"Illustration to 'The Empire of the Nairs', pp. 175-9, referring to verses published in the 'Scourge', iii. 313-18, 456-61, 'The H- [Hertford] Dynasty, or the Empire of the Nairs', suggested by the romance of J.H. Lawrence, 'The Empire of the Nairs', 1811 (published in German in 1811, and afterwards in French), with an introduction seriously advocating the introduction of these customs into England. The Nairs (or Nayars) were a military caste of Malabar who practised polyandry. The plate is not elucidated. Lady Hertford reclines in an ornate bath, into which water gushes from the jaws of a monster which decorates the pedestal of a Venus. The bath is raised on a triple dais and backed by the pillars and canopy which frame the Venus forming the centre of the design. The Regent, in royal robes, ascends the steps of the dais, poised on his toes like a ballet-dancer, and places a crownlike marquis's coronet on the head of Lady Hertford who leans towards him, her enormous breasts appearing over the edge of the bath. She says: "I proclaim the Freedom of the Sex & the Supremacy of Love." Lord Hertford, who bestrides the pedestal, looks down delightedly from behind the statue of Venus. He has horns, and holds his Chamberlain's staff. The water pours from the bath through the nostrils of a bull's head with which it is ornamented, and falls in a triple cascade into a circular basin in the centre foreground. On each side of the statue of Venus and flanking the dais is a statue in a niche: 'Aspasia' (left) and 'Messalina' (right); both are disrobing. Near the fountain (right) a hideous hag, naked to the waist, crouches before a tall brazier in which she burns a 'Mantle of Modesty'. The building appears to be circular, an arc of the wall forming a background on each side of the centre-piece. On this are tablets inscribed respectively 'Hic Jacet Perdita' [Mary Robinson, the Prince's first mistress, see No. 5767, &c.]; 'Hic Jacet Armstead' [Mrs. Fox, who had been the Prince's mistress, cf. No. 10589]; 'Hic J[acet] Vauxhall Bess' [Elizabeth Billington, see British Museum Satires No. 9970; her mother sang at Vauxhall, see British Museum Satires No. 6853]. In the foreground on the extreme right a buxom young woman puts her arms round the Duke of Cumberland, saying, "I'll go to Cumberland"; he walks off with her, to the fury of an admiral just behind the lady who clutches his sword and is seemingly her husband. Cumberland wears hussar uniform with a shako and fur-bordered dolman, with a star and a large sabre. A meretricious-looking young woman (? Mrs. Carey) puts her arms round the Duke of York, saying, "And I to York." The Duke, who wears uniform with a cocked hat and no sword, looks down quizzically at her. Behind him a tall thin officer in hussar uniform bends towards Princess Charlotte, taking her hand; he says: "Sure & I'll go to Wales." She runs eagerly towards him. As a pendant to these figures, Grenadiers stand at attention on the left, holding bayoneted muskets; they have huge noses, and smile at a buxom lady wearing spurred boots who addresses them with outstretched arm, saying, "And you for Buckinghamshire." At her feet is an open book: 'Slawkenberges Chapr on Noses' [from Sterne's Slawkenbergius, imaginary author of a Rabelaisian fantasy in 'Tristram Shandy']. They have a standard with the word 'Buckin ...' on it. Behind the Prince (left) stands Tom Moore, looking up at the coronation; he holds an open book: 'Little Poems / Ballad . . .' He says: "I'll give you one Little Song More [see British Museum Satires No. 12082]." Behind him stands Mrs. Jordan, placing a chamber-pot on the head of the Duke of Clarence, who wears admiral's uniform with trousers."--British Museum online catalogue
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (September 1812), page 173., and Sheet trimmed within plate mark.
