"Scene in an English court of law. The judge, Blücher, wearing a legal wig with regimentals, stands up with left arm extended, addressing Napoleon, who crouches in the dock (right), handkerchief in hand, pleading for mercy. Beside the judge are the sovereigns of Europe, two on his right, three on his left, all gazing at the prisoner. In the well of the court aged and grotesque counsel, typical of Rowlandson's lawyers, surround the green-covered table. The jury (left) have stupid, morose, or astonished expressions. The usher, with a long rod, seated on a raised chair, faces the jury on the opposite side of the court. Corpulent constables with staves stand beside and in front of the dock. Freely sketched spectators look down from a crowded gallery above the dock. Almost all eyes are on the prisoner, behind whom stand the Devil, with folded arms, fiercely gloating over his victim. Behind the usher is a high white screen on which Napoleon's offences are inscribed: 'NAPOLEAN BONAPARTE The first and last by the Wrath of Heaven Ex Emperor of the Jacobins & head Runner of Runaways [see British Museum Satires No. 12192], Stands indicted 1ts [sic] for the Murder of Captain Wright in the Temple at Paris 2d for the murder of the Duke Dangulem [d'Enghien] Pichegrew & Georges 3 for the Murder of Palm Hoffer &c & 4th for the murder of the 12 inhabitants of Moscow 5th for inumerable Robberies committed on all Nations in Christendom & elsewhere, 6th for Bigamy & lastly for returning from Transportation, and setting the World in an uproar.' Blücher says fiercely: "You Nap Boneparte being found Guilty of all these Crimes it is fell to my lot to pronounce Sentence of Death on You--You are to be hung by the Neck for one hour till you are Dead, Dead, Dead, & your Body to be chained to a Mill Stone & sunk in the Sea at Torbay." Napoleon says: "Oh cruel Blucher, Oh! cruel Wellington it is you that have brought me to this End. Oh Magnanimous Emperors Kings & Princes intercede for me and spare my life; and give me time to attone for all my Sins, My Son Napoleon the Second will reward you for Mercy shewn me." The sovereigns are poorly characterized. On the extreme left is Alexander, next him and on Blücher's right is the Prince Regent. On Blücher's left is Louis XVIII. Next (?) the King of Prussia, then the Emperor of Austria; next, the Pope with clasped hands, wearing his tiara. On the extreme right is (?) Ferdinand of Spain looking through an eye-glass."--British Museum online catalogue.
Alternative Title:
Europe's injuries revenged
Description:
Printmaker from British Museum catalogue., Sheet trimmed within plate mark on bottom edge., Temporary local subject terms: Courtrooms -- Judges -- Military uniform: Regimentals --Lawyers -- Ushers -- Constables -- Constables' staves -- Devils -- Satan -- Popes -- Trials., and Title etched below image.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Alexander--I,--Emperor of Russia,--1777-1825--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Blücher, Gebhard Leberecht von,--1742-1819--Caricatures and cartoons., Ferdinand--I,--Emperor of Austria,--1793-1875--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"An altered version (like British Museum Satires No. 12205) of British Museum Satires No. 11057, from the original plate. ... The shield, sinister supporter, crest and motto are the same, but the dexter supporter is altered, apparently by Rowlandson, from 'The French Devil' (Talleyrand, now a supporter of Louis XVIII) to Death, a skeleton holding up an hour-glass. This has necessitated the re-drawing of the Gallic cock at his feet, but it pecks at a crucifix as before. The (printed) text is as before (allusions to Jaffa, d'Enghien, &c.) except for the addition to the title and the descriptions of the supporters: '. . . The Gallic Cock, vainly pecking the crucifix, is symbolic of the Corsican's impiety.' The description of 'The Corsican Devil' is altered to 'Satan, wearing an Iron Crown,... cutting down the Cap of Liberty, and accompanied by the Serpent and Hyaena, the attributes of the Corsican Emperor's wily and sanguinary reign'. The inscriptions (now obsolete) hanging from the mouth of the hyena are altered to: 'Cambaceres', 'Davoust', 'Augereau', 'Sebastiani', 'Vandamme', 'Savory'."--British Museum online catalogue.
