"Five elderly, old-fashioned doctors stand in consultation in a row behind Napoleon (r.), who vomits, saying, "My Dear Doctors! those sacre Anglois have play'd the Devil vun [?] my constitution pray tell me what is the matter with me, I felt the first symptoms when I told Genl Macke I wanted ships, collonies & commerce - Oh! dear - Oh dear! I shall want more ships now; this is a cursed sensation - O I am very qualmish." He drops an 'Extraordinary Gazette 19 Sail of the Line taken by Ld Nelson'. He stands in profile to the right. with flexed knees. The doctor behind him pulls down his breeches and peers towards him; he says: "Begar me have found it out - your heart be in your breeches." The next doctor exclaims: "A desperate case"; the third says: "I recommend bleeding". The two on the extreme left. consult together; one says: "Irrecoverable". They wear tie-wigs with old-fashioned dress: Napoleon wears uniform with large bicorne hat and boots."--British Museum online catalogue.
Alternative Title:
Nap Buonaparte in a fever on receiving the extraordinary gazette of Nelson's victory over the combined fleets and Nap Buonaparte in a fever on recieving the extraordinary gazette of Nelson's victory over the combined fleets
Description:
Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"The friends of 'Nap' are Death, a skeleton, the Devil, a monster with webbed wings and barbed tail, and Joseph Bonaparte. They sit drinking at an oblong table, Death at the head (right), facing Joseph, and with Napoleon on his right, the Devil on his left seated on a stool. Napoleon stands in profile to the left, giving a toast, "Come Gentlemen - here is Success to Plunder and Massacre." Death and the Devil prepare to drink, but Joseph sits glumly, his elbows on the table, supporting his chin on his fists. On the table are decanters, one labelled 'Champagne'. Behind Napoleon's head hangs a 'View of Malmaison' with tiny foreground figures: the Devil and Napoleon clasping hands."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego., Four columns of verse etched below title; the leftmost column has the heading "I. Nap" and begins: These Spaniards are terrible rogues, they will not submit to my fetters ..., and Title etched below image.
Publisher:
R. Ackermann, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Joseph Bonaparte,--King of Spain,--1768-1844--Caricatures and cartoons., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Heading to a printed broadside. A copy of British Museum Satires No. 12177, with the same inscriptions, except that 'f' is omitted after the rivers and 'Veichsel' (Vistula) is spelt 'Weichsel R. Ehrefort' ['loss of honour' punningly combined with Erfurt, scene of Napoleon's triumph in 1808, and his headquarters before Leipzig; cf. British Museum Satires No. 12248] is on a red ribbon. The web is larger in proportion to the coat, the spider much larger in proportion to the web. On the collar are waves of the sea, with an inconspicuous ship. On the cuff is 'R' (for Regent), round the wrist 'Honi Soit', on the fingers are the letters 'A', 'R', 'P', 'S', 'E' (for the Allies)."--British Museum online catalogue.
Description:
Copy of a print by Johann Michael Voltz. See British Museum catalogue., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark on three sides, and sheet trimmed on bottom edge with loss of printer's statement. Missing text supplied from impression in the British Museum., Publisher's and printer's statements in letterpress at bottom of sheet; additional imprint statement "Pubd. by R. Ackermann, 101 Strand, London" is etched below image., Title from letterpress text below image., and Twenty lines of letterpress text below title: The first, and last, by the wrath of Heaven Emperor of the Jacobins, Protector of the Confederation of Rogues, Mediator of the Hellish League ...
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harrison & Leigh, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Voltz, Johann Michael, 1784-1858, artist.
"A travesty of a French print, an apotheosis of Napoleon by Tardieu after Dabos. As in the original, the title is on a piece of fringed drapery between two naturalistic eagles; these flank an arc of the globe, its northern summit, more flattened than in the original. On the globe is a map, with 'France' in the centre, flanked (left) by 'Golfe of Venice' and 'Italy' and (right) 'Espagne' and 'Pologne'. On the north are 'Amsterdam Pres Unie' [sic] and 'Whestphalia'. From the summit of the globe rises a pole supporting the face of Napoleon, copied from the original but with the addition of a melancholy frown and transformed by the pole into a decollated head. It is inscribed 'Polar Star' and enclosed in a circle of writhing serpents which takes the place of a laurel wreath. Rays extend from the circle over the greater part of the design, with inscriptions radiating outwards: 'Assisting in the Assassination of Louis the 16th my Benefactor'; 'Murdering the Citizens of Paris under Roberspierre' [cf. British Museum Satires No. 9534]; 'Murdering the Citizens of Toulon' [see British Museum Satires No. 10095]; 'Insulting the Pope robbing and plundering