Title from item., Publication date in British Museum catalogue: January 1770., Sheet trimmed within plate mark on right., Plate from: The London museum of politics, miscellanies, and literature. London : Printed for J. Miller ... , 1770- , v. 1 (1770), p. 79., and Temporary local subject terms: Councils: Privy Council -- Devil -- Personifications: Folly -- Petitions.
Publisher:
publisher not identified
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790, Barrington, William Wildman Barrington, Viscount, 1717-1793, Bedford, John Russell, Duke of, 1710-1771, Cornwallis, Frederick, 1713-1783, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Mansfield, William Murray, Earl of, 1705-1793, North, Frederick, Lord, 1732-1792, Rigby, Richard, 1722-1788, and Sandwich, John Montagu, Earl of, 1718-1792
Title from item., Imprint and price from British Museum catalogue., Description based on imperfect imprint; sheet trimmed within plate mark resulting in loss of imprint and price., "Price 6d. plain, 1s. coloured.", Two lines of verse below image: All coursers, the first heat with vigor run ..., Temporary local subject terms: Racing grounds., and Mounted to 30 x 39 cm. and mounted again to 35 x 48 cm.
Publisher:
Printed for Tom Collins near the Rubbing House, according to act of Parliament
Subject (Name):
Bedford, John Russell, Duke of, 1710-1771, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
Twenty-six members of the old and new ministries sit around a card table; North and Fox (the latter with a fox's head) appearing most prominently, together with Thurlow, Grey Cooper, the Duke of Richmond, John Dunning, Wilkes, Barré, and John Cavendish
Description:
Title from item., Printmaker from British Museum catalogue., and Extensively annotated on verso in an unknown hand with descriptions of persons potrayed in the image.
Publisher:
Pubd. April 12th, 1782 by H. Humphrey, No. 118 New Bond Street
Subject (Geographic):
Great Britain and England
Subject (Name):
North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Cooper, Grey, Sir, ca. 1726-1801, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Dunning, John, Baron Ashburton, 1731-1783, Barré, Isaac, 1726-1802, Cavendish, John, Lord, 1732-1796, Wilkes, John, 1725-1797, Burke, Edmund, 1729-1797, Surrey, Charles Howard, Earl of, 1746-1815, Lansdowne, William Petty, Marquis of, 1737-1805, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Caricatures and cartoons, Politics and government, Card games, Gambling, and Clothing & dress
"Satire on the ministerial changes and payments made to out-going ministers; Admiral Byng is shown in chains holding the dispatches referring to his withdrawal from action at Minorca; Earl Sandwich concerns himself only with opera and theatre."--British Museum online catalogue
Alternative Title:
Council of expedients and Byng returned
Description:
Title etched above image., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Six lines of verse below image: The quacks of government who sate at the unregarded helm of the state ..., Temporary local subject terms: Trials: court-martial of Admiral Byng -- Reference to the Battle of Minorca, 20 May 1756 -- Fetters -- Literature: quotation from Hudibras by Samuel Butler, 1612-1680., Watermark., and Mounted, for further information consult staff.
Publisher:
publisher not identified
Subject (Geographic):
Minorca (Spain)
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Byng, John, 1704-1757, Holland, Henry Fox, Baron, 1705-1774, Anson, George Anson, Baron, 1697-1762, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., 1 print : etching and drypoint on laid paper ; plate mark 30.1 x 40.6 cm, on sheet 32.3 x 43.3 cm., and Mounted on leaf 28 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted on page 45.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
"Between Fox and Surrey, Powys, the second violin, is seated on the ground, looking with an agonized expression (cf. British Museum Satires No. 6413) towards Fox, the first violin. From Fox's pocket hangs a paper: 'Irish Propositions set to music for the White Boys'. Burke is farther to the left, blowing his trumpet with a deeper scowl. Lord Derby has been displaced from his central position for Lord Sandwich, seated in an arm-chair, holding a roll inscribed 'Catches & Glees' with which he beats time, turning to the right where Stormont blows the French horn as before. Farther to the right Lord Carlisle, in profile to the left, plays the clarinet (or hautboys). Derby, standing between Burke and Sandwich, plays the pipe and tabor. Eden plays the Irish harp as before and in the same position, but at his feet is a squalling cat, watched contemptuously by a large dog whose collar is inscribed 'watch'. Another dog howls with its fore-paws on the open music-book inscribed 'Ballanamonioro'. On the extreme left, in 'profil perdu' to the left, Portland is seated at the harpsichord; his music is also '[B]allanamonioro'. In the foreground (left) is a fox, its collar inscribed 'Fox', standing on a kettledrum, its cloth decorated with the Cavendish arms and motto, 'Cavendo tutus', and snarling at an overturned side-drum decorated with the royal arms; this indicates Fox's attitude to the Crown and the support given to him by the Duchess of Devonshire. Other books of music, a cittern, &c, lie in the foreground. On a chimney-piece, behind Portland, is a bust, laurel-wreathed with a blank face, inscribed 'oντiς'; against it lean a lyre and a smiling mask. Two manuscripts hang down from the chimney-piece: 'Critique on the Rolliad' and 'Probationary Odes for the Laureateship'. These emblems signify the anonymity of the two famous political satires which went into several editions in 1785 after appearing in the 'Morning Herald'. On the back wall, above the heads of the performers, are (left to right) marrow-bones and cleavers, reminiscent of the bands of butchers who had supported Fox in the Westminster Election. Next is a framed picture: Fox beating a tambourine, North playing a clarinet to which dance performing dogs and a hare. In the centre is an oval bust portrait of the Prince of Wales, the frame inscribed 'Auspicium melioris Ævi' (see British Museum Satires No. 6771). The third depicts Fox leading a performing bear, while a man, resembling a bearded Jew, plays a hurdy-gurdy. On the extreme right a legal wig is hung above a set of bagpipes; it is inscribed 'New Wig' [Whig] with the letters 'C.P'; on the bag are the letters 'PC', on one of the pipes '1745'. They represent Loughborough, Chief Justice of the Common Pleas, and his self-seeking changes of party."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., and Mounted.
