize L--ns--y [Lindsey] Speciousness Low Cunning. &c. I will help K-----p------s [Kippis] &c. to furnish the press with suitable Trash. And I will be at hand to assist whenever I am Wanted." The other conclave is 'A Nocturnal Council'. A monk and six ministers sit round a table. A minister resembling Price says, "A Republick is the best Form of Government". On his left is the monk, who says, "All religious Establishment is absurd, (aside) except Popery". On Price's right, and in profile to the left, is Priestley, saying, "And thus we will lay Gun Powder Grain by Grain till we blow up the Constitution". Lindsey, on the extreme right, says, "We must become Bad Citizens before they will grant us the Privileges of good Ones". The other three, who are in back view, say respectively: "We must propose a Test to the Candidates; Meanwhile we must send a Deputation to other Ministers"; and "We must promise Fox our Support at the next general Election". Priestley wrote that he was assisted by friends of the hierarchy in the 'disposition of grains of gunpowder' which would certainly blow it up. 'Letters to the rightev. Edward Burn'. This was quoted by Burke in the debate. 'Parl. Hist.', xxviii. 438. (Cf. BMSat 7632, &c.) But it appears that he quoted from a printed extract circulated with misleading omissions. See 'An Arranged Catalogue of the several Publications . . .' 1790, p. 30 n. (B.M.L. 126, i. g.). The dissenters had agreed to resolutions declaring that at the (pending) general election they would support only men 'Well affected to the cause of civil and religious liberty'. This Pitt denounced as the imposition of a test. 'Parl. Hist.', xxviii. 408-9; see also p. 444. See BMSat 7630. [2] The next design is 'The Deputation Rejected'. A man (left), hat in hand, approaches four ministers wearing bands and three-cornered hats, who turn away from him; their spokesman says: "We plainly perceive that Popery and Infidelity will be the Result of your Measures - therefore - we will not join you." They are probably Methodists. [3] The third design is 'A Future K-----g & Q------n at their Devotion'. A king and queen wearing crowns and royal robes kneel at a console table supported by a harpy, which serves as altar (right). On it is a crucifix, above it hangs a half length portrait of a Pope. Burke in monastic robes (cf. BMSat 6026) enters through a door (left), saying, "Lord now lettest thou thy Servant depart in peace . . for mine Eyes have seen thy Salvation." The king and queen do not appear to be portraits (though probably intended for the Prince of Wales and Mrs. Fitzherbert). Burke, who had absented himself from the House during the debates on repeal of 1787 and 1788, voted against the motion. [4] In the lower strip the first design is 'The Mortifying Report'. Fox (left) holds out to four men standing behind a circular table a large placard inscribed: 'For the Repeal 105 Against It 294 Majority 189' (they are the chief members of the 'Nocturnal Council' above): the monk says "It is our determination never to Rest until we enjoy Civil and Military Power". Stanhope says "I am now resolved to try it in our House". Price, raising his fist, says, "Nothing will be done for us 'till some great Calamity again Alarm our fears, or some great abuse of Power provoke our Resentment". Priestley says: "The Conversion of S--l--s D------n to Atheism was but an Introduction to what I intended to do on ye Repeal". For Silas Deane see BMSats 6288, 6303. He died suddenly, 23 Sept. 1789, 'having ruined himself and family, and deranged France and America with the charming words, Liberty, Constitution and Rights'. 'Gent. Mag.' 1789, p. 867. [5] 'The Death bed Avowal of S--l--s D------e*' A man lies in a large four-post bed; a parson wearing a surplice stands behind it, his hands raised in horror, saying, "No God! who taught you that Doctrine?" He answers "Dr P------s-----y. *The Particulars of this awful & interesting Conversion to Atheism may be seen in a Pamphlet entitled Theodosius, & sold with or without the Print" (marginal note). Deane died on board the Boston packet in the Downs, having intended to visit Canada. In 'Theodosius' is related a supposed conversation and dying confession of Silas Deane. This was quoted in the 'Gent. Mag.' 1790, p. 383 (May) with a contradiction by Priestley, ibid., pp. 384, 385, who stated that he had never had any conversation on religion with Deane. For Priestley and death cf. BMSats 5644, 7892. [6] The last scene is 'FINIS'. A swarm of flying demons with webbed wings drag, by threads attached to their noses, the seven members of the 'Nocturnal Council' towards the flames of Hell (right). One says to Price, the foremost, "Come along most learned Doctor I have always led you by the Nose - so dont mind it now". Another says, "I fear they will set H------l in an Uproar". Three others say respectively: "How the Dogs