Title etched below image., Printmaker from Grego., Sheet trimmed within plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on leaf 46 of volume 3 of 14 volumes.
Publisher:
Pubd. Febry. 7, 1789, by H. Holland, Oxford Street
Subject (Name):
Pitt, William, 1759-1806 and Sidmouth, Henry Addington, Viscount, 1757-1844
Title from item., Sheet partially trimmed within plate mark., Final 'e' in 'Tooke' and 'Horne' in the title scored through several times but legible., Four lines of description of the depicted event below the image., Temporary local subject terms: Allusion to Margaret Nicholson, ?1750-1828 -- Allusion to Oliver Cromwell -- Interiors: House of Commons -- Literature: allusion to Sheridan's School for scandal -- Military uniforms: general's uniforms -- Petitions: Westminster petition -- Lighting: lanterns -- Dark lanterns -- Exploding packages -- Explosions -- Torches., and Watermark: countermark T W.
Publisher:
Pub. Decr. 18, 1790, by W.S.[sic] Fores, N. 3 Piccadilly
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, Tooke, John Horne, 1736-1812, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Burgoyne, John, 1722-1792
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., and Watermark: armorial shield with fleur-de-lis on top and monogram W appended at bottom.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
A satire on a 6 May 1791 scene between Fox and Burke in the House of Commons which resulted in their permanent estangement. Fox stands weeping as a boy kneels at his feet filling a bucket, the tears are so copious. Burke, turns back to look at him, clenching in his one hand "French Constitution and in the other "treason conspiracy, poor old England" as he trodes on a piece of paper "Canada Bill." Other Members of the House cluster on either side of the Speaker's chair shouting support for one or the other
Alternative Title:
Opposition in disorder
Description:
Title etched below image., Signed in lower right corner with artist John Nixon's "JN" monogram., Printmaker identified as Isaac Cruikshank in the British Museum catalogue., Sheet trimmed within plate mark., Two lines of text from Burke's speech below title: I think myself justified in saying this, because I do know that there are people in this country avowedly endeavouring to disorder its constitution, its government & that in a very bold manner - vide Burk's [sic] speech., 1 print : etching on laid paper, hand-colored ; sheet 26.9 x 37.4 cm., Sheet trimmed within plate mark; window mounted to 36 x 51 cm., and Mounted opposite page 470 (leaf numbered '76' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Publd. May 10, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament. House of Commons,, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grey, Charles, 2nd Earl, 1764-1845
Subject (Topic):
France, History, Foreign public opinion, British, Great Britain, Politics and government, Politicians, Debates, Books, Ceremonial maces, Crying, Handkerchiefs, Buckets, Constitutions, Legislation, Documents, Demons, and Bellows
"A caricature of the famous scene in the House of Commons on 28 Dec. 1792. Burke (right) stands in profile to the left, his hands extended, having just thrown down the dagger, which lies at his feet; he looks with a contemptuous frown at Pitt and Dundas, who are seated on the Treasury Bench (left). On the extreme left the Speaker is represented by his hat, wig, and gown; his headlessness perhaps indicates Gillray's opinion of Addington. On the opposite side of the table Fox clutches his hat, looking at Burke out of the corners of his eyes with an alarmed expression; Sheridan, equally alarmed, clutches Fox's shoulder; behind them sits M. A. Taylor, clasping his hands. Burke, whose corpulence and a bag-wig suggest that he is now drawing funds from the Treasury, says: "There! that is what you are to gain by an alliance with France! - such are the Instruments with which they have determin'd the destruction of the Human race! - Three Thousand such Daggers are now manufacturing for this Country! - for where French principles are introduced, you must prepare your hearts for French Daggers! - Nineteen Assassins are already here, who aided & abbetted by wretches who do not believe in a God, are preparing to scour the filth from your Streets with the Blood of all who are Virtuous & Honorable!!" Pitt, seated in profile to the right, very thin, with his hair rising on his head in terror, says, "The blood of the Virtuous & Honorable ? then Lord have mercy upon Me!" Dundas, wearing a tartan plaid, adds, equally terrified, "And upon Me!" Fox says "Confusion! - one of Our daggers, by all thats bloody! how the devil did he come by that ? - ha! what's that ? Nineteen Assassins ? - O damnation! - we're found out & all our schemes ruin'd for ever!!!" Sheridan says: "O Charley, Charley! - farewell to all our hopes of Levelling Monarchs! - farewell to all our hopes of paying off my debts by a general Bankruptcy! - farewell to all hopes of plunder! - in a moment of Victory we're trap'd & undone!!!"."--British Museum online catalogue
Alternative Title:
Plot discover'd and Plot discovered
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: House of Commons -- Treasury bench -- Bland Burgess papers -- Weapons: daggers -- Legislation: Alien bill -- Speaker of the House., and Mounted.
Publisher:
Pubd. Decr. 30th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Sidmouth, Henry Addington, Viscount, 1757-1844
"A caricature of the famous scene in the House of Commons on 28 Dec. 1792. Burke (right) stands in profile to the left, his hands extended, having just thrown down the dagger, which lies at his feet; he looks with a contemptuous frown at Pitt and Dundas, who are seated on the Treasury Bench (left). On the extreme left the Speaker is represented by his hat, wig, and gown; his headlessness perhaps indicates Gillray's opinion of Addington. On the opposite side of the table Fox clutches his hat, looking at Burke out of the corners of his eyes with an alarmed expression; Sheridan, equally alarmed, clutches Fox's shoulder; behind them sits M. A. Taylor, clasping his hands. Burke, whose corpulence and a bag-wig suggest that he is now drawing funds from the Treasury, says: "There! that is what you are to gain by an alliance with France! - such are the Instruments with which they have determin'd the destruction of the Human race! - Three Thousand such Daggers are now manufacturing for this Country! - for where French principles are introduced, you must prepare your hearts for French Daggers! - Nineteen Assassins are already here, who aided & abbetted by wretches who do not believe in a God, are preparing to scour the filth from your Streets with the Blood of all who are Virtuous & Honorable!!" Pitt, seated in profile to the right, very thin, with his hair rising on his head in terror, says, "The blood of the Virtuous & Honorable ? then Lord have mercy upon Me!" Dundas, wearing a tartan plaid, adds, equally terrified, "And upon Me!" Fox says "Confusion! - one of Our daggers, by all thats bloody! how the devil did he come by that ? - ha! what's that ? Nineteen Assassins ? - O damnation! - we're found out & all our schemes ruin'd for ever!!!" Sheridan says: "O Charley, Charley! - farewell to all our hopes of Levelling Monarchs! - farewell to all our hopes of paying off my debts by a general Bankruptcy! - farewell to all hopes of plunder! - in a moment of Victory we're trap'd & undone!!!"."--British Museum online catalogue
Alternative Title:
Plot discover'd and Plot discovered
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Interiors: House of Commons -- Treasury bench -- Bland Burgess papers -- Weapons: daggers -- Legislation: Alien bill -- Speaker of the House., 1 print : etching on wove paper, hand-colored ; plate mark 37.5 x 29.7 cm, on sheet 42.2 x 33.7 cm., and Mounted on leaf 22 of volume 3 of 12.
Publisher:
Pubd. Decr. 30th, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Sidmouth, Henry Addington, Viscount, 1757-1844
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., and Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"Pitt and Dundas, Fox and Sheridan face each other across a long narrow table, smoking long pipes and puffing clouds of smoke in each other's faces. The gallery of the House of Commons is indicated in the background. At the head of the table (left) in a raised arm-chair (in the manner of the chairman at a tavern-club) sits a man in the hat, wig, and gown of the Speaker (Addington) [Identified by Wright and Evans as Loughborough, 'cogitating' between the parties; this is inconsistent with the House of Commons setting and with Loughborough's appointment (26 Jan. 1793) as Chancellor.] holding the mace, which has been transformed into a crutch-like stick. He puffs smoke at both Treasury and Opposition benches. Pitt, on the Speaker's right, holds a frothing tankard inscribed 'G.R' and directs a cloud of smoke at Fox, who puffs back. Before Fox is a tray of pipes and a paper of tobacco, implying that he excels in abuse. On the extreme right Dundas, a plaid across his coat, puffs at the scowling Sheridan seated close to Fox; he has a punch-bowl inscribed 'G.R' in which he dips a ladle. Small puffs of smoke issue from the pipes, great clouds from the smokers' mouths, as in BMSat 8220. The House of Commons is burlesqued as a smoking-club, a plebeian gathering in which quarrelsome members were wont to puff smoke at each other, see BMSat 8220."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Originally issued with the imprint: Pubd. Feby. 13th, 1793, by J. Aitken, Castle Street, Leicester Fields., Publication date based on publisher's street address. See British Museum catalogue., Temporary local subject terms: Reference to the House of Commons -- Pipes -- Emblems: mace -- Tankards -- Tobacco -- Dishes: punch bowl -- Emblems: crown and initials GR on tankard and punch bowl., 1 print : etching on wove paper, hand-colored ; plate mark 31.0 x 42.1 cm, on sheet 35.7 x 46.8 cm., Watermark: J. Whatman 1808[?]., and Mounted on leaf 27 of volume 3 of 12.
Publisher:
Pubd. by H. Humphrey, St. James's St.
