Upper image depicts a white horse (representing the House of Hanover) removing a mask and treading on papers called "Trade" and "Liberty." A dialog ribbon is coming out of his mouth with the word "Worms" on it [i.e. Treaty of Worms]. He is surrounded by men offering him money and saying such things as "Here's Cole" and "Damn Engl---d." and Lower image depicts Hanover as a nurse sitting on a three-sided stool and changing the diaper of Britannia as a baby. The nurse is saying "Your Besh-t again wares y. Clouts." A stool is nearby with a pot of food on it and a sign saying "Bon pour Nicole."
Description:
Title from item., Publication date from British Museum catalogue., Two images, one above text, one below, on broadside 38 x 24 cm., Text consists of two lists showing pay received by, respectively, Hanoverian soldiers, Hessian soldiers and Danish soldiers., Cf. Malcolm, History of caricaturing, 1813, p. 83, pl. XXI, fig. 4., Cf. Lewis, Genesis of Strawberry Hill for three-sided Gothic chair, fig. 35., Temporary local subject terms: Masks: George II -- Emblems: the White Horse of Hanover -- Lists: pay lists -- Slang: cole, i.e., money -- Furniture: three-sided Gothic chair -- Personifications: Britannia as a baby -- Personifications: Hanover as an old woman -- Money: purses -- Food: rotten baby food., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Carteret, John, Earl Granville, 1690-1763, Compton, Spencer, Earl of Wilmington, 1673?-1743, Ombersley, Samuel Sandys, Baron of, 1695-1770, Great Britain., and Hanover, House of.
Subject (Topic):
Britannia (Symbolic character), Armed Forces, and Pay, allowances, etc
Upper image depicts a white horse (representing the House of Hanover) removing a mask and treading on papers called "Trade" and "Liberty." A dialog ribbon is coming out of his mouth with the word "Worms" on it [i.e. Treaty of Worms]. He is surrounded by men offering him money and saying such things as "Here's Cole" and "Damn Engl---d." and Lower image depicts Hanover as a nurse sitting on a three-sided stool and changing the diaper of Britannia as a baby. The nurse is saying "Your Besh-t again wares y. Clouts." A stool is nearby with a pot of food on it and a sign saying "Bon pour Nicole."
Description:
Title from item., Publication date from British Museum catalogue., Two images, one above text, one below, on broadside 38 x 24 cm., Text consists of two lists showing pay received by, respectively, Hanoverian soldiers, Hessian soldiers and Danish soldiers., Cf. Malcolm, History of caricaturing, 1813, p. 83, pl. XXI, fig. 4., Cf. Lewis, Genesis of Strawberry Hill for three-sided Gothic chair, fig. 35., Temporary local subject terms: Masks: George II -- Emblems: the White Horse of Hanover -- Lists: pay lists -- Slang: cole, i.e., money -- Furniture: three-sided Gothic chair -- Personifications: Britannia as a baby -- Personifications: Hanover as an old woman -- Money: purses -- Food: rotten baby food., and Watermark: Fleur-de-lis.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Carteret, John, Earl Granville, 1690-1763, Compton, Spencer, Earl of Wilmington, 1673?-1743, Ombersley, Samuel Sandys, Baron of, 1695-1770, Great Britain., and Hanover, House of.
Subject (Topic):
Britannia (Symbolic character), Armed Forces, and Pay, allowances, etc
A medley of images with a portrait of John Gay; half length, to the right, wearing a cap and plain jacket; in oval; in a medley of prints, set on background of a letter; the prints titled 'The Spell', 'The Judgement', and 'Bumkinet's Advice'; two further panels, one with a coin of George II, the other lettered 'A new Deceptio Visus. Engrav'd and sold by Geo. Bickham, in London' [part of address erased].
Alternative Title:
New deceptio visus, or, A guinea for a shilling
Description:
Title from print in upper right., Date based on publisher's years of activity at 53 Fleet Street., Later state of a print, a composite of images and verses to form a greeting card, folded for mailing as advertisement for Bickham's engravings. With docket title: A new Deceptio Visus, or A guinea for a shilling : being a curious medley, by way of letter / engrav'd and sold by Geo. Bickham, at his drawing school, at Hatten Garden near Holburn, London. See impression in the Library of Congress, PC 3 - 1729 - Near deceptio visus., See also working proof (?) at the British Museum online catalogue, no. 1980,U.861., Description based on imperfect impression; impression lacks plate with docket title., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Strasburg bend.
Publisher:
Printed for Robt. Sayer at No. 53 in Fleet Street
Subject (Geographic):
Greece.
Subject (Name):
Dennis, John, 1657-1734., Congreve, William, 1670-1729., Curll, Edmund, 1675-1747, George II, King of Great Britain, 1683-1760, Gay, John, 1685-1732, Pope, Alexander, 1688-1744., Prior, Matthew, 1664-1721., Swift, Jonathan, 1667-1745., and Harte, Walter, 1709-1774.
Subject (Topic):
Pegasus, Coins, Columns, Musical instruments, Puzzles, Ruins, and Wells
A medley of images with a portrait of John Gay; half length, to the right, wearing a cap and plain jacket; in oval; in a medley of prints, set on background of a letter; the prints titled 'The Spell', 'The Judgement', and 'Bumkinet's Advice'; two further panels, one with a coin of George II, the other lettered 'A new Deceptio Visus. Engrav'd and sold by Geo. Bickham, in London' [part of address erased].
Description:
Title from print in upper right., Sheet trimmed within plate mark with loss of docket title and associated text. Perimeter of the design has been heavily inked in black, obscuring all but the images of the prints. The gold coin has been decorated with gold lead and the background of this print is also heavily inked in black., A composite of images and verses to form a greeting card, folded for mailing as advertisement for Bickham's engravings. With docket title: With docket title: A new Deceptio Visus, or A guinea for a shilling : being a curious medley, by way of letter / engrav'd and sold by Geo. Bickham, at his drawing school, at Hatten Garden near Holburn, London. See impression in the Library of Congress, PC 3 - 1729 - Near deceptio., See also working proof (?) at the British Museum online catalogue, no. 1980,U.861., and Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Geo. Bickham
Subject (Geographic):
Greece.
Subject (Name):
Dennis, John, 1657-1734., Congreve, William, 1670-1729., Curll, Edmund, 1675-1747, George II, King of Great Britain, 1683-1760, Gay, John, 1685-1732, Pope, Alexander, 1688-1744., Prior, Matthew, 1664-1721., Swift, Jonathan, 1667-1745., and Harte, Walter, 1709-1774.