Quarrel, they'll get to fighting soon"; "Here comes the precious Set, & a fine parcel of Divinity it is"; and "They are such seditious Rascals, they will strive to overturn Our Government". On the extreme left a seventh demon kicks the rearmost (Priestley), saying, "Get along Joey 'tis too late to recant Now besides we love you too well to part with you". Priestley says "O! S-----s D------n! [Silas Deane] Oh Mercy! Pardon! I recant I recant". The next two turn round furiously towards Priestley, saying, "Dog! I'll ease my Tortures by tormenting You", and, "Blasphemous Villain! Your Curs'd Sophistry brought me here." The next two say "Oh Conscience! Horror! - Miserable Wretch!" and "Oh H-----l! H------l! hide me from myself". The monk says to Price, who is the leader of the group, "Curse your Republican Cant - you have ruined the Cause". Price answers, "No - tis admitting ye Whore of Babilon into ye Confediracy have undone us.""--British Museum online catalogue
Description:
Title from caption below images., Publisher's advertisement following imprint: Where may be seen the compleatest collection of comick & satirical prints in the kingdom. Admittance one shilling., Two lines of text below title: This print is humbly dedicated to the Church of England & to the great body of worthy dissenters who refused to join ..., Design consists of six captioned panels in two horizontal strips, the upper strip entitled "The intention" and the lower strip entitled "The fact.", Sheet trimmed within plate mark., Temporary local subject terms: Sedition -- Furniture: Bed -- Acts: Reference to the repeal of the Test and Corporation Acts, March 2, 1790 -- Clergy: Monk -- Popery -- Pictures amplifying subject -- Mythology: Harpies -- Altars -- Crucifixes -- Votes on the repeal of the Test and Corporation Acts -- Horace Walpole refers to subject., and Watermark: J. Whatman.
Publisher:
Pubd. March 18, 1790, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Priestly, Joseph 1733-1804, Fitzherbert, Maria Anne, 1756-1837, Price, Richard, 1723-1791, Lindsey, Theophilus, 1723-1808, Kippis, Andrew, 1725-1795, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Deane, Silas, 1737-1789, and Rees, Abraham, 1743-1825
Mrs. Fitzherbert in a panniered skirts, a fichu, an enourmous hat and a tartan sash, stands facing us looking down sorrowfully at a writ whcih she holds in her right hand. Above her hang a pair of unbuttoned breeches with 'Honi so' on one garter
Description:
Title from item., Sheet trimmed within plate mark., Not in th Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Horace Walpole refers to subject.
Publisher:
Pub'd May 11, 1787 by S.W. Fores, No. 3 Piccadilly
Title from item., Sheet trimmed to plate mark., Three lines of text following title: NB. in a fewe [sic] days will be given a peep into the pit ..., Publisher's advertisement following imprint: who has just fitted up his exhibition in an entire novel stile [sic], admittance 1 sh. NB. folios of caracature [sic] lent out., and Temporary local subject terms: Theater: theater-boxes -- Spectacles: opera-glasses -- Jewelry: necklace -- Miniature portraits -- Female costume: fans -- Crowns: Earl's coronet -- Reference to George IV -- Playbills.
Publisher:
Pub. May 20th 1794, by S.W. Fores, N.3 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837 and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
"A companion print to British Museum Satires no. 6949. Design in a circle. The Prince of Wales (left) and Mrs. Fitzherbert (right) sit side by side on two upright chairs; she holds on her knee an infant in long clothes, which the Prince watches paternally. Behind her (right) is a cradle decorated with ostrich feathers."--British Museum online catalogue
Alternative Title:
Prince's nursery, or, Nine months after marriage and Nine months after marriage
Description:
Title etched below image; alternative title with filled-in blanks from British Museum catalogue. and Companion print to: An extravaganza, or, Young Solomon besieging Fitzhubbub.
Publisher:
Published 9th May 1786 by S.W. Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"The Prince's stud, consisting of five asses with human faces, proceeds (left to right) past a signpost (right) pointing 'To Brighthlmstone'. The Prince, the central figure, rides an ass with the head of Mrs. Fitzherbert; he wears very long spurs. He is preceded by three animals, the foremost being George Hanger led by a groom (Captain Morris); on his saddle-cloth are the Prince's feathers, as if to show his privileged position. Next is Fox, his mouth wide open as if braying, next Weltje. Behind (left), apparently doubtful whether to proceed or not, is Lord Derby (or perhaps Lord North). Geese in the foreground (right) hiss at the procession."--British Museum online catalogue
Description:
Title etched below image. and On verso in pencil: George Townly Stubbs.
