"Two sailors, Hawkesbury and Castlereagh, seated side by side, row a small ship's boat or dinghy, 'the Billy Pitt', towing the ships of the Danish fleet. Canning, in the stern, holds the ropes attached to the ships. He looks alert and roguish, the others are grave. They are going through rough water caused by 'Leviathan' (l.), a porpoise-like monster with three heads and a forked tail. The heads spout water at the boat, particularly at Canning. They are (r. to left.) Grenville, who spouts "Opposition Clamour"; Howick (whom Canning had replaced as Foreign Secretary), spouting "Detraction"; and St. Vincent, spouting "Envy". The boat nears the shore, indicated by a rock projecting into the sea (r.); on this is an anchor leaning against a pile of cannon-balls stacked against the wall of a small thatched inn. On the stock of the anchor sits John Bull, a stout countryman, holding a frothing tankard, and waving his hat. He shouts "Rule Britannia! - Britannia Rules the Waves!!" On the inn is a placard: 'Sheerness Harbour'; it has a sign hanging over the water: a profile bust portrait of George III: 'The Good Old Royal George'. Above it waves the Union Jack. On the horizon countries of Europe are indicated by low-lying coastlines backed by tiny buildings, all on fire, the flames and smoke covering the sky. These are, l. to r.: 'Poland', 'Russia', 'Germany', 'Prussia', 'Italy', 'Holland'. In the smoke Napoleon capers in impotent rage, sword in hand, his feathered bicorne flying upwards from his head. In his dismay he drops a paper: 'Projet pour Sub-juger [sic] la Mer' [cf. BMSat 10599, &c.]. On the extreme left., behind the Danish ships and isolated from Poland, is Copenhagen, its buildings on a larger scale, with a fortress flying a British flag. The buildings behind the fortress are on fire."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Bonaparte, burlesqued, stands, swaggering, with legs astride, head in profile to the left. In his right hand is a sabre, dripping blood, inscribed 'Egalité'; he holds out the scabbard (chained to his waist) in his left hand. Under his right foot is a torn paper headed 'Nelsons Victory over the Fleet of the Republic'. He wears an enormous cocked hat decorated with feathers, aigrette, tricolour cockade, and crescent. The skirts of his double-breasted military coat fly back, reaching to the ground behind; round his waist is a voluminous fringed sash, in which are thrust a pistol and a jewelled dagger. He declaims, the words in a large label which floats up to the upper margin: ""What? our Fleet captur'd & destroy'd by the Slaves of Britain? \ - "by my Sword & by holy Mahomet I swear eternal Vengeance! - yes, \ - "when I have subjected Egypt, subdued the Arabs, the Druses & the Maronites; \ "become master of Syria, - turn'd the great River Euphrates, & saild upon it through \ "the sandy Desarts; compel'd to my assitance [sic], the Bedouins, Tuscomans [sic], Kurds, \ "Armenians, & Persians; form'd a Million of Cavalry, & pass'd them upon Rafts \ "six or Seven Hundred Miles over the Bosphorus, I shall enter Constantinople - \ - "Now I enter the Theatre of Europe, I establish the Republic of Greece, \ "I raise Poland from its ruins, I make Prussia bend ye knee to France; - \ "I chain up the Russian Bear, I cut the Head from ye Imperial Eagle; \ "I drive the ferocious English from the Archipelago - I hunt them \ "from the Mediterranean, - & blot them out from the catalogue of \ "Nations! - Then shall the conquer'd Earth sue for Peace, \ "& an Obelisk be erected at Constantinople, inscribed \ "To Buanoparte [sic] Conqueror of the World, \ & extirpater of the \ English Nation."" A French dispatch rider, dismounted from a camel whose head is on the left, stands full-face, gaping at the general, hat in hand and with a bundle, 'les Dépéches, under his arm. Behind Bonaparte (right) is part of a tent, of oriental type but decorated with tricolour."--British Museum online catalogue.