Publisher:
Pubd. September 1st, 1812, by W.N. Jones, No. 5 Newgate St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquess of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, Charlotte Augusta, Princess of Great Britain, 1796-1817, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, Robinson, Mary, 1758-1800., Fox, Elizabeth Bridget, 1750-1842., Billington, Elizabeth, 1765-1818., and Venus (Roman deity),
In imitation of a scene from Act 3 of Farquhar's "The beaux' stratagem," Charles Fox as Scrub, and Lord North as Archer, sit in close conference discussing Perdita's infidelity while Mrs. Robinson (Perdita) as Gipsey, watches them standing behind their chairs. On the wall hangs the portrait of Col. Tarleton, with whom she was involved
Alternative Title:
Scrub and Archer
Description:
Title etched below image., Reissue of George 6221. Originally published by Boyne, 25 April 1783., and Mounted to 42 x 34 cm.
Publisher:
Pub. 1st August 1783, by W Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Robinson, Mary, 1758-1800., Tarleton, Lieutenant-General 1754-1833. (Banastre),, and Farquhar, George, 1677?-1707.
Subject (Topic):
Actresses, Theatrical productions, and Clothing & dress
A vertically divided bust portrait shows on the left the Prince of Wales, on the right Mrs. Robinson. On the far left, below the Prince's feathers, is the head of the despairing King; on the far right is Thomas Robinson, the "King of cuckolds" on whose extensive horns rests a tray with busts of Lord North, Charles Fox and Col. Tarleton
Description:
Title from item. and Publication date from British Museum catalogue.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830., George III, King of Great Britain, 1738-1820., Robinson, Mary, 1758-1800., North, Frederick, Lord, 1732-1792., Fox, Charles James, 1749-1806., Tarleton, Lieutenant-General 1754-1833. (Banastre),, and Robinson, Mary, 1758-1800
Pairs of elegantly dressed and coiffed ladies and gentlemen sit around a long table drinking champagne. On a dais sits 'Perdita' (Mary Robinson) who assures the Prince of Wales of her undying love. He looks at her adoringly and says, "Now what care I for Mom and Dad, let 'em scold and bellow." His left hand rests on books piled up on the table (the titles of which are also listed in the publisher's advertisement). Another lady on his left looking at him may be Elizabeth Armitstead (later Mrs. Fox) who succeeded Mrs. Robinson as his mistress. Other members of this group include Lord Derby and his actress wife, Elizabeth Farren, and Charles James Fox. The location appears to be the Schomberg House where James Graham established his 'Temple of Health and Hymen' famous for its 'Celestial Bed' (cf. British Museum catalogue no. 6325). Allusion to George IV's coming of age
Alternative Title:
Old gigg shop revived
Description:
Publisher's advertisement below the text of the song: "At No. 66 Drury Lane, may be had the following publications. Hal's looking-glass; or, The Royal exhibition, price 2s. 6d. Madame Birchini's dance, price 2s. 6d. Apollo and the Muses inflicting penance on Dr. J-----n round Parnassus, price 1s. The wanton jesuit, an opera, price 1s. 6d. An epistle from Sir Roger Sugar-Cane to Lady Maria B--n, price. The celestial bed, price 1s. 6d. and 1 print : etching, b&w ; sheet 34.8 x 35.2 cm.
Publisher:
Publis'd [sic] as the act directs by W. Holland, No. 66 Drury Lane
Subject (Geographic):
London (England) and England
Subject (Name):
George IV, King of Great Britain, 1762-1830., Robinson, Mary, 1758-1800., Fox, Charles James, 1749-1806., Fox, Elizabeth, 1750-1842., Derby, Edward Smith Stanley, Earl of, 1752-1834., and Derby, Elizabeth Farren Stanley, Countess of, 1759?-1829.
Subject (Topic):
Social life and customs, Eating & drinking, Hairstyles, Chairs, and Clothing & dress
In an outdoor setting, Charles Fox, with his hands clasped as in prayer, pronounces his adoration for a demure looking Mrs. Robinson, who stands next to him while an amused Prince of Wales watches them from behind a tree
Alternative Title:
Paradise regained
Description:
Title from item. and Signed in image "SB". Attribution to James Gillray from British Museum catalogue.
Publisher:
Publish'd as the act directs by G. Humphrey, No. 48 Long Acre
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., and Robinson, Mary, 1758-1800.