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Sidmouth, Henry Addington, Viscount, 1757-1844
"The new Ministers (identified by inscriptions below the design) don the clothes of their predecessors. These are (left to right) the Chancellor (Eldon) on the Woolsack, in back view, wearing the wig, enormously elongated so that it trails on the floor, characteristic of Loughborough (cf. BMSat o. 6796): 'Lord L------gh------h's large Wig'. He says: "O such a Day as This, so renown'd so victorious, \ "Such a Day as This, was never seen!" His feet are pressed against the front bench. The principal figure is that of Addington standing in profile to the right on the 'Treasury Bench', inside an enormous jack-boot, reaching to his neck: over this hangs Pitt's far too large coat (the Windsor uniform, blue with red facings). His forehead disappears in a vast cocked hat, and his wig-bag is enormous. He is 'Mr Pitt's Jack-Boot'. He says: "Well! to be sure these here Cloaths do fit me to a inch! - & now that I've got upon this Bench, I think I may pass muster for a fine tall Fellow, & do as well for a Corporal, as my old Master, Billy, himself!!! - ". In front stands Hawkesbury, youthful, nervous, and almost tearful; he stands within the bulky breeches of his predecessor as 'Ld G - n - le's Breeches'; he says: "Mercy upon me! - what a Deficiency is here!!! ah poor Hawkee! - what will be the consequence, if these d------d Breeches should fall off in thy ''March to Paris", & thou should be found out a Sans-Culotte?" Lord Hobart, a very broad figure, 'Mr D-d-s's Broad Sword', stands full face, a curious divided petticoat (made out of Dundas's kilt) is buttoned under his arms, over a military coat. His head is overweighted by Dundas's large Scots cap; he stands defiantly, left hand on hip, in his right he holds erect a broad-sword dripping blood. He says: "Ay! Ay! leave Us to settle them all! here's my little Andrew Ferrara!!! - was it not Us that tip'd em the broadside in the Baltic? - was it not Us that gave ye Crocodiles a breakfast in Egypt? - I'm a Rogue if it is not Us that is to save little England from being swallow'd up in the Red Sea!!!" In the foreground (right) the fat, elderly, but comely Lord Glenbervie (who succeeded Canning as Paymaster General) sits on the floor in shirt and waistcoat, trying to pull on the pointed slippers which are far too long and too narrow for his gouty feet. He is 'Mr C-n-g's Old Slippers'. He says: "ah, Dam'n his narrow Pumps! I shall never be able to bear them long on my Corns! - zounds! are these Shoes fit for a Man, in present-pay Free Quarters". Behind him stand together the two new Treasury secretaries (John Hiley Addington, brother of the Minister, wearing spectacles, and Nicholas Vansittart). They wear the coats of their predecessors, which trail on the ground, and hold, like muskets at attention, two enormous pens. On the head of each is a vast round ink-pot: 'G. Rose's old Stand' and 'C. Long's old Stand'. They are 'Treasury Ink Stands'. Behind (left), partly hidden by Eldon and Addington, are two unidentified figures: a man wearing a large naval cocked hat, and a lawyer in back view. The former must be St. Vincent who succeeded Spencer at the Admiralty. The latter may be Law who became Attorney General. Between and behind Addington and Hawkesbury is a sulky-looking man in a military coat and an enormous busby in which is a huge pen: 'Wyndham's Cap & Feather'. He is Charles Yorke who succeeded Windham as Secretary of War."--British Museum online catalogue
Alternative Title:
Lilliputian substitutes equipping for public service
Description:
Title etched in top part of image. and Mounted on leaf 39 of volume 5 of 12.
Publisher:
Publish'd May 28th, 1801, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Hobart, Robert, Earl of Buckinghamshire, 1760-1816, Glenbervie, Sylvester Douglas, Baron, 1743-1823, Vansittart, Nicholas, 1766-1851, St. Vincent, John Jervis, Viscount, 1735-1823, and Yorke, Charles Philip, 1764-1834
"A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker's Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure. He stands in profile to the right, right hand extended; in his left is the 'Treaty of Peace with ye Democratick ['Democratic' was then used as an equivalent of Jacobin, cf. BMSat 8310.] Powers'; from his pocket issues a paper: 'List of the new Administration'. On the front bench (left) next Addington's seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson, see BMSat 9854. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington's back. Behind Nicholls is Wilberforce, much caricatured. A fat, youngish man, standing full face (right), resembles Lord Temple. Of the other heads gazing fixedly at Addington only Tyrwhitt Jones (see BMSat 9401 and Index) can be identified: according to 'London und Paris', Jekyll and Whitbread are there. The Speaker, Abbot, is dwarfishly too small for the Chair; in front of him sits the Clerk, with a melancholy expression, holding a pen, his hands folded."--British Museum online catalogue
Description:
Title etched below image., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.9 x 25.6 cm, on sheet 40.9 x 30.4 cm., and Mounted on leaf 43 of volume 5 of 12.
Publisher:
Publish'd March 1st, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dickinson, William, 1756-1822, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Wilberforce, William, 1759-1833, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
"The fat and clumsy William Dickinson stands on gouty legs in profile to the right, outside the open door of the House of Commons, where Addington is speaking. He stoops, holding a cane in his gloved hand, and from his closed and protruding lips issues a cloud inscribed : - "let me see - 25 Millions! how are we Ruin'd? - 10 pr Cent for my Money! - income tax taken off! - well! - well! - well! - ". [further words have been erased], behind him is the hooded chair of the door-keeper. Addington, in profile to the right, makes his budget speech; in his hand is a paper: '25 Mill. Loan'. Behind him is a crowd of undistinguished-looking members, as in BMSat 9843. Hawkesbury sits next Addington's empty seat, holding the 'Treaty [of] Peace'; his fingers are to his face as in BMSat 9843, but to his nose in place of his lip. The corner of the table is on the extreme right."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Despair.", Sheet trimmed to plate mark leaving thread margins., Temporary local subject terms: House of Commons -- Sir William Addinton's budget speech, April 5, 1802 -- Taxes: income tax., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 25.8 x 20.6 cm, on sheet 30.6 x 23.5 cm., and Mounted on leaf 44 of volume 5 of 12.
Publisher:
Pubd. April 8th, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Dickinson, William, 1745-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'. Addington sings: "o, By - my Baby, my Baby, - o, By - in Peace! my dearee! - For such a sweet Nap as This, You never had, far nor nearee! - so. By - my Baby, my dearee!' On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Nursery -- Cradle -- Casserole -- Child's Commode -- Bonnet Rouge., 1 print : etching on wove paper, hand-colored ; plate mark 25.3 x 35.4 cm, on sheet 26.4 x 36.9 cm., and Mounted on leaf 48 of volume 5 of 12.
Publisher:
Pubd. Decr. 4th, 1802, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Napoleon I, Emperor of the French, 1769-1821
Title from item., Sheet trimmed within plate mark., Publication date from British Museum catalogue., Plate from: London und Paris, ix, 1802, pl. No. V., Plate identification [N. V] partially trimmed from upper right corner of sheet., Temporary local subject terms: Judges -- St. Stephens interior -- Courtoom -- Newspapers -- Clerks -- Spectacles., and Mounted to 29 x 35 cm.
Publisher:
publisher not identified
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844 and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
"A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker's Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure. He stands in profile to the right, right hand extended; in his left is the 'Treaty of Peace with ye Democratick ['Democratic' was then used as an equivalent of Jacobin, cf. BMSat 8310.] Powers'; from his pocket issues a paper: 'List of the new Administration'. On the front bench (left) next Addington's seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson, see BMSat 9854. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington's back. Behind Nicholls is Wilberforce, much caricatured. A fat, youngish man, standing full face (right), resembles Lord Temple. Of the other heads gazing fixedly at Addington only Tyrwhitt Jones (see BMSat 9401 and Index) can be identified: according to 'London und Paris', Jekyll and Whitbread are there. The Speaker, Abbot, is dwarfishly too small for the Chair; in front of him sits the Clerk, with a melancholy expression, holding a pen, his hands folded."--British Museum online catalogue
Description:
Title etched below image. and Watermark: J Whatman.
Publisher:
Publish'd March 1st, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dickinson, William, 1756-1822, Tierney, George, 1761-1830, Nicholls, John, 1745?-1832, Wilberforce, William, 1759-1833, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
Title from item., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Five lines of quotation below title: I need not take up your time by a description of the Income Tax. You are already perfectly acquainted with its features ..., Temporary local subject terms: Income taxes -- City of London's Common Hall -- Food: Sugar loaves -- Income tax as medicine pills -- Benjamin Traver's Address, City of London -- Repeal of the income tax petition., Watermark: Strasburg lily., and Mounted to 38 x 27 cm.
Publisher:
Pubd. March 29, 1802 by S.W. Fores, 50 Piccadilly
Subject (Name):
Travers, Benjamin. and Sidmouth, Henry Addington, Viscount, 1757-1844
"The fat and clumsy William Dickinson stands on gouty legs in profile to the right, outside the open door of the House of Commons, where Addington is speaking. He stoops, holding a cane in his gloved hand, and from his closed and protruding lips issues a cloud inscribed : - "let me see - 25 Millions! how are we Ruin'd? - 10 pr Cent for my Money! - income tax taken off! - well! - well! - well! - ". [further words have been erased], behind him is the hooded chair of the door-keeper. Addington, in profile to the right, makes his budget speech; in his hand is a paper: '25 Mill. Loan'. Behind him is a crowd of undistinguished-looking members, as in BMSat 9843. Hawkesbury sits next Addington's empty seat, holding the 'Treaty [of] Peace'; his fingers are to his face as in BMSat 9843, but to his nose in place of his lip. The corner of the table is on the extreme right."--British Museum online catalogue
Description:
Title etched below image., Companion print to: "Despair.", Sheet trimmed to plate mark leaving thread margins., and Temporary local subject terms: House of Commons -- Sir William Addinton's budget speech, April 5, 1802 -- Taxes: income tax.
Publisher:
Pubd. April 8th, 1802, by H. Humphrey, 27 St. James's Street
Subject (Name):
Dickinson, William, 1745-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'." On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title from caption etched below image., Publication date from British Museum catalogue., Plate numbered 'XXI' in upper right corner., Plate from: London und Paris, vol. x, 1802 [1803]., and Part of watermark: [...] & Zonen.