the Churches &c &c.' [see British Museum Satires No. 8997]; 'Poisoning my own Sick Soldiers in the Hospital at Jaffa' [see British Museum Satires No. 10063]; 'Murdering the Duke Danguilme' [d' Enghien, see British Museum Satires No. 10251]; 'Treacherously betraying the king of Spain and his Family' [see British Museum Satires No. 10990]; 'Murdering the inhabitants of Madrid in cold Blood' [see British Museum Satires No. 11000]; 'Murdering Captain Wright in the Temple at Paris' [see British Museum Satires No. 11057]; 'Marrying two Wives and intriguing with the Daughter of one of them' [Hortense, cf. British Museum Satires No. 10362]; 'The Murder of Palm [see British Museum Satires No. 11053] of Hoffer &c &c.'; 'Leading 500000 Frenchmen to perish in Russia by the Severity of the Season 1812' [see British Museum Satires No. 11917, &c.]; 'Loosing another similar Army the following Year in Germany 1813' [see British Museum Satires No. 12093]; 'Writing lying Bulletins' [see British Museum Satires No. 11920]; 'Loosing all the Colonies Commerce and Shipping' [cf. British Museum Satires No. 10439, &c.]. At this point, in the upper right corner, an open cask inscribed 'Dutch Comet', divides the inscriptions. A fat Dutchman smoking a pipe sits astride it; he directs the contents of the cask against Napoleon (see British Museum Satires No. 12102). The final inscription: 'And for all these brilliant Exploits am now to be sent headlong to the Devil.' In the original the rays are faintly inscribed 'Marie Louise' and 'Roi de Rome'. The design is surmounted by the head of the Devil wearing a spiky crown inscribed 'Damnation', between two oval shields: on one a heart, 'Heart of a Tyrant', on the other a 'Vulture'. These emblems replace a crown between two shields, one with the Napoleonic eagle, the other with the Habsburg eagle. From this centre-piece flames and smoke (replacing olive branches) stream left and right, with a scourge and a barbed trident. The lower corners are decorated with trophies slanting outwards from the eagles: spears, eagles, axes, &c., one spear supporting a placard: 'Flags manufactured for the Empress'. In the original spears are faintly indicated."--British Museum online catalogue.
Alternative Title:
Astre brillant, immense, il éclaire, il feconde ...
Description:
"Deposée a le Bibloteque Impereale [sic]."--Below lower right corner of image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; Grego gives a date of 14 December 1813., Title from text in image., and Two lines of text below image: Astre brillant, immense, il éclaire, il feconde, et seul fait, a son gré, tous les destins du monde, 'Vigée.'
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Members of the Opposition, arranged in two horizontal rows, receive the news of Aboukir. [1] In the upper left corner Burdett sits, directed to the right, intently reading the 'Extraordinary Gazette' on 'Nelson's Victory'; his shock of hair covers his eyes, and he says, left hand raised in alarm: "sure I cannot see clear?" On the wall (left) is a print, a profile head of 'Buonaparte'. [2] Jekyll stands beside Lansdowne, who reclines in an arm-chair in dressing-gown and bonnet-rouge, a gouty leg resting on a cushion. He holds out a paper headed 'Captured IX French Ships of War'; under his arm is a paper: '2 Burnt'; he holds up two fingers. Lansdowne puts his hands over his ears, saying, "I can't hear! I can't hear." (For Jekyll and Lansdowne cf. BMSat 9179, &c.) [3] Bedford, sitting on a large treasure-chest, sourly tears in half a paper: 'complete Destruction of Buonaparte's Fleet - ', saying, "It's all a damn'd Lye". Behind his chest are padlocked sacks inscribed '£', indicating his wealth; on the wall hang jockey-cap, boots, and riding-whip. [4] Erskine lies back in his chair holding a smelling-bottle to his nose, from his dangling right hand have dropped papers: 'Capture of Buonaparte's Dispatches'. He says "I shall Faint, I.I.I." He sits by a table on which are writing-materials and 'Republican Briefs'. (For Erskine's fainting in court, and egotism, see BMSats 7956, 9246, &c.) [5] Norfolk sits in an arm-chair beside a table on which are signs of a debauch: overturned decanters and a candle guttering in its socket. Wine pours from his mouth and from a glass in his right hand. At his feet is a broken tobacco-pipe, in his left hand a paper: 'Nelson & the British Fleet'. He says "what a sickening Toast!" (cf. BMSat 9168, &c). [6 and 7] Tierney and Sheridan sit looking at each other across a table, Tierney (left) clutching his knee, on which lies a paper: 'End of the French Navy - Britannia Rules the Waves'. From his pocket issues a paper: 'End of the Irish Rebellion'. He says: "ah! our hopes are all lost". Sheridan, elbows on the table, his chin in his hands, says "I must lock up my Jaw!" Before him are papers: 'List of the Republican Ships Taken and Destroy[ed]'. [8] Fox, in the lower right corner, hangs by a noose, having just kicked a stool from under his feet; his crisped fingers have dropped a paper: 'Farewell to the Whig Club'. He says: "and I, - end with Éclat!" He wears a bonnet-rouge."--British Museum online catalogue.