Charles Fox, with a fox's body, speaks to his supporters, shown as geese with human heads who crowd the windows of the King's Arms Tavern and the street below. At the top of the building, Fox's arms are supported by Burke and Lord North, each with a fox's body. Among the geese are the Prince of Wales and Mrs. Robinson in the upper right window, Sam House, shouting, "Huzza," in the bottom central window, and Jeffery Dunstan, the popular 'mayor of Garrett,' standing on the roof of a coach driven by the Earl of Surrey who stands on its box. The coach and its procession converge with a procession led by a goose carrying a standard with Cromwell's portrait signed, "Fox for ever," and the Cap of Liberty on its pole
Description:
Title from item., Sheet trimmed within plate mark., and Mounted to 37 x 29 cm.
Publisher:
Pubd. as the act directs, by J. Cattermoul, No. 376, Oxford Street
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., House, Samuel, -1785., Dunstan, Jeffery, 1759?-1797., Surrey, Charles Howard, Earl of, 1746-1815., Robinson, Mary, 1758-1800., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Elections, Political campaigns, Public speaking, Liberty cap, Foxes, and Geese
Charles Fox, with a fox's body, speaks to his supporters, shown as geese with human heads who crowd the windows of the King's Arms Tavern and the street below. At the top of the building, Fox's arms are supported by Burke and Lord North, each with a fox's body. Among the geese are the Prince of Wales and Mrs. Robinson in the upper right window, Sam House, shouting, "Huzza," in the bottom central window, and Jeffery Dunstan, the popular 'mayor of Garrett,' standing on the roof of a coach driven by the Earl of Surrey who stands on its box. The coach and its procession converge with a procession led by a goose carrying a standard with Cromwell's portrait signed, "Fox for ever," and the Cap of Liberty on its pole
Description:
Title from item. and Reissue by Hannah Humphrey of no. 6422 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. 24 Feby. 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., North, Frederick, Lord, 1732-1792., House, Samuel, -1785., Dunstan, Jeffery, 1759?-1797., Surrey, Charles Howard, Earl of, 1746-1815., Robinson, Mary, 1758-1800., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Elections, Political campaigns, Public speaking, Liberty cap, Foxes, and Geese
Charles Fox, as Harlequin, and Lord North, as Pantaloon, perform on stage for the members of their party. Fox, standing on one leg, holds the Harlequin's 'magic' wand above the head of a bust of George III. Above the wand hangs the royal crown suspended from an air balloon. Behind his back, Fox passes to a smiling North a piece of paper inscribed, "Prerogative." The audience, that includes on the left, in the box, the Prince of Wales and Mrs. Robinson, and in the pit, among the others, Keppel and Burke, applauds the performance. The back wall of the stage is decorated with a portrait of Cromwell. On the wall facing the King's bust hangs a map of the United States
Alternative Title:
Harlequin
Description:
Title from item., Sheet trimmed mostly within plate mark, imprint burnished out., Publication information from British Museum catalogue., and Title partially in the form of a rebus.
Publisher:
E. Hodges?
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Robinson, Mary, 1758-1800., Keppel, Augustus Keppel, Viscount, 1725-1786., Burke, Edmund, 1729-1797., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Politics and government, Pantomimes, Balloons (Aircraft), and Theaters
An obese Charles Fox with a beard, dressed as Falstaff, stands against the wall of a building inscribed, "Gt. Ormond Street," holding on his shoulders the Prince of Wales. The Prince reaches up with an open sack to receive the Great Seal from a man standing in the window, possibly Richard Fitzpatrick. Watching the scene are a courtesan and Mrs. Robinson (Perdita), whose hat is inscribed, "Perditi," an allusion to the status of both women, as well as to Fox's unenviable political situation
Description:
Title from item., Sheet trimmed within plate mark., and Printmaker and date of publication from British Museum catalogue.
Publisher:
Publishd by J. Boyne, No. 2 Shoe Lone [sic], Fleet St.
Subject (Geographic):
Great Britain and England
Subject (Name):
George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., Robinson, Mary, 1758-1800., and Fitzpatrick, Richard, 1747-1813.
Subject (Topic):
Politics and government, Robberies, Courtesans, and Clothing & dress