Publisher:
publisher not identified
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Cradles, Nurseries (Rooms & spaces), and Washstands
"Britannia, massive, but childlike, sleeps in a large wicker cradle, rocked by Addington, dressed as an elderly woman, who is seated on a low stool (right). Hawkesbury, a thin and spinsterish nursemaid, (left) approaches the foot of the cradle holding out an ornate child's commode, inscribed 'French C . . k . . g Chair'. Behind the cradle appear the head and shoulders of Fox, looking furtively towards Britannia and Addington, while he hangs out napkins to dry on a cord stretched across the fireplace; one is 'French Cambrick'. Britannia sleeps with her thumb in her mouth, her right arm across the coverlet, holding her shield and spear; her uncovered shoulder shows that she is wearing a Roman corslet. The head of the cradle is inscribed: 'Requiescat in Pace'. Addington sings: "o, By - my Baby, my Baby, - o, By - in Peace! my dearee! - For such a sweet Nap as This, You never had, far nor nearee! - so. By - my Baby, my dearee!' On the ground is a casserole of 'French Pap'; on the plain chimney-piece are a bottle labelled 'Composing Draught' and a box of 'Opiate Pills'. Above it is a print of 'Buonaparte' playing a fiddle and capering ecstatically. On the wall (left) are a broadside: 'Rule Britannia . . . Britons never will be - ['slaves' torn off] and (right) a birch-rod tied with tricolour ribbon. Addington, Hawkesbury, and Fox all wear their hair in their accustomed manner with the addition of tricolour ribbons. The first two look anxious, Fox registers calculating satisfaction."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Nursery -- Cradle -- Casserole -- Child's Commode -- Bonnet Rouge., and Mounted to 30 x 44 cm.
Publisher:
Pubd. Decr. 4th, 1802, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Napoleon I, Emperor of the French, 1769-1821
"John Bull sits full face holding a bowl of soup, between Addington, the cook, and the protesting Windham on the extreme right. On the left Pitt sits in profile to the left before an enormous kitchen fire, over which hangs a giant cauldron; he blows the fire with bellows, saying, 'I dont know how it is - but I manage this Soup business rather awkwardly - I suppose it is from being so much used to the stewing and Broiling line.' Addington, who wears the Speaker's wig with apron and over-sleeves, and holds a long ladle, says: 'Though I say it that made it - you never tasted better soup in your life'. Windham (right) stands in profile to the left his knees flexed, saying, 'O' Mr Bull - Mr Bull - if you have any regard for your Constitution - dont touch it - the Cayen of Jacobinism flavours every spoonful - and the Fire that boil it I consider as a Funeral Pile for all your well wishes - do Johnny take some of my Cheese-parings - they are very wholesome, and easy of Digestion.' John says, his eyes turned towards Addington, his spoon raised to his mouth: 'I don't mind what he says - my Hearty I say it's very good Soup - and a d------d deal better [word erased] than your Gin. I should like a little more bread for all that, and it would be quite as well - if it did not taste so strong of the Ceylon pepper.'"--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Watermark in center of sheet., and Early gilt paper strips pasted to margins as a mount.
Publisher:
publisher not identified
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Windham, William, 1750-1810, and Pitt, William, 1759-1806
Subject (Topic):
John Bull (Symbolic character), Bowls (Tableware), Soups, Eating & drinking, Interiors, Kitchens, Cauldrons, Fireplaces, Bellows, Aprons, and Cooking utensils
"Design in an oval, placed on an oblong background representing a stone wall, and thus simulating the projection of a magic lantern. The figures, except Wilberforce, are light against a dark background. Addington, Hawkesbury, and Fox, as the three witches in Macbeth, cook their hell-broth in a cauldron. From this rises a cloud inscribed 'PEACE' which frames a skeleton (of Britannia). Its long hair shows that it is that of a woman; in one hand is a trident, in the other her shield. From the pot issue the tail and one paw of the British lion. His decollated head lies on the ground (right); on it stands a crowing Gallic cock wearing a tiny bonnet rouge. Addington stands on the left ladling into the pot guineas from a sack inscribed: 'To make Gruel Thick & Slab' [Macbeth, iv. i]. He raises his right arm, holding up an olive branch; a serpent twines round arm and branch; its fangs pointing at the word 'Peace'. Hawkesbury crouches on the right, recklessly feeding the fire with papers inscribed: 'Dominion of the Sea', 'Egypt', 'Malta', 'Cape', 'Continental Alliances', 'Honduras', 'Switzerland', 'Brit[isk] Isles'; beside him are others: 'Gibralter' and 'Ireland'. Among the papers already blazing the word 'West Indies' is just visible. At his side hangs an ink-pot with a pen, suspended from a tricolour ribbon, indicating the Foreign Secretary. Behind him Fox, as a fat old woman, stands full face, holding up a broom tied with a tricolour ribbon. All three wear conical hats; that of Addington has a tricolour favour, that of Fox a tricolour cockade and bunches of olive. Addington is grave, Hawkesbury melancholy, Fox exultant. In front of the cauldron, beside the lion's head, kneels Wilberforce (left), a little figure in Monkish robes, hideously caricatured, chanting a 'Hymn of Peace' from an open book."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 51 of volume 5 of 12.
Publisher:
Pubd. Jany. 5th, 1803, by J. Gillray, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Wilberforce, William, 1759-1833
"Addington and Hawkesbury, in the gateway of the Treasury (inscribed 'Granary'), snare three bats with the heads of Grey, Sheridan, and Tierney. Addington kneels on one knee holding out a dark lantern and a hat with a tricolour cockade filled with papers inscribed 'Sinecure', 'Place', 'Annuity', 'Pension', 'Post'. Hawkesbury, standing behind him, holds out a net supported on two sticks in which to catch the creatures which fly, like harpies, straight towards Addington, dazzled by the lantern's rays. Grey's eyes are fixed on the lantern, those of Tierney and Sheridan, the last with an expression of eager greed, on the papers in the hat. Beside Addington is a sack of 'Sterling British Corn', overflowing with guineas. After the title: '"Bat-catching, (says Buffon,) does not require much art, for, flying always in the Night, they are easily attracted by a Dark-Lanthorn & being always hungry, may be easily caught, by a few Cheese-Parings, or Candle Ends; - they are so rapacious, that if they once get into the Granary, they never cease devouring, while there is any thing left." - Vide. Buffon's Nat: His. Article Birds of Night.'"--British Museum online catalogue
Description:
Title etched below image., 1 print : etching & aquatint on wove paper, hand-colored ; plate mark 25.5 x 35.7 cm, on sheet 30.3 x 40.8 cm., and Mounted on leaf 52 of volume 5 of 12.
Publisher:
Pubd. Jany. 19, 1803, by J. Gillray, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, and Grey, Charles Grey, Earl, 1764-1845
"Addington, chapeau-bras, squats in profile to the left over a cocked hat into which he evacuates papers: 'Guadeloupe', 'Martinique', 'St Domingo', 'Cape of Good Hope', 'Egypt', and (the last) 'Malta'. Napoleon (left), very small and thin, holds him by the cravat and threatens him with a sabre, saying, "All! - all! - you Jean F-t-e! - think yourself well off that I leave you Great Britain!!!" Addington, terrified, says: "Pray do not insist upon Malta! - I shall certainly be turned out! and I have got a great many Cousins and Uncles & Aunts, to provide for, yet!" A French officer in uniform, (?) Andréossi, holds out his cocked hat to catch the papers which fall from Addington. He says, holding his nose: "My General, you had better not get him turn'd out - for we shall not be able to humbug them any more." Napoleon wears a huge cocked hat with tricolour plume and a tricolour sash with immense spurs on his Hessian boots."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 53 of volume 5 of 12.
Publisher:
Pubd. Feby. 9th, 1803, by H. Humphrey, St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844 and Napoleon I, Emperor of the French, 1769-1821
"Britannia, terrified, faint, and dishevelled sits on the ground supported by Addington and Hawkesbury, and defended by Sheridan, a Silenus-like and ragged Harlequin. They are on the coast towards which are advancing many rowing-boats filled with little French soldiers. Napoleon stands with drawn sword in the foremost boat, a tiny figure with a large head and no body, to show that he is Nobody, as in BMSat 5570, &c. The distant French coast (right) is covered with troops marching towards the shore. Clouds of smoke rise from the beach, which is concealed by the foreground. Britannia, wearing Roman dress with cothurnes, raises her arms, and shrieks (parodying Hamlet): "Doctors & Ministers of dis grace defend me!" The 'dis' is scored through but conspicuously legible. Addington holds a bottle of Gunpowder to her nose, and looks in alarm at the approaching army. He says: "Do not be alarm'd my dear lady! the Buggabo's (the Honest Gentlemen, I mean,) are avowedly directed to Colonial service, - they can have nothing to do Here - my Lady! - nothing to do with Us! - do take a Sniff or two, to raise your Spirits, and try to stand, if it is only upon One Leg!" Hawkesbury looks down with deep melancholy, supporting her (cracked) shield, and holding her (damaged) spear. He says: "Yes my Lady, you must try to Stand up, or we shall never be able to "March to Paris"". Sheridan holds Harlequin's wooden sword of 'Dramatic-Loyalty' in his right hand (cf. BMSat 9916). On his left arm is a shield with Medusa's head, the snaky locks inscribed: 'Abuse', 'Bouncing', 'Puffing', 'Detraction', 'Stolen Jests', 'Malevolence', 'Stale Wit', 'Envy'. He wears a hat turned up in front with a tricolour cockade; its crown is a fool's cap with two ears and a bell. Round his paunch is a tricolour sash through which is thrust a paper: 'Ways and Means to get a Living'. He shouts in defiance at the distant army: "Let 'em come! - dam'me!!! - where are the French Buggabo's? - single handed I'd beat forty of 'em!!! dam'me, I'd pay 'em like Renter Shares, sconce off their half Crowns!!! - mulct them out of their Benefits, & come ye Drury Lane Slang over 'em!" Behind, between Addington and Sheridan, is the head of Fox, holding his hat before his eyes; he says: "Dear me - what can be the reason of the Old Lady being awak'd in such a Fright? - I declare I can't see any thing of the Buggabo's!" In the foreground lies a long torn scroll, headed 'Treaty of Peace.'"--British Museum online catalogue
Alternative Title:
Britannia recover'd from a trance and Britannia recovered from a trance
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Harlequins -- Britannia -- Literature: Parody of Hamlet by Shakespeare, William, 1564-1616 -- Medical: Smelling salts -- Weapons: Ammunition -- Gunpowder -- Sword -- Emblems: Britannia's shield -- Britannia's spear -- Shield with Medusa -- France: Threat of invasion -- Peace treaties., 1 print : etching on wove paper, hand-colored ; plate mark 26.4 x 36.3 cm, on sheet 29.7 x 39.2 cm., On verso is an 1803 postmark, remnants of a seal, and an address written in a contemporary hand: Chas. Berners Esqr. Junr., Woolverstone Park, Ipswich., and Mounted on leaf 54 of volume 5 of 12.