Description:
One line of text below title: See Buonaparte's speech to the French Army at Cairo, publish'd by authority of the Directory in Volney's letters. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"The head of Napoleon in profile to the left, is held high on a pitchfork by John Bull, whose head and shoulders only are visible. He is a volunteer, an armed yokel, his loose hair and check neckcloth going ill with his military coat and epaulets. He wears a three-cornered hat turned up with a favour inscribed 'Britons strike home', and with a bunch of oak-leaves. A background of similar heads, fat and smiling, recedes in perspective : a crowd holding up their bayoneted muskets and looking up at the bleeding head; some wave their hats. They have a Union flag. John says: "Ha! my little Boney! - what do'st think of Johnny Bull now? - Plunder Old England! hayy? - ravish all our Wives & Daughters! hay - O Lord help that silly Head! - to think that Johnny Bull would ever suffer those Lanthorn Jaws to become King of Old England's Roast-Beef & Plumpudding!" Above the design: 'This is to give information for the benifit of all Jacobin Adventurers, that Policies are now open'd at Lloyd's - where the depositer of One Guinea is entitled a Hundred if the Corsican Cut-throat is Alive 48 Hours after Landing on the British Coast.'"--British Museum online catalogue.
Alternative Title:
Buonaparte forty-eight hours after landing!
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Bonaparte stands on the sea-shore, about to embark (on 23 Aug. 1799) in a boat (left) which will take him to a ship in full sail (the 'Muiron'). He looks with a sly leer to the right, where a little band of ragged and emaciated French soldiers hurry towards him making gestures of dismay. He wears the embroidered fastened coat or tunic with a sash of authentic portraits, without a hat; he points up towards a vision in the sky surrounded by massive clouds of a sceptre and imperial crown superimposed on the revolutionary fasces and axe. Above the general flies a figure of Fame, smiling sardonically and pointing down derisively. Two soldiers in cocked hats who stand in the boat waiting for Bonaparte to embark greedily hug large money-bags. A plank slants from the boat to the shore. The boat has a figure-head composed of two heads facing opposite ways wearing a single coronet. Behind the French troops is a small encampment with tricolour tents and flags. Behind this stretches a vast Turkish camp with crescent flags."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of text below title: For an illustration of the above, see the intercepted letters from the Republican General Kleber to the French Directory respecting the courage, honor & patriotic-views of "the deserter of the Army of Egypt."
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Below the title: 'Barrass (then in Power) being tired of Josephine, promised Buonaparte a promotion, on condition that he would take her off his hands; - Barrass had, as usual, drank freely, & placed Buonaparte behind a Screen, while he amused himself with these two Ladies, who were then his humble dependents, - Madame Talian is a beautiful Woman, tall & elegant; - Josephine is smaller & thin, with bad Teeth, something like Cloves, - it is needless to add that Buonaparte accepted the Promotion & the Lady, - now, - Empress of France!' In the centre of the design the two women dance, veiled by transparent drapery which is framed by a heavy festooned curtain. On the r., in full light, sits Barras, lolling tipsily in an ornate armchair. On the left., in shadow, Bonaparte lifts the curtain to stare intently at Josephine. The women are naked, except for gartered stockings, slippers, bracelets, and barbaric ear-rings. They dance, beating tambourines, and are as described, Mme Tallien in back view, Josephine directed towards Bonaparte but looking over her right. shoulder. Their hair hangs in snaky locks below the waist. Barras' chair or Directorial throne has a draped canopy, its back is surmounted by a realistic figure of an infant Bacchus among grapes wearing a bonnet rouge and holding up a full glass and a bottle resembling a Chianti flask. Similar flasks and a cornucopia with grapes flank the Bacchus. Barras, bloated and brandy-faced, holds a glass, spilling the contents. Before him is an ornate round writing-table; its legs are carved with satyrs' heads and terminate in hooves. A decanter of 'Burgundy' stands on a paper headed 'Egypt'; 'Commission pour Buonaparte', above the signature, 'Barrass'. There is also a bottle of 'Mareschino', decanters, and glasses. Other bottles and a broken glass lie on the floor. On the wall an oval frame is inscribed 'Messalina'; the picture is hidden by the curtain framing the dancers. Bonaparte leans forward, holding his cocked hat behind his back. He wears a long military coat with heavy sword and boots. Behind him is a high folding screen. On this are skulls wearing bonnets rouges, and, above, partly concealed by the curtain, a shadowy crown. On another leaf (l.) a little Cupid, blowing a pipe, rides a crocodile, pyramids and palm-trees forming a background (cf. BMSat 11057)."--British Museum online catalogue.