Publisher:
Pubd. July 20th 1786 by W.S. [sic] Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fox, Charles James, 1749-1806, and Smith-Stanley, Edward, 1752-1834
"The Prince of Wales falls from an overturning phaeton or curricle. He is about to fall on the prostrate body of Mrs. Fitzherbert (left), who lies on her back, her breasts exposed, in an attitude intended to be indecorous. She lies under a steep bank or rock beside a country road. The horse rears behind the Prince."--British Museum online catalogue
Alternative Title:
Fall in Fitz, Princes disastar, or, A fall in Fitz, and Princes disaster, or, A fall in Fitz
Description:
Title etched at bottom of image., Questionable attribution to John Boyne from dealer's description., Date of publication from the British Museum catalogue., Watermark., Original price written in pencil in lower right corner of sheet: 2 [shillings]., and Matted to 33 x 43 cm.
Publisher:
Published by James Aitken, Little Russell Court, Drury Lane
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Protestant St. George too much for all the talons, or, the beast with seven heads and Beast with seven heads
Description:
Title from item., Sheet trimmed within plate mark., Watermark: Strasburg Lily., and Mounted to 29 x 38 cm.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Spencer, George John Spencer, Earl, 1758-1834, Lansdowne, William Petty, Marquis of, 1737-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Design in an oval. Thirteen heads arranged in four rows, the first, second, and fourth having three heads, the third four. In the uppermost row the Prince of Wales (left) and the King (right) face each other in profile; the likeness between them is stressed. Between and slightly above them is Queen Charlotte, in profile to the left, her hair inscribed 'Queen of hearts', cf. British Museum Satires No. 6978. In the next row Fox, full-face, is the central head of the design; Mrs. Fitzherbert (left) (unrecognizable) wears a low crown inscribed 'Queen would be', and the feathers of the Prince of Wales; George Hanger, in profile to the left, wears the large cocked hat made familiar by British Museum Satires No. 6924, &c. The next four heads are (left to right): Mrs. Siddons, wearing a low crown inscribed 'Queen Rant', looking wildly over her shoulder to the right; Burke, wearing spectacles and a cap or turban, his back turned to Pitt who is in profile to the right; on the left in profile to the right is the Duchess of Devonshire, wearing a low crown and a collar which are inscribed 'Queen of Fox'. In the lowest row the central figure is the broad back of North wearing his ribbon; on the left is Mrs. Abington, a ribbon in her much-curled hair inscribed 'Queen Scrub' (see British Museum Satires No. 7053); on the right, in profile to the left, is the Duke of Richmond."--British Museum online catalogue
Description:
Title etched below image., Initials "W.M." identified in British Museum catalogue as those of William Mansell., and Characters identified in pencil.
Publisher:
Pub. 26 March 1786 by W. Humphrey, Lancaster Court
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Abington, Mrs., 1737-1815 (Frances Barton),, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Siddons, Sarah, 1755-1831
"The Prince of Wales falls headlong, but gracefully, from his high phaeton, and is about to land on Mrs. Fitzherbert, who lies face downwards on the ground, on hands and knees, her petticoats over her head, leaving her posteriors bare. The reins have broken, the horses, which are drawn with much spirit, are running away (right to left). In the background is a wall, over which appears the head of an interested military officer. A yokel seated on the wall lifts his hands in astonishment."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse following title: "Th' imaginary bride with beauty glows, "for envy magnifies what e'er she shows. Ovid., Temporary local subject terms: Quotation from literature: Ovid, 43 B.C.-18 A.D. -- Vehicles: Phaeton capsizing., and Mounted to 33 x 44 cm.