Publisher:
Publd. March 14th, 1803, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Napoleon I, Emperor of the French, 1769-1821, and Fox, Charles James, 1749-1806
"Addington (right) bleeds John Bull, who sits on a commode, exhausted and faint, supported by Hawkesbury. Addington, very erect, wears his gown, and says: "Courage John Bull - Courage!!!" Hawkesbury, drooping and melancholy, repeats "Courage Johnny." John's arm is tightly bound above the incision by a tricolour bandage, a tricolour ribbon is tied round his tousled head. A diminutive Napoleon (right) with a martial stride and drawn sabre holds out his cocked hat to catch the blood that spurts from John's arm; this is inscribed: 'West Indies', 'Cape of Good Hope', 'Malta' [in large letters, see BMSat 9997, &c], 'Ceylon'. A little boy, standing behind Addington and clutching his gown, holds out his hat, inscribed 'Clerk [of the] Pells', to catch a stream of blood inscribed '£3,000 Pr Annum'; he echoes 'Courage'. On the left stand Fox and Sheridan proffering bowls of 'Warm Water'; both say "Courage". Fox has swollen legs and holds a tea-kettle, his expression is that of calculating reserve; Sheridan bends forward with eager greed. John is a countryman wearing wrinkled gaiters. His commode is inscribed 'Reservoir for the Clyster-pipe Family' [the Addingtons]. Beside him lie his (damaged) hat and stick, with a torn paper: 'Rule Britannia an old Song'."--British Museum online catalogue
Description:
Title etched in upper left corner of image., Text following title: A hint from Gil Blas., and Mounted on leaf 55 of volume 5 of 12.
Publisher:
Pubd. May 2d, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Napoleon I, Emperor of the French, 1769-1821, and Fox, Charles James, 1749-1806
"Addington and Napoleon face each other defiantly across a narrow channel. Addington, the nearer, is the larger, and much the taller. He wears regimentals, cocked hat, and shapeless boots; he stands with arms akimbo, sabre in his hand; from each pocket projects a medicine-bottle, one labelled 'Composing Draft', the other 'Stimulating Draft'. He looks at Napoleon with a chop-fallen stare, saying, "who's afraid? damme? - \ O Lord. O Lord - what a Firey Fellow he is! \ - Who's afraid? damme? \ O dear! what will become of ye Roast Beef? \ damme! who's afraid? \ O dear! O dear." (The lines are alternately in large and tiny letters to distinguish between words spoken aloud and to himself.) He straddles across a steaming sirloin on a dish inscribed: 'O the Roast Beef of Old England'. Napoleon, who straddles even more widely, holds the hilt of his sabre; his head is large, his cocked hat grotesquely huge. He glares at the beef, saying, "Ah! ha, sacrè dieu! vat do I see yonder? \ Dat look so invitinly Red & de Vite? - \ Oh by Gar! I see 'tis de Roast Beef of Londres \ Vich I vill chop up, at von letel bite!" (Cf. BMSat 5790.) Behind Addington is the front bench in the House of Commons. Hawkesbury, thin, stooping, and melancholy, his hands on his hips, his arms curiously twisted, says: "Ah who's afraid now of Marching to Paris? ah who's afraid now." Behind Addington's seat stand two dim figures, waving their hats; they say: "who's afraid! Brother Bragg" and "who's afraid Brother Hely" ..."--British Museum online catalogue
Description:
Title etched in upper right corner of image., Two lines of text in curly brackets below title: Throughout the world, heroes but two wee [sic] see, great Doctor A-, and little-bouncing B-., and Mounted on leaf 56 of volume 5 of 12.
Publisher:
Pubd. May 18th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Napoleon I, Emperor of the French, 1769-1821
"Addington and Hawkesbury, in the gateway of the Treasury (inscribed 'Granary'), snare three bats with the heads of Grey, Sheridan, and Tierney. Addington kneels on one knee holding out a dark lantern and a hat with a tricolour cockade filled with papers inscribed 'Sinecure', 'Place', 'Annuity', 'Pension', 'Post'. Hawkesbury, standing behind him, holds out a net supported on two sticks in which to catch the creatures which fly, like harpies, straight towards Addington, dazzled by the lantern's rays. Grey's eyes are fixed on the lantern, those of Tierney and Sheridan, the last with an expression of eager greed, on the papers in the hat. Beside Addington is a sack of 'Sterling British Corn', overflowing with guineas. After the title: '"Bat-catching, (says Buffon,) does not require much art, for, flying always in the Night, they are easily attracted by a Dark-Lanthorn & being always hungry, may be easily caught, by a few Cheese-Parings, or Candle Ends; - they are so rapacious, that if they once get into the Granary, they never cease devouring, while there is any thing left." - Vide. Buffon's Nat: His. Article Birds of Night.'"--British Museum online catalogue
Description:
Title etched below image. and Mounted to 32 x 40 cm.
Publisher:
Pubd. Jany. 19, 1803, by J. Gillray, 27 St. Jamess [sic] Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, and Grey, Charles Grey, Earl, 1764-1845
"Britannia, terrified, faint, and dishevelled sits on the ground supported by Addington and Hawkesbury, and defended by Sheridan, a Silenus-like and ragged Harlequin. They are on the coast towards which are advancing many rowing-boats filled with little French soldiers. Napoleon stands with drawn sword in the foremost boat, a tiny figure with a large head and no body, to show that he is Nobody, as in BMSat 5570, &c. The distant French coast (right) is covered with troops marching towards the shore. Clouds of smoke rise from the beach, which is concealed by the foreground. Britannia, wearing Roman dress with cothurnes, raises her arms, and shrieks (parodying Hamlet): "Doctors & Ministers of dis grace defend me!" The 'dis' is scored through but conspicuously legible. Addington holds a bottle of Gunpowder to her nose, and looks in alarm at the approaching army. He says: "Do not be alarm'd my dear lady! the Buggabo's (the Honest Gentlemen, I mean,) are avowedly directed to Colonial service, - they can have nothing to do Here - my Lady! - nothing to do with Us! - do take a Sniff or two, to raise your Spirits, and try to stand, if it is only upon One Leg!" Hawkesbury looks down with deep melancholy, supporting her (cracked) shield, and holding her (damaged) spear. He says: "Yes my Lady, you must try to Stand up, or we shall never be able to "March to Paris"". Sheridan holds Harlequin's wooden sword of 'Dramatic-Loyalty' in his right hand (cf. BMSat 9916). On his left arm is a shield with Medusa's head, the snaky locks inscribed: 'Abuse', 'Bouncing', 'Puffing', 'Detraction', 'Stolen Jests', 'Malevolence', 'Stale Wit', 'Envy'. He wears a hat turned up in front with a tricolour cockade; its crown is a fool's cap with two ears and a bell. Round his paunch is a tricolour sash through which is thrust a paper: 'Ways and Means to get a Living'. He shouts in defiance at the distant army: "Let 'em come! - dam'me!!! - where are the French Buggabo's? - single handed I'd beat forty of 'em!!! dam'me, I'd pay 'em like Renter Shares, sconce off their half Crowns!!! - mulct them out of their Benefits, & come ye Drury Lane Slang over 'em!" Behind, between Addington and Sheridan, is the head of Fox, holding his hat before his eyes; he says: "Dear me - what can be the reason of the Old Lady being awak'd in such a Fright? - I declare I can't see any thing of the Buggabo's!" In the foreground lies a long torn scroll, headed 'Treaty of Peace.'"--British Museum online catalogue
Alternative Title:
Britannia recover'd from a trance and Britannia recovered from a trance
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Harlequins -- Britannia -- Literature: Parody of Hamlet by Shakespeare, William, 1564-1616 -- Medical: Smelling salts -- Weapons: Ammunition -- Gunpowder -- Sword -- Emblems: Britannia's shield -- Britannia's spear -- Shield with Medusa -- France: Threat of invasion -- Peace treaties., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publd. March 14th, 1803, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sheridan, Richard Brinsley, 1751-1816, Napoleon I, Emperor of the French, 1769-1821, and Fox, Charles James, 1749-1806
"By the efforts of Pitt, who directs Addington, and of a jester wearing cap and bells, an earthenware jug representing George III is lowered into the sea and fatally damaged by striking a rock inscribed 'Malte'. 'Addington' is a man of straw (his body formed of a bundle of straw), a puppet attached to a pole placarded with his name; Pitt (left) pulls threads attached to the dangling arms and legs, but looks round horrified at the disaster resulting from his machinations. The jester crouches on a rock (right); under his foot is a document: 'Traité d'Amiens' [see British Musueum Satires No. 9852, &c.]; he holds in both hands the rope, lowering the royal pitcher, but the other end of the rope is round Addington's hand and thus is manipulated by Pitt. Malta is a small castellated island with a church and a sharp rock which has gashed the pitcher just where it is decorated with a dog-like lion from whose head a crown falls. The mouth of the pitcher is a profile portrait of George III crowned, and looking down with angry dismay at the fatal rock."--British Museum online catalogue
Description:
Title etched below image. and Date of publication from British Museum catalogue.
Publisher:
Chez Martinet, Rue du Coq, Saint Honoré
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Napoleon I, Emperor of the French, 1769-1821.