Alternative Title:
Good-news operating upon loyal-feelings
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jekyll, Joseph,--1754-1837--Caricatures and cartoons., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"Napoleon, in frenzied passion (cf. BMSat 9998), has risen from his chair at a round breakfast table, overturning it. He has seized the massive urn and is about to bang it on the head of Talleyrand whom he holds by the ear, while kicking him behind. Talleyrand, terrified, drops two papers: 'Defaite de I'Armée Francois en Calabria' and 'la Prise de Buenos-Ayres'. His bag-wig flies off. He wears gown, bands, and rosary over his suit, and has the usual heightened shoe, which indicates his lameness. Napoleon says with savage ferocity: ""Out on ye Owl! - noting but song of Death?" ['Richard III', IV. iv]. The breakfast combines informality with pomp. Napoleon wears a cap and a dressing-gown over his military tunic with slippers and ungartered stockings. His upright chair is close to Josephine's armchair. The small table was covered with (gold) tea and coffee things, a dish of fruit, a dish of boiled eggs, a bottle of wine and one glass, bread and a bread knife; all these slide to the ground, with a newspaper, 'The Moniteur', on which headings are legible: 'Projet pour Subjuger le Monde [cf. BMSats 10558, 10762,10997] - Great Britain - Russia Swed[en] - Turkey - Persia - Chim . . - Cariby [sic] . . .' Boiling water from the urn cascades into Josephine's lap; its lid is an imperial crown which flies off, its body a terrestrial globe. Josephine, much bejewelled, and wearing a crown which falls off, is in déshabillé; she throws up her arms in terror; her tea-cup falls. On the r. are ranks of diplomats or messengers, proffering papers: Holland, a clumsy Dutch burgher, kneeling, holds out 'Holland Starving! - & ripe for a Revolt'. An Austrian officer, also kneeling, holds out 'All Germany Rising, & Arming en Masse'. An erect Swedish officer holds out 'Swedish Defiance - Charles ye XII Redivivus'. An abjectly kneeling Spaniard holds 'Spain in Despair for the loss of her Colonies'. Those behind the first rank stand, holding up their papers: Russia, an oafish fellow in fur-trimmed uniform, holds out: 'St Petersburg - Refusal to Ratify the French Treaty'. A Prussian holds up the cap of a Death's Head Hussar and a paper: 'Prussia rousing from her Trance of Death'. Behind him is a Turk, his paper: 'Turkey Invoking Mahomet'. A plainly dressed Swiss holds up: 'Switzerland cursing the French Yoke'. The other envoys, hidden behind their companions, are represented only by outstretched arms; these hold out: 'Suspicions of the new Confederated States of ye Rhine'; 'Italy shaking off her Chains'; 'La Vendee again in Motion'; 'Portugal True, to the last Gasp'; 'Sicily Firing like Ætna'; 'Denmark waiting for an Opportunity'. In the foreground, on the floor, are papers on which Napoleon had been engaged when interrupted by bad news: an open coffer is inscribed 'Cabinet de Lor Loderdale'; bundles of papers are: 'Preliminairs ... Paix'; 'Negotiation pour la Paix'; 'Termes de Paix Inadmissible [signed] C. J. Fox'; 'Projet pour . . . Pa[? ix . . .] Bel [? gique]'. ..."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bonaparte, Paolina,--1780-1825--Caricatures and cartoons., Caroline Bonaparte,--consort of Joachim Murat, King of Naples,--1782-1839--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Piombino, Elisa Bonaparte Baciocchi,--principessa di,--1777-1820--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"The stage, flanked by the stage-boxes, extends across the design, the base of which is the orchestra, where the new Ministry perform. George III has stepped on to the stage from the royal box (l.) and confronts Napoleon, who stands arrogantly upon clouds and points to an enormous scroll held up by Talleyrand. This stretches across the cloud to rest on the stage. The Emperor, in uniform, with spurred jackboots and wearing a large, feathered bicorne, holds a sword in his right. hand and says fiercely: "There's my Term's." The King, who wears uniform with a small cocked hat and buckled shoes, holds his sword against his shoulder. He inspects the scroll through his glass, saying: " - Very amusing Terms indeed! - and might do vastly well with some of the new-made little Gingerbread kings [see BMSat 10518] - but WE are not in the habits of giving up either "Ships, or Commerce, or Colonies", merely because little Boney is in a pet to have them!!!" The scroll is inscribed: 'TERMS OF PEACE - Acknowledge me as Emperor - "mantle your Fleet, - Reduce your Army - Abandon Malta & Gibraltar, - Renounce all Continental Connection - Your Colonies I will take at a Valuation, - Engage to pay to the Great-Nation for 7 Years annually £1.000.000. and Pace in my Hands as Hostages the Princess Charlotte of Wales, with Ten of ye late Administration whom I shall name.' Talleyrand kneels on one knee, displaying a deformed l. leg, on a cornupia which rests on the clouds that support Napoleon. He wears a long gown with a rosary (denoting the ex-Bishop of Autun); a pen is behind his ear. From the cornucopia papers, money-bags, and coin pour down on to the stage. The papers are: 'Address to the Papists'; 'Loan to the - ['Prince' implied, cf. BMSat 6945]; 'To the United Irishmen'; 'To the London Corresponding Society'; 'The Press'; 'The Argus'; 'For the Whig Club'; 'To the Army; 'To the Navy', 'To [the] Volunteers'. Money-bags are labelled: 'Maynooth [word illegible]', 'Horne Tooke', 'Morning Chronicle', '[Cobbett's] Weekly Register', 'Thelwall.' Immediately behind Talleyrand, and also on the Napoleonic clouds crouch Arthur O'Connor, looking down conspiratorially at Fox in the orchestra below. His words extend in a long label towards Fox: "Remember m Friend your Oath, - " Our Politicks are the same!"" He holds a paper: 'at Maidstone Not Guilty - N.B - my Confederate Quigley only, was Hanged there.' Behind Talleyrand and O'Connor three desiccated corpses wearing French Grenadier's uniform hold up three eagles to each of which a banner is attached: 'Army of England', 'Army of Ireland', 'Army of Scotland'. Their caps are decorated with an 'N' surmounted by a crown. Behind them bayonets recede in perspective, their holders hidden by the peace scroll. ..."--British Museum online catalogue.