Subject (Topic):
Pegasus, Coins, Columns, Musical instruments, Puzzles, Ruins, and Wells
Title from item., Temporary local subject terms: Reference to Hanover -- Seven Year War: Rochefort expedition, 1757 -- Cities: Cherbourg., Mounted to 32 x 43 cm., and Watermark: fleur-de-lis.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760 and Mordaunt, John, Sir, 1697-1780
"Satire on George II's reluctance to accept an inter-party ("Broad-Bottom") government which included Tories suspected of Jacobite sympathies. The king, in the centre. leans across a table crying out, "Hounsfoot me no Stomach him!" as Thomas Pelham, Duke of Newcastle, and his brother Henry prepare to cram the Tory John Hinde Cotton into his mouth; Newcastle remarks, "His Bottom's dam'd Broad". Six other former opposition members hoping for office, including Lords Cobham (saying "I'll Protest no more") and Lyttelton ("You are right Cuz"),and William Pitt ("We drive a fine Trade"), lie on a shelf ready to be treated in the same way as Cotton, one of them saying, "Burn the Yellow List." The kings breeches are lowered and he is evacuating Lord Hobart. Others who have presumably emerged in the same manner leave the scene to left complaining that they have been turned out of office. They include Sir John Rushout saying, "Rusht-out with a Fizzle", and, kneeling in the foreground, Lord Winchelsea who has dropped his spectacles, complaining, "Bes[hi]t without a Job". In the foreground to right, stand two other gentlemen address the oppositiion members, one saying "Consider Your Oaths", and the other, holding a large key, "Remember The Healths"."--British Museum online catalogue
Description:
Title from caption above image., Printmaker George Bickham the Younger and publication date 1744 from British Museum catalogue., and Mounted to 34 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Buckinghamshire, John Hobart, Earl of, 1693-1756, Cobham, Richard Temple, Viscount, 1669?-1749, Cotton, John Hynde, Sir, 1686-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Pitt, William, Earl of Chatham, 1708-1778, Rushout, John, Sir, 1684-1775, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Broad-bottom, Politics and government, Defecation, and Politicians
"Satire identifying George II with his electorate of Hanover, showing the Hanoverian landscape and his profile head in trompe l'oeil; the king is shown with a moustache in the style typical of a German soldier of the period. The landscape carries numbers referring to a key beneath suggesting that trade in Hanover is in a state of decay: 1. Herrenhausen; 2. Manufacture of Boars Heads (a ruined building); 3. Do. of Hams (a farm); 4. The Town of Hanover; 5. Manufacture of Linnen (a distant village); 6. Do. of Bonporenicole (a fortress; a reference to the lack of provisions for British troops in Germany, see BM Satire 2584); 7. Beggars Cambrick (another village); 8. Hunting House; 9. The (Army) Camp; 10. The River Leyne; 11. The Alder (a lake in the foreground where men are fishing)."--British Museum online catalogue
Alternative Title:
Face of the country whereon Hanover stands, with a view of Herenhauseen and the seats of manufacture
Description:
Title from item., Publisher identified from address., Publication date from British Museum catalogue., Five lines of text, including key to numbered objects within image, below image: Tho' this is not given as [the] most regular, [the] most varied, or [the] most noble prospect in the world ..., and Watermark: countermark IV.
"Satire identifying George II with his electorate of Hanover, showing the Hanoverian landscape and his profile head in trompe l'oeil; the king is shown with a moustache in the style typical of a German soldier of the period. The landscape carries numbers referring to a key beneath suggesting that trade in Hanover is in a state of decay: 1. Herrenhausen; 2. Manufacture of Boars Heads (a ruined building); 3. Do. of Hams (a farm); 4. The Town of Hanover; 5. Manufacture of Linnen (a distant village); 6. Do. of Bonporenicole (a fortress; a reference to the lack of provisions for British troops in Germany, see BM Satire 2584); 7. Beggars Cambrick (another village); 8. Hunting House; 9. The (Army) Camp; 10. The River Leyne; 11. The Alder (a lake in the foreground where men are fishing)."--British Museum online catalogue
Alternative Title:
Face of the country whereon Hanover stands, with a view of Herenhauseen and the seats of manufacture
Description:
Title from item., Publisher identified from address., Publication date from British Museum catalogue., Five lines of text, including key to numbered objects within image, below image: Tho' this is not given as [the] most regular, [the] most varied, or [the] most noble prospect in the world ..., and With spine title: Caricatures anglaise 1740.
Epistle to Miss - etc, etc and Miss - in the actual dress as she appear'd in ye character of Iphigenia, at ye jubilee ball or masquerade at Ranelagh
Description:
Title from item., Miss - is Miss Chudleigh., Broadside illustrated at top of sheet with an etching (plate mark 26.5 x 33.3 cm)., Two lines of verse below title : Some men to pleasure, some to bus'ness take ... Pope., Twelve lines of verse etched below caption title on the plate: What odd fantastick whimsies fill ..., and Temporary local subject terms: Allusion to Susannah Maria Ciber, 1714-1766 -- Masquerade: Punch -- Masquerade: Domino -- Masquerade: Iphigenia -- Literature: Alexander Pope, 1688-1744 -- Jubilee: masquerade ball, Ranelagh, May 1, 1749 -- Mask.
Publisher:
Printed for A. Freeman, near Charing-Cross
Subject (Name):
George II, King of Great Britain, 1683-1760 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788
Title from item., Publication date from British Museum online catalogue., Sheet trimmed within plate line., Central design surrounded by four smaller designs, one in each corner of plate. Each design enclosed by scrolls., Eight lines of verse in four columns below image: As Lowendahl of late the walls he did scour ..., Temporary local subject terms: Military encampment -- Soldiers -- Military courier -- Personifications: fainting Britannia -- Personifications: Justice holding balance -- Maps: siege of Bergen-op-Zoom, 1747 -- Bribes -- Balance -- Guns -- Culloden -- Pipes -- Staff -- Guns: batteries of cannons -- Fortresses: Bergen-op-Zoom -- Alliances: France and Prussia, 1747 -- Netherlands: surrender of Bergen-op-Zoom to French, Sept. 16, 1747 -- Lord John Murray, 1711-1751 -- John Murrray, Baronet, 1718-1777., and Imperfect: right side of sheet torn off with loss to design and the last column of verse; mounted to 38 x 44 cm.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, George II, King of Great Britain, 1683-1760, William IV, Prince of Orange, 1711-1751, William Augustus, Prince, Duke of Cumberland, 1721-1765, Saxe, Maurice, comte de, 1696-1750, and Lowendal, Ulric Frédéric Woldemar, comte de, 1700-1755
Title engraved at top of design, within the scroll surrounding the images., Sheet trimmed to plate mark on top and left side., 'Price 1 shilling'--Below image., Ten lines of text in rebus, followed by two columns of further text in rebus, below image: Whosoever will [be] rich or [high] be [for] [all] things ..., The following words within the text are represented by a rebus: be by an image of a bee, high by an image of a throne, for by number 4, all by an awl., Temporary local subject terms: Cession of Gibraltar -- Cession of Port Mahon -- Conventions: Pardo, 1739 -- Electorates: German electorates -- Electorate of Hanover -- Cuba: Fort St. Iago -- Cumberland Harbor -- Fairs: Horn Fair -- Yarmough fish -- Hungary -- France -- Bavaria -- Slogans: wooden shoes -- Hats: King's hat -- Parodies: parody on Athanasian Creed., Mounted., and Watermark.
Publisher:
Sold by G. Bickha[m] at the Blackmoor's Head, Exeter Exchange
Subject (Name):
George II, King of Great Britain, 1683-1760, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, Walpole, Robert, Earl of Orford, 1676-1745, and Vernon, Edward, 1684-1757
Title engraved at top of design, within the scroll surrounding the images., Sheet trimmed to plate mark on top and left side., 'Price 1 shilling'--Below image., Ten lines of text in rebus, followed by two columns of further text in rebus, below image: Whosoever will [be] rich or [high] be [for] [all] things ..., The following words within the text are represented by a rebus: be by an image of a bee, high by an image of a throne, for by number 4, all by an awl., Temporary local subject terms: Cession of Gibraltar -- Cession of Port Mahon -- Conventions: Pardo, 1739 -- Electorates: German electorates -- Electorate of Hanover -- Cuba: Fort St. Iago -- Cumberland Harbor -- Fairs: Horn Fair -- Yarmough fish -- Hungary -- France -- Bavaria -- Slogans: wooden shoes -- Hats: King's hat -- Parodies: parody on Athanasian Creed., and With spine title: Caricatures anglaise 1740.
Publisher:
Sold by G. Bickha[m] at the Blackmoor's Head, Exeter Exchange
Subject (Name):
George II, King of Great Britain, 1683-1760, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, Walpole, Robert, Earl of Orford, 1676-1745, and Vernon, Edward, 1684-1757
according to act of Parliament, March [the] 6 [1744]
Call Number:
744.03.06.01+ Impression 1
Image Count:
1
Resource Type:
still image
Description:
Title from item., Tentatively attributed to George Bickham the younger(?) on an unverified card catalog record., and Temporary local subject terms: Interiors: Throne Room -- Furniture: throne -- Pictures amplifying subject: English bull dogs -- Pictures amplifying subject: papal Bull against English bulldogs -- Col. William Cecil -- Jacobites -- Jacobite Revellion, 1745-46.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, and William Augustus, Prince, Duke of Cumberland, 1721-1765
Titles etched above images., Plate numbered '51' in upper right corner., Two images on one plate, each with a title above the image., Six lines of verse under design: No more thy gracious mind perplex / The vulture now no more shall vex ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., and Mounted to 13 x 17 cm.