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 26.6 x 36.9 cm, on sheet 30.4 x 40.7 cm., Watermark, partially trimmed: J. Whatman., and Mounted on leaf 71 of volume 5 of 12.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
"The 'Gods', Hawkesbury, Addington, St. Vincent, lean down from the clouds to defend the 'Treasury' against the assault of the 'Giants', different groups of the Opposition forming a pyramid in the lower, and larger, part of the design. [These identifications are those of Miss Banks (on a B.M. print) confirmed by Lord Holland, who omits Lord Spencer but adds Tierney, called by Miss Banks 'no particular person'. The identifications of Wright and Evans are in several cases incorrect. Grego substitutes Lord Mulgrave for Dr. Lawrence (or Spencer) and omits Spencer and others. Lord Holland notes that only the portraits of Pitt, Addington, Fox, Norfolk, Buckingham, Grenville, and Derby are like their subjects.] These are grouped on rocks, and are naked or nearly so (with one exception). At the apex of the pyramid are Pitt and Dundas, smaller and less dangerous than Fox in the foreground (left). Pitt, much emaciated, stands with legs astride, looking up, and about to hurl a large bundle of papers: 'Knock-down Arguments'; two similar bundles lie at his feet: 'Death and Eternal Sleep' [cf. BMSat 8350], and 'Coup de Grace'. He wears a military cocked hat, jack-boots, and a sword-belt from which hangs a sabre, indicating his volunteer activities (see BMSat 10113, &c); round his loins is a girdle of grapes and vine-leaves (cf. BMSat 8798). Melville (Dundas), behind and below Pitt, raises a sword inscribed 'True Andrew-Ferrara' and a shield; he wears a Scots bonnet; a tartan plaid and kilt adorn his burly nudity. At Pitt's feet stands Wilberforce, a dwarf, holding a large volume, Duty of Man, and directing upwards a fountain which can never approach the clouds. On the lower part of this rock stands Canning, in an attitude like that of Pitt, prepared to hurl a bulky sheaf of papers: 'Killing Detections'; he registers sly amusement, and wears a girdle of feathers suggestive of a Red Indian. From behind the rock appear two shadowy figures, each with the pen in his mouth that indicates a Treasury secretary; one prepares to hurl a bundle of 'Charges', the other, below him, has a bundle of 'Long Charges'. They are Rose and Long, ex-Treasury secretaries, see BMSat 9722. In the foreground (left) is a lower rocky platform on which the obese Buckingham and his burly brother Lord Grenville hold up Fox by the legs. Fox, bulky and hairy, fires a blast of flame, smoke, and bullets from a blunderbuss', doing more execution than all the others together. He is completely nude; drapery hangs from the shoulders of his two supporters, and the pompous Buckingham wears spectacles and Garter ribbon. All register satisfaction, rather than ardour like the Pittites. Beside their rock, and on the extreme left are supporters of Fox: Norfolk with a kettle-drum slung from his neck on which he is performing with two wine-bottles (cf. BMSat 9261). Behind him is Carlisle, banging a marrow-bone on a cleaver inscribed 'Coalition Roast Beef' [reminiscent of the Foxite butchers at Westminster elections]. The profile of Burdett is on the extreme left; he wears a hat on which is a ribbon: 'no Bastile' [see BMSat 9878, &c], and holds a fringed banner on which are equally balanced scales and the motto 'In hoc Signo Vinces' [cf. BMSat 10416]; on its spear-point is poised a cap of liberty terminating in the bell that indicates Folly. Behind him an arm holds up a trumpet to which is attached a banner inscribed 'Honor Property Ability' [symbolic of the Whig oligarchy and stressing the gulf between Foxites and the supposedly levelling Burdett]. ..."--British Museum online catalogue
Alternative Title:
Giants storming heaven
Description:
Title etched below image., Two lines of text below title: "They never complain'd of fatigue, but like giants refreshed, were ready to enter immediately upon the attack! Vide Lord Ch--c-ll-r's Speech, 24th April 1804. "Not to destroy! but root them out of heaven." Milton., and Mounted on leaf 72 of volume 5 of 12.
Publisher:
Pubd. May 1st, 1804, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, St. Vincent, John Jervis, Viscount, 1735-1823, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Wilberforce, William, 1759-1833, Canning, George, 1770-1827, Rose, George, 1744-1818, Long, Charles, 1761-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Carlisle, Frederick Howard, Earl of, 1748-1825, Norfolk, Charles Howard, Duke of, 1746-1815, Spencer, George John Spencer, Earl, 1758-1834, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, and Jones, Thomas Tyrwhitt, Sir, 1765-1811
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 37.5 cm, on sheet 28.9 x 41.5 cm., and Mounted on leaf 73 of volume 5 of 12.
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Sabre -- Trident -- St. Vincent., Watermark: A. Stace 1797., and Mounted to 29 x 38 cm.
Publisher:
Pubd. May 22d., 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Melville, Henry Dundas, Viscount, 1742-1811
A satire of Pitt's return to office in 1804. Pitt is shown in the chamber of Britannia. Britannia sits listlessly on a bed, holding a sword in one hand. Next to her, leaning against the bed, is her shield and olive branches. Pitt holds aloft a bottle labelled "Constitutional Restorative" as he kicks another man, a caricature of Addington, through the door. Addington is in the process of dropping a bottle labelled "Composing Draft". With his other foot, Pitt steps on the face of a flailing and prostrate Fox, who holds a bottle labelled "Rebublican Balsam" towards Britannia. From Fox's pocket dice and a dice container labelled "Whig Pills" have fallen. Emerging from behind the bed curtains, the figure of Death, a skeleton with the face and plumed bicorne of Napoleon, overturns a table and upsets bottles of medicine and points his sword toward the unsuspecting Britannia
Description:
Title etched below image. and In paper frame: 450 x 330 mm. Stamped in upper right corner: "84."
Publisher:
Publish'd May 20th 1804 by H. Humphrey
Subject (Geographic):
Great Britain
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character) and Politics & government
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., and Sheet trimmed within plate mark on upper and lower edges.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
"Pitt stands in the House of Commons, facing the Opposition benches; he causes a tremendous explosion by uncorking a bottle containing the bloated and scowling face of Sheridan, whose hair swirls up into the neck of the bottle. He stands like a waiter with a napkin, marked with a crown and 'GR', under his left. arm; the bottle is between his bent knees, and in his right. hand is a corkscrew, held directly over the bottle. Similar bottles, corked and labelled, stand on the Opposition benches. In the foreground, facing Pitt, are bottles containing the heads of (l. to r.) Tierney, labelled 'a Glass of All-Sorts', Fox, labelled 'True French Wine' [see BMSat 9735, &c], Windham, labelled 'Brandy and Water', and in profile to the left., Grey, labelled 'Goosberry Wine'. All look up at Pitt with anxious melancholy. Rows of bottles recede in perspective on the back benches; only three contain heads: a melancholy profile (see BMSat 10372) of Burdett, labelled 'Brentford Ale' [the polling place for Middlesex], Erskine, labelled 'Spruce Beer' [frothy explosive stuff], and behind these two a partly concealed profile labelled 'Elder Wine'. Next Burdett is a bottle of 'Whitbreads Small-Beer'. Another bottle is labelled 'Mum'. On the ground behind Pitt lies an open bottle of 'Medicinal Wine' spilling its contents, and containing the head of Sidmouth (Addington, see BMSat 9849), with closed eyes suggesting death rather than sleep. Behind, on the extreme left., is part of the Speaker's chair, only a portion of wig being visible. The violent explosion spreads across the upper part of the design; it contains the words 'Bouncings', 'Growlings', 'Fibs! Fibs! Fibs', 'Abuse', 'Abuse', 'Damn'd Fibs', 'Invectives', 'Old Puns', 'Groans of Disappointment', 'Stolen Jests', 'Invectives', 'lame Puns', 'Invectives', 'Loyal Boastings', 'Dramatic Ravings', 'Low Scurrilities', 'Stale Jokes', 'Fibs, Fibs, Fibs! Egotism'. [Commas have been added.] Below the design: " - the honble Gentm tho' he does not very often address the House, yet when he does, he always thinks proper to pay off all arrears, & like \ "a Bottle just uncork'd bursts all at once, into an explosion of Froth & Air; - then, whatever might for a length of time lie \ "lurking & corked up in his mind, whatever he thinks of himself or hears in conversation, - whatever he takes many \ "days or weeks to sleep upon, the whole common-place book of the interval is sure to burst out at once, stored with \ "Studied-Jokes, Sarcasms, arguments, invectives, & every thing else, which his mind or memory are capable of embracing \ "whether they have any relation or not to the Subject under discussion - See Mr P-tts speech on ye Genl Defence Bill."--British Museum online catalogue
Description:
Title etched in bottom part of image. and Mounted on leaf 4 of volume 6 of 12.