Alternative Title:
Flight from St. Cloud's "over the water to Charley"
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Grattan, Henry,--1746-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., O'Connor, Arthur,--1763-1852--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"Canning, as Phaeton, drives his chariot with four horses abreast on a curving track across the heavens, slanting upwards across the design from left. to r. On this are signs of the zodiac; other constellations of the zodiac are on the darkened sky, above and below the path of Phaeton; all assail him. The base of the design is part of the northern hemisphere, showing the world in flames, and flanked by the ghosts of Pitt and Fox. In the lower left. corner is the ghost of Pitt as Apollo (half length); he weeps, dropping his lyre, and raises his shroud to gaze up at his son, Phaeton. He is surrounded by heavy clouds. In the opposite corner, the head and shoulders of Fox as 'Pluto', holding a pitchfork, emerge from flames: he looks up with sinister anxiety at the conflict in the heavens. Canning's head is the centre of an irradiated sun: 'The Sun of Anti-Jacobinism.' He is heroic, youthful, and naked, except for floating draperies. Above him (l.) is a crescent moon. His horses have human heads set behind equine jaws and nostrils which jet flame. They are (l. to r.): Hawkesbury, Perceval, Castlereagh (with a profile expressive of nobility), Eldon (sub-human). Flame streams backwards from the chariot wheels; the wheels pass over the (dismantled) scales, 'Libra-Britannicus' [British justice], one scale inscribed 'Copenhagen'. Close behind the chariot the British Lion, 'Leo Britannicus', rushes furiously; on the chariot's track, facing the horses, is the Ram (faintly sketched). Behind this is Taurus, a ferocious Irish bull, snorting fire at the horses. His collar is inscribed 'Erin go Bragh'; from it flies a rosary; to his tail is tied a pot inscribed 'Emancipation'. The most conspicuous assailant of the horses is 'Scorpio Broad-Bottom', with the head of Grenville, the words inscribed on the two ferocious claws, in which his arms terminate. (He is the Scorpion who 'bends out his arms into two bows, . . . [and] spreads over the space of two signs'.) The body spirals into a barbed tail, emitting names close to Fox. Smaller claws terminate in human heads (below, l. to r.): Temple, Spencer (both spitting fire), Bedford; (above, l. to r.): Moira, Tierney. Covering Grenville's posterior is an irregular circle. In its centre is an irradiated ring enclosing a chalice with the Host; round this are irradiated heads: Grafton, Stanhope, Derby, Carlisle, Norfolk, Holland. Flame and a barbed tongue issue from Grenville's mouth. ..."--British Museum online catalogue.
Alternative Title:
Phaeton alarmed
Description:
Six lines of quoted text following title: "Now all the horrors of the heav'ns he spies, "and monstrous shadows of prodigious size ... and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, John Russell,--Duke of,--1766-1839--Caricatures and cartoons., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Derby, Edward Smith Stanley,--Earl of,--1752-1834--Caricatures and cartoons., Eldon, John Scott,--Earl of,--1751-1838--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grafton, Augustus Henry Fitzroy,--Duke of,--1735-1811--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Holland, Henry Richard Vassall,--Baron,--1773-1840--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., Stanhope, Charles Stanhope,--Earl,--1753-1816--Caricatures and cartoons., Tierney, George,--1761-1830--Caricatures and cartoons., and Whitbread, Samuel,--1764-1815--Caricatures and cartoons.
"Britannia, terrified, faint, and dishevelled sits on the ground supported by Addington and Hawkesbury, and defended by Sheridan, a Silenus-like and ragged Harlequin. They are on the coast towards which are advancing many rowing-boats filled with little French soldiers. Napoleon stands with drawn sword in the foremost boat, a tiny figure with a large head and no body, to show that he is Nobody, as in BMSat 5570, &c. The distant French coast (right) is covered with troops marching towards the shore. Clouds of smoke rise from the beach, which is concealed by the foreground. Britannia, wearing Roman dress with cothurnes, raises her arms, and shrieks (parodying Hamlet): "Doctors & Ministers of dis grace defend me!" The 'dis' is scored through but conspicuously legible. Addington holds a bottle of Gunpowder to her nose, and looks in alarm at the approaching army. He says: "Do not be alarm'd my dear lady! the Buggabo's (the Honest Gentlemen, I mean,) are avowedly directed to Colonial service, - they can have nothing to do Here - my Lady! - nothing to do with Us! - do take a Sniff or two, to raise your Spirits, and try to stand, if it is only upon One Leg!" Hawkesbury looks down with deep melancholy, supporting her (cracked) shield, and holding her (damaged) spear. He says: "Yes my Lady, you must try to Stand up, or we shall never be able to "March to Paris"". Sheridan holds Harlequin's wooden sword of 'Dramatic-Loyalty' in his right hand (cf. BMSat 9916). On his left arm is a shield with Medusa's head, the snaky locks inscribed: 'Abuse', 'Bouncing', 'Puffing', 'Detraction', 'Stolen Jests', 'Malevolence', 'Stale Wit', 'Envy'. He wears a hat turned up in front with a tricolour cockade; its crown is a fool's cap with two ears and a bell. Round his paunch is a tricolour sash through which is thrust a paper: 'Ways and Means to get a Living'. He shouts in defiance at the distant army: "Let 'em come! - dam'me!!! - where are the French Buggabo's? - single handed I'd beat forty of 'em!!! dam'me, I'd pay 'em like Renter Shares, sconce off their half Crowns!!! - mulct them out of their Benefits, & come ye Drury Lane Slang over 'em!" Behind, between Addington and Sheridan, is the head of Fox, holding his hat before his eyes; he says: "Dear me - what can be the reason of the Old Lady being awak'd in such a Fright? - I declare I can't see any thing of the Buggabo's!" In the foreground lies a long torn scroll, headed 'Treaty of Peace.'"--British Museum online catalogue.
