"In the upper part of the design the Recording Angel (or Truth) draws or engraves on an oval shield which she rests on a pedestal. On it are depicted French soldiers bayoneting defenceless Turks (apparently adapted from BMSat 10062). In the background are the head of a Sphinx, and clouds. Against the pedestal on which Truth stands rests a picture, filling the lower part of the design. Napoleon kneels on a rock, extending imploring arms towards Nilus, a nude and muscular figure seated on rock from which water gushes. Nilus veils and averts his head. In the background are pyramids and palm-trees."--British Museum online catalogue.
Alternative Title:
Frontispiece, Britannicus to Buonaparte : an heroic epistle
Description:
Frontispiece to the second edition of Britannicus to Buonaparte, an heroic epistle, with notes / by Henry Tresham. and Title devised by cataloger; varying form of title from British Museum catalogue.
Publisher:
J. Hatchard, No. 190 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Hatchard, John, 1768-1849 publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Tresham, Henry, 1749?-1814 artist.
"A satire on the peace negotiations and on Windham's Training Act. The scene is outside the 'Treasury', the lower part of its façade forming the background. Ministers and their supporters as 'Corporal and Conscripts' obey the orders of their 'Drill-Serjeant' Napoleon, who stands on the extreme left., his jack-boots firmly planted on cannon-balls him height. He extends his sword with an arrogant gesture, and fiercely orders: "Ground - Arms!" Next him, and in back view, but looking up at him, is Fox seated in an invalid's wheeled chair on the back of which are the coronet and feathers of the Prince of Wales. He is 'Grand Double Drums' and is vigorously beating a pair of kettle-drums, one inscribed 'GR' and crown, the other 'N' and crown. He wears a dressing-gown and bonnet rouge, and his enormously distended legs are straddled outside his drums. On Fox's r. is the 'Flugel Man', Grenville, going through the movement as a pattern to the other privates. He kneels on the left knee and grounds his musket, putting up his hand to shield his eyes; his bayonet is broken, as is its sheath. The 'Corporal & Conscripts' drawn up (r.) facing Napoleon attempt the movement with extreme awkwardness and obsequious haste, not excepting Windham the corporal, the end man (r.) of the front rank. Next him is Lord Holland, on both knees, with an amiable smile. Then Sheridan, very bulky and awkward, but unlike the others directing his musket towards Napoleon. Petty, on both knees, flings down his musket with an obsequious gesture. Next him Lord Temple grovels displaying spherical posteriors. Next, at the end of the line, and close to the gate of the Treasury, kneels Erskine, in wig and gown, raising his hat. In the second rank, behind Windham, is Howick, First Lord, deferentially raising a naval cocked hat; Sidmouth staggers back, throwing up his arms and dropping his musket which lands on his face. Next are Spencer, clumsily lifting his musket, and Ellenborough in wig and gown, with a blunderbuss which he seems about to dash violently on the ground. Behind him is Moira, stiff and tall, in uniform with cocked hat, holding up a musket exploding at lock and barrel. Behind and in shadow are (l. to r.) St. Vincent, Hanger, and the Duke of Clarence, all holding up the muskets which the next rank prevents them from grounding. Most of the 'conscripts' wear civilian dress with crossed bandoleers, and are in most unsoldierly confusion. By the Treasury gate and facing Erskine stands the 'Constable of the Corps', Talleyrand, holding a long constable's staff, crowned, his left. arm extended in a gesture of command; one twisted leg is supported by a stilt under the shoe. As ex-Bishop of Autun (see BMSat 8088) he wears a hat whose crown is a mitre, a long gown and bands over his coat, and a rosary. In his mouth is a pen. Above his head a bird with webbed wings and the head of Lauderdale flies towards Fox, clutching a paper: 'Terms of Peace'. In his mouth is a completely are olive branch. He wears a bonnet rouge, and his body is covered with tartan."--British Museum online catalogue.
