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191.
The Queen and the dragon, a model for a new sovereign, for 1821 recommended to the Master of the

Published / Created:
[January 1821]
Call Number:
Folio 724 835G v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
In a large circle at center is Queen Caroline, dressed as Britannia and riding a horse that tramples a four-headed dragon lying on its back on the ground; the dragon has the human heads of the George IV and his ministers. The Queen, wearing armor and a helmet topped with a crown, shoves a long pike into the mouth of Liverpool; Castlereagh's head has been decapitated, Sidmouth's head has its eyes closed and seems to be unconscious, and the King's head looks on in horror. The border of the large circle reads "Carolina D.G. Britaniarum Regina" and a buckle at the bottom reveals it to be a belt. Four smaller circles in the corners of the design are labeled "Britannia," "Hibernia," "Cambria," and "Caledonia," and they contain symbols representing each region
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 47 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image; date "Jan. 1821" written in lower right corner.
Publisher:
Published January 1821 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Dragons, Horses, Pikes (Weapons), Armor, Crowns, and Symbols
Found in:
Lewis Walpole Library > The Queen and the dragon, a model for a new sovereign, for 1821 recommended to the Master of the Mint. [graphic]

192.
The Turner-General chastised!!, or, The school boy and his master [graphic].

Published / Created:
[October 1820]
Call Number:
Folio 724 835G v.1 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature on the trial of Queen Caroline, with the charges being laid before the Lord Chancellor."--British Museum online catalogue
Alternative Title:
School boy and his master
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 102 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Leach," "Majocchi," "Sidmouth," "Liverpool," "Eldon," "D. York," and "Wellington" identified in ink below image; date "Oct. 1820" written in lower right corner of sheet.
Publisher:
Published October 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Majocchi, Theodore, active 1820, Leach, John, 1760-1834, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Politicians, Military officers, Military uniforms, British, Scepters, Daggers & swords, Worms, Coats of arms, Tables, Bags, Rats, and Books
Found in:
Lewis Walpole Library > The Turner-General chastised!!, or, The school boy and his master [graphic].

193.
The cauldron, or, Shakespeare travestie 1820. [graphic]

Published / Created:
[August 1820]
Call Number:
Folio 724 835G v.1 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The three witches of Macbeth, hooded and cloaked, each holding a broom, are Liverpool (left), Sidmouth and Castlereagh (right). They surround a huge cauldron inscribed 'Cast--gh & C° Brass Manufacturers Fecit.', each adding something to the flames which tower up from it, surrounded by heavy smoke. A winged Devil at the apex of the design empties into the cauldron the contents of an 'Infernal Green Bag'; from it fall a dagger, a leech, tiny figures, manacles, a razor, an antlered animal's head, many legal papers docketed 'Lies'. Others are contributed by the witches; papers inscribed: 'Divorce', 'Reports', 'Leach', and 'Cooke'. There are also flames under the pot, which, are tended by two naked demons, one with the head of Canning who uses bellows inscribed 'Mother Hunn' [see British Museum Satires No. 13617]; the other with the head of Wellington, who uses a red-hot 'Waterloo Poker'. The Canning-demon sits on the back of a naked female demon (? his mother) who is blowing the flames. On the extreme left and right, each attended by a 'Blue Devil' (cf. British Museum Satires No. 14598), stand George IV and the Duke of York. The King, his arms raised, exclaims: "Tell me ye d--n'd infernal Hags of Night, shall Fr--k reign?" [i.e. shall he get a divorce, remarry, and block his brother's succession, see No. 13789]. He stretches across the crown and sceptre which are on the ground. His Blue Devil, touching the George which is suspended from his neck, and his gartered leg ('Honi So[it]'), says: "All hail Macbeth! thou'rt now the cause of Laughter." The Duke of York, in uniform and holding a naked sword inscribed 'the Army', says: "I'll do!--I'll do!--I'll do!--" His attendant Blue Devil: "All hail Macduff!! that shall be K--g hereafter--." The witches chant their parodies. Liverpool: "In the Cauldron first we'll mingle, What shall make great Macbeth single; Oath of an Italian Slave-- Earth of Snuffy [Queen Charlotte] from the grave-- Blood of Radicals--and last In let the Divorce be cast, Hubble, bubble,Toil and trouble, Fire blase and Cauldron bubble!!--" Castlereagh: "Put in C--ke of Lincolns Inn, All that's evil, all that's sin, L--ch's honor--and Britain's shame, Put them in, and fan the flame, Now the broth is good and strong, Macbeth shall again be young." Sidmouth: "Cats, that draw the Soldiers blood, Chains, that bind the brave and good, Tongue of slander, Eye of hate, Mix--and now our charm's complete." He holds a scourge, the attribute of Castlereagh, cf. British Museum Satires No. 14135."--British Museum online catalogue
Alternative Title:
Shakespeare travestie and Shakespeare travesty
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV," "Liverpool," "Sidmouth," "Londonderry," "Wellington," and "Duke of York" identified in pencil at bottom of sheet; name of "Canning" added in pencil on mounting sheet, beneath his depiction in the print. Date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wellington, Arthur Wellesley, Duke of, 1769-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Leach, John, 1760-1834., and Shakespeare, William, 1564-1616.
Subject (Topic):
Politicians, Witches, Cauldrons, Capes (Clothing), Brooms & brushes, Fire, Bags, Devil, Daggers & swords, Worms, Demons, Whips, Divorce, Crowns, Scepters, Military uniforms, and British
Found in:
Lewis Walpole Library > The cauldron, or, Shakespeare travestie 1820. [graphic]