Description:
Attributed to George Cruikshank in the British Museum online catalogue, registration no.: 1978,U.827., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with substantial loss of letterpress text, including publisher's and printer's statements, from bottom edge. Missing text supplied from impression in the British Museum., Six lines of letterpress text, followed by four additional columns of text, below title: ... the tyrant of France, who created himself Emperor of the French 18th May 1803 ..., and Title from letterpress text below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Enghien, Louis-Antoine-Henri de Bourbon,--duc d',--1772-1804--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Harrison & Leigh, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., and Wright, John Wesley,--1769-1805--Caricatures and cartoons.
"The Pope (left), on a small ass decked with trappings, faces John Bull, who stands as toll-keeper before a closed five-barred gate. From the other side of the gate a path leads to a country church on a hill, irradiated, and framed by the semicircular inscription: 'King - Church and Constitution'. The Pope, except that he wears a Papal crown instead of a mitre, resembles St. Patrick in caricature (where he often rides an ass). He is aquiline and bearded, holds a crosier, and wears a cope. His ass has blinkers, on which a satyr's mask is freely drawn. He leans towards John, saying, "Mr Bull, I have been to Paris - and seen all the fine sights there - I now want to have a peep at that little Church on the Hill - therefore let me pass the turnpike." John (right), a fat yokel, looks up at the Pope with a suspicious scowl, pointing over his shoulder at a large open book, 'Test Oath', which is on a book-rest attached to the gate-post. He says: "If you want to go through - pay the Toll, what the devil do you think I keep a turnpike gate for?" Behind the Pope stand four dissenting ministers anxiously watching the interview. Three say sanctimoniously : "Though I boast not gaudy trappings, - nor am I mounted on Ass back, - yet if he goeth through verily I should like to go through also!"; "Verily so should I."; "We should all like to go through".."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820., Harvey, Francis--Ownership., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
Subject (Topic):
Dissenters., Donkeys., John Bull (Symbolic character)--Caricatures and cartoons., Quakers., Toll roads., and Tolls.
"The scene is the throne-room in the Tuileries, indicated by a part of the throne on its dais on the extreme right, on which are the (discarded) throne and sceptre, and by a large whole length portrait of Louis XVIII, scowling and caricatured, inscribed 'Louis le Bien Aimé'. Napoleon as Harlequin (as in British Museum Satires Nos. 10060, 12515), in parti-coloured tights, a dagger in each hand, leaps through an opening cut in the canvas, hounded by the monarchs of Europe. The portrait (right) shows the fat king holding orb and sceptre, with eyes closed or downcast. The canvas from waist to knees of the portrait is cut neatly away, leaving the King's gouty feet resting squarely on a footstool. Just behind Harlequin is the fat King of Würtemberg on his knees (and paunch) firing a pair of pistols at the fugitive. Across his posterior is the word 'Clown'. Beside him Ferdinand of Spain falls backwards, overbalanced by an attempt to kick ; his crown falls off and he flourishes a sword. He is identified by his slashed doublet, cloak, and flapped boots. Behind (left) a fat powerful Cossack, representing Russia, prods Napoleon with his long spear. He wears a fur cap, trousers tucked into his boots, and has a pair of pistols in his belt. Farther back is the Emperor of Austria wearing a wallet inscribed 'Pantaloon'. He is bearded, slippered, spectacled, and lean, wearing a crown and a dressing-gown. He shuffles forward with clenched fists, holding a dagger. On the extreme left is the Pope, wearing a mitre and holding a headsman's axe against his shoulder. Other figures are nearer the wall which forms a background. Foremost of these is the King of Prussia, close behind Napoleon and firing a blunderbuss. Next is the grotesque Dutchman who stands for the new King of Holland, smoking a pipe, and firing a musket with a fiercely intent expression. Three unidentified crowned heads, and a sharp profile ( ? Bernadotte) with bayonets and spear, and an arm holding up a spiked club make up the crowd of attackers. One of the monarchs takes down from the wall (or hangs up) a three-quarter length portrait of 'Columbine', a young woman with a feathered hat and plump arms held akimbo. She is either Marie Louise (as in British Museum Satires No. 12515), or, according to Broadley, the Duchesse d'Angoulême, an identification supported by the position of her portrait in the same room as that of Louis XVIII."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue., Title etched below image., and Two lines of text below title: With entire new music, dances, dresses, scenery, machinery &c &c. The principle [sic] characters to be supported by most of the great potentates in Europe, Harlequin by Mr. Napoleon, Clown by King Wirtemberg, Pantaloon Emperor of Austria. To conclude with a comic song to be sung by the Pope and a grand chorus by the crown'd heads. Vivant Rex et Regina.