Publisher:
Published [the] 7th June 1785 by Thomas Cornell, Bruton Street
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Lilford, Thomas Powys, Baron, 1743-1800, Norfolk, Charles Howard, Duke of, 1746-1815, Carlisle, Frederick Howard, Earl of, 1748-1825, Mansfield, David Murray, Earl of, 1727-1796, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, and Auckland, William Eden, Baron, 1744-1814
Subject (Topic):
Trained animals, Concerts, and Musical instruments
Title from item., Publisher identified from address., and Temporary local subject terms: Reference to the peace conference at Breda, 1746 -- Games: leap-frog -- Cities: view of Breda -- Emblems: bag of the Secretary of State -- Karl August Friedrich, Fürst von Waldeck, 1704-1763 -- Karl Joseph, Fürst von Batthyány, 1697-1772 -- Mr. Gilles, plenipotentiary and pensionary of Holland.
Publisher:
Sold in May's Buildings, Covent Garden
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Sandwich, John Montagu, Earl of, 1718-1792, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Stair, John Dalrymple, Earl of, 1720-1789
A group of eight locusts is gathered in the foreground; each is numbered and identified in the key below image. A long procession of other locusts in the background is walking on Whitehall by the Banqueting House to Holbein's Gate, while a swarm of more locusts descends on the Banqueting House. Some of them landed on the trees leaving them denuded
Description:
Title from item., Text below title: And [the] Locusts rested in all [the] Coasts of Egypt ..., Key below image, in four columns: 1. Found at St. James's; 2. found in Staffordshire; 3. found in Bloomsbury; 4. found in Lincolns Innfields; 5. the fellon to the fourth; 6. a female locust found at Yarmouth; 7. found near Huntingon; 8. found in Worcestershire., and Watermarks: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Geographic):
Whitehall (London, England), Banqueting House (London, England), and Holbein's Gate (London, England)
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Stafford, Granville Leveson-Gower, Marquess of, 1721-1803, Bedford, John Russell, Duke of, 1710-1771, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Sandwich, John Montagu, Earl of, 1718-1792, and Yarmouth, Amalie Sophie Marianne von Wallmoden-Gimborn, Countess of, 1706-1765
Titles engraved below images., Possible Lord Sandwich?, Plate for the "Histories of the téte-à-téte annexed" in the Town and country magazine, 1788, v. xx, p. 151., Two head-and-shoulder portraits in separate ornamental oval frames numbered 'x' and 'xi'., and Mounted with the pages from Town and country magazine, 1788, v. xx, p. 151.
"Portrait; half length to left; wearing white hood and embroidered trim; oval in rectangular pedastal."--British Museum online catalogue
Description:
Title from text in image., After a painting by Robert Walker; see British Museum online catalogue, registration no.: 1871,1209.5627., Publication information from that of the volume in which the print was issued., Plate from: Noble, M. Memoirs of the protectoral-house of Cromwell ... London : Printed for G. G. J. and J. Robinson, 1787., Sheet trimmed within plate mark., Text in lower margin: From an original picture in the possession of the Earl of Sandwich at Hinchingbrooke., Mounted on page 248 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching, engraving, and stipple engraving on wove paper ; sheet 15.9 x 9.6 cm., and For further information, consult library staff.
Publisher:
G. G. J. and J. Robinson
Subject (Name):
Cromwell, Elizabeth, 1564 or 1565-1654, and Sandwich, John Montagu, Earl of, 1718-1792
"Portrait; half length to left; wearing white hood and embroidered trim; oval in rectangular pedastal."--British Museum online catalogue
Description:
Title from text in image., After a painting by Robert Walker; see British Museum online catalogue, registration no.: 1871,1209.5627., Publication information from that of the volume in which the print was issued., Plate from: Noble, M. Memoirs of the protectoral-house of Cromwell ... London : Printed for G. G. J. and J. Robinson, 1787., Sheet trimmed within plate mark., Text in lower margin: From an original picture in the possession of the Earl of Sandwich at Hinchingbrooke., and Mounted on page 194 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
G. G. J. and J. Robinson
Subject (Name):
Cromwell, Elizabeth, 1564 or 1565-1654, and Sandwich, John Montagu, Earl of, 1718-1792
Title engraved above image., Twelve lines of verse in four columns below image: Huzza, boys! A fare: who can first get to port? ..., Temporary local subject terms: Westminster -- Buildings: Admiralty Building -- Admiralty Board members -- Naval uniforms: sailor -- Lord Archibald Hamilton., and Watermark: Strasburg lily with initials L V G below.