Description:
Series of mocking military are etched below image and correspond with figures in the design: Drill-Serjeant [Napolean], Constable of the Corps [Talleyrand-Périgord], Grand Double-Drums [Fox], Flugel Man [Grenville], Corporal & Conscripts [remaining figures]. and Title etched at top of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Holland, Henry Richard Vassall,--Baron,--1773-1840--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"Napoleon is the London street-seller of gingerbread cakes whose wares and patter made him a long-remembered character. He stands in his bakery vigorously drawing out from the arched aperture of his oven a broad shovel (peel) on which are figures of three kings in royal robes holding orb and sceptre. They are 'Bavaria', 'Wirtembg (very fat), and 'Baden'. The keystone of the arch is inscribed 'New-French Oven for Imperial Gingerbread'. Napoleon, in profile to the right., wears a feathered cocked hat and a white apron over uniform with jack-boots. Behind him is a heap of cannon-balls, with a shovel inscribed 'Fuel'. Under the oven is a second and larger arched opening: 'Ash-hole for broken Gingerbread'. Broken and discarded cakes have been swept into it by a broom: 'Corsican Besom of Destruction', which lies on the ground against a (gingerbread) galleon flying the flag of 'Venice', a crowned skull inscribed 'Spain', a boot inscribed 'Italy', a Papal tiara, a staff and cap of 'Liberty', a figure, face downwards, showing heavy posteriors in bulky breeches inscribed 'Holland'; two fragments, 'Switzerland' and 'Netherlands'; a Habsburg eagle, inscribed 'Austria', the crowns falling from both heads; a tricolour flag, inscribed 'vive le Republique Francois' from whose shaft falls a bonnet rouge. There are also sceptres, a rosary, a coroneted skull, a fleur-de-lis. In the foreground (l.) is a round double-handled basket, from which protrude the heads of men and women puppets wearing crowns or coronets and holding sceptres. It is labelled: 'True Corsican Kinglings for Home Consumption & Exportation'. Beside it lies a cornucopia in the form of a fool's cap edged with bells and inscribed 'Hot Spiced Gingerbread! all hot - come who dips in my luckey bag'. From it pour crowns, coronets, orders, stars, sceptres, a cardinal's hat, three documents with pendent seals inscribed respectively 'Principality', 'Pension', 'Dukedom'. On the extreme right. is a solid chest with three drawers inscribed respectively 'Kings & Queens', 'Crowns & Sceptres', 'Suns & Moons'. On it stand unbaked figures crowded together: 'Little Dough Viceroys, intended for the next new Batch!' In the front row: Sheridan, Fox, Moira, Derby. Behind are Burdett [This is confirmed by Lord Holland. Stanhope, according to Wright and Evans.] and (?) Tierney. All wear coronets and hold sceptres. Behind (l.), Talleyrand, with his back to his master, bends over a large 'Political Kneading Trough' handling heaps of a yeasty mass inscribed 'Hungary', 'Poland', 'Turkey'; in the r. corner of the trough is a portion inscribed 'Hanover', which is being devoured by a crowned eagle with a collar inscribed 'Prussia'. Talleyrand wears a mitre over a tricolour cap and a bag-wig; a stole and robes looped up to show a bandy leg and a surgical shoe (incorrectly on the left foot) In his mouth is a pen; a rosary and an ink-pot hang from his waist."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"Napoleon, advancing down a gently sloping causeway of rock which traverses water and flames, is halted by 'Leo Britannicus' who bounds savagely towards him. He drops a short chain attached to the nose of the 'Russian Bear', a huge white creature at his heels. He is beset on all sides by monsters, who emerge from a background of flame, smoke, and cloud, or from the water. Beside the British Lion is a little 'Sicilian Terrier', barking ferociously. Death, a skeleton-like corpse, rides a mule which dashes through the air towards Napoleon, snorting flame. He wears a Spanish hat and cloak, and holds up a flaming spear and an hour-glass whose sands have almost run out. The mule's trappings are inscribed 'True-Royal-Spanish-Breed'. Outstripping the mule, a savage 'Portuguese Wolf', with the end of a broken chain attached to his collar, leaps towards Napoleon. The heads and hulders of two melancholy French officers with their necks chained together emerge from clouds to address Napoleon; they say: "Remember Junot and Remember Dupont." Above these is the Pope's tiara, the apex of flames, emitting thunderbolts towards Napoleon, and inscribed 'Dreadful Descent of ye Roman Meteor' [cf. BMSat 10970]. Immediately above Napoleon is a crescent moon inscribed 'British-influence' enclosing the old (dark) moon, which is 'French Influence'. This forms the centre of a turban, and is surrounded with fiery clouds flanking the features of the Sultan, looking fiercely down at Napoleon. Blood drips from it. This is 'The Turkish New-Moon, Rising in Blood'. Beside it (r.) the head and arms of a