Publisher:
Publishd. March 10th, 1805, by H. Humphrey, St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, and Burdett, Francis, 1770-1844
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., Sheet trimmed within plate mark on upper and lower edges., 1 print : etching with aquatint on wove paper, hand-colored ; plate mark 38.5 x 46.3 cm, on sheet 42.5 x 52.3 cm., and Mounted on leaf 6 of volume 6 of 12.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
"The lion, with the face and wig of Melville, lies gazing up, blood falling on the papers under his paws: 'Plans for Manning tfthe Navy - List of ships built in 1804 ... of ye Line'; 'Abolition of Impress'. He is struck down by the blast from a blunderbuss whose muzzle is a tankard inscribed 'Whitbreads Entire'. This is fired by St. Vincent who crouches (left) behind a withered tree. The blast issues from a circle of froth inscribed 'Report'. Part of it, inscribed 'Condemnation without Trial', passes above the lion and strikes Britannia to the heart. She is leaning against an ancient but flourishing oak on the extreme right. The blast that strikes Melville is inscribed 'Invectives', 'Popular Clamour', 'Envy', 'Disappointed Jacobins', 'Malice'. On the upper part of the withered tree sits a monkey with the head of Wilberforce, holding up an open book: 'Solution of Vital Xianity', but directing at Melville a blast from his posteriors inscribed 'Cant! - Envy! - Abuse! - Hypocrisy! - Cruelty.' Three asses are kicking up their heels at Melville as they scamper off towards the mountainous background. The nearest has the head of Sidmouth, with ass's ears. He is laden with panniers inscribed 'Physick for the Lion.'; these are heaped with medicine-bottles, one labelled 'Emetic for ye Lion'; there are also a 'Clyster for the Lion', and a box of 'opening Pills' (cf. BMSat 9849), The other asses are Hily Addington and Bragge, cf. BMSat 9986. The latter (right) turns his head to say: "Very highly indebted to the Lion, brother Heeley!" His panniers are inscribed 'Provisions for the Doctors Family' and 'Trifles procured thro' the Lions Generosity'; they are piled high with papers: 'Pension to Brother Brag &...'; 'Annuity to all our Cousins'; '£40000 pr Ann'; 'Sinecure'; 'Pension for Aunts'; 'Pension for Brother Hely'; 'Pension'. The other ass (Hiley) answers: "Then give him another kick, Brother Braggey". He is laden with a sack of 'Candid Whorehound'. The lion is also assailed by a fox (Fox) who viciously bites his hindquarters, and by a serpent with the head of Grey (Whitbread's brother-in-law) who bites his neck. Three small rats, wearing legal wigs and bands (right), run viciously toward the lion; they are (left to right): Jekyll (see BMSat 9179), Erskine, and Robert Adair, an ardent Foxite, cf. BMSat 7158. A dog, its collar inscribed 'Kinard' (Kinnaird), bites the lion's tail, while one foot is in a plate containing a bare bone, and inscribed 'Melville-Castle' with a coronet."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "And now, all the sculking herd of the forest, some out of insolence, others in revenge ..." Vide, Aesop's fables., 1 print : etching on wove paper, hand-colored ; plate mark 26.0 x 36.0 cm, on sheet 30.7 x 40.9 cm., Watermark: J. Ruse., and Mounted on leaf 8 of volume 6 of 12.
Publisher:
Pubd. July 16th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Wilberforce, William, 1759-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Dundas, Henry, 1742-1811, Grey, Charles Grey, Earl, 1764-1845, Fox, Charles James, 1749-1806, Erskine, James Francis, 1743-1806, and Kinnaird, Charles Kinnaird, Baron, 1780-1826
"On the left. Fox stands at his tavern-door, which is at r. angles to the front of the house (r.), where a large open sash-window faces the spectator. Below the window is a large inscription: 'C. J. F & Co. Dealers Rectifiers and Compounders [the 'nf' of 'confounders' is scored through, and replaced by 'mp'] of foreign Spirits'. Beside the window are chequers, indicating the sale of ale; below them: 'Whitbreads intire' [cf. BMSat 10421]. Over the door is the sign: a crown, and 'The Case is Altered' [cf. BMSat 9714], with a bunch of grapes indicating the sale of wine. Fox, very neat and debonair, with a napkin under his arm, a corkscrew in his coat-pocket, a typical tavern-keeper or head-waiter, smiles at a ragged, Bohemian-looking fellow, who approaches him, with outstretched left hand, a large book under his right. arm inscribed 'Pl[an] of Reform'. The ragged reformer says: "Ah! Citizen, how do you do. I've just finisd my plan of Reform, and as you have no plan we can as well be going on with that as doing nothing." Fox, his hand thrust in his coat-pocket, answers: "Citizen!!! we-go-on-with your plan!!! I dont understand you Oh!. I suppose you mean what I used to gammon my Custommers with when I lived over the way, but that sort of fun wont do now, we are all different people!" Within the open window members of the new Ministry are seated drinking, as if at a tavern-club meeting, with Erskine, wearing a hat and Chancellor's wig and gown, in the chairman's seat, which is surmounted by the Prince of Wales's feathers (see BMSat 10525); he holds the mace. On the left. (or Erskine's r.) are Sheridan (a bottle of 'Sherry' in front of him), Grey, and Lauderdale. Opposite them are (r. to left.): Grenville, Bedford, Moira (wearing a cocked hat and smoking a long pipe), Petty, and (slightly isolated) Sidmouth. ..."--British Museum online catalogue
Alternative Title:
Design for a scene in the intended new melodrama entitled The forty thieves
Description:
Title etched below image., Questionable attribution to Isaac Cruikshank from the British Museum catalogue., and Mounted on leaf 31 of volume 11 of 12.
Publisher:
Pub. March 25th, 1805, by I. Hays, 25 Marylebone St., Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sidmouth, Henry Addington, Viscount, 1757-1844, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"The lion, with the face and wig of Melville, lies gazing up, blood falling on the papers under his paws: 'Plans for Manning tfthe Navy - List of ships built in 1804 ... of ye Line'; 'Abolition of Impress'. He is struck down by the blast from a blunderbuss whose muzzle is a tankard inscribed 'Whitbreads Entire'. This is fired by St. Vincent who crouches (left) behind a withered tree. The blast issues from a circle of froth inscribed 'Report'. Part of it, inscribed 'Condemnation without Trial', passes above the lion and strikes Britannia to the heart. She is leaning against an ancient but flourishing oak on the extreme right. The blast that strikes Melville is inscribed 'Invectives', 'Popular Clamour', 'Envy', 'Disappointed Jacobins', 'Malice'. On the upper part of the withered tree sits a monkey with the head of Wilberforce, holding up an open book: 'Solution of Vital Xianity', but directing at Melville a blast from his posteriors inscribed 'Cant! - Envy! - Abuse! - Hypocrisy! - Cruelty.' Three asses are kicking up their heels at Melville as they scamper off towards the mountainous background. The nearest has the head of Sidmouth, with ass's ears. He is laden with panniers inscribed 'Physick for the Lion.'; these are heaped with medicine-bottles, one labelled 'Emetic for ye Lion'; there are also a 'Clyster for the Lion', and a box of 'opening Pills' (cf. BMSat 9849), The other asses are Hily Addington and Bragge, cf. BMSat 9986. The latter (right) turns his head to say: "Very highly indebted to the Lion, brother Heeley!" His panniers are inscribed 'Provisions for the Doctors Family' and 'Trifles procured thro' the Lions Generosity'; they are piled high with papers: 'Pension to Brother Brag &...'; 'Annuity to all our Cousins'; '£40000 pr Ann'; 'Sinecure'; 'Pension for Aunts'; 'Pension for Brother Hely'; 'Pension'. The other ass (Hiley) answers: "Then give him another kick, Brother Braggey". He is laden with a sack of 'Candid Whorehound'. The lion is also assailed by a fox (Fox) who viciously bites his hindquarters, and by a serpent with the head of Grey (Whitbread's brother-in-law) who bites his neck. Three small rats, wearing legal wigs and bands (right), run viciously toward the lion; they are (left to right): Jekyll (see BMSat 9179), Erskine, and Robert Adair, an ardent Foxite, cf. BMSat 7158. A dog, its collar inscribed 'Kinard' (Kinnaird), bites the lion's tail, while one foot is in a plate containing a bare bone, and inscribed 'Melville-Castle' with a coronet."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "And now, all the sculking herd of the forest, some out of insolence, others in revenge ..." Vide, Aesop's fables., and Mounted to 31 x 43 cm.
Publisher:
Pubd. July 16th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Wilberforce, William, 1759-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Dundas, Henry, 1742-1811, Grey, Charles Grey, Earl, 1764-1845, Fox, Charles James, 1749-1806, Erskine, James Francis, 1743-1806, and Kinnaird, Charles Kinnaird, Baron, 1780-1826
A satire on the impeachment of Lord Melville, with politicans heads on dogs bodies
Description:
Title etched below image., Printmaker from unverified data from local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching on wove paper, hand-colored ; plate mark 24.7 x 34.7 cm, on sheet 25.9 x 35.9 cm., and Mounted on leaf 40 of volume 8 of 14 volumes.
Publisher:
Pubd. June 23rd, 1806, by T. Rowlandson, No. 1 James St., Adelphi
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, Smith-Stanley, Edward, 1752-1834, Whitbread, Samuel, 1764-1815, Windham, William, 1750-1810, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Erskine, Thomas Erskine, Baron, 1750-1823
"Fox, as the Devil, has sprung into the air, supported by small feathered wings inscribed 'Honesty' and 'Humility' and by two stout crutches, which rest upon dark clouds. He has a heavy hairy body with cloven hoofs, and wears a bonnet rouge with tricolour cockade and the triple plume of the Prince of Wales. The two crutches have the heads, respectively, of Sidmouth (left) and Grenville. He wears a long narrow cloak with a tricolour collar; it is inscribed 'Loyalty, Independence & Public-Good'. The end of this is clutched by John Bull, a fat 'cit' (resembling John Gilpin, see BMSat 6886, &c), who is drawn up into the air, losing hat and wig. Fox says, looking over his right shoulder with a sinister grin: "Come along Johnny! - take fast hold of my Cloak, & I'll bring you to the land of Milk & Honey!!!" The terrified John answers: " - O yes, I will try to holdfast! - but I'm damnably afraid that your Cloak may slip off before we get there, & I may chance to break my Neck!" Below John's feet and at the base of the design (left), are the roofs of London, including the top of the gateway of St. James's Palace and the dome of St. Paul's. Fox is flying towards the façade of Carlton House, which emerges from clouds; over its roof rises a sun emitting rays, the disk inscribed 'New Constitution'. Above the colonnade is the inscription 'Carolus. II. Redimmus'. Resting on the clouds below Carlton House are three tiny scenes: 'Liberty': two gamblers throwing dice, one Sheridan the other the Prince; men watch them. 'Chastity', the Prince and Mrs. Fitzherbert, indicated by feathers in her hair, embrace on a sofa. 'Temperance', men carouse at a round table; one sprawls on the floor. Fox, as the Devil (cf. BMSat 6383, &c), under the cloak of patriotism, is carried to power by two props, Sidmouth and Grenville, on whose coalition with the Foxites the new Ministry, see BMSat 10531, &c, is. based. This relies not on St. James's but on Carlton House, the secrets of which, as in Le Sage's story, are revealed in three scenes satirizing the life of the Prince. The allegation that the new Ministry was subservient to Carlton House was natural, see BMSat 10252, &c, and recurs, see (e.g.) BMSats 10530, &c, 10543, 10697, but proved unfounded, see G. M. Trevelyan, 'Lord Grey of the Reform Bill', p. 153 f., and cf. BMSat 10526, &c."--British Museum online catalogue
Alternative Title:
Devil upon two sticks conveying John Bull to the land of promise
Description:
Title etched below image., Attribution following title: Vide le Sage., 1 print : etching on wove paper, hand-colored ; plate mark 34.5 x 24.7 cm, on sheet 38.4 x 29.8 cm., and Mounted on leaf 13 of volume 6 of 12.