Publisher:
publisher not identified
Subject (Name):
Winchilsea, Daniel Finch, Earl of, 1689-1769, Cockburn, John, ca. 1679-1758, Lee, George, Sir, 1700-1758, Bedford, John Russell, Duke of, 1710-1771, Anson, George Anson, Baron, 1697-1762, Norris, John, Sir, 1660?-1749, and Sandwich, John Montagu, Earl of, 1718-1792
Title engraved above image., Twelve lines of verse in four columns below image: Huzza, boys! A fare: who can first get to port? ..., Temporary local subject terms: Westminster -- Buildings: Admiralty Building -- Admiralty Board members -- Naval uniforms: sailor -- Lord Archibald Hamilton., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Winchilsea, Daniel Finch, Earl of, 1689-1769, Cockburn, John, ca. 1679-1758, Lee, George, Sir, 1700-1758, Bedford, John Russell, Duke of, 1710-1771, Anson, George Anson, Baron, 1697-1762, Norris, John, Sir, 1660?-1749, and Sandwich, John Montagu, Earl of, 1718-1792
Our all to nothing and Old England's T totum being the Hanover bubble
Description:
Title etched below image., Publication date based on that of the edition described in the British Museum. Division I, political and personal satires, v. 3, no. 2589, Early state, without first part of title above image and asterisks on either side of T in the title below image. Cf. No. 2589 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicians: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, holding his cricket bat, presides over the Admiralty board whose members are asleep in their chairs; two sailors are turned away at the Pay Office while Henry Fox converses with venal politicians; a gentleman in a long wig presides over the Treasury board consisting of five Scots seated at a table covered with empty money bags, an empty chest lying on the floor; seven recipients of government pensions present themselves, among them 'M.', Arthur Murphy (?), 'Orator S', Tobias Smollett, 'H', William Hogarth at his easel wearing a fool's cap, his dog at his feet, 'P.W.', Paul Whitehead, deputy wardrobe keeper to the king, standing beside a coat on a stand"--British Museum onlne catalogue
Description:
Title engraved above image., Lettered with captions above title: Satire's a harmless quiet thing - 'Tis application makes the sting., Lettered at lower edge of image: 'A friend at Court is better than a penny in a purse'., and With extensive annotations in Bowditch's hand on mount, identifying the figures depicted; mounted on a sheet 33.5 x 45.4 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
"Satire on alleged political corruption during the premiership of Lord Bute: copy in reverse of one compartment of "Places (being a Sequel to the Posts) a Political Pasquinade (see British Museum registration number 1868,0808.4321): Lord Sandwich, holding his cricket bat, presides over the Admiralty board whose members are asleep in their chairs; two sailors are turned away at the Pay Office while Henry Fox converses with venal politicians; a gentleman in a long wig presides over the Treasury board consisting of five Scots seated at a table covered with empty money bags, an empty chest lying on the floor; seven recipients of government pensions present themselves, among them 'M.', Arthur Murphy (?), 'Orator S', Tobias Smollett, 'H', William Hogarth at his easel wearing a fool's cap, his dog at his feet, 'P.W.', Paul Whitehead, deputy wardrobe keeper to the king, standing beside a coat on a stand"--British Museum onlne catalogue
Description:
Title engraved above image., Lettered with captions above title: Satire's a harmless quiet thing - 'Tis application makes the sting., Lettered at lower edge of image: 'A friend at Court is better than a penny in a purse'., and On page 296 in volume 3. Sheet trimmed to: 12.5 x 15 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Whitehead, Paul, 1710-1774, Hogarth, William, 1697-1764, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Smollett, T. 1721-1771 (Tobias),, and Murphy, Arthur, 1727-1805
"A buxom girl pushes (left to right) her barrow of carrots along the pavement of Bond Street, looking over her right shoulder at Lord Sandwich ('Jemmy Twitcher'), who overtakes her and twitches her apron. He is in profile to the right, leering at her. Her elegant shoes and clocked stockings are inconsistent with her occupation. The background is a bookseller's shop at the corner of 'Little Maddox Street' (left) and 'New-Bond Street' (right), displaying the royal arms. Over the door, in Bond Street, is 'Faulder' and above the two windows, 'Bookseller & Book Binder'. Pamphlets or open books fill the panes of the windows: 'Rules of the Order of Sr Francis' [an allusion to Sir Francis Dashwood and the profligate order of Medmenham Abbey]; 'List of Servant Maids'; 'A Chip of the old Block'; 'Doe Hunting an Ode by an old Buck Hound'; 'The Beauties of Bond Street' (cf. BMSat 8377); 'A Journey through Life - from Maddox Street unto Conduit Street & back again'. The side of a third shop-window in Maddox Street appears on the extreme left. Cf. BMSat 7080."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Young women -- Wheelbarrows -- Carrots -- Booksellers' shops: Robert Faulder's shop, 42 New Bond Street -- Allusion to Sir Francis Dashwood and Order of Medmenham Abbey.
Publisher:
Pubd. Decr. 3d, 1796, by H. Humphrey, New Bond Street
Subject (Name):
Sandwich, John Montagu, Earl of, 1718-1792 and Faulder, Robert, 1747 or 1748-1815.
Title from item., Sheet trimmed within plate mark., and Temporary local subject terms: British Lion -- The White Horse of Hanover -- British territorial concessions: Cape Breton to France.