man raising an enormous sword above Napoleon emerge from swirling flames: The 'Spirit of Charles ye XII' [of Sweden 1682-1718]. On the r. a double-headed Habsburg eagle swoops towards Napoleon from clouds: "- The Imperial Eagle emerging from a Cloud." Its collar is inscribed 'German Eagle'. From the water beyond Napoleon's causeway, the 'Ditch of Styx', project the crown and hands of the drowning 'Rex Joseph'; he is immediately under the Spanish mule ridden by Death. The water on the nearer side of the causeway, in the foreground, is the 'Lethean Ditch'. From this (l.) rats crawl towards Napoleon: "The Rhenish Confederation of Starved Rats, crawling out of the Mud [cf. BMSat 10433]." Three frogs raise their heads from the ditch to spit: "Dutch-Frogs spitting out their spite." A rattle-snake spits venom, and shakes its tail: "- American Rattle-Snake shaking his Tail.-" On the r., standing on a rock, is a dilapidated eagle with clipped wings, and scanty feathers: "Prussian Scare-Crow attempting to Fly -.""--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charles--XII,--King of Sweden,--1682-1718--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Joseph Bonaparte,--King of Spain,--1768-1844--Caricatures and cartoons., Mustafa--IV,--Sultan of the Turks,--1779-1808--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
And take their own for Joys--." The sword has a jagged blade, intended to symbolize flames. He wears plain uniform with epaulets; his small bicorne is falling off. On the right, beneath the avenging arm, is Napoleon's chair of state, overturned; beside it are heaped a large fringed canopy or curtain, a spiky crown (cf. British Museum Satires No. 12252), and sceptre. From behind the folds of the curtain the Devil emerges, winged and ferocious; he grasps Napoleon's leg. Beside Napoleon is a pile of crowns and gold plate. There are heavy clouds behind Napoleon and on the right, above and below the arm and sword."--British Museum online catalogue. and "Napoleon (left) looks up terrified at an arm holding a sword emerging from clouds (right), with the words: "Thou'rt doom'd to Pain, at which the Damn'd will tremble
Description:
Printmaker from British Museum catalogue., Text below title: Empire and victory be all forsaken, to plagues, poverty, disgrace & shame, strip me of all my dignities and crowns. Take O take your sceptres back. Spare me but life., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Mack (left), followed by his generals, prostrates himself, grovelling before three French Grenadiers (right), each holding a large sack inscribed '20 Million Livres'. Mack throws down his sword and two keys labelled 'Keys of Ulm'; beside him are a standard with the Habsburg eagle, a bundle of muskets, and a paper: 'Articles to be deliver 'd up - I. Field Marshall 8 - Generals in Chief 7 - Lieutn Generals 36 Thousand Soldiers - 80 Pieces of Cannon - 50 Stand of Colours 100000 Pounds of Powder 4000 Cannon Ball.' Napoleon, very small, is perched on a large drum on which is an imperial crown and the letter 'N'. He points with his sabre to Mack, with the left hand to his three Grenadiers, saying, "There's your Price! There's Ten Millions! - Twenty!! - it is not in my Army alone, that my rescources of Conquering consists!! - I hate Victory obtain'd by effusion of Blood!" Mack answers, his eyes on a money-bag, " - and so do I too! - what signifies Fighting when we can settle it in a Safer way!!!" His pigtail flies upwards, showing the violence of his obeisance; so do those of the generals who follow him. Behind them are the towers of a high fortress bristling with guns; their seeming impregnability points the satire. Behind Napoleon and facing the spectator are serried ranks of French grenadiers standing at attention; they have tricolour flags inscribed: 'Vive I'Empereur Napoleon'; 'Vive Buonaparte'; 'la Victoire ou la Mort'."--British Museum online catalogue.
Alternative Title:
Buonapartè & Genl. Mack coming to a right understanding and Buonapartè and General Mack coming to a right understanding
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Mack von Leiberich, Karl,--1752-1828--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"French soldiers, puny simian creatures, are being destroyed or put to flight by the powers of the Second Coalition. In the foreground (right) the British Lion devours a heap of the little creatures; others flee. An ogre in Turkish costume (left), his profile set in a crescent, grips Bonaparte in his left hand, raising a blood-stained scimitar. Bonaparte attempts to strike with a dagger; he drops a paper: 'Organization of Egypt, & Triumph of Buonaparte'. The Russian bear sits grasping and crushing struggling French apes. On the right the Habsburg eagle, clasping a sheaf of thunderbolts, flies off to the right, tearing a bonnet-rouge in beak and claws. A French army is in flight with a tricolour flag inscribed 'Egalite'. Behind Turkey are Frenchmen impaled on spears."--British Museum online catalogue.