Publisher:
Pub. July 1st, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints by one or more artists on the marriage of the Prince of Wales and Mrs. Fitzherbert. The interior of a well-furnished room. The Prince of Wales (left) takes the hand of Mrs. Fitzherbert and is about to put the ring on her finger. The officiating minister (left), Weltje, stands in profile to the right holding a book inscribed 'Matrimony' and 'Hoyle's Games'. From his pocket issues a paper, 'Weltjie's Natn Bill'. A cork-screw and another implement hang from his waist by a jewelled chain, simulating a rosary and cross; he wears a long gown over fashionably cut clothes. Next Mrs. Fitzherbert (right) stands George Hanger, giving her away; he wears regimentals with a huge cocked hat; under his left arm is a bludgeon (cf. BMSat 7116). The Prince wears the insignia of the Garter, Mrs. Fitzherbert (poorly characterized) wears a triple ostrich plume in her hair with the motto 'Ich dien'. On the wall are two pictures: a three quarter length portrait of Mrs. Fitzherbert, and (right) a Leda and the Swan, partly concealed by a curtain which fills the upper right corner of the design. Beneath the Leda is a semicircular table on which are vases and a book, 'Love's Last Shift' (Cibber's play). A hanging candelabra is part of the design."--British Museum online catalogue
Alternative Title:
Marriage of Figaro
Description:
Title from item., Sheet trimmed within plate mark., In lower right corner: Price 2s. 6d., Subjects of character identified by inscriptions on their clothing., Temporary local subject terms: Prussian officers' uniforms -- Furniture -- Pictures that amplify subject -- Literary allustions: Love's Last Shift by Colley Cibber -- Holcroft's Follies of the Day., Watermark in center of sheet., and In manuscript on verso: Horace Walpole sat 8:2.
Publisher:
Published March 13th 1786 by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, and Weltje, Louis, 1745-1810
"A fox with the head of Fox sits in profile to the right, one paw on the forehead of a life-like bust of the Prince of Wales, which he has carved; his mallet and chisels lie on the ground. He says: "What a goodly figure this makes! what a Pity that it should want Brains. Esops Fab." Two other pieces of sculpture stand on pedestals: (left) a whole length statue of a woman, kneeling on one knee in profile to the left, partly draped, having a certain resemblance to Mrs. Fitzherbert; a head (right) wearing a laurel wreath in profile to the left, looking up at Fox and the Prince; it has the long nose of Hanger, but is perhaps intended for Aesop."--British Museum online catalogue
Description:
Title from item., Attributed to George Townley Stubbs in the British Museum online catalogue, registration no.: J,4.57., Sheet trimmed to plate mark on right and left sides., and Partial watermark at top center of sheet.
Publisher:
Pubd. Augt. 2, 1786 by W.S. [sic] Fores at the Caracature Ware-House, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, and Fitzherbert, Maria Anne, 1756-1837
"A strip design. Beneath the figures are inscriptions indicating their identity. The procession is preceded on the extreme right by Hall the apothecary, one of Fox's chief supporters in Westminster, who holds the abortive 'Regency Bill'. A medical instrument protrudes from his coat-pocket; he is 'Apozem, Clerk, & Apothecary'. ... After him in priest's robes and wearing a Jesuit's biretta walks Burke, 'Ignatius Loyola' (cf. BMSat 6026), holding an 'Ode upon his Majesty Recovery'. ... The coffin is carried on the shoulders of six men with bulls' heads, hoofs, and tails, wearing coronets and shedding tears; three only are depicted, though the hoofs of the three on the left side of the coffin are indicated; it is 'The Body of the deceased supported by six Irish Bulls'. They wear a duke's, an earl's, and a baron's coronet, and say: "[1] Pullalaloo - Pullalalo - oh.', [2] Oh! - Ogh! - Oh!; [3] Oh Pullalalo - ogh". On the coffin is a coronet with the Prince's feathers flanked by an empty purse and dice and dice-box. Four ragged little girls holding nosegays walk as pall-bearers, two before the coffin and two behind it. They are '(bis) Unfledg'd Noviciates of Sf Giles's or, Charley's delight'. ... They are followed by Mrs. Fitzherbert in long trailing weeds, a rosary and crucifix hanging from her waist. She is 'Chief Mourner - The Princess of W-----s'. ... She clasps her hands despairingly. ... She is followed by Sheridan and Fox, wearing cloaks and carrying hats with mourning-scarves; they are: 'Second Mourners', 'The Rival Jacobites'. ... The next couple are Weltje and a hairdresser, Mails. ... The procession is followed by a nude and very emaciated demon (left), playing the fiddle and capering as he sings, grinning. He is the 'Blue and Buff Train Bearer.' ..."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., and Tempoary local subject terms: Bills: withdrawal of the Regency Bill -- Irish Commissioners.