Publisher:
Publisher not identified
Subject (Name):
Edward III, King of England, 1312-1377, Henry V, King of England, 1387-1422, Cromwell, Oliver, 1599-1658, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Treaty of Aix-la-Chapelle, Devil, Hostages, Military uniforms, British, National emblems, and Hanoverian
"Satire on George II's wish for continuing British subsidies for Hanoverian forces in the war of Austrian Succesion, and the objections of some British politicians. In an open loggia on the left the king sits at a table, over which is spread a map of northern Europe on top of which is a teetotum, lettered "160,000 for year", the tip of which is pointing towards him. He exclaims to a group of politicians around the table that he has won the whole stake, "Je tire tous les enjeux, Tenez, la voici" . Across the table from him John Carteret, who has a second, anxious, face peering through the back of his wig, replies "Well thrown the Balance is on our Side to a T". Beside the king another politician, holding a pen, remarks "More money for the year, & you shall have a P[eace]". The Duke of Cumberland standing beside Carteret wit h his hand resting on his sword hilt says "Smart money I've ventured my Life", a man beside him tells him "You have fought bravely take H[a]n[ove]r". In the centre the British Lion lies on the Act of Settlement, his back piled high with papers lettered "Dains", "Hessians", "Austrean", "H[a]n[o]ve[ria]ns", "Vots of Ct", "Sinking F[un]d", "lottery tickets", "lott[ery] next year, for 16000,000". The white horse of Hanover rests his fore legs on top of these and above the Austrian eagle flies with the French cock on its back. The lion laments "I can Bear it no more I'll be Bubble'd no longer". A politician to the right of the lion moves as if to lighten its burden saying, "Poor Lion, wee shall Oppose this foul Play", another behind him , holding a commander's baton pushes forward saying "The English sav'd him, where was his H-gs" ; another, wearing a sash decorated with eagles, restrains him saying "1,000,000 is too much for Mercenaries", another politician reassures him that "G[o]d be prais'd they have preserv'd ye Balance in Europe"; in the background another says "D[a]m it the D[ice] is Loaded"."--British Museum online catalogue
Alternative Title:
Hanover bubble
Description:
Title engraved above image., Attributed on verso to George Bickham the younger?, Publication date from British Museum catalogue., Caption below image: Old E-l-d's*T*Totum, being the H-r bubble or our all to nothing., and Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicianas: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"Satire on George II's wish for continuing British subsidies for Hanoverian forces in the war of Austrian Succesion, and the objections of some British politicians. In an open loggia on the left the king sits at a table, over which is spread a map of northern Europe on top of which is a teetotum, lettered "160,000 for year", the tip of which is pointing towards him. He exclaims to a group of politicians around the table that he has won the whole stake, "Je tire tous les enjeux, Tenez, la voici" . Across the table from him John Carteret, who has a second, anxious, face peering through the back of his wig, replies "Well thrown the Balance is on our Side to a T". Beside the king another politician, holding a pen, remarks "More money for the year, & you shall have a P[eace]". The Duke of Cumberland standing beside Carteret wit h his hand resting on his sword hilt says "Smart money I've ventured my Life", a man beside him tells him "You have fought bravely take H[a]n[ove]r". In the centre the British Lion lies on the Act of Settlement, his back piled high with papers lettered "Dains", "Hessians", "Austrean", "H[a]n[o]ve[ria]ns", "Vots of Ct", "Sinking F[un]d", "lottery tickets", "lott[ery] next year, for 16000,000". The white horse of Hanover rests his fore legs on top of these and above the Austrian eagle flies with the French cock on its back. The lion laments "I can Bear it no more I'll be Bubble'd no longer". A politician to the right of the lion moves as if to lighten its burden saying, "Poor Lion, wee shall Oppose this foul Play", another behind him , holding a commander's baton pushes forward saying "The English sav'd him, where was his H-gs" ; another, wearing a sash decorated with eagles, restrains him saying "1,000,000 is too much for Mercenaries", another politician reassures him that "G[o]d be prais'd they have preserv'd ye Balance in Europe"; in the background another says "D[a]m it the D[ice] is Loaded"."--British Museum online catalogue
Alternative Title:
Hanover bubble
Description:
Title engraved above image., Attributed on verso to George Bickham the younger?, Publication date from British Museum catalogue., Caption below image: Old E-l-d's*T*Totum, being the H-r bubble or our all to nothing., Temporary local subject terms: Games: teetotum -- Musical instruments: flute -- Musicianas: flutist -- Wigs: wig with a face on its back -- Expressions of speech: Hanover turnips, i.e., German policies of the King -- British lion -- Emblems: Austrian eagle -- Emblems: the White Horse of Hanover -- Emblems: Gallic cock -- Maps: Europe., and With spine title: Caricatures anglaise 1740.