Alternative Title:
Monkey-race in danger
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Heading to verses printed in four columns. Napoleon sits by a wicker cradle containing the sleeping bear of Russia (left), which he rocks with hand and foot. He leans against Holland (right), a fat burgher fast asleep. Behind a low hill on the left is a rising sun, inscribed Spain and Portugal, which irradiates part of the sky. Napoleon, precariously seated on thorns, supports himself on the point of his sheathed sword, and looks to the right, saying, This Rising Sun has set me upon thorns. The bear is tightly muzzled, the muzzle is labelled Boneys Promises. On the hood of the cradle stands a measure of Turkey Wheat. The King of Sweden stands behind Napoleon, fiercely raising his sabre; he leans towards the cradle, saying Awake thou Sluggard ere the fatal blow is struck and thou and thine execrable ally sink to eternal oblivion. In his left hand he holds up a staff and cap of Liberty. Holland sits on a cask of Genuine Hollands, holding a pipe; a broken sceptre dangles from his limp right hand. Behind him is a shadow inscribed Poland. Denmark sits with elbows on knees, his head and shoulders covered by a large extinguisher inscribed Denmark. Next stands the Emperor of Austria in hussar uniform, fiercely preparing to draw his sword; he says: Tyrant I defy thee and thy Cursed Crew. On the extreme right and in the foreground stands the King of Prussia wearing a straight-jacket covering his hands which are linked together; his feet are held in the first position by a wooden appliance (as in British Museum Satires No. 9581); he wears a crown of straw, emblem of the lunatic and chants with closed eyes and imbecile grin: Fiddle diddle dee Fiddle diddle dee The Mouse has Married the humble Bee-and I am Emperor of the Moon. Behind him lies a dead or dying Prussian eagle. On the extreme left, and half cut off by the margin is a funeral urn on a pedestal inscribed: Memory of the Crown of Naples."--British Museum online catalogue.
Alternative Title:
View of the Continent
Description:
Four columns of verse in letterpress below plate: Just as the rising-sun dispels the gloom of night to bless us with new day, so genuine patriotism expels vindictive tyrants from despotic sway ..., Printmaker and year of publication from British Museum catalogue., Second imprint statement in letterpress below verses: Published by R. Ackermann, 101 Strand, London., and Title from letterpress text within and below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Saulez, George, 1779-1843, artist.
"Pitt (l.) and Napoleon face each other at a round dinner-table on which, in a dish, is a terrestrial globe in the form of a steaming plum-pudding. Pitt, with a carving knife, and three-pronged fork (like a trident) planted in the '[Atlantic] Ocean', cuts a deep gash to the west of 'Britain', extending from the Pole to the Equator; he obtains the 'West Indies'. Napoleon, using his sword and a two-pronged fork which straddles 'Hanover', is cutting from Europe a large fragment including 'France', 'Holland', 'Spain', 'Swiss[erland]', 'Italy', 'Mediterranean', but missing 'Sweden' and 'Russia'. Before each is an empty (gold) plate, on Pitt's the Royal Arms, on Napoleon's an imperial crown. On the back of Pitt's chair is a crowned British Lion on its hind-legs, holding up a Union flag; a fierce imperial eagle clutching a bonnet rouge decorates that of Napoleon. Pitt, very tall and thin, wears a cocked hat and regimentals and long pigtail (cf. BMSat 10113, &c). Napoleon, sturdier and much shorter, has almost to rise from his chair to reach the pudding. He wears military dress, a huge plumed bicorne resting on his shoulders. Pitt looks warily at Napoleon who stares fiercely at the pudding. The figures are seven-eighths length. Below the title: '- "the great Globe itself, and all which it inherit" [sic, 'Tempest', iv. i], is too small to satisfy such insatiable appetites - Vide Mr W-d-m's [Windham's] eccentricities, in ye Political Register.' (For Windham as a contributor to Cobbett's paper see BMSat 10414)."--British Museum online catalogue.