Alternative Title:
Britannia recover'd from a trance and Britannia recovered from a trance
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons.
"In a goblet-shaped glass vessel on the top of a cylindrical 'German Stove' a little Napoleon is being heated to dissolution point. Two retorts are connected with this vessel inscribed 'Intrigue and Villainy' and 'Ambition and Folly'; four others issue symmetrically from the stove: 'Gasconade and Lies', 'Fire and Sword', 'Arrogance and Atrocity', 'Murder and Plunder'. In the front of the stove is an opening for the fire; this is being stoked by John Bull (left), a fat 'cit' who leans forward, supporting 'Iohn Bulls Coal Tub', and holding out a lump of coal in a pair of tongs. His vis-à-vis is a fat Dutchman (right) who crouches on his knees plying a pair of 'Dutch Bellows'. He wears a cap and is smoking a pipe; beside him is a pot marked 'Gall'. Behind John stand five sovereigns or personifications of their countries: the King of Würtemberg, grotesquely obese, gazes up, pointing a finger as if giving directions; he holds an open book: 'Publishd Wirtemburgh'. Bernadotte, wearing several orders, triumphantly empties into the steaming vessel a bottle labelled 'Sulphat of Swedish Iron'. Behind him are the hussar who stands in these prints for Prussia or Frederick William III, and (?) Francis I. Between Bernadotte and the glass is an older face, perhaps the King of Saxony. All look up exultingly at the tortured Napoleon. Facing this group stands a German officer (right) stretching up to hold a lid which he is about to clap down on the vessel, though this reaches only to below the victim's waist. Napoleon, in profile to the left, puts one hand to his head with a despairing gesture, and flings out his left arm as if to ward off the extinguishing lid; he exclaims: "Oh Spare me till the King of Rome / Is ripe for mischief yet to come." On the extreme right a Spanish don pounds with a pestle in a large mortar inscribed 'Saragossa'. On the left are four men seated close together at a round table where one of them, a large Cossack, is mixing chemicals. He is directed to the left and holds a book while he mixes the contents of a small pot; a pair of scales lies on the table on which are also jars and an hour-glass. The other three watch intently; next him is a man wearing a fur cap inscribed 'Polar Star' (? Sweden or Poland) who also appears in British Museum Satires No. 12117. His neighbour resembles the Emperor of Austria, but he and the man on the extreme left may be the King of Bavaria and the Duke of Baden, princes of the Confederation of the Rhine. On the ground near the table three books are propped up. The largest is open; on the left page but scored through are the words 'Napoleon Protecter of the Rhenish Confederacy'; on the right page: 'Francis Emperor of Germany restored 1813'. The others are 'Liberty of Germany' and 'The Downfall of Boney'. Behind the Cossack, but directed to the right and watching Napoleon, stands the Pope, wearing his tiara and holding a bottle in each hand containing 'Fulminating Powder' and 'Vial of Wrath'. Chemical appliances are indicated in the background."--British Museum online catalogue.
Alternative Title:
Dissolving the Rhenish Confederacy
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844., Francis--I,--Emperor of Austria,--1768-1835., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A pair of breeches, formerly belonging to Fox, much inflated and forming two merging and transparent globes with projecting legs, is poised (at the seat) on three ostrich feathers, erect in a round bed of (ministerial) roses (see BMSat 10558, &c). Within these globes members of the Ministry sit at a round table, devouring loaves and fishes. The nearest ones are in back view, and have the heavy posteriors characteristic of the Grenvilles (cf. BMSat 10530). Lord Grenville, a fish in each hand, with Lord Ellenborough on his right, Buckingham on his left., and, next the latter, Lord Temple. They sit on a cushioned bench like those of Parliament, which follows the curve of the breeches. The others, left to right from Temple, are Spencer, Windham, Erskine, Petty, Lord Holland, [Identified by his own note.] Moira, who sits full face opposite Grenville, Lauderdale, Sheridan, Howick; Sidmouth on Ellenborough's right completes the circle. All are gormandizing on fish in different degrees, except Spencer and Holland who eat normally. Before Grenville is a dish containing two large fish: 'Treasury' and 'Exchequer', see BMSat 10543, &c. A dog, its collar inscribed 'Tierney', puts its forefeet on the bench, yapping at Grenville's back (cf. BMSats 10128, &c., 10603). On the ground beside him are three cats eating fish in a dish inscribed 'Tabbeys'; their collars are inscribed 'Bet Fox', 'Fitz', and 'Jordan'. Rats surround a dish inscribed 'Scribblers' [ministerial journalists and pamphleteers]. Larger rats in the Ministerial rose-bed gnaw at the feathers which support the breeches. ..."--British Museum online catalogue.
