"Satire on the government as a pack of performing dogs under the whip of John Bull presenting their homage to the Queen enthroned."--British Museum online catalogue
Alternative Title:
Degraded honoured and the honoured degraded, Black dogs under g-v-t well dressed and turned out, and Black dogs under government well dressed and turned out
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 23 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Wellington," "Liverpool," "Londondery [sic]," "Eldon," and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner.
Publisher:
Published by W. Benbow, corner of St. Clement's Church Yard, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Dogs, Demons, Bags, Thrones, Whips, Trained animals, Telescopes, Medical equipment & supplies, and Columns
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
"The King and his Ministers (with the Devil), Bloomfield, the Archbishop, and Wilberforce, proved guilty by the Green Bag, which shows that she's as innocent as we are Vile. The King tramples on [inter alia] a paper: on the necessity of punishing Bigamy, the only allusion to the latent danger that the Queen's lawyers might bring forward the marriage to Mrs. Fitzherbert. Cf. British Museum Satires No. 13305. Castlereagh claims to have done 'every thing in my power not only to deprive her of her rights and spotless name but of l-fe also'."--British Museum catalogue
Alternative Title:
Dandy of sixty severely beat by his wife
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Mounted to 39 x 58 cm., Mounted on leaf 17 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Geo. IV," "Wellington," "Sidmouth," "Liverpool," and "Leach" identified in ink below image; date "10 Nov. 1820" written in lower right corner. Typed extract of six lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. by W. Benbow, 269 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834.
Subject (Topic):
Politicians, Adultery, Devil, Bishops, Bags, and Worms
"Heading to a printed broadside. The King, on a dais, sits at a table between Eldon and Castlereagh, with Liverpool (?) under the table (from fear). All are terrified at the Bill, a creature, surrounded by clouds, with stick-like limbs, supported on broken crutches and a body formed of a rolled document: 'Bill of Pains and Penalties'. The apparition interrupts a Cabinet meeting, only three Ministers are depicted, others being mentioned; the King departs to Windsor to escape the Ghost, which has addressed them. The thirteenth and sixteenth of nineteen verses: Two crutches supported its figure so drear, Two props almost broken in pieces; And as the wan spectre advanced to them near, They saw one inscribed "Ministerial fear," On the other was, "Royal Caprices." "Ah! see to my heart how fraud-hating Gr--y His vigorous weapon home thrust: Through here the bold sword of a L--nsd--n made way: Noble H--ll--nd struck here with impetuous sway, Uprous'd in a struggle so just."--British Museum online catalogue
Alternative Title:
C-rlt-n Palace haunted and Carlton Palace haunted
Description:
Title printed in letterpress below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark on two sides., Nineteen stanzas of verse in two columns below title, printed in letterpress: 'Twas midnight! - an awful beginning, you'll say - That witching and ghost-breeding time! ..., With a key to seven symbols printed beneath nineteenth stanza, at foot of right column: * Vide Majocchi's re-cross-examination. ..., Mounted to 58 x 39 cm., Mounted on leaf 101 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon" and "Londondery [sic]" identified in ink below image; date "Oct. 1820" written beneath lower right corner of image. Typed extract of six lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Scott, printer, Great New Street, Fetter Lane, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Politics and government, Political satire, English, Chairs, Tables, Chandeliers, Documents, Legislation, Supernatural beings, Crutches, and Fear
A design in two panels, with George IV depicted on the left and Queen Caroline on the right. The King sits in a chair and holds up a large playing card (a King of Clubs), while Castlereagh holds a disk-shaped hat labeled "Cake" and topped with the head of a bishop over his head. Liverpool and Sidmouth are seen playing cards in the background, and Eldon is behind the King at a table holding a glass; full bottles of alcohol are on the table and empty ones on the floor. In contrast, the regally-dressed Queen sits in a more ornate chair with a crown on the back, holding a scepter in her left hand and holding up a large playing card (the Queen of Hearts) with her right hand; Alderman Wood stands behind her exclaiming "The Queen of Hearts by Heaven!!!" Three women watch her with admiration from a table in the background, upon which a disk-shaped hat labeled "Popularity" and topped with hearts and a small crown sits; another man on the far right of the design says "Bravo!! Bravo!!"
Alternative Title:
Twelfth night, 1821
Description:
Title etched below image., Sheet partially trimmed to plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 57 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Castlereagh," "Geo. IV," "Eldon," "Q. Caroline," and "Ald. Wood" identified in ink below image; date "14 Feb. 1821" written in lower right.