Publisher:
R. Ackermann, 101 Strand
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Angoulême, Marie-Thérèse Charlotte,--duchesse d',--1778-1851--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Charles--XIV John,--King of Sweden and Norway,--1763-1844--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., Frederick--I,--King of Württemberg,--1754-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Louis--XVIII,--King of France,--1755-1824--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"The sovereigns of Europe, &c, watch from their seats in a bull-ring the Spanish bull tossing Napoleon above its head. The point of his sword projects from the ferocious animal's shoulder; he holds his broken sword, dripping blood, and has a badly gashed thigh. His cocked hat and a paper, 'Plan pour Assujettir le Monde' [cf. BMSat 10599, &c.], fall to the ground. A broken collar inscribed 'Corsican Chain' is round the bull's neck, a few links of a heavy chain still attached to it. The bull tramples on and befouls Joseph Bonaparte, who lies on his back, moribund or dead, in his rightoyal robes, the crown falling from his head; under his hand is a torn paper: 'Coronation de Joseph Boanaparte Rex Espagnol-Gibraltar-&c. Nap'. Three bulls, previously disposed of by the Corsican Matador, and horribly gashed, lie on the ground (r.), bellowing. A butcher's ticket is affixed to each: 'Prussian Bull Beef', 'Dutch Bull Beef', 'Danish Bull Beef'. They are [marginal note] "Wounded Bulls bellowing for help-." The barrier, an arc of which frames the arena, is inscribed 'Theatre Royale de I'Europe'. Behind it, and along the upper margin of the design, sit the sovereigns. On the extreme left. is George III, in military uniform, holding a trident (emblem of sea-power), and peering down impassively through his glass; the back of his (coronation) chair is partly visible. Next him is (?) the Emperor of Austria, gripping the edge of the barrier with a gauntleted hand and with the hilt of his sword projecting from his right. hand. Next John, the Regent of Portugal holds up his hat in exultation; he clutches a bottle of 'Vin de Brazil' [see BMSat 10960, &c.]. Next him, the Tsar, his head encircled by the words 'Alexr the Great', bites the corner of a feathered tricorne in his agitation. The King of Prussia grasps a feathered cocked hat, and puts his hand to his mouth. The bellicose King of Sweden wears a fur-trimmed tunic and a fur cap, with a star, inscribed 'Polar Star' [the Swedish order]. Two pistols are thrust through his belt. Next is the Pope, wearing his tiara, and holding up his cross; before him is a paper: 'The Bull for Excommunicating the Corsican Usurper'. He is supported from behind by the Sultan wearing a jewelled turban; behind the latter is the Dey of 'Algiers' [the word etched across his turban]."--British Museum online catalogue.
Alternative Title:
Corsican-matador in danger
Description:
Text above image: "The Spanish Bull is so remarkable for spirit that unless the matador strikes him dead at the first blow, the bull is sure to destroy him." Vide Barretti's Travels. and Title etched below image.