Publisher:
Pubd. April 29th, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Ignatius, of Loyola, Saint, 1491-1556., Hall, Edward, active 1784-1793, Burke, Edmund, 1729-1797, Fitzherbert, Maria Anne, 1756-1837, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Lothian, William John Ker, Marquis of, 1737-1815, and Weltje, Louis, 1745-1810
Subject (Topic):
Devil, Hats, Funeral processions, and Mourning clothing & dress
Three oval designs, two above with a larger one below, illustrating three satirical toasts: Honor and honesty; Love and loyalty; Fitz and good company. In the first, a man sits at a table, in his hand is a cup for rolling dice and on the table some coins and a playing card (the knave of clubs). In the second image (upper right) a man, pen in hand, writes a letter "No. 45 To the ...", on the table a book entitled "Essay on woman". In the image at the bottom, a couple (George IV and Mrs. Fitzherbert) embrace; on the table in front of the pair is a book "Morris's songs."
Description:
Title engraved below image. and Sheet trimmed within plate mark.
Publisher:
Published by S.W. Fores, October 20, 1786 at the Caricature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, and Wilkes, John, 1725-1797
Volume 2, after page 340. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"An altered copy of British Museum Satires No. 10389. The two principal figures are substantially the same, but Mrs. Fitzherbert's expression is less subtle; she looks down at her charge with an exulting smile. The feathers in her hair are set in a fillet inscribed 'Ich Dien', her breasts are almost bare, her drapery is more swirling. Her pouch is inscribed 'Amusements for Young Minds', its contents differ, and her book is a 'Missal'. Above them (left) ls inscribed: 'Angels ever bright and fair" Take, Oh Take me to thy Care,"'. The altar is larger and closer to the ascending figures. In place of the Virgin, the Prince of Wales (half length) stands behind it, looking down at the 'Guardian-Angel'. On the altar, which is inscribed 'Sanctum Sanctorum' is an irradiated chalice. The attendant cherubs are (left) Derby, (?) Grey, Grenville; and (right) Norfolk, Burdett, and Windham. Two cherubs have descended from the circle (right) and look fixedly at close range towards the child; they are Fox and Sheridan. The rays are inscribed: 'Bulls', 'Dispensations', 'Indulgences', 'Luxuries', 'Consecrations', 'Cannonizations', 'Remissions', 'Pardons', 'Beatifications', 'Permissions'. Below the ascending pair, in place of the Pavilion, is the roof of Carlton House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Altered copy of a print by Gillray, published 22 April 1805 by H. Humphrey. Cf. No. 10389 in the Catalogue of prints and drawings in the British Museum, v. 8., Text following title: The designer is particularly indebted to Mr. Peters for the hint for this subject., "Folios of caracatures [sic] lent out for the evening"--Beneath imprint., Printseller's stamp in lower right of plate: S.W.F., Four figures identified at bottom of mounting sheet, their names written in ink: Princess Charlotte; Mrs. Fitzherbert; C. Fox; R.B. Sheridan., Window mounted to 51 x 36 cm., and Mounted after page 340 (leaf numbered '163' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. May 10th, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Smith-Stanley, Edward, 1752-1834, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
Title from item., Printmaker tentatively identified in British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Song -- Debts -- Fiddle -- Jesuit -- Captain Morris., Watermark in center of sheet., Mounted on 34 x 48 cm., and Pencilled on recto mount is a names of the subjects depicted in the print as well as a quote: In July 1786 the Prince of Wales was financially embarrassed & applied in vain to his father for aid. He then decided to break up his establishment, set apart a portion of his allowance for his debts & live on the remainder as a private gentleman. Cf. Russell's Memorials of Fox, v. ii, p. 285.
Publisher:
Published for the proprietor, as the act directs, by E. Macklew, opposite the Opera House, Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, and Weltje, Louis, 1745-1810
"Five heads surround a taper whose flame is the head in profile to the left of George III. The taper rises from the centre of a crown which rests on a tasselled cushion in the foreground. On the left is Sheridan in profile, his face disfigured by drink, puffing angrily; next is Fox facing three-quarter length to the right, with a fierce expression. Next is the Prince of Wales, alarmed and rather fierce; beside him is Mrs. Fitzherbert, wearing breeches round her shoulders, one leg terminating in a garter inscribed 'Honi Soit...' The ribbon of her night-cap is decorated with the Prince's feathers and 'Ich dien'. On the extreme right is Grey, puffing intently, his blast directed at the back of the King's head. All the others puff awry, and the light burns steadily. All the men wear night-caps and shirts open at the neck."--British Museum online catalogue
Description:
Title etched below image., Not by Isaac Cruikshank. See British Museum catalogue., Date of imprint from British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: Where may be seen the largest collection of caratures [sic] in the world. Admitnce 1shg., and Mounted to 33 x 37 cm.
