Key plate to the print of the Death of the Earl of Chatham, in the Upper Chamber of the Palace of Westminster, 1778, with 55 members identified
Description:
Title engraved at top of image., John Singleton Copley's oil painting on which the engraving was based, was first exhibited at the Royal Academy in 1780 and is now held at the Tate Gallery, London., and Mounted on linen, bordered in silk; rolled with silk ties.
Publisher:
Published by John Singleton Copley, R.A., Decr. 26, 1791, and sold at Parr's Print Warehouse, No. 52 Pall Mall
Subject (Geographic):
Great Britain.
Subject (Name):
Copley, John Singleton, 1737-1815., Pitt, William, Earl of Chatham, 1708-1778., and Great Britain. Parliament. House of Lords,
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
"Caricature on George IV in the costume of Henry VIII addressing Parliament on one side while the Queen and her supporters stand on the other."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 22 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript date "1 June 1820" written in ink in lower right corner.
Publisher:
Published June 15th, 1820, by J. Fairburn, 2, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Henry VIII, King of England, 1491-1547., and Great Britain. Parliament. House of Lords,
"A scene in the House of Lords, the foreground being filled by a fantastic game of chess. Gifford (left) and Brougham (right) play on a large chess-board supported on the heads of three witnesses against the Queen: Rastelli (?), Demont, and Majocchi. Copley watches behind Gifford's chair; both register consternation. Denman leans on Brougham's chair; both smile. The King, as a Chinese mandarin at Q.R. 4 is in check to the Queen (Q.R. 2), who stands beside Alderman Wood, her 'chief pawn'; both are whole length portraits. At the back of the board are two knights (men on horseback): ' Sir Exoff' (Gifford, so styled from the ex-officio Informations of the Attorney-General, see British Museum Satires No. 11717), and 'Birch' (Brougham). In the centre of the board stand five tiny men, the Queen's pawns, surrounding a woman in white (the Queen, who thus appears twice). The only pieces represented as chessmen are castles with the heads of Castlereagh and Wellington and two bishops, Canterbury and Exeter. Gifford has lost all his pawns: they are Italian witnesses who lie on the ground, broken, by Brougham's chair. Behind, the benches converge in perspective on the throne; Eldon, seated on the Woolsack, registers dismay. Peers, crowded on the ministerial benches (left) are alarmed. Those opposite are fewer: some are mildly pleased, others indifferent."--British Museum online catalogue
Description:
Title from British Museum catalogue., Frontispiece to: Playfair, P. The Queen and her pawns against the King and his pieces; or, The royal check-mate. London : Printed and published by W. Benbow ..., 1820., Approximate month of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 92 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Manuscript title "Frontispiece to Queen & her Pawns" written in ink at bottom of sheet, above printmaker's signature; date "Oct. 1820" added in pencil following printmaker's signature. Typed extract of twenty-three lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
W. Benbow
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Gifford, Robert Gifford, Baron, 1779-1826, Majocchi, Theodore, active 1820, Demont, Louisa, active 1814-1820, Rastelli, Giuseppe, active 1820, Denman, Thomas Denman, Baron, 1779-1854, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Wood, Matthew, Sir, 1768-1843, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Manners-Sutton, Charles, 1755-1828, and Great Britain. Parliament. House of Lords,