194.
The child of folly, or, Lady Cun-gh-m's favourite dance [graphic].

Published / Created:
[27 December 1820]
Call Number:
Folio 724 835G v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
George IV, dressed as a jester, dances at the center of the design with Lady Conyngham, who is dressed similarly. The king wears a fools' cap that has bells at the end and two additional protrusions from the side that resemble horns; he holds a noisemaker in his left hand. Lady Conyngham likewise wears a fools' cap, and she holds a staff in her right hand. On the left are four men labeled "The Friends of his Youth"; Earl Grey is in the foreground, with two men in white robes behind him and a man in a barrister's wig and robe at the back. On the right is a musical ensemble consisting of the King's supporters, labeled "A Band-ditte": a bishop plays the drum, Liverpool the cello, Canning the flute, Sidmouth the violin, and Wellington the cymbals
Alternative Title:
Lady Cun-gh-m's favourite dance and Lady Cunnigham's favourite dance
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 37 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Grey," "Lady Conyngham," "Geo. IV," "Liverpool," "Canning," "Wellington," and "Sidmouth" identified in ink below image.
Publisher:
Published Decr. 27, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Adultery, Mistresses, Dance, Fools' caps, Music ensembles, Musical instruments, Bishops, and Politicians
Found in:
Lewis Walpole Library > The child of folly, or, Lady Cun-gh-m's favourite dance [graphic].

195.
The degraded honoured & the honoured degraded, or, The black dogs under g-v-t well dressed and

Published / Created:
[November 1820?]
Call Number:
Folio 724 835G v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on the government as a pack of performing dogs under the whip of John Bull presenting their homage to the Queen enthroned."--British Museum online catalogue
Alternative Title:
Degraded honoured and the honoured degraded, Black dogs under g-v-t well dressed and turned out, and Black dogs under government well dressed and turned out
Description:
Title etched below image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 23 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Wellington," "Liverpool," "Londondery [sic]," "Eldon," and "Sidmouth" identified in ink below image; date "Nov. 1820" written in lower right corner.
Publisher:
Published by W. Benbow, corner of St. Clement's Church Yard, Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Dogs, Demons, Bags, Thrones, Whips, Trained animals, Telescopes, Medical equipment & supplies, and Columns
Found in:
Lewis Walpole Library > The degraded honoured & the honoured degraded, or, The black dogs under g-v-t well dressed and turned out [graphic].

196.
The dialogue between K-g Naughty & his Brothers Consors [sic], or, The caracature of all

Published / Created:
[1820]
Call Number:
Folio 724 835G v.1 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles
Found in:
Lewis Walpole Library > The dialogue between K-g Naughty & his Brothers Consors [sic], or, The caracature of all caracatures presenting the joke of the day, or, To every one his due [graphic].

197.
The knave and the Queen!!, or, Twelfth night, 1821 [graphic].

Published / Created:
[February 1821]
Call Number:
Folio 724 835G v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
A design in two panels, with George IV depicted on the left and Queen Caroline on the right. The King sits in a chair and holds up a large playing card (a King of Clubs), while Castlereagh holds a disk-shaped hat labeled "Cake" and topped with the head of a bishop over his head. Liverpool and Sidmouth are seen playing cards in the background, and Eldon is behind the King at a table holding a glass; full bottles of alcohol are on the table and empty ones on the floor. In contrast, the regally-dressed Queen sits in a more ornate chair with a crown on the back, holding a scepter in her left hand and holding up a large playing card (the Queen of Hearts) with her right hand; Alderman Wood stands behind her exclaiming "The Queen of Hearts by Heaven!!!" Three women watch her with admiration from a table in the background, upon which a disk-shaped hat labeled "Popularity" and topped with hearts and a small crown sits; another man on the far right of the design says "Bravo!! Bravo!!"
Alternative Title:
Twelfth night, 1821
Description:
Title etched below image., Sheet partially trimmed to plate mark on bottom edge., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 57 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Castlereagh," "Geo. IV," "Eldon," "Q. Caroline," and "Ald. Wood" identified in ink below image; date "14 Feb. 1821" written in lower right.
Publisher:
Published February 1821 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Politicians, Playing cards, Bottles, Alcoholic beverages, Scepters, and Crowns
Found in:
Lewis Walpole Library > The knave and the Queen!!, or, Twelfth night, 1821 [graphic].