Publisher:
publisher not identified
Subject (Name):
Hanover, House of., George II, King of Great Britain, 1683-1760, William Augustus, Prince, Duke of Cumberland, 1721-1765, Argyle, John Campbell, Duke of, 1680-1743, Bedford, John Russell, Duke of, 1710-1771, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Marlborough, Charles Spencer, Duke of, 1706-1758, Sandwich, John Montagu, Earl of, 1718-1792, and Carteret, John, Earl Granville, 1690-1763
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., and Mounted on page 67 with one other print.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., Identifications of Fox and Sheridan added in contemporary hand below the plate., and Watermark: Initials L V [G], obscured by design.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
"Fox and his party (three quarter length) surround a Twelfth Night cake which Weltje was about to cut into portions. The cause of a sudden check to this proceeding is indicated by a broad ray of light (which strikes the cake and the bystanders) and by a scroll: 'The King shall enjoy his own again'. Weltje stands on the left, his arms extended towards the scroll, saying, "Den by Got we sail heb no Cake"; he drops his knife. He and Sheridan are the most agitated of the party: Sheridan with a face of despair looks up, saying, '"Now our Ruin is complete" School for Scandal'. (He is Joseph Surface as in British Museum Satires No. 7510, &c; the actual words are "Tis now complete!') Fox stands disconsolately, his hands in his pockets, his back to the ray. Burke (right), his arms folded, scowls up at the ray. Behind these three Stormont, Loughborough, and Sandwich (on the extreme right) regard it with less pronounced despair. Portland stands behind the cake, frowning fixedly. The centre of the cake is ornamented with the Prince of Wales's coronet and feathers (as are Weltje's buttons); on the centre feather is poised a crown. The cake has been marked in sections where it is to be cut, these are inscribed 'Ist Lord Admy' [Sandwich had been considered for the post and also for that of Ambassador to France], 'Secrety State foreign' [Fox], 'Secrety State home' [Stormont], 'Paymar Genl' [Burke], 'Ist Comm Board Control', and 'Treas Navy' (Sheridan's arm extends across this, the place intended for him, pending a transfer to the Chancellorship of the Exchequer, Sir G. Elliot, 'Life and Letters', i. 260-1)."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Quotation from Sheridan's School for scandal., 1 print : etching and aquatint with drypoint on wove paper ; plate mark 25.2 x 32.9 cm, on sheet 27 x 34.3 cm., and Mounted on leaf 50 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publ. by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816., George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, and Weltje, Louis, 1745-1810
"America, a partly-draped female figure, is being held down by Lord Mansfield (right) in judge's wig and robes, while North, holding her by the throat, pours the contents of a tea-pot down her mouth. America ejects the tea in a stream directed at North's face. From his pocket hangs a paper inscribed "Boston Port Bill". Sandwich (left) kneels, holding America down by an ankle, while he lifts the edge of her draperies and peers beneath them. Behind Mansfield (right) stands Bute in Scots cap and kilt, holding a drawn sword, its blade inscribed "Military Law", pistols are thrust through his belt. Behind America stands Britannia resting one hand on her shield; she averts her face and covers her eyes with her hand. Behind Sandwich (left) stand two men dressed in the French and Spanish fashions and representing France and Spain or the monarchs of France and Spain; the order of the Golden Fleece hangs from the neck of Spain. They stand close together, pointing towards America with expressions of interest and concern. In the foreground is a torn document inscribed "Boston petition". In the background is the sea; on the horizon and on a minute scale are the spires of a town surrounded by ships, above is engraved, "Boston cannonaded"."--British Museum online catalogue
Alternative Title:
America swallowing the bitter draught
Description:
Title engraved below image., Publication place and date from that of the periodical for which this plate was engraved., and Plate from: London magazine. London : Printed for J. Baldwin, v. 43 (1774), p. 185.
Publisher:
publisher not identified
Subject (Name):
North, Frederick, Lord, 1732-1792, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, and Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Boston Port Bill, 1774, Boston Tea Party, 1773, Britannia (Symbolic character), Ethnic stereotypes, Teapots, and Medical procedures & techniques
Title etched above image., Publication date from British Museum catalogue., Following imprint: Price sixpence., Explanation of numbers applied to persons and objects in the print added below image., Earlier state without plate number. Cf. No. 4143 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Buildings: Royal Exchange -- See-saws -- Laws & statutes: repeal of the Stamp Act -- Personifications: America as a native man -- Mythology: Minerva -- Mythology: Mercury -- Ships -- Commerce: bales of merchandise -- Reference to the fall of the Rockingham Administration -- Devil -- Gout -- Medical: crutch., and Watermark: Vryheyt.
Publisher:
Publish'd according to act of Parliament
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Grenville, George, 1712-1770, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Wilkes, John, 1725-1797, and Mansfield, William Murray, Earl of, 1705-1793
Blind Justice and the secretaries One Eye and No Head examining ...
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., Temporary local subject terms: Reference to Portsmouth dockyard fire, July 1770 -- Personifications: Justice as an ugly woman -- Shears -- Bags of money., and Mounted to 33 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Fielding, John, Sir, 1721-1780, Rochford, William Henry Nassau de Zuylestein, Earl of, 1717-1781, Sandwich, John Montagu, Earl of, 1718-1792, and Suffolk, Henry Howard, Earl of, 1739-1779
Title etched above image., Publisher indentified from address., Four columns of verse below image: When conjurers [the] quality can bubble, and get their gold w[i]th very little trouble ..., Temporary local subject terms: Haymarket Theatre: burning of stage properties -- Bottles: conjurer in a bottle -- Watch: Military uniforms: Grenadier, Foot Guard -- Sticks -- Placards: Foote gives tea., and Watermark: countermark IV.