Alternative Title:
State epicures taking un petit souper
Description:
Title etched in upper right corner of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'. Addington sings: "o, By - my Baby, my Baby, - o, By - in Peace! my dearee! - For such a sweet Nap as This, You never had, far nor nearee! - so. By - my Baby, my dearee!' On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Gillray, James, 1756-1815 publisher., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
"Napoleon and Talleyrand plant the genealogical tree of Lord Moira, inscribed 'Royal Pippin'. On the r. Grenville, Howick, and Buckingham ply their axes on the trunk of a huge oak-tree: 'The Royal-Oak'. In the background are rows of other 'Royal Pippins', just grafted on old stocks. Talleyrand digs the hole, placing his deformed foot on his spade. Napoleon, in profile to the right., is about to plant the pippin, whose root is a coroneted apple inscribed 'William the Norman Robber'; on its branches are other coroneted or crowned pippins. The main stem culminates in the whiskered face of Moira, wearing a royal crown. This is reached through a 'Plantagenet beheaded in 1415', and 'Henry de la Pole beheaded in 1538'. Collateral branches are 'Duchess of Clarence put to death in 1453', 'Hungerford Beheaded 1406', 'Crookback Richard killd at Bosworth', 'Edmund 4th Son of Henry 3d Beheaded', 'Countess Salisbury Beheaded in 1505.' Napoleon wears his large plumed bicorne, the peak on his neck, jack-boots, and a gardeners apron over his uniform. His long sabre is inscribed 'Corsican Grafting Knife.' Talleyrand wears a laced coat and cocked hat of the ancien régime, with bag-wig, sword, clerical bands, and rosary. From his pocket hangs a paper: 'Projet pour Agrandisser les Jardins Imperial'. In the foreground (l.) are three grafts ready to be joined to stocks; they lie against a basket labelled 'Grafts of King-Pippins for Brentford, Wimbleton, & Botley'. The centre and longest has the head of Cobbett, the others have the heads of Burdett and Horne Tooke. All wear royal crowns; Tooke has clerical bands. The 'Royal-Oak' (r.), an aged but still magnificent tree, whose trunk is gashed by the axes of the late Ministers, has a large royal crown in the centre of its branches, flanked by four giant acorns: 'Protestant Faith' (near a withered branch), 'Integrity of the Lords', 'Independence of the Commons', 'Liberty of the Press'. All the wood-cutters are in their shirt-sleeves. Grenville is back-to-back with Talleyrand; a cross dangling from a rosary hangs against his massive posterior, his waistcoat is striped in tricolour, his axe is a 'Catholic Cleaver'. Behind him the spectacled Buckingham raises a 'Broad-Bottom Hatchet' [see BMSat 10530]. Howick (r.), very thin and aggressive, plies a 'Whig Cleaver'. Funguses grow round the tree and on the lower part of the trunk. In the background is the Imperial nursery garden: rows of newly joined grafts the point of junction with the stock being an egg-shaped lump of 'Corsican Clay'. Crowned heads sprout from green leaves; they are (l. to r.): 'Eutrurian [sic] Pippin', 'Wirtemburg Pippin' [the face that of a plump woman, nd probably intended for the Queen, see BMSat 10440], 'Saxon Pippin', 'Holland Pippin', 'Itaian [sic] Pippin'. Many others, less defined, recede in perspective."--British Museum online catalogue.
Alternative Title:
Little Corsican gardener planting a royal-pippin-tree and Little Corsican gardiner planting a royal-pippin-tree
Description:
Text below title: Vide, the Berlin Telegraph of May 21st, 1807, article: the Genealogy of the Royal Race of the King of Ballynahinch. See Morg. Post, June 17th. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.
"Napoleon emerges from the flames of a huge fire burning on the summit of a rock, on the face of which is an opening, like the door of an oven, whence issue flames and serpents. These are being stirred up by the long spear of a Cossack (right), who gazes up at Napoleon, while a sturdy Dutchman (left) plies a huge pair of bellows. The head of Napoleon is based on Gillray's 'Apotheosis of the Corsican-Phoenix', British Museum Satires No. 11007, but as a 'Mock Phoenix', he has not the wings and body of a bird, but the body of a man, though one claw extends from the fire, dropping an orb, as in that print. His flaming crown rises from his head, as in British Museum Satires No. 11007, but he clutches his breast with the right hand, and raises the left arm in a gesture of agonized despair; his sceptre falls into the fire. The flames and smoke have more lateral spread than in British Museum Satires No. 11007, and are filled with demons, ranging from quasi-human devils and imps to serpents. The Dutchman, in bulky breeches, wears a large orange cockade in his hat; he looks up, the smoke from his pipe merging with that of the pyre. The Cossack is bearded, with the high furred cap of other prints. The scene is a plateau surrounded by rocky peaks."--British Museum online catalogue.