Publisher:
Pub. Octr. 3 by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
France, History, Foreign public opinion, British, Regency, and Sleepwear
"The Prince of Wales lies in bed asleep, clasping a pillow with a rapt expression, his closed eyes directed towards a vision of the Princess Caroline who leans towards him floating on clouds, a radiant beauty with outstretched arms. A winged figure with the torch of Hymen (right) holds up her draperies, while a cupid with bow and arrows flying above the Princess's head holds up the heavy curtains of the four-post bed. On the left, also emerging from clouds, the King and Queen, caricatured, crouch over the Prince's bed. The former, a grotesque figure, holds out a large money-bag inscribed '£150000 Pr Annm'. The Queen holds out a book: 'The Art of getting Pretty Children'. Both have expressions of avid delight. On the left and among clouds persons flee in alarm at the approach of the bride: Fox scattering dice from a dice-box, Sheridan as a bearded Jew wearing a broad-brimmed hat. Above them are three women: the most prominent, Mrs. Fitzherbert, with clasped hands; next (?) Lady Jersey, and between and behind them a young woman wearing a cap (cf. BMSat 8611). Above their heads two tiny jockeys gallop off, indicating that the Prince will give up the turf (cf. BMSat 7918, &c). From the foot of the bed (left), which extends diagonally across the design from right to left, rolls a cask of 'Port' on which an infant Bacchus with the head and clumsy figure of Lord Derby is seated astride; he is about to fall, dropping his glass. On the head of the bed is the Prince's coronet with feathers. Beside it (right) is a chamber-pot in which is a bottle of 'Velno' (see BMSat 7592)."--British Museum online catalogue
Description:
Title etched below image., Text below title: "A thousand virtues seem to lackey her, driving far off each thing of sin & guilt." Milton., Sheet trimmed within plate mark., and Temporary local subject terms: Mythology: Hymen's torch -- Bacchus -- Medicine: velno -- Coronets: George IV's coronet -- Emblems: Prince of Wales's feathers -- Cupids -- Bags of money -- Jews -- Furnishings: bed curtains -- Barrels -- Alcohol: port -- Gambling: dice-box.
Publisher:
Pubd. Jany. 24th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Fitzherbert, Maria Anne, 1756-1837, Jersey, Frances Villiers, Countess of, 1753-1821, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
Title from item., Engraver from unverified card catalog record., Figure on the left, seated at a table in background: All I desire of mortal man is for to love whilst he can., Figure on the right seated at a table in background: Well said Robby-- his father will broom stick him., Temporary local subject terms: Pellegrine Treves -- Nobodies -- Mottoes: 'Ich Dien' -- Brooms -- Morganatic marriages -- Pictures amplify subject -- Emblems: 3 ostrich feathers for Prince of Wales -- Lighting: Chandelier -- Cats out of the bag -- Flastaff -- Venus (Mythological character)., Watermark: J Whatman., and In pencil on verso: George T. Stubbs attrib. by J. Riely, 7-9-83.
Publisher:
Publish'd March 21, 1786, by S.W. Fores at the Caracature Warehouse No.3 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Fitzherbert, Maria Anne, 1756-1837, and Robinson, Mary Darby, 1758-1800
A nude couple (Mrs. Fitzherbert and the future George IV) in enormous wigs stands under the "Tree of Life." A sheet of paper covering the man's hips is inscribed "Mr. Rock." In his left hand he holds a ticket to a masquerade at Pantheon, in the right a walking stick. A serpent, inscribed "Modern gap of honour" glides between his legs and next to a saddle, whip and a riding hat inscribed "Furniture for saddling an estate." Next to the woman who holds a fan in front of her thighs, with a dog climbing up her knee, lie on the ground a staff and a comedy mask, a ticket and a letter addressed "To Belinda." Behind the woman a monkey is holding a mirror. Playing cards and dice fall off the tree which is hung with cards advertising fashionable places in London such as the Carlisle House, Pantheon, White's Club, Ranelagh and Almack's, among others. On the left a devil is walking away from her toward a roaring fire saying "I'll even back to Hell again, for these must be too knowing for me by the Size of their Heads." On the right in the background two men, identified as "Cain and Abel" are dueling. Another man lies on the ground having fallen off a galloping horse. The explanation below reads "For the benefit of the next heir."