Alternative Title:
Madame Talian and the Empress Josephine dancing naked before Barrass in the winter of 1797
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barras, Paul,--vicomte de,--1755-1829--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Tallien, Thérésia Cabarrus,--1773-1835--Caricatures and cartoons.
"Fox and his wife, facing the spectator, sleep in a magnificent , ducal bed, whose head and curtains form a background to the design. They disturbed by nightmares. Fox extends both arms in gloomy terror as Naooleon springs on his bed (r.) and seizes the collar of his night-shirt, the other side of which is tugged at by the ghost of Pitt (l.) who floats towards him dressed in a shroud, and supporting the curtain with his left. arm. Pitt exclaims: "Awake, arise, or be for ever fall'n!" Fox's head is jerked forward, his hair rises, and his (bonnet-rouge) night-cap falls off. Napoleon leaps from a cannon on which his left. toe rests. It is inscribed 'Pour Subjuguer le Monde' [cf. BMSat 10599, &c.]. Behind it, and forming a background to the right. of the design, are clouds of fiery smoke, from which emerge a forest of spears with an imperial eagle topping a banner inscribed: 'Horrors of Invasion'. Napoleon wears his feathered bicorne with spurred jack-boots and raises his sword fiercely. An eagle whose (tricolour) collar is inscribed 'Prussia hovers menacingly over Fox'. The fringed bed-cover is covered with a pattern of roses; from under it (l.) project heavy jagged thorn-branches with a few roses; the branches are inscribed: 'India Roses', 'Emancipation Roses', 'French Roses', 'Coalition Roses', 'Volunteer Roses'. A ghastly creature, Death, crawls from under the coverlet, which rests on the carpeted floor: a grinning skull-like jaw appears; a corpse-like arm holds up an hour-glass whose sands are almost run out. Round the arm is twined a tricolour ribbon inscribed 'Intemperance', 'Drosy [sic]', 'Dissolution'; its r. hand clutches a spear. A bull-dog, its collar inscribed 'John Bull', snarls savagely at Napoleon, resting its fore-paws on the foot of the bed: it befouls a paper: 'List of the N[ew] Broad-Bottom Administr[ation] [cf. BMSat 10530], 'Citizen Volp[one]' [cf. BMSat 9892, &c], 'Lord Pogy' [Grenville's nickname] ' - Bett Armstead' [Mrs. Fox], 'Doctor Clysterpipe' [Sidmouth, cf. BMSat 9849], 'Miss Petty' [Lord H. Petty]. On the head of the bed are the arms of the Duke of Bedford, with his motto, 'Che Sara Sara' (Mr. and Mrs. Fox were in Bedford's house in Arlington Street). A patterned carpet covers the floor."--British Museum online catalogue.
Description:
Text following title: A nightly scene near Cleveland Row. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Fox, Elizabeth,--1750-1842--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"An adaptation of British Museum Satires No. 10039, by Gillray, the place of George III being taken by 'Blucher', the name on a ribbon worn over his uniform. The horse (left) is a restive charger instead of a hunter standing quietly. Blücher leans towards the pack in a fierce attitude, unlike that of the King. The grip of the hand on the fox's neck is as before, and the fox with the profile head of Napoleon registering despair is closely copied. In place of six hounds there are fourteen, six with names on their collars: 'Wellington', 'Swartsenberg', 'Crown Prince' [Bernadotte], 'D. York', 'Kutusoff', 'Row' [with a fourth letter which is perhaps 'L'], Two monarchs wearing crowns gallop up from the right, on a larger scale than the tiny horsemen headed by Pitt in British Museum Satires No. 10039. In the background (right) is a flaming town."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827., Harvey, Francis--Ownership., Kutuzov, Mikhail Illarionovich,--svetleĭshiĭ kni︠a︡zʹ Smolenskiĭ,--1745-1813., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Schwarzenberg, Karl Philipp,--Fürst zu,--1771-1820., and Wellington, Arthur Wellesley,--Duke of,--1769-1852.