Publisher:
Publishd. Feby. 8th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"The beam of a pair of scales is suspended from a vertical bar terminating in a ring which encircles one of many solid rays from a large sun (l.) surmounted by the Prince of Wales' coronet and feathers. The 'Rising-Sun' (see BMSat 10258) is partly obscured by dark clouds, but its rays extend across the design and illuminate especially Sidmouth and Ellenborough. The former is poised triumphantly on the cross-beam, depressing the r. scale with his foot, while he holds on his shoulders Ellenborough in judge's wig and gown, who manipulates the scale in the same direction. This lower scale contains the 'Broad-Bottomites' ie the Grenvillites, or New Opposition, the other, the 'No-Bottomites', i.e. the Foxites, or Old Opposition. In the latter (l.) the occupants hold the ropes with expressions of anxiety; the inscription suggests that they lack 'bottom' or endurance (a pugilistic phrase). Fox is the most prominent, between Erskine (l.), in Chancellor's wig and gown and with the Purse of the Great Seal, and Grey (r.). Moira, in cocked hat and regimentals, stands stiffly behind. Fox and Grey have bonnets rouges but do not wear them. The other bowl contains Grenville, one hand on his fat nephew Lord Temple; the heavy posteriors for which the family were noted take up much of the bowl. Windham waves his hat triumphantly. Of two other partly obscured occupants one resembles Lord Henry Petty. The scales are suspended above the curve of the globe on which Great Britain and the Continent are indicated. Behind the North Pole (r.) is a setting sun containing a royal crown; its feeble rays are outshone by the heavy beams of the rising sun (or son). Above it, among clouds, flies the ghost of Pitt, weeping."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of text following title: NB. The representation of the astonishing strength & influence of the rays from the rising-sun is taken from Sir Isaac Newtons theory of light., 1 print : etching on wove paper, hand-colored ; plate mark 35.4 x 25.0 cm, on sheet 39.1 x 27.9 cm., Watermark: J. Whatman 1813., and Mounted on leaf 14 of volume 6 of 12.
Publisher:
Pubd. Feby. 16th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Ellenborough, Edward Law, Baron, 1750-1818, Fox, Charles James, 1749-1806, Erskine, Thomas Erskine, Baron, 1750-1823, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Windham, William, 1750-1810, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, and Pitt, William, 1759-1806
"Members of the new Ministry in a handsome room prepare themselves for office, each intent on his toilet. Both Fox and Grey look into a large pier-glass on the extreme left., whose frame is surmounted by the Royal Arms and Prince's feathers, indicating Carlton House and the Prince's 'ostentatious patronage' of the new Ministry. [W. Fitzpatrick, 'H.M.C., Dropmore MSS.' viii, p. viii.] Fox (Foreign Secretary), wearing a tattered shirt, shaves, holding a small bowl filled with lather. On a chair are the coat (blue with red facings, the Windsor uniform) and feathered cocked hat which he is about to put on; against it leans a sword with a jewelled hilt, while his discarded coat and bonnet rouge with tricolour cockade lie beneath it. Beside him stands the taller Grey, brushing his teeth. He wears naval uniform (as First Lord) Behind him, also in profile to the left., stands Sidmouth (Lord Privy Seal), his head and shoulders the centre of clouds of powder, which Vansittart is puffing at him from a powdering-bag. His Windsor uniform is protected by a long towel; in his coat pocket is a clyster-pipe (see BMSat 9849). In the foreground little Lord Henry Petty struts with pointed toe, delighted at the effect of his Chancellor of the Exchequer's gown, which trails on the ground behind him, far too long. Windham (Secretary for War and Colonies), behind him, sits full face over a tub, washing his feet; he wears waistcoat and rolled-up shirt-sleeves; his hat and stockings are on the ground. Next is the centre figure, Lord Grenville (First Lord of the Treasury), in shirt and bag-wig, hitching up his breeches, and thus accentuating his heavy posteriors, which gave a second meaning to the term Broad-bottom Ministry (see BMSat 10530). Moira (Master of the Ordnance) stands stiffly with his back to the wall, tying his high black stock. He wears regimentals with boots and cocked hat. The Duke of Bedford, very neat in shirt and breeches, sits on a stool pulling on a top-boot, resting his leg on the left shoulder of Tierney, who sits at his feet, drawing on a Hessian boot. Both are in profile to the right., and are preparing for a journey to Ireland. Beside Bedford are two papers: 'New way of Improving the Irish-Breed of Black Cattle' and 'Road from Wooburn Farm to Ireland' [on this Tierney is sitting]. Behind Bedford, Sheridan struggles into a shirt; on the wall hangs his discarded Harlequin dress with mask and wooden sword (see BMSat 9916). Lord Spencer (Home Secretary), behind and on the r. of Sheridan, in waistcoat and shirt-sleeves, washes his hands in a basin on a table. On the extreme right. is the corner of a dressing-table, in the mirror of which Erskine delightedly adjusts his hat over his Chancellor's wig. He wears an enormously long Chancellor's gown with the Purse of the Great Seal hanging from his arm. Behind him on the wall hangs his discarded barrister's wig. The mace, reversed, leans against the table."--British Museum online catalogue
Description:
Title etched below image. and Mounted on leaf 15 of volume 6 of 12.
Publisher:
Pubd. Feby. 20th, 1806, by H. Humphrey, No. 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Vansittart, Nicholas, 1766-1851, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, and Spencer, George John Spencer, Earl, 1758-1834
"An old sow lies exhausted on a pile of straw outside a sty roofed with dilapidated thatch. She is beset by thirty-two voracious piglets with human heads. [The identifications are those of Miss Banks, confirmed by Lord Holland. The identifications of Wright and Evans are incomplete; Ellenborough is called the Speaker.] John Bull, a clumsy yokel in a smock, holding a pitchfork, looks over the low stone wall surrounding the sty. He exclaims: "O Lord - O Lord! - well! - I never had such a Litter of hungry Pigs in all my life before! - why, they's beyond all count! - where the devil do they think I shall find Wash & Grains for all their Guts? - zookers, why they a drain the poor old Sow to an Otomy! - 'e'cod She'll make but bad Bacon for Boney, when they's all done sucking o' her - !!!' In the centre of the struggling mass of pigs is Fox with Grenville on his left. and Grey on his right. He bestrides the Duke of Clarence, whose hind-quarters only (clad in blue and buff) are visible, and supports his right. hind-leg on the back of the Prince of Wales, who is in back view but wearing a ribbon and unmistakable. Grey also clambers over the Prince. On Grenville's l. is his fat nephew, Lord Temple. The head next Grenville is that of Sidmouth, across whose back Lord Henry Petty scrambles open-mouthed. Above Petty, Sheridan scrambles avidly over the sow; Erskine, in his Chancellor's wig scampers over the sow's hind leg. Lauderdale, whose body is chequered to indicate tartan, is behind Grenville, next him (l.) is Vansittart; on the left of the latter is a group of three plump pigs one with the head concealed, the others smiling with complacent anticipation; they are Sir Watkin Williams-Wynn and his two brothers, see BMSat 9760, &c. Behind them (l.) three pigs scamper towards the sow (l. to r.): Tierney, the Duke of Bedford, and Lord Derby. Behind again, and on the extreme left. are five rather smaller animals: George Walpole, Adair (half cut off by the margin), Burdett, Horne Tooke wearing clerical bands, and Lord Carlisle. On the r. of Grey and the Prince are Lord St. Vincent, with a foreleg on the Prince, Courteney, a foreleg on Grey, Lord Spencer who has secured a teat, and Windham who clambers downwards from the sow's shoulder. Between Courteney and Spencer is a pig whose head is concealed, 'not meant for any body'. Climbing up the farther side of the sow and on the r. are Lord Ellenborough in his wig, Lord Fitzwilliam, and Moira who scampers on the creature's back."--British Museum online catalogue
Alternative Title:
New litter of hungry grunters sucking John-Bulls-old-sow to death
Description:
Title etched below image., Watermark, partially trimmed: J. Whatman 1817., and Mounted on leaf 16 of volume 6 of 12.
Publisher:
Pubd. March 5th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Vansittart, Nicholas, 1766-1851, Williams-Wynn, Watkin, 1772-1840, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Smith-Stanley, Edward, 1752-1834, Carlisle, Frederick Howard, Earl of, 1748-1825, Walpole, George, 1761-1830, Adair, Robert, Sir, 1763-1855, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Spencer, George John Spencer, Earl, 1758-1834, St. Vincent, John Jervis, Viscount, 1735-1823, Courtenay, John, 1738-1816, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, and Fitzwilliam, William Wentworth Fitzwilliam, Earl, 1748-1833
New litter of hungry grunters sucking John Bulls old-sow to death
Description:
Title etched below image., Attributed to Williams in the British Museum catalogue., Statement of responsibility is perhaps an allusion to Gillray's desire for a renewal of his pension. See British Museum catalogue., A copy of a print by Gillray, with the only changes in the design being the replacement of Walpole'a pig with a pig having a Jewish profile and the addition of a speech bubble originating from that new pig. Cf. No. 10540 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Watermark: A. Stace 1801., and Mounted on leaf 17 of volume 6 of 12.