Alternative Title:
Political mathematicians shaking the broad bottomed hemispheres
Description:
Title etched below image., Two lines of quoted text following title, preceded by a curly bracket: "Mr. Paull is fixed upon a rock, and be assured he will prove the fulcrum by means of which the present Broadbottomites will be overset." Sir F. Burdett's speech., and Two lines of text near top margin of image: To that last hope of the country, "the New Opposition," this representation of "Charley's Old Breeches in Danger" is respectfuly [sic] submited [sic].
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Holland, Henry Richard Vassall,--Baron,--1773-1840--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Liverpool, Robert Banks Jenkinson,--Earl of,--1770-1828--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Paull, James,--1770-1808--Caricatures and cartoons., Perceval, Spencer,--1762-1812--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Rose, George,--1744-1818--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., Spencer, George John Spencer,--Earl,--1758-1834--Caricatures and cartoons., Tooke, John Horne,--1736-1812--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"A wildly burlesqued rendering of the Middlesex candidates and their supporters. In the foreground (l.) a group from Westminster heads the procession. Sheridan and Hood ride a galloping dray-horse with blinkers and flying chains; Sheridan holds the rein, waving his hat (with a favour inscribed 'Hood') and straddling across a pannier filled with coins and labelled: 'Subscription Malt & Hops from ye Whitbread Brewery'; from his coat-pocket projects a pamphlet: 'Neck or Nothing a New Coalition'. Hood sits behind him in naval uniform, with sword and top-hoots ; he waves his cocked hat triumphantly; its favour is 'Sheridan for Ever' [both favours are blue and buff]. The horse's hind-legs kick the chest of a donkey from which Paull (Burdett's outrider) falls backwards, dropping shears, cucumbers, goose (iron), and a paper: 'Impeachment . . . Marquiss Wellesley' [see BMSat 10561, &c.]. He is dressed as a tailor as in BMSat 10608. A savage dog, the collar inscribed 'P. Moore', barks at him (see BMSat 10619). lhe dray-horse gallops over prostrate members of Burdett's mob, a fat woman, prostrate and ragged, who drops an almost naked infant, and a sheaf of ballads: 'Paul & Plumper[s]' [see BMSat 10608]. Next her a butcher lies on his back, dropping marrow-bone and cleaver; his hat, with wig inside it, is on the ground. Four other butchers, still erect, are about to be ridden down. All their cleavers are inscribed 'Burdett for ever', the favours in their hats are 'Burdett'. On the extreme left. a hideous ragged crone and a small girl bawl from the ballads they hold: 'Burdett is the Man for ye Ladies'. Their hats have 'Burdett' favours. ..."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Byng, George,--1764-1847--Caricatures and cartoons., Castlereagh, Robert Stewart,--Viscount,--1769-1822--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Hood, Samuel,--Sir,--1762-1814--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Paull, James,--1770-1808--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.
"Napoleon, on a galloping horse, is confronted by Blücher (right) who fires a blunderbuss at close range. He is pursued by Wellington (left) who gallops towards him, sabre in hand. Napoleon has lost his stirrups; he faces Blücher with arms thrown wide in a gesture of despair. His crown flies from his head, and six eagles (or geese) fly off to the left, above Wellington. In the background, among smoke, cavalry in wild flight (right) and wild pursuit (left) are indicated."--British Museum online catalogue.
Alternative Title:
Rudolph Ackermann's transparency on the victory of Waterloo
Description:
Printmaker and date of publication from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Wellington, Arthur Wellesley,--Duke of,--1769-1852--Caricatures and cartoons.