198.
The rats at work, or, How to get out of the bag qui caput ille fecit. [graphic]

Published / Created:
[August 1820]
Call Number:
Folio 724 835G v.1 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
"The King stands waist-deep in a broad-based Green Bag (see British Museum Satires No. 13735), holding up his arms, and exclaiming: "A Rat! A Rat! my Kingdom for a Rat!!!" Huge rats climb up the bag and nibble at it, others run towards it, or emerge from holes. Ministers are imprisoned in the bag with the King, and struggle to get out. Near the base (left) emerge the head and arms of Castlereagh; he says: "Knaw away my fine fellows and extricate me." Above him is Sidmouth, crying: "I wish I could find some hole large enough to creep out at." Eldon's head and hands emerge from three holes; he asks: "Was the Pillory ever made for me? will no Rat assist me? let me out to consider of it." Above him is Liverpool, saying: "We shall certainly be all smother'd in this Infernal Bag." The Devil is between Castlereagh and Eldon, shovel in hand; he says: "I can make a hole for myself to creep out at." Each rat has an inscription: 'Church' and 'Corruption' are on the bag, flanking the King. Other nibblers are 'Pension', 'Place', 'Sinacure' [sic], and 'Dr Slop' [Stoddart, i.e. the 'New Times']; near the last is the 'Courier', and behind (right) the 'Vice C--' [Leach]. John Bull and Mrs. Bull, a farmer and his wife, stand on the left and right; John holds the chain of his savage dog, still attached to its kennel but eager to get at the rats; he says: "Odzooks, I'll let my Dog loose and worry them all." Mrs. Bull points angrily, and shouts: "Destroy the Vermin John--let our Dog loose.""--British Museum online catalogue
Alternative Title:
How to get out of the bag
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londonderry," "Sidmouth," "Liverpool," and "Eldon" identified in pencil on mounting sheet below print; date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted above print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Leach, John, John Bull (Symbolic character), Rats, Bags, Politicians, Devil, Shovels, Dogs, and Kennels
Found in:
Lewis Walpole Library > The rats at work, or, How to get out of the bag qui caput ille fecit. [graphic]

199.
The state caterpillars, or, Members of the plot club

Published / Created:
[November 1820?]
Call Number:
Folio 724 835G v.2 (Oversize)
Image Count:
1
Resource Type:
text and still image
Abstract:
Eighteen woodcut caricatures of people involved in the Queen Caroline Affair, arranged in three rows of six. Each figure has a satirical name printed in letterpress above, and all but one have quoted text beneath the name; six lines of verse are printed in letterpress beneath each figure
Alternative Title:
Members of the plot club
Description:
Title from letterpress text at top of sheet., Date from manuscript annotation at bottom of sheet., Four lines of quoted text beneath title: "'Tis the curse of kings, to be surrounded by a venal herd of flatterers, that soothe his darling vices, and rob their master of his subjects' love.", "Price sixpence"--Following imprint., Mounted to 58 x 39 cm., Mounted on leaf 26 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Names of thirteen of the depicted figures are added in ink, written beneath the individual caricatures; date "Nov. 1820" written in pencil at bottom of sheet.
Publisher:
Printed and published by J. Turner, 170, Aldersgate Street, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Gifford, Robert Gifford, Baron, 1779-1826, Sidmouth, Henry Addington, Viscount, 1757-1844, Majocchi, Theodore, active 1820, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Lawyers, Military uniforms, and Bags
Found in:
Lewis Walpole Library > The state caterpillars, or, Members of the plot club

200.
The stool of repentance; the scorn of the world!! [graphic].

Published / Created:
[10 January 1821]
Call Number:
Folio 724 835G v.2 (Oversize)
Image Count:
1
Resource Type:
still image
Abstract:
Print shows personifications of Europe, Africa, America, and Asia pointing their fingers at a blushing Britannia paying penance for corruption atop a stool of repentence along with Princess Caroline of Brunswick-Wolfenbüttel; King George IV; Robert Banks Jenkinson, 2nd Earl of Liverpool; Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh); Henry Addington, 1st Viscount Sidmouth; and Arthur Wellesley, 1st Duke of Wellington. A crowd of mostly women is gathered under the stool, some with glasses and bowls and "Political caricature on the Royal Divorce: George IV and Caroline sit with the cabinet on a stool, mocked by the four Continents, while Britannia blushes; below a waterfall of Corruption falls to pollute Westminster."--British Museum online catalogue
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 40 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Wellington," "Q. Caroline," "Geo. IV," "Sidmouth," and "Londondery [sic]" identified in ink within image.
Publisher:
Published Jany. 10, 1821, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England and Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Westminster Palace (London, England),
Subject (Topic):
Britannia (Symbolic character), Symbols, Corruption, Punishment devices, Punishment & torture, Politicians, Embarassment, Bowls (Tableware), and Drinking vessels
Found in:
Lewis Walpole Library > The stool of repentance; the scorn of the world!! [graphic].

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