Alternative Title:
Adam and Eve regenerated
Description:
Title etched below image., Formerly dated as 1780 because a portion of the ascender in the '6' (and the upper portion of the '8') is missing., and Sheet trimmed within plate mark.
Publisher:
Pubd Novr. 24, 1786 by W. Humphrey, No. 227 Strand, London
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Adam (Biblical figure), and Eve (Biblical figure)
Subject (Topic):
Biblical events, Tree of life, Gambling, Wigs, Hairstyles, Devil, Hell, Dueling, and Horseback riding
"The Prince and Mrs. Fitzherbert in the bedroom of a French inn ; a maidservant enters (left) with a tea-tray. The Prince, yawning and stretching with a dissipated air, is seated on the edge of a table; the revelry of the past night is indicated by an overturned decanter, broken wineglass, and a broken candle. Another candlestick and broken wine-glass lie on the ground, together with the Prince's top-boots. He wears slippers and his stockings are ungartered, the 'honi soit qui mal y' [pense] ribbon hanging round his leg. Mrs. Fitzherbert, seated on the bed, draws on a stocking; her garter inscribed 'Fox' lies on the ground (cf. British Museum satire 7306). The bed is heavily draped with fringed curtains. The Prince's feathered hat hangs on the wall."--British Museum online catalogue
Alternative Title:
Scene on the Continent
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Probably a reissue; the final digit '8' in '1788' in imprint appears to have been altered from '6,' and the publisher's street address seems to have been burnished and re-etched. See British Museum catalogue., Companion print to: "Wife & no wife, or, A trip to the Continent.", Sheet trimmed within plate mark., and Temporary local subject terms: Morganatic marriages -- Motto: Honi soit qui mal y pense.
Publisher:
Pubd. April 5th, 1788, by W. Holland, No. 50 Oxford Strt
Subject (Geographic):
France
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806.
Subject (Topic):
Taverns (Inns), Bedrooms, Draperies, Hats, Servants, and Tableware
"Mrs. Fitzherbert (left) in bed, supported on her right elbow, looks fixedly towards a warming-pan held by a stout woman who approaches the foot of the bed. In the perforations of the pan are stuck three ostrich feathers; a monk, holding up a crucifix, gazes down at it. Mrs. Fitzherbert wears a large frilled cap and a nightdress with ruffles. The fringed bed-curtains are looped up. On the extreme right is part of a draped table on which are a cup, bowl, and a large urn (probably materials for caudle). On the wall are three pictures: one, the 'Royal Hunt', a man galloping beside hounds; this has the motto 'Ich Ich' (in place of 'Ich dien') with three ostrich feathers. It is flanked by two profile heads facing each other: one is 'Wig', the other 'Torey', but they do not appear to be portraits. The carpet is patterned with Prince of Wales's feathers."--British Museum online catalogue
Description:
Title from item., Attribution to Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's announcement following imprint: The compleatest [sic] collection in the kingdom. Admitce 1 Shilling., and Watermark: countermark W.
Publisher:
Pub. Dec. 17, 1789 by S.W. Fores at his Caricatura Exhibition Rooms, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Subject (Topic):
Bedrooms, Births, Canopy beds, Crucifixes, Monks, and Rugs
"A game of cards at a round table in which Lord Jersey (left) and Mrs. Fitzherbert (right) face each other in profile. Lady Jersey sits full-face, her head turned in profile towards her husband and lover: the Prince has left his place (indicated by a stool decorated with his feathers) as Lady Jersey's partner to stand behind Lord Jersey, his hands resting on his head, forefingers raised to form horns as in BMSats 8809, 8811. Lady Jersey has taken seven tricks; her husband has laid on the table before him the ace and three court cards. All the players raise their hands in surprise. The Prince wears his Light Horse uniform (cf. BMSat 8800), his eyes being concealed by his helmet as in BMSat 8811. Lady Jersey wears three tall feathers in her hair, a locket inscribed 'J' hangs from her neck. The fatness of the Prince and Mrs. Fitzherbert contrasts with the leanness of the other two. A candle-sconce is on the wall."--British Museum online catalogue
Alternative Title:
Nunkee gaining the honors
Description:
Title etched below image., Thomas Humphrey is one of the pseudonyms used by Gillray. See British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Military uniforms: Prince of Wales's Light Horse uniform -- Emblems: Prince of Wales's feathers -- Gambling: card games -- Cuckolds -- Furniture: card table -- Obesity.