Publisher:
Sold in Mays Building, Covent Garden
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Foote, Samuel, 1720-1777, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Sandwich, John Montagu, Earl of, 1718-1792
Title etched below image., Publication place and date inferred from those of the periodical for which this plate was engraved., Four lines of verse below image: Why man he doth bestride this narrow world like a colossus; and we petty ministers ..., Plate from: The Political register and London museum. London : J. Almon, v. 1 (1767)., Temporary local subject terms: Buildings: St. James's Palace -- Scourges -- Colossi: Colossus of Rhodes -- Emblems: goat as lust -- Snake as fraud -- Praying -- Gout -- Literature: paraphrased quotation from Julius Caesar by Shakespeare, i.2., and Mounted to 37 x 26 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Scott, James, 1733-1814, Temple, Richard Grenville-Temple, Earl, 1711-1779, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Sandwich, John Montagu, Earl of, 1718-1792, Bedford, John Russell, Duke of, 1710-1771, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, and Norton, Fletcher, 1716-1789
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., and Mounted on page 67 with one other print.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., Watermark: fleur-de-lis., and Mounted to 31 x 42 cm.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
"A comet traverses the design diagonally and downwards from right to left across an aquatinted background; the head is that of the Prince Wales in a star, the tail contains the heads of his disappointed followers. This broadens as it recedes from the head; immediately after the Prince is the head of Sheridan, with a gloomy expression. Behind him are Fox, with a melancholy smile, and Portland, looking angry. After them comes the wig in back view of Lord Loughborough (see British Museum Satire No. 6796). Next come Stormont and (in 'profil perdu') North. They are followed by the Duke of Queensberry (one of the 'rats') holding up a quizzing-glass and Powys with his habitual melancholy scowl. Behind them are Lord Lothian (another 'rat'), Burke, with an angry frown, and the Duke of Norfolk. Between Norfolk and Queensberry is the 'profil perdu' of Derby. They are followed by Lord Sandwich, Bishop Watson of Llandaff, and Sir Grey Cooper. Next are two clerical wigs in back view identified by Miss Banks as Wilson, Bishop of Bristol, and Warren, Bishop of Bangor, while in the upper left corner of the print is the swarthy profile of Sawbridge. Beneath the title, and on the background which represents the sky, is etched: 'A Return of the Comet which appeared in 1761 [Above the final '1' of the date is a '2'.] is expected this Year and to be within our horizon from the month of Octr 1788 to Augt 1789 but is expected to be most -visible {if it forces itself upon our Notice) in the Winter months Febry & March ------ vide Dr Trusslers Almanack By some of the ancient Astronomers Comets were deemed Meteors kindled in the Air and designed as Presages or unlucky Omens of some disastrous Catastrophe------ The Peripateticks deemed them not permament Bodies but bodies newly produced and in a short Time to perish again, and affirmed that they were made up of Exhalations in the terrestrial Regions------ Sr Isaac Newton asserts That the Tail of a Comet is nothing else than a fine Vapour which the Head of the Comet emits by its heat that Heat the Comet receives from the Sun and the magnitude of the Tail is always proportional to the degree of heat which the Comet receives, and Comets which are nearest to the Sun have the longest Tails------'."--British Museum online catalogue
Description:
Title etched in image., Signed with the monogram of James Sayers., Date precedes publisher's statement in imprint., 1 print : aquatint and etching on wove paper ; plate mark 23.3 x 29.8 cm, on sheet 25.7 x 31.9 cm., and Mounted on leaf 49 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Mansfield, David Murray, Earl of, 1727-1796, Sawbridge, John, 1732?-1795, North, Frederick, Lord, 1732-1792, Buccleuch, Henry Scott, Duke of, 1746-1812, Powys, Thomas, 1737-1809, Burke, Edmund, 1729-1797, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Sandwich, John Montagu, Earl of, 1718-1792, Watson, Richard, 1737-1816, Cooper, Grey, Sir, ca. 1726-1801, and Lothian, William John Ker, Marquis of, 1737-1815
Title from item., Publication date in British Museum catalogue: June 21, 1770., Plate from: The Oxford magazine or, Universal museum. London : Printed for the authors , v. 5 (1770), p. 106., Temporary local subject terms: Reference to William Beckford, Lord Mayor of London, 1709-1770 -- Allusion to Jamaica -- Allusion to Boston -- 7th Earl of Winchelsea., and Mounted to 31 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Bedford, William, 1709-1770, Bedford, John Russell, Duke of, 1710-1771, Bute, John Stuart, Earl of, 1713-1792, Dyson, Jeremiah, 1722-1776, Holland, Henry Fox, Baron, 1705-1774, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Downshire, Wills Hill, Marquis of, 1718-1793, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, Sandwich, John Montagu, Earl of, 1718-1792, and Bath, Thomas Thynne, Marquis of, 1734-1796
Title from item., Plate numbered '66' in upper right corner., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Published by Matthias Darly, based on address and date., Temporary local subject terms: France -- Hanover -- Gallows., and Mounted to 17 x 35 cm.