Alternative Title:
Vain attempt to rise again
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Fox, wearing a military cocked hat, with civilian dress, threatens Prussia (or Frederick William III) with his sabre, while he puts a foot on the sword that Prussia has dropped. The latter, a grotesque figure with a long pigtail and moustaches, kneels terrified at his feet, clasping his hands in supplication. His Death's Head Hussar cap falls from his thrown-back head; he wears a fur-trimmed cloak and tunic, with a badge of the Prussian Eagle on his sleeve, with half-boots and extravagant spurs. Fox says, with an expression of sour and calculating contempt, " - O you Prussian Marauder, you! - what I've caught you at last? - what, You took me for a double-faced-Talleyrand! did you? - did you think I was like yourself, to Look One way & Row another? - what you thought because I make Loyal Speeches now, that I must be a Turncoat? - O you Frenchified Villain! - I'll teach you to humbug & insult my poor, dear, dear Master? - & to join with such Rascals as Boney, & O'Conner!" Prussia exclaims, terrified, "indeed! indeed! indeed! I could not help it. - " Meanwhile, Napoleon, holding his sabre, and wearing feathered bicorne, with spurred jack-boots, furtively hastens up to Fox from behind, to read the open book which the latter displays to him behind his back: 'State of the Nation'."--British Museum online catalogue.
Description:
Text following title: Vide Morning Chronicle April 28th. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Cobbett (right) stands facing six men grouped at a round table who applaud the toast he gives: 'Damnation to the House of Brunswick' [cf. No. 11234]. In his left hand is a bottle of 'True Napoleone Spirits'; the contents of his raised glass are exploding. On his right sits Horne Tooke, with a crutch, holding a jug of 'Botley Ale' and a glass, both frothing. He says with a sinister upturned glance: 'Huzza! Huzza'. On Cobbett's left, and in back view, stands a naval officer wearing a cocked hat and high fashionable boots. He holds high a steaming bowl of 'Botley Grog'; under his foot is a paper: 'Basque Roads- Court Martial', showing that he is Cochrane, see No. 11326, &c. Facing Cobbett sit Bosville and Clifford. Bosville, silent, decrepit, and senile, grasps a bottle of 'Botley Ale' and holds a foaming glass; in his pocket is a 'Plan for a new Convention'. Clifford, brandy-faced, and with his barrister's wig awry, holds a bottle of 'French Brandy' and a brimming glass, saying "Huzza". Behind these two stand Burdett and Folkestone. Each holds up a frothing glass; Burdett waves his bonnet rouge and shouts "Huzza!-Huzza!" Folkestone echoes "Huzza!" In the foreground with his back to the table lies Wardle, very sick, clasping a bottle of 'Botley Ale', and vomiting over papers: 'Charges against the Duke of York' and 'Reform', see No. 11328, &c. A cat (left), with a collar inscribed 'Mrs Clarke', miaows at him (see No. 11216, &c). On the right are a tankard inscribed 'Whitbread's Small Beer', and a wine-cooler containing five bottles of 'Napolean Wine' [cf. No. 11004]. The floor is boarded, but under Cobbett's chair is a fringed carpet. The room is lit by candles set in branches which decorate the oval frame of a half-length portrait of 'Napoleone Le Grand'; he is in profile to the right, looking down at Cobbett and holding out a 'Cordon d'Honor'. The portrait is flanked by busts on brackets: 'Despard' [see No. 9969] with a noose round his neck, and 'Robespiere' with two daggers. On the table by Clifford are two more bottles of 'French' [Brandy], by Cochrane a bottle labelled (?) 'Coitaris', an overturned bottle, and a plate of 'Diables'. [Diable = a name given to the Toad-fish, Frog-fish, or Sea-Devil.] Empty bottles and a broken glass lie under the table."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: Plate 7th. I did not look behind me 'till I got to St Omer's & thence fled to America; here I offer'd to become a spy for the English ... See my own Memoires in [the] Political Register, 1809., Series number etched above image, in upper left., Seventh print of eight in a series entitled: The life of William-Cobbett, written by himself., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burdett, Francis,--1770-1844--Caricatures and cartoons., Clifford, Henry,--1768-1813--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Dundonald, Thomas Cochrane,--Earl of,--1775-1860--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Radnor, William Pleydell-Bouverie,--Earl