"A skeleton, Death (left), seated on a cannon, his elbows on his knees, faces Napoleon, not caricatured, in a similar attitude on a drum. The 'two Kings' gaze fixedly at each other, Death menacing, Napoleon as if trying to read a terrifying riddle. Death's left foot rests on a cannon-ball, the right on the broken shaft of an eagle. Behind is a symbolical representation of the battle. The Allies advance from the left in regular formation with bayonets levelled at fleeing French soldiers. Four flags, with the eagles of Russia, Prussia, and Austria, and the Swedish cross, are held up by standard-bearers in the third rank: they recede in perspective from left to right. On the left wing are two hussars, riding down the fugitives. The main French army is streaming in wild confusion up and over a hill, diminishing in perspective. Other soldiers, pursued by hussars, flee down a hill behind Napoleon (right). Bodies of Frenchmen lie on the ground."--British Museum online catalogue, description of an earlier state.
Description:
For an earlier state lacking the etched title and serving as the heading to a printed broadside entitled "The two kings of terror," see no. 12093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from Grego., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Rowlandson, Thomas, 1756-1827, artist.
"George III (left), as a huntsman, stands beside his white (Hanoverian) horse, holding up to a pack of hounds a fox with the head of Napoleon. He is in 'profil perdu', and grips the frantic animal by the neck. On the right are the hounds, eager for the kill; others swim across a stream on the farther side of which members of the hunt are galloping up, tiny figures led by Pitt, who echoes "Tally ho" to the King's "Tally-ho! - Tally-ho! - ho! - ho!- ho!" The King stands under a gnarled oak. The leading dogs have collars inscribed 'St Vincent', 'Nelson', '[Admiral William] Cornwall[is]', 'Sydney S[mith]', 'Gardner' (indicating the predominance of the Navy in the defence of Great Britain, cf. BMSat 10065). The leadership of the hunt by Pitt is also significant, cf. BMSat 9978."--British Museum online catalogue.
Description:
Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
"The five chief members of the Cabinet sleep round a small round table on which are punch-bowl (decorated with the Royal Arms), bottles of 'Port' and 'Madeira', and glasses. Portland sits full face, above the others, in a Gothic chair, a crutch beside him, one gouty bandaged hand supported by his Garter ribbon; Hawkesbury (r.) leans against him in profile to the right. Perceval, in his Chancellor of the Exchequer's gown, sits on Portland's r., leaning on the table. Facing each other sit Castlereagh (l.) and Canning (r.), leaning back in their chairs. From the former's coat-pocket hangs a long scroll, resting on the floor, headed 'Defence of the Country. Mr Speaker.' It is covered with meaningless arrangements of letters which dwindle into illegibility: 'aaaa, ccccc, iiiii [&c.]'. At the end: 'Nine Hours & a half long'. On the back of his chair and against his head is poised a squalling cat; under its paws is a piece of music: 'Air by Catalani' [see BMSat 10792, &c.]. Manning's legs are stretched out on the back of Melville [Mulgrave in W. & E. The profile and a tartan plaid indicate Melville.] who lies face downwards under the table, clutching a bottle. In his pocket is a paper: 'Secret Correspondence from Copenhagen' [cf. BMSat 11564]. All register delight at their entrancing dreams. On the floor (r.) used (gold) plates are stacked, all inscribed 'Treasury'. Two rats nibble at them; beside them lies a 'Bill of Fare - 1st Course Loaves & Fishes - 2d Course Loaves & Fishes [&c., &c.]'. Empty bottles are scattered about. Clouds rise from Canning's head and float above the other sleepers, supporting their vision, which, framed in clouds, fills the upper part of the design. Britannia rides in a triumphal car shaped like a boat with the British Lion as figure-head. She holds a trident and an olive branch. Behind the car, chained to the axles, walks a dejected Napoleon. Behind him is a huge polar bear (Russia), muzzled, and on a chain. Last come three captive sovereigns, some of the 'gingerbread kings', see BMSat 10518. They are followed by a cheering crowd with a flag inscribed 'Britannia rules the World'. From the car flies a Union flag, honourably tattered. The car is drawn by a huge bull (John Bull), led by a sailor, who is preceded by soldiers, one beating a drum another blowing a trumpet. They are part of a crowd of tiny figures which is disappearing under the gate of the Tower of London, whose buildings, with cheering crowds, form a background to the triumphal procession."--British Museum online catalogue.
Description:
Text following title: Vide, an afternoon nap after the fatigues of an official dinner. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., and Portland, William Henry Cavendish-Bentinck,--Duke of,--1738-1809--Caricatures and cartoons.