Publisher:
Publish'd according to act Novr. 24, 1756, by Darly and Edwards at the Acorn facing Hungerford, Strand
Subject (Name):
George II, King of Great Britain, 1683-1760, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Holland, Henry Fox, Baron, 1705-1774, Hardwicke, Philip Yorke, Earl of, 1690-1764, Holderness, Robert D'Arcy, Earl of, 1718-1778, Devonshire, William Cavendish, Duke of, 1720-1764, and Anson, George Anson, Baron, 1697-1762
Title from item., Sheet trimmed within plate mark on sides., "Price 6d."--Following imprint., and Temporary local subject terms: Personifications: Trade -- Wool trade -- Tobago -- St. Vincent -- St. Lucia -- Naval uniforms: sailors' uniforms.
Publisher:
Publish'd according to act of Parliament, June 1th 1754, & sold by W. Herbert under the Piazzas on London Bridge
Subject (Name):
George II, King of Great Britain, 1683-1760 and Louis XV, King of France, 1710-1774
Title engraved above image., Two images on one plate arranged horizontally., Six lines of verse below image on the left: Oh! Britain, didst thou e'er the hostile foe refuse ..., Six lines of verse below image on the right: Thus mighty George once view'd the heroes of this isle ..., Four lines of quotation in a vignette below title, overlapping both images: Must I stand still & tamely see ..., and Temporary local subject terms: Military uniforms: volunteers' uniforms -- Military: German mercenaries -- Literature: quotation from Abraham Cowley, 1618-1667.
Publisher:
Publish'd according to act Sepr. 21st 1756 by Edwards & Darly, at the Acorn opposite Hungerford Market, Strand
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Holland, Henry Fox, Baron, 1705-1774
publish'd according to a late act, Febry. the 18, 1742.
Call Number:
742.02.18.01.2+
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Robet Walpole's move to the House of Lords: A large room in which Walpole is pushed at swordpoint by the masked figure of Justice towards a group of lords who wait to receive him. He is led by a lion carrying a coronet in its teeth which says, "Follow me Sr. Blew String", and he holds his hand to his head, saying "I go in hopes to save this & trust to ye Hat". On the left, a group of four members of the Commons, wearing jockey caps and boots, surround Lord Pulteney. In the background are two shop stalls, "Deards from St. Dunstans" selling expensive trinkets, and "Dent's Snuff Shop"."--British Museum online catalogue
Alternative Title:
From one house to another
Description:
Title engraved below image., Eight lines of verse in two columns below title: Triumphant V----y too well succeeds, when power, lion-like, to honour leads ..., 'Price 6 pence'--Lower right corner., Temporary local subject terms: Reference to the House of Commons -- Reference to the House of Lords -- Members of Parliament -- George II as British Lion -- Coronets: earl's coronet -- Architectural details: tradesmen's stalls -- Shops: tobacco shop, Dent's Snuff -- Toy shop, Deards from St. Dunstan's [Lane] -- Trades: tobacconists -- Toymen -- Containers: tobacco jars -- Justice's sword -- Justice's scale -- Personifications: figure of blindfolded Justice -- Court of Requests., Mounted to 29 x 37 cm., and Watermark: Pro Patria.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Walpole, Robert, Earl of Orford, 1676-1745, and Bath, William Pulteney, Earl of, 1684-1764
Title etched above image in upper right., Publisher and place of publication inferred from those of the magazine for which this plate was engraved., Sheet partially trimmed within plate mark., Frontispiece from: The London magazine; or, Gentleman's monthly intelligencer. London : Printed for R. Baldwin ... , 1732- , v. 29 (1760), page 393., and Temporary local subject terms: Personifications: figure of Concord -- Figure of Justice -- Figure of Religion -- Figure of Liberty -- Figure of Providence -- Containers: funeral urn -- Monuments: funeral obelisk.
Publisher:
R. Baldwin
Subject (Name):
George II, King of Great Britain, 1683-1760 and George III, King of Great Britain, 1738-1820.
Subject (Topic):
Death and burial, Britannia (Symbolic character), Justice, Liberty, Urns, Obelisks, and Cornucopias
In neat silver coin 50000 pounds and In neat silver coin fifty thousand pounds
Description:
Title engraved below landscape in image., Plate numbered '13' in upper right corner of design., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Militiamen -- Reference to Hanoverian Hessians -- Subsidies: payments to German mercenaries -- Dover., and Mounted to 17 x 24 cm.
Publisher:
Publish'd according to act at the Acorn facing Hungerford, Strand
A "severely satirical work ... intended to be comprised in 6 volumes. Only one, however, was printed, which was suppressed on the day of publication."--Cf. Lowndes. Bib. manual. and "Ex mvsaeo Hvthii."
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.04
Image Count:
1
Resource Type:
still image
Description:
Title from item., Printmaker from an unverified card catalog record., Plate numbered '1' in upper left corner and '69' in upper right corner., Publisher identified from the address., Another state, with additional plate number, of No. 3576 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Trades: chairmen -- Buildings: St. James's Palace -- Sentry booth -- Containers: tankard -- Signboards: 'Intire Bub Bub' -- Symbols: Chamberlain's key., and Mounted to 21 x 33 cm.
Publisher:
To be had facing Hungerford at the Acorn, Strand
Subject (Name):
George II, King of Great Britain, 1683-1760, Holland, Henry Fox, Baron, 1705-1774, and Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762
Our all to nothing and Old England's T totum being the Hanover bubble
Description:
Title etched below image., Publication date based on that of the edition described in the British Museum. Division I, political and personal satires, v. 3, no. 2589, Early state, without first part of title above image and asterisks on either side of T in the title below image. Cf. No. 2589 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicians: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"Satire on disagreements within the Pragmatic Army in the aftermath of the battle of Dettingen suggesting that George II as nominal commander had bowed to Hanoverian interests, failing to drive home the victory. The king, having let the sash of "Poor E[n]g[lan]d" fall to the ground, and wearing the Hanoverian sash marked "16 thousand pounds" (suggesting the British subsidy) raises his arm and orders, "Noli Prosequi" in response to the dominant figure of the moustachioed Hanoverian general Baron Ilton who says, "I must preserve ye K[in]gs Troops"; an astonished young officer, to the right, exclaims, "What preserve & Conserve too". To the left of the king, the Earl of Stair, commander of the British troops, complains, "Would to God he had is Desert", the Duke of Arenberg, commander of Austrian troops, asks "Why don't you lead us on?", and another general says, "Damn such Confectioners". On the far left, John Carteret leans through the window of a coach the wheel of which carries a label reading, "I'm in a Cottage near ye field of Battle"; he says, "God be praised a great Victory" and a young black footman, sitting at the back of a coach wearing a slave collar, agrees, "Amen & they were the aggressors". On the right "The Tribe of Benjamin" (Hanoverian troops), labelled "4 Pounds a Man p[er] Month", lounge and eat beside a gun carriage on which is written, "A Considerable Share in the Victory"; one soldier wears an oak leaf in his hat in reference to the incident during the battle when George II is said to have sheltered under an oak after falling from his horse and to have presented an oak leaf to the soldiers who looked after him; a Hanoverian grenadier in the foreground, exclaims, "Plague of all cowards Say I!". In the background, the British cavalry are ordered to halt while in pursuit of the French."--British Museum online catalogue
Description:
Title engraved below image., Date from British Museum catalogue., and With spine title: Caricatures anglaise 1740.