of,--1779-1869--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Nugent, George Nugent Grenville,--Baron,--1788-1850--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"John Bull, a hideously carbuncled 'cit', looks down grinning at a semicircle of men on a much smaller scale who surround his half-length figure. They are (left to right) Napoleon, wearing a huge bicorne, who looks up to say 'Ships. Colonies and Commerce'. A man in military uniform, quite unlike Alexander, his back to Napoleon, says: "Russian Vengeance attend John Bull. A fat Dutch burgher puffs smoke towards John, saying, III eternally smoke him". A scowling man in civilian dress with tousled hair says: "Let him tremble at the name of America". Prussia, a handsome military officer in place of the damaged soldier who after Tilsit represented Frederick William III in English caricature, says: "Beware of Prussia". A similar officer (Francis I) says: "Austria will never Pardon him". A Spaniard wearing a cocked hat says: "Spanish Fury overtake him". A scowling face says: "Let him beware of Denmark". John says: "Dont make such a riot you little noisy Brats, all your bustle to me is no more than a storm in a Chamber pot"."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "131" in upper right corner., Probably a later state; first half of imprint appears to have been burnished from plate., Temporary local subject terms: Prussia -- America., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Napoleon presides at a feast with Josephine seated on his left. A sumptuous dessert is on the table, with dishes moulded to represent English buildings, &c. Napoleon has begun to devour 'St James's', but has dropped his fork, and looks round in horror at the words 'Mene Mene, Tekel, Upharsin' (l.) at which the arm of Jehovah points. This emerges from clouds, the other arm holds over the head of Napoleon a pair of scales; one, inscribed 'Vive le Roi', contains a crown and outweighs the other, 'Despotism', which flies in the air, spilling the contents, shackles and a bonnet rouge. The room is lined with grenadiers at attention, with drawn sabres and pistols in their belts; they are partly obscured by clouds, but their eyes are turned to the writing on the wall. This is also seen by three grenadiers who stand rigidly behind Napoleon's chair, their sabres dripping blood, their eyes turned to the left. Of those at the feast only Napoleon has seen the message, but the general on his right. looks with alarm at his master who has overturned three bottles of wine. The others are absorbed in food or women. Josephine, grossly fat, drinks avidly, spilling her wine. Behind her chair stand three slim and meretricious young women, looking down at her: they are scantily clad, with hair arranged in the French manner in snaky ringlets. They are Napoleon's three sisters, Elisa, Pauline, and Caroline. The upper end of the table stretches across the foreground. On the extreme left. Arthur O'Connor, the only civilian, ogles a lady, holding her chin and offering her a dish of 'Pommes d'Am[our]', while she holds up a tumbler of wine. In front of him is a decanter labelled 'Maidstone'. Between this lady and the general on Napoleon's r. is a grotesque officer greedily devouring a large fragment of the 'Tower de Londres'. An officer (r.) ogles a woman with whom he drinks wine. All the women have the patched faces that in these prints indicate dissoluteness. Two of the officers have the plucked scalp of the Frenchman in BMSat 9960. Before Napoleon is a dish containing the 'Bank of England', flying a tricolour flag. The back of his chair is decorated with a carved eagle or vulture whose eyes are turned to the fatal message. Before Josephine is a dish inscribed 'Prune Monsieur' containing two plums; beside it are two bottles of 'Maraschino', one overturned. The decollated head of a bishop fills a dish inscribed 'Oh de Roast Beef of Old England'. Wine, fruit, and jelly-glasses fill the spaces on the table."--British Museum online catalogue.
Alternative Title:
Handwriting upon the wall
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bonaparte, Paolina,--1780-1825--Caricatures and cartoons., Caroline Bonaparte,--consort of Joachim Murat, King of Naples,--1782-1839--Caricatures and cartoons., Gillray, James, 1756-1815, publisher., Harvey, Francis--Ownership., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., O'Connor, Arthur,--1763-1852--Caricatures and cartoons., and Piombino, Elisa Bonaparte Baciocchi,--principessa di,--1777-1820--Caricatures and cartoons.