"The scene is the throne-room in the Tuileries, indicated by a part of the throne on its dais on the extreme right, on which are the (discarded) throne and sceptre, and by a large whole length portrait of Louis XVIII, scowling and caricatured, inscribed 'Louis le Bien Aimé'. Napoleon as Harlequin (as in British Museum Satires Nos. 10060, 12515), in parti-coloured tights, a dagger in each hand, leaps through an opening cut in the canvas, hounded by the monarchs of Europe. The portrait (right) shows the fat king holding orb and sceptre, with eyes closed or downcast. The canvas from waist to knees of the portrait is cut neatly away, leaving the King's gouty feet resting squarely on a footstool. Just behind Harlequin is the fat King of Würtemberg on his knees (and paunch) firing a pair of pistols at the fugitive. Across his posterior is the word 'Clown'. Beside him Ferdinand of Spain falls backwards, overbalanced by an attempt to kick ; his crown falls off and he flourishes a sword. He is identified by his slashed doublet, cloak, and flapped boots. Behind (left) a fat powerful Cossack, representing Russia, prods Napoleon with his long spear. He wears a fur cap, trousers tucked into his boots, and has a pair of pistols in his belt. Farther back is the Emperor of Austria wearing a wallet inscribed 'Pantaloon'. He is bearded, slippered, spectacled, and lean, wearing a crown and a dressing-gown. He shuffles forward with clenched fists, holding a dagger. On the extreme left is the Pope, wearing a mitre and holding a headsman's axe against his shoulder. Other figures are nearer the wall which forms a background. Foremost of these is the King of Prussia, close behind Napoleon and firing a blunderbuss. Next is the grotesque Dutchman who stands for the new King of Holland, smoking a pipe, and firing a musket with a fiercely intent expression. Three unidentified crowned heads, and a sharp profile ( ? Bernadotte) with bayonets and spear, and an arm holding up a spiked club make up the crowd of attackers. One of the monarchs takes down from the wall (or hangs up) a three-quarter length portrait of 'Columbine', a young woman with a feathered hat and plump arms held akimbo. She is either Marie Louise (as in British Museum Satires No. 12515), or, according to Broadley, the Duchesse d'Angoulême, an identification supported by the position of her portrait in the same room as that of Louis XVIII."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of text below title: With entire new music, dances, dresses, scenery, machinery &c &c. The principle [sic] characters to be supported by most of the great potentates in Europe, Harlequin by Mr. Napoleon, Clown by King Wirtemberg, Pantaloon Emperor of Austria. To conclude with a comic song to be sung by the Pope and a grand chorus by the crown'd heads. Vivant Rex et Regina.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Angoulême, Marie-Thérèse Charlotte,--duchesse d',--1778-1851--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"Fox kneels in profile to the right with bent back before an altar, his hands together. His unpowdered hair is cropped. From his pocket projects a book: 'New Constitut[ion]'. The altar, draped with a cloth on which crossed daggers are embroidered, is raised on a stone step. On it is a guillotine, dripping blood. To this is tied with a tricolour sash two tables, resembling those of the Ten Commandments, but of the 'DROIT DE L'HOMME: I. Right to Worship whom we please. II. Right to create & bow down to any thing we chuse to set up. III. Right to use in vain any Name we like. IV. Right to work Nine Days in the Week, & do what we please on the Tenth: V. Right to honor both Father & Mother, when we find it necessary. VI. Right to Kill. VII. Right to commit Adultery. VIII. Right to Plunder. IX. Right to bear what Witness we please. X. Right to covet our Neighbour[s] House & all that is his.' On the altar in front of the guillotine stand three roughly made posts on rectangular pedestals. The centre one (in place of a crucifix), inscribed 'Exit Homo', is surmounted by a large cap of 'Egalité' with a tricolour cockade; at its base is a skull and cross-bones. On the other posts are busts: (left) 'Robert- \ speire'; to the post are nailed two bleeding hands; (right) 'Buona \ -parte'. The altar and guillotine are backed by draped and fringed curtains. From the upper left corner of the design a shaft of light surrounded by clouds descends towards Fox. In this are the winged heads of six members of the Opposition, all wearing bonnets-rouges and looking towards the 'Droit de l'Homme'. In front is Norfolk, next and on the left is Lansdowne with an inscrutable smile. They are followed by Bedford; above him are Tierney and Lauderdale. Last, and on a smaller scale, is the malevolent head of Nicholls."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bedford, Francis Russell,--Duke of,--1765-1802--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Nicholls, John,--1745?-1832--Caricatures and cartoons., Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons., Robespierre, Maximilien,--1758-1794--Caricatures and cartoons., and Tierney, George,--1761-1830--Caricatures and cartoons.
"In the manner of history painting rather than caricature. ... George III as St. George, in uniform, holds up his sword, about to give a final blow to a scaly dragon with the head of Napoleon. The long convolutions of the dragon are under the horse's feet: Napoleon's head, with a barbed fang and flames issuing from the mouth, looks up despairingly. A sword-cut has gashed his skull, and cut his crown in two. The dragon has large wings and the legs and talons of a beast of prey; it falls backwards: Britannia (left) will just escape being crushed."--British Museum online catalogue.