"Satire on George II's wish for continuing British subsidies for Hanoverian forces in the war of Austrian Succesion, and the objections of some British politicians. In an open loggia on the left the king sits at a table, over which is spread a map of northern Europe on top of which is a teetotum, lettered "160,000 for year", the tip of which is pointing towards him. He exclaims to a group of politicians around the table that he has won the whole stake, "Je tire tous les enjeux, Tenez, la voici" . Across the table from him John Carteret, who has a second, anxious, face peering through the back of his wig, replies "Well thrown the Balance is on our Side to a T". Beside the king another politician, holding a pen, remarks "More money for the year, & you shall have a P[eace]". The Duke of Cumberland standing beside Carteret wit h his hand resting on his sword hilt says "Smart money I've ventured my Life", a man beside him tells him "You have fought bravely take H[a]n[ove]r". In the centre the British Lion lies on the Act of Settlement, his back piled high with papers lettered "Dains", "Hessians", "Austrean", "H[a]n[o]ve[ria]ns", "Vots of Ct", "Sinking F[un]d", "lottery tickets", "lott[ery] next year, for 16000,000". The white horse of Hanover rests his fore legs on top of these and above the Austrian eagle flies with the French cock on its back. The lion laments "I can Bear it no more I'll be Bubble'd no longer". A politician to the right of the lion moves as if to lighten its burden saying, "Poor Lion, wee shall Oppose this foul Play", another behind him , holding a commander's baton pushes forward saying "The English sav'd him, where was his H-gs" ; another, wearing a sash decorated with eagles, restrains him saying "1,000,000 is too much for Mercenaries", another politician reassures him that "G[o]d be prais'd they have preserv'd ye Balance in Europe"; in the background another says "D[a]m it the D[ice] is Loaded"."--British Museum online catalogue
Alternative Title:
Hanover bubble
Description:
Title engraved above image., Attributed on verso to George Bickham the younger?, Publication date from British Museum catalogue., Caption below image: Old E-l-d's*T*Totum, being the H-r bubble or our all to nothing., and Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicianas: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"Satire on George II's wish for continuing British subsidies for Hanoverian forces in the war of Austrian Succesion, and the objections of some British politicians. In an open loggia on the left the king sits at a table, over which is spread a map of northern Europe on top of which is a teetotum, lettered "160,000 for year", the tip of which is pointing towards him. He exclaims to a group of politicians around the table that he has won the whole stake, "Je tire tous les enjeux, Tenez, la voici" . Across the table from him John Carteret, who has a second, anxious, face peering through the back of his wig, replies "Well thrown the Balance is on our Side to a T". Beside the king another politician, holding a pen, remarks "More money for the year, & you shall have a P[eace]". The Duke of Cumberland standing beside Carteret wit h his hand resting on his sword hilt says "Smart money I've ventured my Life", a man beside him tells him "You have fought bravely take H[a]n[ove]r". In the centre the British Lion lies on the Act of Settlement, his back piled high with papers lettered "Dains", "Hessians", "Austrean", "H[a]n[o]ve[ria]ns", "Vots of Ct", "Sinking F[un]d", "lottery tickets", "lott[ery] next year, for 16000,000". The white horse of Hanover rests his fore legs on top of these and above the Austrian eagle flies with the French cock on its back. The lion laments "I can Bear it no more I'll be Bubble'd no longer". A politician to the right of the lion moves as if to lighten its burden saying, "Poor Lion, wee shall Oppose this foul Play", another behind him , holding a commander's baton pushes forward saying "The English sav'd him, where was his H-gs" ; another, wearing a sash decorated with eagles, restrains him saying "1,000,000 is too much for Mercenaries", another politician reassures him that "G[o]d be prais'd they have preserv'd ye Balance in Europe"; in the background another says "D[a]m it the D[ice] is Loaded"."--British Museum online catalogue
Alternative Title:
Hanover bubble
Description:
Title engraved above image., Attributed on verso to George Bickham the younger?, Publication date from British Museum catalogue., Caption below image: Old E-l-d's*T*Totum, being the H-r bubble or our all to nothing., Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicianas: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"Satire on the king and government concerning the employment of Hanoverian troops in England. A cart loaded with Hanoverian turnips is drawn from the right by three horses into the parade ground behind the Treasury.On the left, in front of the leading horse, stands John Perceval, his coat labelled "Deceivall" and holding a paper lettered, "Independant", saying, "In my popular station". Facing him, the bulky figure of William Pulteney, holding a driver's whip and a handful of turnips, says, "Honest Friend S[an]d[y]s rejoyce & sing here's H[anove]r T[urni]p will now come again Ho"; Robert Walpole stands on the other side of the horses saying, "Ha S[an]d[y]s you've a short reign". The man standing on the shafts of the cart calling out, "Stop Boy they shall buy th'all" is apparently identifiable as Samuel Sandys, now Chancellor of the Exchequer; Amalia von Wallmoden sits on the turnips saying, "Thank you Sr for ye Honr. you've done me & yor. Man Will", presumably a reference to Pulteney. Behind the horses stand two other men, evidently Treasury officials, one, holding Treasury tallies, says "Let me be S[and]y[s] I'm not squeamish", the other saying "Ill make a round sum"; the king leans over a balcony of the Treasury brandishing a broom and saying "Pay for ye whole S[an]d[y]s I'll sweep the T[reasu]ry clean". On a wall in the background are pasted "S[an]d[y]s Speeches, a halfpeny a Peice" concerning the Place Bill, the Motion to enquire into the conduct of Walpole and the Triennial Act 1743; a ballad seller sits on the ground beside them. The Hanoverian cavalry enters from the right, led by a commander carrying the standard with the white horse of Hanover, and followed by mounted bandsmen, including a kettle drummer and a trumpeter. One Hanoverian remarks, "For us 260" in reference to the number of members of parliament who voted to retain the troops. In the foreground an Englishman kneels on the ground grasping a bunch of turnips and saying, "By G[o]d these Turnips are dear"."--British Museum online catalogue
Alternative Title:
Hanover turnip man come again
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet partially trimmed within plate mark., Truman's notes about the print are shelved as: LWL Mss Group 1 File 5., Subjects identified by numbers placed below the print on mounting sheet and explained in the key in upper right. Summary of the description in the British Museum Catalogue follows below the key., Mounted to 32 x 46 cm., and Watermark: Strasburg lily.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Name):
George II, King of Great Britain, 1683-1760, Bath, William Pulteney, Earl of, 1684-1764, Egmont, John Perceval, Earl of, 1711-1770, Walpole, Robert, Earl of Orford, 1676-1745, Ombersley, Samuel Sandys, Baron of, 1695-1770, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
"Satire on the king and government concerning the employment of Hanoverian troops in England. A cart loaded with Hanoverian turnips is drawn from the right by three horses into the parade ground behind the Treasury.On the left, in front of the leading horse, stands John Perceval, his coat labelled "Deceivall" and holding a paper lettered, "Independant", saying, "In my popular station". Facing him, the bulky figure of William Pulteney, holding a driver's whip and a handful of turnips, says, "Honest Friend S[an]d[y]s rejoyce & sing here's H[anove]r T[urni]p will now come again Ho"; Robert Walpole stands on the other side of the horses saying, "Ha S[an]d[y]s you've a short reign". The man standing on the shafts of the cart calling out, "Stop Boy they shall buy th'all" is apparently identifiable as Samuel Sandys, now Chancellor of the Exchequer; Amalia von Wallmoden sits on the turnips saying, "Thank you Sr for ye Honr. you've done me & yor. Man Will", presumably a reference to Pulteney. Behind the horses stand two other men, evidently Treasury officials, one, holding Treasury tallies, says "Let me be S[and]y[s] I'm not squeamish", the other saying "Ill make a round sum"; the king leans over a balcony of the Treasury brandishing a broom and saying "Pay for ye whole S[an]d[y]s I'll sweep the T[reasu]ry clean". On a wall in the background are pasted "S[an]d[y]s Speeches, a halfpeny a Peice" concerning the Place Bill, the Motion to enquire into the conduct of Walpole and the Triennial Act 1743; a ballad seller sits on the ground beside them. The Hanoverian cavalry enters from the right, led by a commander carrying the standard with the white horse of Hanover, and followed by mounted bandsmen, including a kettle drummer and a trumpeter. One Hanoverian remarks, "For us 260" in reference to the number of members of parliament who voted to retain the troops. In the foreground an Englishman kneels on the ground grasping a bunch of turnips and saying, "By G[o]d these Turnips are dear"."--British Museum online catalogue
Alternative Title:
Hanover turnip man come again
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet partially trimmed within plate mark., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
London (England)
Subject (Name):
George II, King of Great Britain, 1683-1760, Bath, William Pulteney, Earl of, 1684-1764, Egmont, John Perceval, Earl of, 1711-1770, Walpole, Robert, Earl of Orford, 1676-1745, Ombersley, Samuel Sandys, Baron of, 1695-1770, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
A satirical representation of the Battle of Dettingen, 1743. Overturned canons are piled in a ditch with fascines in the foreground; a large dead limb of a tree separates it from the battle ground. In the left corner the word 'Steelingensat' suggests the scene is a view from the fortress. In the center George II as the white horse of Hanover rides a British lion from whose mouth come the words "Starv'd on Bon pour nicole". The Hanoverian general Otto Christian von Ilten (nicknamed "Confectioner General") confronts the lion and his rider. Also depicted are the French and Austrian generals who shout encouragement to the troups
Alternative Title:
Hanoverian Confectioner General
Description:
Title etched above image., Publication date based on event depicted., Sheet trimmed within plate mark., Sixteen lines of verse in four columns below image, with title: A song sung by [the] soldiers in [the] B-h [i.e., British] camp to [the] tune of [the] Cucco., Truman's notes about the print are shelved as: LWL Mss Group 1 File 6., Short description by Bowditch in upper right of mounting sheet., Watermark., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Stair, John Dalrymple, Earl of, 1673-1747, and Ilten, Otto Christian von, ca. 1687- 1749
Title from item., Publisher identified from address., Publication date from an unverified card catalog record., Ten lines of verse in two columns below image: While Tencin spins, like Atropos, his thread ..., Printseller's announcement following imprint: Where is 50 sorts., For discussion of this print see the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Frederick George Stephens, v. 3, note to no. 2606., Temporary local subject terms: Personifications: Holland as a headless person with 7 hands -- Spinning wheels -- Bags of goods -- Smuggling -- Archers' bows -- Shears -- Spindles -- Jacobite plot -- Boxes of Dutch tea -- Bales of English wool., and Watermark: countermark IV.