Publisher:
Pubd. June 16th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, and Fitzherbert, Maria Anne, 1756-1837
Title from item., First state of the print ; title unaltered with additional periods and exclamation points. Cf. British Museum catalogue no. 6941., Unverified attribution to George Townely Stubbs on verso of print., Temporary local subject terms: Allusion to John Motherhill, fl. 1786 -- Allusion to Catherine Wade, fl. 1786 -- Female costume: Riding habit -- Morganatic marriages -- Allustion to Isaac Bickerstaff's The Padlock -- Padlocks and chains -- Country churches -- Travesties: Hamlet -- Allusion to Shakespeare's Hamlet -- Allusion to Wanton Tom: or, The merry history of Tom Stitch the taylor., and Watermark in center of sheet.
Publisher:
Published April the 3rd, 1786 by S.W. Fores at his Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, and North, Frederick, Lord, 1732-1792
Title etched below image., Temporary local subject terms: Literature: Mrs. Jordan as Priscilla in Lloyd's The Romp -- Literature: allusion to Mrs. Jordan as Pickle in Bickerstaffe's The Spoil'd Child -- Morganatic marriages., and Watermark: I Taylor.
George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Fitzherbert, Maria Anne, 1756-1837
Title from item., Sheet trimmed to and within plate mark., and Temporary local subject terms: Fist-fights -- Furnishings: window curtains -- Wallpaper -- Emblems: Prince of Wales's feathers -- Mottoes: Ich Dien -- Pictures amplifying subject -- Literature: allusion to Frederick Reynolds's (1764-1841) The rage.
Publisher:
Published November 21st 1794 by H. Humphrey, No. 37 New Bond Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Fitzherbert, Maria Anne, 1756-1837
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from later state. Cf. Works of James Gillray, the caricaturist with the history of his life and times. London, Chatto and Windus, [1873?], p. 107., Sheet trimmed within plate mark with loss of subtitle., Earlier state, with the Prince of Wales's uncensored speech. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501., and Watermark: L Taylor.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state with the Prince's speech censored., Temporary local subject terms: Morganatic marriages: Prince of Wales's to Mrs. Fitzherbert -- Ficticious duels: Mrs. Fitzherbert and Mrs. Schwellenberg -- Allusion to Regency crisis, 1788 -- Lemons -- Literature: travesty of Nathaniel Lee's The rival queens., Watermark: Portal & Bridges., and Mounted to 27 x 38 cm.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
"A scene in Carlton House. The Prince of Wales, seated in a chair, holds a stout, good-looking lady (Mrs. Sawbridge) across his knees and chastises her with upraised hand; she holds out her arms imploringly. Alderman Sawbridge (right) faces her in profile to the left, playing a fiddle and dancing; from his pocket hangs a piece of music inscribed 'The Reform', a new Motion. On the extreme left Lady Archer stands in profile to the right, holding a driving-whip, and pointing angrily at the injured lady. A little girl (Sawbridge) stands full-face, clasping her hands in horror at the treatment of her mother. Behind are a number of onlookers: a very fat lady in profile to the left is Miss Vanneck. Mrs. Fitzherbert watches, not displeased; Fox, his arm round her shoulder, gazes amorously at her. George Hanger stands in profile to the left. The other figures are less characterized but a profile head (right) resembles Lord Derby. On the wall (right) is part of a three quarter length portrait, the head cut off by the upper edge of the design, inscribed 'Sir G° Van-Ne[ck]'. Beside it is a stag's head on which hangs a man's hat, just above Sawbridge. After the title is etched 'A Hint for a new Reform'. 'Black Jack' is Sawbridge, who was swarthy, and a consistent advocate of Parliamentary Reform. In the background (right) are persons dancing."--British Museum online catalogue
Alternative Title:
Black Jacks delight
Description:
Title etched below image. and Attributed to Gillray in the British Museum catalogue and by Wright.
Publisher:
Pub'd April 25, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Smith-Stanley, Edward, 1752-1834, Fitzherbert, Maria Anne, 1756-1837, Sawbridge, John, 1732?-1795, Sawbridge, Anne Stephenson, Archer, Sarah West, Lady, 1741-1801, Neck, Gertrude van, -1798, Neck, John, 1732-1795, and Fox, Charles James, 1749-1806
Subject (Topic):
Couples, Dance, Musical instruments, Pleading (Begging), Spanking, and Politics and government