"Napoleon and Josephine are in the centre of an elaborate processional design. Individuals and groups are identified by eleven captions in the lower margin. The background is formed of close ranks of French soldiers, with a forest of caps, spears, pikes, and banners receding in perspective. The front row, facing the procession, are grenadiers at attention with bayoneted muskets, the letter 'N' in front of their bearskins. They are in shadow; those behind Napoleon are obscured by dense clouds of smoke from a censer; next them (l.) grenadiers blow trumpets and French horns. The procession is led, as by a drum-major, by the posturing and theatrical figure of 'His Imperial Highness Prince Louis-Buonaparte Marbœuf - High Constable of the Empire' [Marbeuf was his godfather] on the extreme right. He wears tight-fitting archaic dress, with a feathered coronet, a cloak trailing from one shoulder, buskins, and sabre. He carries a tall staff surmounted by a fleur-de-lis. Next come 'The Three Imperial Graces, viz. Thier Imp. Highs Princess Borghese [Pauline], Princess. Louis (cher amie of ye Emperor) & Princess Joseph-Bonaparte' [Hortense and Julie] - three slim young women, very scantily draped, scatter roses. All wear feathered coronets with long snaky curls on their shoulders; they resemble the sisters of Napoleon in BMSat 10072. The ground (l. to r.) is strewn with the flowers they have scattered. Next walks 'Madame Talleyrand (ci devant Mrs Halhead the Prophetess conducting the Heir Apparent in ye Path of Glory'. A grossly fat woman leads by the hand the little Napoleon-Charles, son of Louis (b. 10 Oct. 1802). The child goose-steps arrogantly, holding out a sceptre in his left hand. He is dressed much like his father, but with the addition of a ribbon and star. Mme Talleyrand wears a feathered coronet and an enormous nosegay; she holds a fan on which is a goat. This, and her patched face, indicate her dissolute past. Slightly behind her, and on her right., hobbles 'Talleyrand-Perigord. - Prime Minister & King at Arms bearing the Emperor's Geneology.' He is burlesqued, with a 'cheese-cutter' shin, and a r. foot supported by blocks under the shoe. On his left. shoulder he carries a framed genealogical tree, and hung to his person are crests and symbols in rectangular frames. Napoleon's family tree issues from 'Buone Butcher' and, passing through 'Buone Cuckold', terminates in 'Napoleone Emperor', which is crowned. The collateral branches are illegible, but one is followed by 'Hang'd'. ..."--British Museum online catalogue.
Description:
Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Augereau, Pierre,--1757-1816--Caricatures and cartoons., Berthier, Louis-Alexandre,--1753-1815--Caricatures and cartoons., Bonaparte, Paolina,--1780-1825--Caricatures and cartoons., Fesch, Joseph,--1763-1839--Caricatures and cartoons., Fouché, Joseph,--duc d'Otrante,--1759-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Hortense,--Queen, consort of Louis Bonaparte, King of Holland,--1783-1837--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., María-Julia,--Queen, consort of Joseph Bonaparte, King of Spain,--1771-1845--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., Talleyrand-Périgord, Catherine Noël,--princesse de Bénévent,--1762-1835--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"France, a savage virago, dandles a tiny Napoleon seated on her right. hand and wearing a royal robe over his military dress. Above her head she holds a rattle with bells surmounted by a crown. She grins at the mannikin, singing: "There's a little King Pippin "He shall have a Rattle & Crown, Bless thy five Wits my Baby "Mind it dont throw itself down! Hey my Kitten, my kitten &c &c. Below the design is a note: '"False of Heart, light of Ear, bloody of Hand, "Fox in Stealth, Wolf in Greediness, Dog in Madness, "Lion in Prey: - bless thy Five Wits" - vide Shakespeares King Lear' Beside her (l.) is the plain wicker cradle from which she has snatched Napoleon, who points eagerly at the crown on the rattle, holding up a sceptre. She wears a bonnet rouge with tricolour cockade, a loose dress defining her figure, and sits in a small armchair, decorated with little decollated heads and a guillotine. Hand, dress, and the heads on the chair are blood-stained. Beside her are her spear, dripping blood, and shield; this is tricolour; on it is the bleeding head of Louis XVI above a reversed crown, with the inscriptions: 'Vive la Republique' and 'The Last of Kings'. Pose, shield, and spear suggest a comparison (and contrast) with Britannia."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Numbered 'No. XIII' in upper right corner., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1803, v. 12., Printmaker identified as Starcke and the artist as Gillray in the British Museum catalogue., Publication information extrapolated from the place and date of publication of the periodical for which the plate was etched., and Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