Publisher:
Pubd. March 1806 by S.W. Fores, Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Vansittart, Nicholas, 1766-1851, Williams-Wynn, Watkin, 1772-1840, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Smith-Stanley, Edward, 1752-1834, Carlisle, Frederick Howard, Earl of, 1748-1825, Adair, Robert, Sir, 1763-1855, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Spencer, George John Spencer, Earl, 1758-1834, St. Vincent, John Jervis, Viscount, 1735-1823, Courtenay, John, 1738-1816, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, and Fitzwilliam, William Wentworth Fitzwilliam, Earl, 1748-1833
"The stage, flanked by the stage-boxes, extends across the design, the base of which is the orchestra, where the new Ministry perform. George III has stepped on to the stage from the royal box (l.) and confronts Napoleon, who stands arrogantly upon clouds and points to an enormous scroll held up by Talleyrand. This stretches across the cloud to rest on the stage. The Emperor, in uniform, with spurred jackboots and wearing a large, feathered bicorne, holds a sword in his right. hand and says fiercely: "There's my Term's." The King, who wears uniform with a small cocked hat and buckled shoes, holds his sword against his shoulder. He inspects the scroll through his glass, saying: " - Very amusing Terms indeed! - and might do vastly well with some of the new-made little Gingerbread kings [see BMSat 10518] - but WE are not in the habits of giving up either "Ships, or Commerce, or Colonies", merely because little Boney is in a pet to have them!!!" The scroll is inscribed: 'TERMS OF PEACE - Acknowledge me as Emperor - "mantle your Fleet, - Reduce your Army - Abandon Malta & Gibraltar, - Renounce all Continental Connection - Your Colonies I will take at a Valuation, - Engage to pay to the Great-Nation for 7 Years annually £1.000.000. and Pace in my Hands as Hostages the Princess Charlotte of Wales, with Ten of ye late Administration whom I shall name.' Talleyrand kneels on one knee, displaying a deformed l. leg, on a cornupia which rests on the clouds that support Napoleon. He wears a long gown with a rosary (denoting the ex-Bishop of Autun); a pen is behind his ear. From the cornucopia papers, money-bags, and coin pour down on to the stage. The papers are: 'Address to the Papists'; 'Loan to the - ['Prince' implied, cf. BMSat 6945]; 'To the United Irishmen'; 'To the London Corresponding Society'; 'The Press'; 'The Argus'; 'For the Whig Club'; 'To the Army; 'To the Navy', 'To [the] Volunteers'. Money-bags are labelled: 'Maynooth [word illegible]', 'Horne Tooke', 'Morning Chronicle', '[Cobbett's] Weekly Register', 'Thelwall.' Immediately behind Talleyrand, and also on the Napoleonic clouds crouch Arthur O'Connor, looking down conspiratorially at Fox in the orchestra below. His words extend in a long label towards Fox: "Remember m Friend your Oath, - " Our Politicks are the same!"" He holds a paper: 'at Maidstone Not Guilty - N.B - my Confederate Quigley only, was Hanged there.' Behind Talleyrand and O'Connor three desiccated corpses wearing French Grenadier's uniform hold up three eagles to each of which a banner is attached: 'Army of England', 'Army of Ireland', 'Army of Scotland'. Their caps are decorated with an 'N' surmounted by a crown. Behind them bayonets recede in perspective, their holders hidden by the peace scroll. ..."--British Museum online catalogue
Alternative Title:
Flight from St. Cloud's "over the water to Charley"
Description:
Title etched below image. and Mounted on leaf 19 of volume 6 of 12.
Publisher:
Pubd. April 5th, 1806, by H. Humphrey, St. James Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Napoleon I, Emperor of the French, 1769-1821, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, O'Connor, Arthur, 1763-1852, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Spencer, George John Spencer, Earl, 1758-1834, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, Pitt, William, 1759-1806, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Grattan, Henry, 1746-1820
"On the r. a rustic fountain gushes from the mouth of Lord Henry Petty, whose head and shoulders emerge from a stone wall or rock surrounded by trees. The water expands and falls by billowing stages into a sea, the horizon (l.) inscribed 'Unfathomable Sea of Taxation'. In this sea 'cormorants', with human heads and huge beaks (projecting from their profiles) and pelican-like pouches, are greedily fishing, while a rowing boat founders, throwing into the water John Bull, who drops an oar inscribed 'William Pitt'; only his head (submerged up to the mouth) and arms emerge. The water from Petty's mouth is inscribed (thrice) 'New Taxes'; the upper level of the fountain: 'New Salt Tax', 'new Coffee Tax', 'new Tea Tax', 'new Hop- Tax', 'new Malt-Tax', 'new Assessed Taxes', 'New Tax on Sugar', 'New Spirit Tax', 'New Tobacco Tax', 'New Candle Tax', 'New Glass Tax'. The lower level: 'new Cyder Tax', 'New Soap Tax', 'New Auction Tax', 'New Table Beer Tax', 'New Snuff Tax', 'new Horse Tax', 'new Servants Tax', 'new Leather Tax', 'new Dog Tax', 'New Hair Powder [Tax]', 'new Soap Tax', 'new House Tax', 'new Land-Tax', 'New Stamp-Tax', 'new Window Tax', 'New Hat Tax'. The sea is inscribed 'New-Property-Tax' [in whose waves John Bull drowns], 'New Legacy Tax', 'New Iron-Tax', 'New Excise-Duties', 'New Game Tax'. The most prominent bird is Grenville, on a rock by the water's edge; he stands on a pile of large fish, and throws up his head to swallow two monster fish: 'Treasury' and 'Exchequer'. Behind his back stand Sidmouth and Sheridan, greedily taking fish from Grenville's pile. Beside Grenville stands Fox, equally large, stooping over the water, to receive a dense mass of fish which leap as if by suction into his mouth; other fish swim and leap towards him. Beside Fox is the head and elongated neck of Moira, with a large lobster in his beak. On the extreme left. Windham skims the water, flying towards a number of crabs. Grey (Lord Howick) swims, holding in his beak two eels. A bird in judge's wig has dived head first; its solid shape suggests Ellenborough rather than Erskine. On the r. three birds skim downwards over the rocks towards Sidmouth; they are Bedford followed by Horne Tooke (wearing bands, cf. BMSat 9716, &c.) and Burdett. On the water's edge in the middle distance stands Buckingham, wearing a ribbon and swallowing three large fish. Little Lord Derby beside him stoops for one small fish. In the sky a flight of countless birds makes for the fish. Only the three leaders have human heads; the first has the features of Lauderdale, the one behind him resembles Adair."--British Museum online catalogue
Alternative Title:
John Bull swamped in the flood of new-taxes
Description:
Title etched below image. and Mounted on leaf 22 of volume 6 of 12.
Publisher:
Pubd. May 9th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
A torrent of taxes gushes from the mouth of Lord Henry Petty, chancellor of the exchequer, emptying into the "Unfathomable Sea of Taxation" in which John Bull is drowning in full view of greedy cormorants representing members of the Grenville ministry which was formed after the death of William Pitt
Alternative Title:
John Bull swamped in the flood of new taxes
Description:
Title etched below image., Attributed to Williams in the British Museum catalogue., A copy of a print by Gillray. Cf. No. 10564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., 1 print : etching on laid paper, hand-colored ; plate mark 25.0 x 35.4 cm, on sheet 25.9 x 36.5 cm., and Mounted on leaf 23 of volume 6 of 12.
Publisher:
Pubd. May 1806 by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Grenville, William Wyndham Grenville, Baron, 1759-1834, Fox, Charles James, 1749-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Sheridan, Richard Brinsley, 1751-1816, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Windham, William, 1750-1810, Bedford, John Russell, Duke of, 1766-1839, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Ellenborough, Edward Law, Baron, 1750-1818, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Lauderdale, James Maitland, Earl of, 1759-1839, Smith-Stanley, Edward, 1752-1834, and Adair, Robert, Sir, 1763-1855
Subject (Topic):
Taxes, John Bull (Symbolic character), Fountains, Cormorants, and Rowboats
"Grenville (r.) displays a dancing bear with the head of Fox enclosed in a muzzle. He holds a chain attached to the muzzle and a long heavy staff: 'Cudgel for Disobedient Bears'. The bear obediently and clumsily repeats the dancing-step of his master; he holds in both paws his bonnet rouge trimmed with tricolour, and tramples upon two torn and discarded songs: 'Caira, Ca . . .' [see BMSat 9735] and 'A Begging we will go' [an allusion to the subscription raised for Fox in 1793 [This is confirmed by Lord Holland.]: see BMSat 8331, &c., and cf. BMSat 9885]. The bear and Grenville face each other in profile; the latter is neatly dressed, wearing top-boots with round hat and bag-wig. In his pocket is a book: 'Rewards for Obedient Bears'. He says: "dont be afraid of my Bear, Ladies & Gentlemen! \ "I have tamed & muzzled tarn, & reformed his Habits." The rest of the troupe is on the left, behind the bear's back. An ape with the head of Lord Henry Petty, and wearing the gown of the Chancellor of the Exchequer, capers in time, clasping the bear's stump of tail, and holding up, with a delighted grin, a fool's cap trimmed with bells. The music is provided by Sidmouth, a ragged fiddler, with a patch over eye. He stands on the pavement, his head in profile to the right., wearing cocked hat, bag-wig, and Windsor uniform, with tattered breeches, and a foot projecting through a remnant of boot. His r. knee rests on a wooden leg or stump. He plays 'God save the King' [as a protégé of George III]; from his the pocket hangs a paper: 'Pray remember your poor and Old Blind-Fiddler'. On the wall behind him are three bills: (1) 'Pro Bono Publico - Superbly fine Exhibition, at the Bear Garden, Broad-bottom'd Alley. - Orpheus Charming the Brutes, with a Grand Accompaniment by Dr Sangrado [Sidmouth]'. (2) 'in the Press. - Pease Soup or Bruins Delight - a Ballad [cf. BMSat 9848]'. (3) 'Bubble & Squeak, a Duet.' ..."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text following title: "What tho' I am obligated to dance a bear, a man may be a gentleman for all that. My bear ever dances to the genteelest of tunes.", and Mounted on leaf 24 of volume 6 of 12.
Publisher:
Pubd. May 19th, 1806, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863