Publisher:
Sold in May's Buildings, Covent Garden
Subject (Name):
George II, King of Great Britain, 1683-1760, Benedict XIV, Pope, 1675-1758, Louis XV, King of France, 1710-1774, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Tencin, Pierre Guérin de, 1679-1758
Title etched above image., Plate numbered '76' in upper right corner., Sheet trimmed within plate mark., Inscription below image: Mene tekel., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Copy in reverse of No. 3676 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Emblems: scales of Justice.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick II, King of Prussia, 1712-1786, Louis XV, King of France, 1710-1774, Elizabeth, Empress of Russia, 1709-1762, Adolf Fredrik, King of Sweden, 1710-1771, Ferdinand VI, King of Spain, 1713-1759, Augustus III, King of Poland, 1696-1763, Maria Theresa, Empress of Austria, 1717-1780, and Karl Eugen, Duke of Württemberg, 1728-1793
A medley of representations of newspapers, playing cards, and letters (To Mr. Geo. Bickham, engraver & drawing mar. ...). The newspaper ornament includes the figure of Cardinal Fleury who grasps a label "Dunkirk". George II is depicted as the King of Diamonds while his favorite Sophia Walmoden, Countess of Yarmouth is shown as the Queen of Diamonds. Sir Robert Walple's face is shown as the Knave of Diamonds. The creed is in the form of a rebus
Alternative Title:
Champion, or Evening advertiser and His political creed
Description:
Title engraved within image., Title of the medley: His political creed., Date from British Museum catalogue., Original imprint mostly burnished, but legible: "Sold at [the] Blackmoors Head, Strand, Sept. 30 1744.", and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Geographic):
France, Great Britain., Great Britain, and France.
Subject (Name):
George II, King of Great Britain, 1683-1760, Walpole, Robert, Earl of Orford, 1676-1745, and Fleury, André Hercule de, 1653-1743
Title from item., Date of publication based on subject of satire., Temporary local subject terms: Games: shuttlecock., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Churchill, Mary Walpole, Lady, 1725?-1801, Argyll, Archibald Campbell, Duke of, 1682-1761, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
Title from item., Date of publication based on subject of satire., Temporary local subject terms: Games: shuttlecock., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Churchill, Mary Walpole, Lady, 1725?-1801, Argyll, Archibald Campbell, Duke of, 1682-1761, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
Title from item., The 'u' in 'conduct' etched backwards., Publisher tentatively attributed to Bickham in an unverified card catalog record., Publication place and date inferred from British Museum catalogue., Twelve lines of verse in two columns below image: O England, how revolving is thy state! How few thy blessings! How severe thy fate ..., Temporary local subject terms: Britannia (Symbolic character) as St. Erasmus -- Martyrdom of St. Erasmus -- Dissections -- Emblems: the White Horse of Hanover -- Baron Ilton., and Watermark: countermark IV.
Publisher:
G. Bickham?
Subject (Name):
George II, King of Great Britain, 1683-1760, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Pelham, Henry, 1695?-1754
Title from item., Publication date from British Museum catalogue., Temporary local subject terms: Close-stool -- Clyster-pipe., and Watermark: countermark I V.
Publisher:
publisher not identified
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Frederick II, King of Prussia, 1712-1786, George II, King of Great Britain, 1683-1760, Augustus III, King of Poland, 1696-1763, Benedict XIV, Pope, 1675-1758, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Heinsius, Anthonie, 1641-1720
Title from item., Publication date from British Museum catalogue., Temporary local subject terms: Close-stool -- Clyster-pipe., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Frederick II, King of Prussia, 1712-1786, George II, King of Great Britain, 1683-1760, Augustus III, King of Poland, 1696-1763, Benedict XIV, Pope, 1675-1758, Charles VII, Holy Roman Emperor, 1697-1745, Fleury, André Hercule de, 1653-1743, and Heinsius, Anthonie, 1641-1720
Title from item., Sheet trimmed within plate mark., 'Price 6d.', and Temporary local subject terms: Reference to the geese of the Capitol -- Emblems: the White Horse of Hanover.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Holland, Henry Fox, Baron, 1705-1774, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Title from item., Sheet trimmed within plate mark., Plate numbered '80' in upper right corner., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., and Reversed copy of No. 3465 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Louis XV, King of France, 1710-1774, Ferdinand VI, King of Spain, 1713-1759, Frederick II, King of Prussia, 1712-1786, William V, Prince of Orange, 1748-1806, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Henry Benedict Stuart, Cardinal Duke of York, 1725-1807, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Bute, John Stuart, Earl of, 1713-1792
Hearts is trump & has won the game and Hearts is trump and has won the game
Description:
Title from item., Plate numbered '90' in upper left corner., and Plate from: A Political and Satyrical History of the Years 1758 and 1759.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick II, King of Prussia, 1712-1786, Louis XV, King of France, 1710-1774, Augustus III, King of Poland, 1696-1763, Maria Theresa, Empress of Austria, 1717-1780, Pitt, William, Earl of Chatham, 1708-1778, Belle-Isle, Charles Louis Auguste Fouquet, duc de, 1684-1761, and Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
Title from caption above image., Publication date from British Museum catalogue: 1743., Temporary local subject terms: Pictures on the wall amplify the subject -- British Lion -- Emblems: the White Horse of Hanover., Truman's notes about the print are shelved as: LWL Mss Group 1 File 7., Bowditch's note on mounting sheet: Truman Sale 1906; mounted to 32 x 44 cm., and Contemporary mss. annotations on front of print identifying the names of the person depicted.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Winchilsea, Daniel Finch, Earl of, 1689-1769, Carteret, John, Earl Granville, 1690-1763, Tencin, Pierre Guérin de, 1679-1758, Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765, and France. Marine.