Publisher:
Published February 1821 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Politicians, Playing cards, Bottles, Alcoholic beverages, Scepters, and Crowns
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'." On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title from caption etched below image., Publication date from British Museum catalogue., Plate numbered 'XXI' in upper right corner., Plate from: London und Paris, vol. x, 1802 [1803]., and Part of watermark: [...] & Zonen.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Cradles, Nurseries (Rooms & spaces), and Washstands
"The King stands waist-deep in a broad-based Green Bag (see British Museum Satires No. 13735), holding up his arms, and exclaiming: "A Rat! A Rat! my Kingdom for a Rat!!!" Huge rats climb up the bag and nibble at it, others run towards it, or emerge from holes. Ministers are imprisoned in the bag with the King, and struggle to get out. Near the base (left) emerge the head and arms of Castlereagh; he says: "Knaw away my fine fellows and extricate me." Above him is Sidmouth, crying: "I wish I could find some hole large enough to creep out at." Eldon's head and hands emerge from three holes; he asks: "Was the Pillory ever made for me? will no Rat assist me? let me out to consider of it." Above him is Liverpool, saying: "We shall certainly be all smother'd in this Infernal Bag." The Devil is between Castlereagh and Eldon, shovel in hand; he says: "I can make a hole for myself to creep out at." Each rat has an inscription: 'Church' and 'Corruption' are on the bag, flanking the King. Other nibblers are 'Pension', 'Place', 'Sinacure' [sic], and 'Dr Slop' [Stoddart, i.e. the 'New Times']; near the last is the 'Courier', and behind (right) the 'Vice C--' [Leach]. John Bull and Mrs. Bull, a farmer and his wife, stand on the left and right; John holds the chain of his savage dog, still attached to its kennel but eager to get at the rats; he says: "Odzooks, I'll let my Dog loose and worry them all." Mrs. Bull points angrily, and shouts: "Destroy the Vermin John--let our Dog loose.""--British Museum online catalogue
Alternative Title:
How to get out of the bag
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londonderry," "Sidmouth," "Liverpool," and "Eldon" identified in pencil on mounting sheet below print; date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted above print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Leach, John, John Bull (Symbolic character), Rats, Bags, Politicians, Devil, Shovels, Dogs, and Kennels
"Heading to a broadside printed in two columns. A sequel to No. 13764. George IV, a whiskered infant, lies feverish and fractious in a cot decorated with Chinese figures and hung with bells. He is surrounded by Ministers. Sidmouth, holding a doctor's gold-headed cane, feels his pulse, saying: "Dredful sympton's [sic] a raging Pulse." A bottle labelled 'Dolbys Carminative' (as in British Museum Satires No. 13764) projects from his pocket. Liverpool, with pap-boat and spoon, says: "I thought how it would be, that Foriegn Emetick has been too strong for his weak Nerves." Castlereagh, standing between two lawyers, puts a hand on the Babe's forehead, saying: "how hot his poor dear head feels." One lawyer (? Copley) tries to push back a leg within the cot, saying: "If he could but stand on his Legs once more we might have hopes, but I'm afraid he has Caught the Rickets--" The other (? Gifford): "A sae [sic] voyage by all means Brou--ms drops should have been taken with more caution as they are very Searching." An old woman (left) holds out a ribbon: "Here's the R--y--l Leading Strings," while an apothecary (right) using a large pestle and mortar says: "O! what a fogo what a mixture what a mess." Behind him are shelves ranged with druggist's jars. In the foreground toys are scattered, chiefly military, as in British Museum Satires No. 13764; they are: 'Royal Play things'. There is also a rocking-horse on which are two toy lancers. In front of the fire napkins are hanging, and on the mantelshelf are medicine-bottles and a doll. In the foreground is an overturned child's commode, the pan inscribed 'Royal Stole'. ...."--British Museum online catalogue
Alternative Title:
Great babe taken ill
Description:
Title printed in letterpress below image., Attribution to Robert Cruikshank and approximate date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., Nine stanzas of verse in two columns below title, printed in letterpress: Run, Sid-th, run; send for a nurse, the R-y-l Babe's quite ill ..., "Price one shilling. Entered at Stationers' Hall"--Below imprint., Publisher's advertisement at bottom of sheet: N.B. More good things in preparation, by the same author., Watermark: Gater 1818., Mounted to 58 x 39 cm., Mounted on leaf 38 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Geo. IV," and "Castlereagh" identified in black ink below image; date "July 1820" written beneath lower right corner of image. Blanks within the letterpress text have been completed in ink, spelling out the censored names "Sidmouth," "Brougham," "Liverpool," and "Sidmouth" (a second time), as well as the word "Royal" in two places. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published by C.E. Pritchard, Islington Green