Publisher:
To be had at the Acorn, Strand
Subject (Name):
Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Mendip, Welbore Ellis, Baron, 1713-1802, Hardwicke, Philip Yorke, Earl of, 1690-1764, and Sandwich, John Montagu, Earl of, 1718-1792
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
Opposite page 212. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on lecherous elderly men: a serving maid recoils as an elderly macaroni, sitting at a table with a glass, puts his arm round her waist and offers her a purse."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse in two columns beneath title: Macaroni endeavours the maid to seduce, With gold and such prate as with fops is in use. In vain is his courtship; the maiden stil coy, Rejects the vile letcher, and all his false joy., Folded to 32 x 25.8 cm., and Bound in opposite page 212 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for John Bowles, at No. 13 in Cornhill
Subject (Name):
Sandwich, John Montagu, Earl of, 1718-1792
Subject (Topic):
Dandies, British, Older people, Courtship, Lust, Drinking vessels, and Purses
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 3 (1769), p. 220., Temporary local subject terms: Personifications: Nemesis -- Despotism -- Military uniforms: Dragoons, 3rd regiment, Scot soldiers -- Expressions of speech: government offices as 'cock-pit' -- Buildings: Whitehall -- Emblems: hypocrisy --Avarice -- Corruption -- Jack Boot for Lord Bute -- Vehicles: cars -- Witches -- Sir William Beauchamp Proctor, 1722-1773., and Mounted to 31 x 46 cm.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Barrington, William Wildman Barrington, Viscount, 1717-1793, Bath, Thomas Thynne, Marquis of, 1734-1796, Blackstone, William, 1723-1780, Bute, John Stuart, Earl of, 1713-1792, Dyson, Jeremiah, 1722-1776, Holland, Henry Fox, Baron, 1705-1774, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, and Sandwich, John Montagu, Earl of, 1718-1792
The King of France is seated on his throne in front of the tent surmounted by a large fleur-de-lis. His feet rest on the head of the British Lion whom he is pushing to the ground. Two guards with pikes stand on either side of him. He is pointing with his scepter to two kneeling men in peers' coronets who have hooks in their noses and are led on a string by another man, probably Lord Sandwich, British negotiator at Aix-la-Chapelle. The two peers are probably the Earl of Sussex and Baron Cathcart, offered as hostages at the time of signing the Treaty. They carry scrolls and a fishnet with three fishes in it, probably alluding to the fisheries of Cape Breton. The scrolls convey promises to wear French cambric, as well as surrender of newly discovered coal mines. A fortress with breached walls is visible in the background. On the right, sits Britannia weeping. Behind her, three men, probably English merchants, express their disappointment with the terms of the Treaty. A scroll in the upper right corner, above a ship on turbulent seas, lists the concessions made by English negotiators
Description:
Title from caption above image., Sheet trimmed within plate mark., Six lines of text below image: [The] Gods! Is is possible are these the brave E--- [i.e., Englishmen] who so lately professed 'emselves in such strong terms to be my friends! ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Publisher:
publisher not identified
Subject (Name):
Louis XV, King of France, 1710-1774, Cathcart, Charles Schaw Cathcart, Lord, 1721-1776, Sussex, George Augustus Yelverton, Earl of, 1727-1758, and Sandwich, John Montagu, Earl of, 1718-1792
"A stout and florid woman holds up on her two large hands the baby princess, face downwards. The infant holds out her arms towards the Prince of Wales, who advances tipsily through a doorway (right), and touches her hand. He is dishevelled, with unlatched shoes and ungartered stockings; his garter, inscribed 'honi soit', dangles round his right leg. He is followed by M. A. Taylor, on the extreme right, who carries on his head a wicker cradle ornamented with the Prince's feathers. Behind the infant are Fox and Sheridan, stooping obsequiously to kiss her posteriors; Fox clutches her long robe which reaches to the floor. In the background rows of guests are freely sketched, drinking (?) caudle from two-handled cups. The two on the extreme left and in the front row resemble Sandwich and Erskine (to whom a man (not dressed as a servant) hands a tray of steaming cups)."--British Museum online catalogue
Alternative Title:
Wise men's offering
Description:
Title etched below image. and Temporary local subject terms: Furniture: cradles -- Lighting: chandelier.
Publisher:
Pubd. Jany. 9th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Charlotte Augusta, Princess of Great Britain, 1796-1817, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Sandwich, John Montagu, Earl of, 1718-1792, Erskine, Thomas Erskine, Baron, 1750-1823, and Taylor, Michael Angelo, 1757-1834
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.2+
Image Count:
1
Resource Type:
still image
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Publication attributed in an unverified card catalog record to Edwards & Darly, Acorn, at Hungerford Market., Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Recruit's uniform -- Royal drum -- Paddle -- Drummer -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Watermark: countermark IV.
Publisher:
To be had facing Hungerfd. Market, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musical instruments, and Musicians
Townshend, George Townshend, Marquis, 1724-1807, printmaker
Published / Created:
[1757]
Call Number:
757.04.00.01.1+ Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
Satire lampooning the attempt by Henry Fox to form a ministry, with Fox leading a recuiting party
Alternative Title:
Brittanniais happy prospect and Britannia's happy prospect
Description:
Title from item., Another state, without publication line. Cf. No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Travesties: military -- Military uniforms: recruiting sergeant's uniform -- Military uniforms: recruit's uniform -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Da Vinci, Leonardo, 1452-1520: travesties.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, Mendip, Welbore Ellis, Baron, 1713-1802, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Equestrian statues, Drums (Musical instruments), and Musicians
Brittannias happy prospect and Britannia's happy prospect
Description:
Title from item., Plate numbered '73' in upper right corner., Plate from: A political and satirical history of the years 1756, 1757, 1758, 1759, 1760, 1761, and 1762. In a series of one hundred and twelve ... prints. London : Printed for E. Morris, [1763]., Reduced and reversed copy of No. 3581 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Printmaker of the original identified by Stephens as Lord Townshend., Temporary local subject terms: Travesties: military -- Paddle -- Bribery -- Ribands -- Protest against militia -- Bombshelled globe -- Temples -- Ireland: reversion -- Statues: equestrian statue -- Emblems: white horse of Hanover -- Cricket-bat -- Altar -- Halberd -- Welbore Ellis, 1st Baron Mendip, 1713-1802 -- Da Vinci, Leonardo, 1452-1520: travesties., and Mounted to 19 x 30 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Sandwich, John Montagu, Earl of, 1718-1792, Dodington, George Bubb, Baron of Melcombe Regis, 1691-1762, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Musicians, and Musical instruments
Title etched at top of image., Printmaker and publication date from the Catalogue of prints and drawings in the British Museum., Sheet partially trimmed within plate mark., Cf. No. 4140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Repeal of the Stamp Act, 1766 -- Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
"A smaller copy of a satire on the repeal of the Stamp Act and the administration of George Grenville (First Lord of the Treasury, April 1763-July 1765)."--British Museum online catalogue
Description:
Title etched at top of image., Publication date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a key to persons numbered within image added below the design., "Price only six pence"--Following imprint., Temporary local subject terms: Merchant ships -- Skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Design attributed to Wilson and subjects identified in contemporary hand below print on mounting sheet. Mounted to 38 x 51 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Title etched at top of image., Sheet trimmed within plate mark., Plate numbered '90'., Reduced copy with some changes to design of no. 4140 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Acts: repeal of the Stamp Act, 1766 -- Funerals -- Tombs -- Coffins: child's coffin -- Clergy: bishops -- Parsons -- Reference to Anti-Sejanus -- Lawyers -- Banners: black flags with stamps on them -- Flags: Union Jack -- Rebellions: skulls of executed Jacobite rebels -- Bible: burial service -- Reference to the American colonies -- Rivers: bank of Thames -- Boats: lighters -- Ships: merchant ships -- Reference to votes for and against repeal in the Parliament -- Buildings: warehouses -- Trade: American trade -- Dogs -- Appeals: Scotch appeal -- Cargoes: bales and boxes -- Catches: funeral anthem -- Male dress: mourning hat (weeper) -- Mottoes: semper eadem -- Reference to the 2nd Marquess of Rockingham -- Reference to Henry Seymour Conway -- Reference to the 3rd Duke of Grafton -- Reference to the 2nd Earl Halifax --Reference to Lord Chatham's statue in Charleston, South Carolina., Watermark: Arms of England ; countermark G R., and Mounted to 33 x 46 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, and Sandwich, John Montagu, Earl of, 1718-1792
Title etched at top of image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Bowditch's notes on mounting sheet; mounted to 37 x 56 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
Title from caption below image., Publication date from British Museum catalogue., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a description added below image., Three columns of text below image: Over the vault are placed two skeleton heads. Their elevation on poles and dates of the two rebellion years ..., Temporary local subject terms: Warehouses -- Merchant ships -- Skulls: skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Clergy: bishops -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Tombs -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- Dogs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Bowditch's notes below plate mark, recto.
Publisher:
publisher not identifies
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
"The interior of a panelled room: ten men holding hands dance in a circle to the tune of a bag-pipe played by Bute (l.) wearing a kilt and appearing from behind a curtain. The king watches with pleased amusement from behind a door (r.). The dancers are trampling on papers and state documents. Lord North, trampling on papers inscribed "National Debt" and "Grievances", is between Lord Bathurst in his Chancellor's robes but wearing a hat, and Lord Barrington in a military coat under whose feet are "Dispatches from War Office"; under Bathurst's foot is a paper, "Appeals, Decrees". Next him (r.) is a youthful-looking minister stepping on a paper inscribed "French Grammar" to show that he is Suffolk, Secretary of State, pilloried for his ignorance of French, see BMSat 4875, 4876. His neighbour is only partly visible. Next comes a military officer trampling on a paper inscribed "Middlesex Election" to show that he is Colonel Luttrell. On Luttrell's r., and the central figure of the design, is Lord Mansfield wearing tartan stockings to show that he is a Scot and dancing upon "Magna Charta". On his right. is an unidentified figure, then a minister treading on papers inscribed "Whitfield Hymns" to show (not very consistently) that he is Lord Dartmouth, whose strong attachment to the Methodists earned the nickname of the Psalm-singer. He had succeeded Hillsborough as Secretary of State for the Colonies on 14 Aug. 1772. Between him and Barrington stands Sandwich, wearing a sailor's trousers and standing on "The Petition of the Navy Captains". Bute stands on a paper "To Miss Vansittar[t]". Other papers on the ground are "The Remonstr[ance of the City]" and "Petition of the East India Comp"."--British Museum online catalogue
Alternative Title:
State cotillion 1773
Description:
Title from item., Sheet partially trimmed within plate mark., and Plate from: Westminster Magazine. London : Printed for W. Goldsmith, v.1(1772-3), p. 149.
Publisher:
publisher not identified
Subject (Name):
Barrington, William Wildman Barrington, Viscount, 1717-1793, Bathurst, Henry Bathurst, Earl, 1714-1794, Bute, John Stuart, Earl of, 1713-1792, Dartmouth, William Legge, Earl of, 1731-1801, Dyson, Jeremiah, 1722-1776, Carhampton, Henry Lawes Luttrell, Earl of, 1743-1821, Mansfield, William Murray, Earl of, 1705-1793, North, Frederick, Lord, 1732-1792, Sandwich, John Montagu, Earl of, 1718-1792, Suffolk and Berkshire, Henry Howard, Earl of, 1739-1779, and Townshend, George Townshend, Marquis, 1724-1807
Title from item., Sheet trimmed to plate mark., Plate from: Westminster Magazine. London : Printed for W. Goldsmith, v.1(1772-3), p. 272., and Temporary local subject terms: Jugglers' booth -- Harlequin -- Emblems: serpent as a symbol of deceit.
Publisher:
publisher not identified
Subject (Name):
North, Frederick, Lord, 1732-1792, Dyson, Jeremiah, 1722-1776, Sandwich, John Montagu, Earl of, 1718-1792, Mansfield, William Murray, Earl of, 1705-1793, Bute, John Stuart, Earl of, 1713-1792, Fox, Charles James, 1749-1806, and Barrington, William Wildman Barrington, Viscount, 1717-1793