Subject (Topic):
Britannia (Symbolic character) and Campaigns & battles
"Satire on George II and Robert Walpole, based on a "Visio"n described in "Commonsense, or the Englishman's Journal", 19 March 1737. The king is represented as a satyr, seen from the rear, standing on an altar kicking his left leg and breaking wind; Queen Caroline, as a priestess wearing a bell on her wrist, approaches from the right to administer an enema of "Aurum potabile" (a flavoured brandy); Bishop Hoadly stands behind her followed by men carrying on their heads vessels of gold, several of which have been deposited at the foot of the altar, square pieces of gold having spilled from one. On the left; Robert Walpole dressed as the Chief Magician, dressed in a coat embroidered with dragons and the words "Auri Sacra fames" and carrying a rod, looks up at the satyr; behind him is a procession of couriters with the insignia of the golden rump embroidered on their shoulders; in the foreground Walpole's brother Horatio Walpole holds out a pair of scales, an allusion to his concern to preserve the balance of power in Europe which earned him the nickname, the "Balance Master". A curtain hanging across the top is embroidered with golden rumps."--British Museum online catalogue
Description:
Title engraved above image., Printmaker identified as Gerard Van der Gucht by Mark Hallett in Caricature in the age of Hogarth, see p. 137., Design on which this print is based, was attributed to the Earl of Chesterfield by the curator., "Price 1s."--Lower right corner., and Several subjects identified in a later hand below image.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Horatio Walpole, Baron, 1678-1757, Hoadly, Benjamin, 1676-1761, Fielding, Henry, 1707-1754, and Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773
Subject (Topic):
Politics and government, Bribery, Corruption, Medical procedures & techniques, and Theaters
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., Truman's notes about the print are shelved as: LWL Mss Group 1 File 4., Other notes identifying the figures in the print in unknown contemporary hand., and Imperfect: sheet trimmed within plate mark resulting in loss of imprint, text, and music of the song; sheet 28 x 32 cm, mounted to 33 x 45 cm.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
"A broadside satirising Robert Walpole with an etching in two parts. In the left-hand scene Frederick, Prince of Wales, stands with the Duke of Argyll and other gentlemen, pointing to the left where George II embraces Britannia. In the foreground, the grotesque figure of Walpole, wearing a coronet, kneels holding in five hands, bags of French and Spanish gold and another lettered, "I am Lord Corruption". Behind him stands his daughter, Lady Mary, toying with a coronet. On the ground beside Walpole, the French cock perches on the back of the exhausted Imperial Eagle, but the British lion watching the conflict growls, "Now I'm rousing". In the background, the white horse of Hanover kicks a man off a high rock; the man cries, "I'm lost"; a ship lies at anchor off Cartagena observed from another high rock to right by Admiral Vernon whose impetus towards the city is restrained by General Wentworth; below these two men sits Admiral Haddock chained to a rock (a reference to the limitation of his resources in dealing with the combined Spanish and French Mediterranean fleets). In the right-hand scene Walpole raises his hands in horror at the appearance in a cloud of smoke of the ghost of Eustace Budgell who holds out a paper described in the verses to left as a "black Account ...Full twenty Winters of Misdeeds"; on the table at which Walpole is sitting is a large candlestick and letters addressed "A son Eminence" (Cardinal Fleury) and "à don [Sebastian] de la Quadra" and a book on "The Art of Bribery". Budgell's ghost raises his hand above his head to point at a scene of a beheading in the background above which flies Time while Justice sits on a column beside the scaffold and a crowd cheers below; over a doorway to right is a portrait of a Cardinal, presumably intended for Wolsey who is mentioned in the verses on the right. Engraved title and dedication to the Prince of Wales on a cloth above the scene supported by two putti; verses in two columns on either side condemning Walpole for his maladministration and celebrating the new prominence of the Prince of Wales and his followers; lines of music in two columns below the etching."--British Museum online catalogue and Also depicted the White Horse of the Hanover, British lion emblem, and
Description:
Title from caption above image., British Museum curator's note: "The Man in Blue" refers to "The Chinese Orphan", which was a anti-Walpole verse drama by William Hatchett, published in 1741., Engraved throughout, with illustration in top center and music below., For voice and harpsichord. Music on two staves with interlinear words. With caption above music: Set by Sigr. Plutone, 1st composer to the Infernal Shades., Thirty-four stanzas of song engraved on either side of image and music: One midnight, as the man in blue, sat pond'ring on his doom ..., and Numbered '113' in black ink in an unidentified hand.
Publisher:
Printed for Eliza Haywood at Fame in the Piazza, Covent Garden, and sold by the printsellers and pamphlet shops of London and Westminster, according to act of Parliament
Subject (Geographic):
Cartagena (Colombia) and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Frederick Louis, Prince of Wales, 1707-1751, Walpole, Robert, Earl of Orford, 1676-1745, Budgell, Eustace, 1686-1737, Vernon, Edward, 1684-1757, Haddock, Nicholas, 1684-1757, Wolsey, Thomas, 1475?-1530, Wentworth, Thomas, active 1741, and Churchill, Mary Walpole, Lady, 1725?-1801,
Subject (Topic):
English West Indian Expedition, 1739-1742, History, Britannia (Symbolic character), Political corruption, Death (Personification), Bribery, Crowns, Decapitations, Ghosts, Justice, Putti, National emblems, British, French, Germany, and Spanish
Bubs complements to Ralffo and Bubs compliments to Ralffo
Description:
Title from item. and Temporary local subject terms: Interiors: Windsor Castle -- Buildings: cottages -- Vehicles: cart -- Literature: The remembrancer -- Literature: Hudibras by Samuel Butler, 1612-1680 -- Courtiers.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Ralph, James, -1762
publishd according to act of Parliament, Oct. 26, 1756.
Call Number:
756.10.26.01
Image Count:
1
Resource Type:
still image
Alternative Title:
British Lion's back friends detected and Mirror
Description:
Title from item., Publisher identified from address., Sheet trimmed within plate mark., Publisher's statement following publication date: to be had at the Star on Holborn Hill. Price 6d., Temporary local subject terms: British Lion -- Peacocks -- Addresses -- Shackles., and Mounted to 28 x 47 cm.
Publisher:
T. Kitchin
Subject (Name):
George II, King of Great Britain, 1683-1760, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Holland, Henry Fox, Baron, 1705-1774, Anson, George Anson, Baron, 1697-1762, Stone, Andrew, 1703-1773, and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Two lines of verse below image: How well the motion with the musick suits! So Orpheus tickled, and so danc'd the brutes., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2777., Temporary local subject terms: Musicians: flutist -- Musical instruments -- Musical scores -- Trades: laundress -- Cobbler -- Tailor -- Cook -- Cutlery: knife and fork -- Birds -- Tobacco: clay pipes -- Tobacco pouch -- Dishes: plates -- Glass: bottles -- Food: fowl on spit -- Headdress: male wig -- Dress: stockings -- Winged shoes -- Male dress: breeches -- Swords -- Wine glasses -- Pens -- Signs: rose., and Watermark: Fleur-de-lis.
Publisher:
G. Bickham
Subject (Name):
George II, King of Great Britain, 1683-1760, Walpole, Robert, Earl of Orford, 1676-1745, Weideman, Charles Frederick, -1782, and Henley, John, 1692-1756
Title from item., Sixteen lines of verse in four columns below image, preceded by instructions: Tune, London is a fine town: First is the King of Pru---a with his men of might ..., Temporary local subject terms: Literature: King John by William Shakespeare, 1564-1616., and Watermark: Pro Patria.
Publisher:
Sold at [the] Blackmoos [sic] head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Fleury, André Hercule de, 1653-1743, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Neuhof, Théodore-Antoine, baron de, 1690-1756, and Walpole, Robert, Earl of Orford, 1676-1745
Title from item., Sixteen lines of verse in four columns below image, preceded by instructions: Tune, London is a fine town: First is the King of Pru---a with his men of might ..., Temporary local subject terms: Literature: King John by William Shakespeare, 1564-1616., and With spine title: Caricatures anglaise 1740.