Subject (Name):
Alexander--I,--Emperor of Russia,--1777-1825--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Francis--I,--Emperor of Austria,--1768-1835--Caricatures and cartoons., Frederick William--III,--King of Prussia,--1770-1840--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Gustav--IV Adolf,--King of Sweden,--1778-1837--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., John--VI,--King of Portugal,--1767-1826--Caricatures and cartoons., Joseph Bonaparte,--King of Spain,--1768-1844--Caricatures and cartoons., Mustafa--IV,--Sultan of the Turks,--1779-1808--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue.
Description:
Title from text at top of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzpatrick, Richard,--1747-1813--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"Napoleon and Josephine are in the centre of an elaborate processional design. Individuals and groups are identified by eleven captions in the lower margin. The background is formed of close ranks of French soldiers, with a forest of caps, spears, pikes, and banners receding in perspective. The front row, facing the procession, are grenadiers at attention with bayoneted muskets, the letter 'N' in front of their bearskins. They are in shadow; those behind Napoleon are obscured by dense clouds of smoke from a censer; next them (l.) grenadiers blow trumpets and French horns. The procession is led, as by a drum-major, by the posturing and theatrical figure of 'His Imperial Highness Prince Louis-Buonaparte Marbœuf - High Constable of the Empire' [Marbeuf was his godfather] on the extreme right. He wears tight-fitting archaic dress, with a feathered coronet, a cloak trailing from one shoulder, buskins, and sabre. He carries a tall staff surmounted by a fleur-de-lis. Next come 'The Three Imperial Graces, viz. Thier Imp. Highs Princess Borghese [Pauline], Princess. Louis (cher amie of ye Emperor) & Princess Joseph-Bonaparte' [Hortense and Julie] - three slim young women, very scantily draped, scatter roses. All wear feathered coronets with long snaky curls on their shoulders; they resemble the sisters of Napoleon in BMSat 10072. The ground (l. to r.) is strewn with the flowers they have scattered. Next walks 'Madame Talleyrand (ci devant Mrs Halhead the Prophetess conducting the Heir Apparent in ye Path of Glory'. A grossly fat woman leads by the hand the little Napoleon-Charles, son of Louis (b. 10 Oct. 1802). The child goose-steps arrogantly, holding out a sceptre in his left hand. He is dressed much like his father, but with the addition of a ribbon and star. Mme Talleyrand wears a feathered coronet and an enormous nosegay; she holds a fan on which is a goat. This, and her patched face, indicate her dissolute past. Slightly behind her, and on her right., hobbles 'Talleyrand-Perigord. - Prime Minister & King at Arms bearing the Emperor's Geneology.' He is burlesqued, with a 'cheese-cutter' shin, and a r. foot supported by blocks under the shoe. On his left. shoulder he carries a framed genealogical tree, and hung to his person are crests and symbols in rectangular frames. Napoleon's family tree issues from 'Buone Butcher' and, passing through 'Buone Cuckold', terminates in 'Napoleone Emperor', which is crowned. The collateral branches are illegible, but one is followed by 'Hang'd'. ..."--British Museum online catalogue.
Description:
Title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Augereau, Pierre,--1757-1816--Caricatures and cartoons., Berthier, Louis-Alexandre,--1753-1815--Caricatures and cartoons., Bonaparte, Paolina,--1780-1825--Caricatures and cartoons., Fesch, Joseph,--1763-1839--Caricatures and cartoons., Fouché, Joseph,--duc d'Otrante,--1759-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Hortense,--Queen, consort of Louis Bonaparte, King of Holland,--1783-1837--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Josephine,--Empress, consort of Napoleon I, Emperor of the French,--1763-1814--Caricatures and cartoons., María-Julia,--Queen, consort of Joseph Bonaparte, King of Spain,--1771-1845--Caricatures and cartoons., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., Talleyrand-Périgord, Catherine Noël,--princesse de Bénévent,--1762-1835--Caricatures and cartoons., and Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons.
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Nugent, George Nugent Grenville,--Baron,--1788-1850--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