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Politics and government, Political satire, English, Cots, Bells, Sick children, Staffs (Sticks), Lawyers, Pharmacists, Medicines, Rocking chairs, Toys, and Fireplaces
"George IV (three-quarter length), surrounded by admiring Ministers, holds up a big extinguisher made of paper and inscribed 'Speech from the Throne', which he is about to place over a crowd of tiny Jacobins who surround the Queen and Alderman Wood. All these 'Lilliputians' are on a round table, whose top forms the base of the design except on the right. The terrified Jacobins fall on to papers inscribed 'Libels', 'Address' [twice], 'Sedition'. Alderman Wood steps on the back of one in a frantic effort to escape with the Queen whom he holds in his arms. She is a fat virago, holding up a fire-brand (cf. British Museum Satires No. 13895) inscribed 'Sedition', whose smoke rises into the extinguisher, and a large money-bag, '50 000 per Ann', labelled 'Crumbs of Consolation'. Other Jacobins flee to left and right, escaping the extinguisher, but either falling calamitously from the table, or about to be grasped by the hand of Eldon who sits at the table (left). They have banners and caps of Liberty on poles (or pikes). Among the fugitives is a Don Quixote (left) in armour, wearing Mambrino's helmet, galloping off on horseback, holding a banner. A terrified Jacobin (right) drops a 'Tailors Adress'. Ministers watch the approaching extinction with pleasure: Eldon has a grim smile, Sidmouth and Castlereagh behind him register, one eager delight, the other bland satisfaction. Wellington (right), close behind the King, smiles triumphantly, Liverpool beside him, is in profile, surprised, pleased, and imbecile. The King, three-quarter length, is a cynical Adonis, in military uniform. Behind his head is a framed picture: an irradiated sun containing features dispels dark clouds, putting bats, serpent, owl, &c., to flight; beside it is a dark disk containing the features of the Queen, in eclipse (reversing the situation in British Museum Satires No. 14012)."--British Museum online catalogue
Alternative Title:
King of Brobdingnag & the Lilliputians and King of Brobdingnag and the Lilliputians
Description:
Title etched below image., Two lines of quoted text below title: "Confound their politick's, frustrate their knavish tricks." "God save the king"!, Text above image: Ah! ha! Madam Q-!, Monsr. W! Messrs. Radicals, Addressers, & Co.!! Where are you now?!!! Ah ha! ha! ha! ha!, Sheet trimmed within plate mark., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. April 7th, 1821, by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Quixote, Don (Fictitious character)
Subject (Topic):
Politicians, Fire extinguishers, Tables, Crowds, Documents, Torches, Money, Banners, Liberty cap, and Military uniforms
"The King and Ministers, as domestic servants in déshabille, surround a rush-light, trying, with fierce intentness, to blow it out. The flame of the light encloses the head of Queen Caroline wearing her feathered hat; the rush is supported on a saveall formed of the head of Wood [Brougham, according to Reid, who is incorrect in some of the other identifications], and placed in a kitchen candlestick standing on a rectangular table. The centre figure is Eldon, his Chancellor's wig formed of a pair of breeches. He leans sideways and the King, wearing a night-cap, looks over his shoulder, blowing downwards. Next them is Wellington, whose blast is better directed than that of the others, but all miss the flame by blowing too low. On the left are two old women, Sidmouth, using his (green) clyster-pipe as a squirt, and Liverpool, whose night-cap is a green bag (see British Museum Satires No. 13735). Facing these are the Duke of York, next Eldon, and the Duke of Clarence on the extreme left, as a hideous black man, whose strong but ill-directed blast is inscribed 'Slander' [see British Museum Satires No. 14031, &c.]. Three other heads are in shadow, like the King; they watch with anxiety, but are not blowing; they are Castlereagh (left) and two women (right). Below the design: "Cook, Coachee, men & maids, very near all in buff, Came & swore in their lives they never met with such a light; And each of the family by turns had a puff, At the little farthing rush light, The curst farthing rush light, But none of the family Could blow out the rush light.!""--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Wood, Matthew, Sir, 1768-1843, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Politicians, Servants, Candles, Bags, and Medical equipment & supplies