Publisher:
Sold at [the] Blackmoos [sic] head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Fleury, André Hercule de, 1653-1743, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Neuhof, Théodore-Antoine, baron de, 1690-1756, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on Robert Walpole at the time of his fall. Extended across a room is a large screen with twenty scenes described metaphorically in the text below. The scenes refer to instances of corruption and maladministration in his career: (1) three soldiers standing outside a prison referring to Walpole's alleged acceptance of a bribe in awarding two forage contracts for the army in Scotland when secretary of war in 1711 for which he was committed to the Tower; (2) a figure stretched across a screen indicating his "screening" of those involved in the South Sea Bubble; (3) a "Strumpet, called Corruption" with mitres and other symbols of office at her feet and Walpole at her side while "Pl[ace]m[e]n and Pensioners" gather around; (4) a snake-haired Fury drives men burdened with "Gin Act Dutys Taxes Debts"; (5) Walpole drives a chaise drawn by men instead of horses referring to the deeply unpopular Excise Scheme of 1733 and the Register Bill proposing the registration of seamen for defence purposes; (6) Walpole cutting in half a child representing the Sinking Fund; (7) Walpole embezzling public funds from chests in a strong room; (8) a hydra-headed Standing Army; (9) Walpole on his knees kissing the bare backside of Cardinal Fleury; (10) the "Mansion House" of the Constitution runs to ruin while (11) Walpole builds the splendid Houghton Hall for himself; (12) with the treaties of Hanover and Seville he inhibits the cause of Maria Theresa to the benefit of France and Spain; (13) "Spanish Depredeantions" of timber and cattle apparently in the Caribbean; (14) the export of "Wool to France"; (15) "Negotiations" with France and Spain in which Walpole frivolously blows bubbles, giving up all demands; (16) the Convention of the Pardo of 1738 which was condemned as making concessions to Spain; (17) the under-resourced War of Jenkins' Ear against Spain; (18) the "Spithead Expedition" of 1740 when the fleet was prevented from leaving port, allegedly by contrary orders rather than by unfavourable winds; (19) "His Flight", i.e. his resignation in February 1742, shown as a colossus cut in two and falling to earth while Walpole throws gold dust in the eyes of pursuers; (20) Walpole's "Trial", then in progress, before a committee of Parliament investigating aspects of his record in office shown here as resulting in his execution and the exposure of his severed head in the manner of a traitor. On either side of the screen large windows reveal a night sky in which, seen on the left, three men fly on a broomstick towards the moon; on the right, four others identify one of them as Walpole, one exclaiming "It must be the Comet", his neighbour, holding a telescope, "No! by Jove, tis Robin Goodfellow from R[i]chm[on]d", the third, "I wish the Telescope was a Gun". The Devil, smiling, peers from behind the screen muttering, "Hah! I shall have business here again." as he observes Walpole advising the king and his supporters, all wearing sashes. The king, sitting by a table on which burn two candles, asks, "What is to be done", to which Walpole replies, "Mix and divide them"; a gentleman responds, "tis good advice", another whose pockets are bulging, says, "I can keep up my Britches no longer"; another remarks, "this was an unlucky Change", to which a bishop replies, ""Yes - but I can change too". the Duke of Argyll and another gentleman approach from the left, the latter asks, "What think you?" to which Argyll replies, "I'll throw up tomorrow", referring to his impending resignation.Engraved inscriptions and title, and with letterpress text below in four columns."--British Museum online catalogue
Alternative Title:
Relapse
Description:
Title from item., 'Price 6 pence'--Lower right corner of plate., Letterpress broadside with etching at top of sheet (plate mark 21 x 35 cm). Letterpress overlaps the lower plate line., Four columns of text entitled "Explanation of the screen": 1. He is sent to gaol for selling oats and hay out of his Lady's stables. Getting at liberty again, he transforms himself ..., Cf. No. 2559 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Bowditch's ms. annotations on the mounting sheet; mounted to 33 x 48 cm., and Watermark.
Publisher:
Publish'd April 12, 1742, by J. Huggonson, in Sword-and-Buckler Court, on Ludgate Hill
Subject (Name):
George II, King of Great Britain, 1683-1760, Caroline, Queen, consort of George II, King of Great Britain, 1683-1737, Walpole, Robert, Earl of Orford, 1676-1745, Fleury, André Hercule de, 1653-1743, and Argyle, John Campbell, Duke of, 1680-1743
Title from item., Publication date from British Museum catalogue., Quotation below title: He hath swallowed down riches and he shall vomit them up again ..., Temporary local subject terms: Bible: quotation from Job xx.15 -- Elections: Westminster election, 1742 -- Elections: Chippenham election, 1742 -- Medical: vominting -- Medical implements: drenching horn., Bowditch's ms. annotations on the mounting sheet., and Mounted to 32 x 48 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Argyle, John Campbell, Duke of, 1680-1743, Compton, Spencer, Earl of Wilmington, 1673?-1743, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lee, George, Sir, 1700-1758, Ombersley, Samuel Sandys, Baron of, 1695-1770, Smalbroke, Richard, 1672-1749, Thomas, John, 1691-1766, and Walpole, Robert, Earl of Orford, 1676-1745
Title from item., Publisher's name from address in imprint., Temporary local subject terms: Treaties: Aix-la-Chapelle, 1748 -- Fences: stile -- British territorial concessions: concession of Cape Breton to France -- British territorial concessions: threat of concession of Gibraltar to Spain., and Watermark: Strasburg lily.
Publisher:
Sold in May's Buildings, Covt. Gardern
Subject (Name):
Maria Theresa, Empress of Austria, 1717-1780, Louis XV, King of France, 1710-1774, George II, King of Great Britain, 1683-1760, Philip V, King of Spain, 1683-1746, Charles Emmanuel III, King of Sardinia, 1701-1773, and William IV, Prince of Orange, 1711-1751
"Satire on the ambitions of European powers ranged against Maria Theresa in the early stages of the War of Austrian Succession, and on Robert Walpole's preoccupation with his own precarious position as well as his lack of support for Austria; an adaptation of British Museum Satires No. 2463. The ships at sea in the foreground of the earlier state have been replaced by the naked figure of Maria Theresa (then Queen of Hungary) sitting on a chair, one leg having been amputated and replaced by a wooden stump; a cloth around her hips is lettered, "Hungary & Lindtz". Her clothing has been pulled off by her enemies: Frederick the Great of Prussia pins down her cap, labelled "Silesia", with his halberd; the figure on the ground, previously identified as Theodore of Corsica holds her necklace labelled "Buta" [Buda]; the King of Spain holds a string by which he has pulled off her shift, labelled, "Just Rights"; the word "Doteingness" has been removed from Cardinal Fleury's walking frame and a string attached to his wrist has pulled off the Queen's petticoat, labelled "Austria/Netherlands" which she tries to hold on to; Walpole's paper is now lettered, "Place Bill", he now says "King LOGG listen to the Cardinal" a label at his feet reads, "If I get off now thanks to ye Priest Successor of Richlieu", and his string is now attached to the foot of the City of London alderman, whose label "Sturdy Beggar" has been removed; the Dutchman holds a string to which is attached the Queen's tippet labelled "Munich"(?) and he now says, "But We Design to be on our Guard & remain neuter"; the labels "Bohemia" and "Grand Duke" have been removed from two figures in the background; The figure formerly identified as Austria is now "Bohemia" and holds a string pulling the Queen's robe which is labelled "Prague", "Sultzback" and "Breslau". The verses below have been erased and replaced by twelve stanzas. The lettering is otherwise unchanged."--British Museum online catalogue
Alternative Title:
Queen of Hungary stript
Description:
Title from item., Also attributed to George Bickam the Younger., Bickham's name and date burnished from plate and replaced with that of Richardson's, along with alterations to design. See British Museum catalogue nos. 2463 and 2512., Image enclosed within decorative scroll., Twelve lines of verse in four columns below image: Who are all these that look so fine-a 'Tis P-----a, R----a, F----e, H-L---d and Spine-a ..., and Temporary local subject terms: War of the Austrian Succession, 1740-1748: stripping of the Hungarian Empire -- Birds: goose -- Go-carts -- Male dress: royal robes -- Female dress: royal robes -- Furniture: chair.