Alternative Title:
Saint George and the dragon
Description:
Artist identified as Lt.-Col. Thomas Richmond Gale Braddyll in the British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Braddyll, Thomas, 1776-1862, artist., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"A design based on Gillray's 'Maniac Ravings', British Museum Satires No. 9998. Napoleon, scarcely caricatured, but poorly characterized, stands addressing an audience of seated men who listen with varying expressions, the corner of his platform projecting into a sea of heads (left), while on the right a file of soldiers with fixed bayonets or drawn swords is indicated. At his side, the little King of Rome, in officer's uniform, with a plumed bicorne, gapes down at the audience; his over-long sabre trails on the ground, he bestrides a tall military cane; his profile resembles without repeating (as in other prints) that of his father, but remains childish and blank. Napoleon stands in a commanding attitude with his right arm extended, his left hand on the hilt of his sabre, legs apart. He wears military dress with a plumed bicorne in which a tricolour cockade is unusually conspicuous. Behind him (right) his arm-chair, closely copied from the 'Consular Chair' of British Museum Satires No. 9998 and with a similar Medusa head, falls, all its legs in air. Beside it, a damaged terrestrial globe, as in British Museum Satires No. 9998, has fallen, but is directed to the left instead of to the right; it has the inscriptions 'America' and 'Atlantic Ocean'. As before, Napoleon's words radiate from his head as if inscribed on clouds. On the right, reading downward: 'Did I not swear I would destroy Austria? Did I not swear I would destroy Prussia Did I not leave the Russians 1200 pieces of cannon to build a monument of the victory of Moscow Did I not lead 498,000 men to gather fresh Laurels in Russia--Did I not burn Moscow--and leave 400,000 brave soldiers to perish in the snow for the good of the French nation?' On the left: 'Did I not swear I would destroy Sweden Did I not swear "I would have" Colonies & Commerce [see British Museum Satires No. 10439, &c.] Did I not build more ships than you could find Sailors for" Did I not burn all the British produce bought and paid for by my faithful merchants--before their faces, for the good of them and my good people of Paris? Have I not called my troops from Holland--that they might not winter in that foggy climate? [see British Museum Satires No. 12102, &c.] Have I not called my troops from Spain and Portugal to the ruin of the English? Did I not change my religion and turn Turk, for the good of the French Nation [see British Museum Satires No. 9973, &c.]. Have I not blown up [the earliest instance in the 'O.E.D.' of blow up, meaning to scold, is Lytton's 'Pelham', 1827] the Corporal, for blowing up the Bridge [see British Museum Satires No. 12108] Have I not robbed the Churches of twenty flags to send to my Empress, for the loss of my own flags & Eagles? And now for the good of my Empire, Behold! O ye Lads of Paris! I have put the King of Rome in Breeches!!!'."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Bonaparte, François-Charles-Joseph,--Herzog von Reichstadt,--1811-1832--Caricatures and cartoons., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"Napoleon, not caricatured, stands on a balcony, leaning forward to look down at the scene which Death, a skeleton, points out. He wears his petit-chapeau, and his uniform, without orders, is buttoned to the neck. Death is perched on the parapet, turning his head to the left, to stare in Napoleon's face; in his right hand is his javelin; he points with outstretched left hand. His hour-glass stands on the parapet, which is inscribed 'More Horrors' and 'Death and Destruction'. Below (right) are the heads and shoulders of a mob with pikes, bayonets, and imperial eagles. There are two heads on pikes. Behind them are the roofs and towers of a corner of Paris, with a domed church surmounted by a cross. Close behind Napoleon stand four of his marshals or generals, staring down at the scene of bloodshed. Next the Emperor is Ney, his hand on his sword; the others are probably Vandamme, Davout, and Lefebvre, as in British Museum Satires No. 12527. The Devil stands behind, grasping Ney and Napoleon in his hairy arms. His grinning head looks to the left, between those of his victims. Two pistols, a dagger, and axe lie on the parapet."--British Museum online catalogue.
Alternative Title:
Corsican and his bloodhounds at the window of the Thuilleries looking over Paris
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Davout, Louis Nicolas,--duc d'Auerstædt et prince d'Eckmühl,--1770-1823--Caricatures and cartoons., Harvey, Francis--Ownership., Lefèbvre, Francois-Joseph,--duc de Dantzick, maréchal de France,--1755-1820--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Ney, Michel,--duc d'Elchingen,--1769-1815--Caricatures and cartoons., and Vandamme, Dominique,--1770-1830--Caricatures and cartoons--Caricatures and cartoons.
"Napoleon, 'Corsican Tiger', with the body of a tiger, and wearing his feathered bicorne, puts his fore-paws on a bunch of four yelping and prostrate dogs, one with a collar inscribed 'Royal Greyhound' (the collars of the others being hidden). He turns his head in profile to the left. to glare savagely at a pack of 'Patriotic Greyhounds'. The two foremost bark fiercely at him, their heads close to his, others are streaking down a steep hill (l.) towards him. Narrow water divides the land on which Napoleon stands from three other projecting pieces of land on the r. In the foreground a 'Dutch Frog' sits smoking a pipe and watching the conflict, saying, "It will be my turn to have a slap at him next." On a cliff behind the frog 'Iohn Bull', a 'cit', stands aiming his musket at the tiger; he says: "There was a little Man, And he had a little gun, And his Bullets were made of lead, D------n me but we'll manage him amongst us. "On a more distant plain a bear on its hind legs faces an eagle with three crowned heads: they are 'Russian Bear & Austrian Eagle', and are linked together by a heavy chain attached to collars on the bear and eagle. The eagle says: "Now Brother Bruin is the time to break our chains"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, no. 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"Napoleon (right) lies on his face under the sharp teeth of a harrow; two ropes are attached to it, at each of which representatives of three nations are tugging. In the foreground a British sailor hauls behind him a Spanish don in slashed tunic and breeches, feathered hat, cloak, and ruff. The third is a man of nondescript appearance wearing a cap with a drooping peak, probably intended to represent Sicily, which the British had held as an outpost against Napoleon. On the other rope the chief figure is a Prussian hussar; next him is (?) a Swede in a fur cap, and on the end of the rope a man wearing a cavalry helmet of French type is probably intended for an Austrian. These six fill the left of the design. Russia is represented by a bearded Cossack who stands on the right, prodding at Napoleon with his long spear. On the harrow sits a fat Dutchman, smoking his pipe with a fiercely preoccupied expression, with his left hand in his breeches pockets. Napoleon, much distressed, cries: "Oh this heavy Dutchman. O had I not enough to bear before!!!" Two birds swoop down from the left; one says: "I smell Carrion"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.