Publisher:
Sold at [the] Blackmoos head, Exeter Change
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles VI, Holy Roman Emperor, 1685-1740, Elizabeth, Empress of Russia, 1709-1762, Peter III, Emperor of Russia, 1728-1762, Frederick II, King of Prussia, 1712-1786, Francis II, Grand Duke of Tuscany, 1708-1765, Louis XV, King of France, 1710-1774, Maria Theresa, Empress of Austria, 1717-1780, Philip V, King of Spain, 1683-1746, Elizabeth Farnese, consort of Philip V, King of Spain, 1692-1766, Fleury, André Hercule de, 1653-1743, and Neuhof, Théodore-Antoine, baron de, 1690-1756
Subject (Topic):
Austrian Succession, War of, 1740-1748, Geese, Clergy, and Seesaws
publish'd according to act of Parliament 1 Nov. 1748.
Call Number:
748.11.01.01+
Image Count:
1
Resource Type:
still image
Abstract:
On the left James II, seated on a throne of "hereditary right" and holding manacles, turns left to shake the hand of a monk who tramples on an open volume labeled "Holy Bible". From under the throne dragons or serpents devour the "Magna Carta", "Toleration Act", "Common and Statute Law" and "Acts of Parliament" while slaves bow before the King and Furries with torches and whips dance before him. On an obelisk is inscribed: "The Foundation of the Roman Hierarchy; implicit faith; apostalical succession; infallibility; pardons and indulgences; decrees of council; massacres; private murders; perjury and the inquisition ..." At foot of the obelisk is the Pope preaching "Hereditary indefeasible right and my bull to sanctify thy claim" addressed to the Pretender ...
Description:
Title engraved in cartouche below image., Later state, with publisher's address erased and date altered to 1748. Originally published by J. Collyer in Ludgate Street, 1 November 1745., Sheet trimmed to plate mark on sides., and Mounted to: 31 x 39 cm.
Publisher:
publisher not identified
Subject (Name):
James II, King of England, 1633-1701, George II, King of Great Britain, 1683-1760, James, Prince of Wales, 1688-1766, Louis XV, King of France, 1710-1774, and Benedict XIV, Pope, 1675-1758
Subject (Topic):
Britannia (Symbolic character), Animals, Clergy, Demons, Justice, Martyrs, Monks, Shackles, and Enslaved people
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., Mounted to 33 x 48 cm., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
Title from caption below image., Publication date from British Museum catalogue., Temporary local subject terms: Personifications: Sir Robert Walpole as Punch -- Wool trade -- The Earl of Islay., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Keene, Benjamin, Sir, 1697-1757, and Walpole, Robert, Earl of Orford, 1676-1745
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
Title from caption etched above image., Sheet trimmed within plate mark., Temporary local subject terms: Harlequin -- Personifications: Death -- Dr. Richard Rock, fl. 1731-1769., and Mounted to 34 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Title from item., Publication information from British Museum online catalogue., Temporary local subject terms: Violin -- Treaties: Aix-la-Chapelle, 1748 -- Personifications: nobles and wheelbarrow vendors -- Hostage: British hostages to France -- Emblems: fool's head -- Hanover turnips., and Watermark: Strasburg lily with initials L V G below.
Publisher:
G. Bickham
Subject (Name):
Louis XV, King of France, 1710-1774, Fredrik I, King of Sweden, 1676-1751, George II, King of Great Britain, 1683-1760, Maria Theresa, Empress of Austria, 1717-1780, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Klemens August, of Bavaria, 1700-1761, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Cathcart, Charles Schaw Cathcart, Lord, 1721-1776
Subject (Topic):
Flags, Musical instruments, National emblems, Hanoverian, and Wheelbarrows
In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Earlier state of the print had 'Gazette' in title; this later state Gazette has been burnished out and replaced with 'Evening Post.', Description based on imperfect impression; sheet trimmed within plate mark., Following imprint: "Price six pence.", Later state, with change in title, of No. 3605 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Watermark: Strasburg bend with initials L V G below.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
In the upper right, beneath the French flag, French troops and Indians attack English settlers and burn their homes as signs of general social and political corruption are illustrated in the foreground; each scene is numbered and explained in the key below the image. In the center a tower covered by a cloud, obscuring all but a crown, orb and scepter. Two counselors with goose heads standing gossiping, and two bishops play backgammon and drink spirits (wine?), one sits on a chair made from a bible and the other sits on am overturned model of a church. Two noblemen rob a countryman as he sleeps in his chair. Two senators count their bribes, one hiding the money in his 'pension'. The decline in manufacturing (trade) is symbolized by the idle loom, covered with cobwebs and labeled "To be sold cheape". A thin, starving seaman begs while behind him two common folk stand idly with their hands in their pockets. In the upper left, soldiers in uniform lounge around their military encampment, beside rows of tents and cannons. In the distance, lines of ships stand idle at sea
Description:
Title etched above image., Sheet trimmed within plate mark., Following imprint: "Price six pence.", Truman's notes about the print are shelved as: LWL Mss Group 1 File 17., Watermark: Strasburg bend with initials LVG below., Mounted to 32 x 48 cm., and 'Gazette' in title erased from this impression; 'Evening' written in contemporary hand.
Publisher:
Publish'd according to act of Parliament, June 17, 1757, by T. Ewart at the Bee Hive near St. Martins Lane in the Strand
Subject (Geographic):
United States and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760
Subject (Topic):
History, Political corruption, Backgammon, Clergy, Games, Pleading (Begging), and Starvation
Title from British Museum catalogue., Plate numbered '4' in upper right corner., Four lines of verse below image: A maxim this tho vice first thrives / It seldom lasts th [sic] offenders lives ..., Plate prepared for: England's remembrancer, or, A humorous, sarcastical, and political collection of characters and caricaturas ... London, 1759., Reversed copy of no. 3488 in the Cat. of prints and drawings in the British Museum, v. 3., and Temporary local subject terms: Personifications: figure of Justice and figure of Liberty -- British Lion.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Holland, Henry Fox, Baron, 1705-1774
Title and date from British Museum catalogue., Sheet trimmed to plate mark., Fifteen lines of verse in center of sheet in a vignette between two images comprising this print: The sacred Lion conquers every foe, and tears in pieces all devouring beasts ..., Temporary local subject terms: British Lion -- Emblems: Unicorn and thistle for Scotland., Truman's notes about the print are shelved as: LWL Mss Group 1 File 9., Bowditch's note on mounting sheet: Truman Sale 1906., Watermark: Strasburg bend., and Mounted to 49 x 35 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, Louis XV, King of France, 1710-1774, Benedict XIV, Pope, 1675-1758, and William Augustus, Prince, Duke of Cumberland, 1721-1765
"Portrait, bust in an oval frame directed to right, glancing towards the viewer, wearing robes trimmed with ermine, an ermine cape, lace cravat, collar of the Garter and long white wig; after Kneller."--British Museum online catalogue
Description:
Title, artist and date from similar print in the British Museum online catalogue. See registration no.: 1874,0808.1220., Description based on imperfect impression; sheet trimmed within plate mark with loss of text., and White paper frame: 329 x 268 mm.
Title from British Museum catalogue., Plate numbered '4' in upper left corner of design., Four lines of verse below title: A maxim this tho vice first thrives, it seldom lasts th' offenders lives ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Personfications: figure of Justice -- Figure of Liberty -- British Lion., and Mounted to 16 x 22 cm.
Publisher:
According to act Sept. 18th, 1756, by Darly & Edwards facing Hungerford, Strand
Subject (Name):
George II, King of Great Britain, 1683-1760, Holland, Henry Fox, Baron, 1705-1774, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
"Satire on the times in four compartments each showing the figure of Time and a grindstone in relation to current events: the incompetent management of war with France; John Barnard's lottery scheme, in which Henry Legge, Chancellor of the Exchequer, had invested heavily; Henry Fox's "Treachery,Vanity, Folly & Impudence" which Pitt promises to crush; the burden of taxes on all but the friends of the Devil."--British Museum online catalogue
Description:
Title from British Museum catalogue., Sheet trimmed within plate mark., Design divided into four compartments, each with its own title and numbered Part 1 to 4., Temporary local subject terms: Grinding stones -- Britannia (Symbolic character) -- British Lion -- Personifications: Time -- Frenchmen -- Spaniards., and Mounted to 23 x 38 cm.
Publisher:
publisher not identified
Subject (Name):
George II, King of Great Britain, 1683-1760, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
