"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., 1 print : etching with stipple ; sheet 23.9 x 34.3 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed within plate mark resulting in loss of "Turn over-" text from lower right margin., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 76 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"Caricature with John Bull, playing the part of the Lord Chancellor, condemning Queen Caroline's accusers who stand before him."--British Museum online catalogue
Alternative Title:
Conspirators at the bar!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 24 x 35 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., and Mounted on page 31 of: George Humphrey shop album.
Publisher:
Published November 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Scales, and Demons
"Caricature with John Bull, playing the part of the Lord Chancellor, condemning Queen Caroline's accusers who stand before him."--British Museum online catalogue
Alternative Title:
Conspirators at the bar!!
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 21 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Sidmouth," "Eldon," "Liverpool," and "Londonderry" identified in pencil on mounting sheet below print; date "Nov. 1820" written in ink in lower right.
Publisher:
Published November 1820 by J. Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Politicians, Scales, and Demons
"Justice stands on a small rocky plateau surrounded by waves. She holds up a pair of scales; on one scale (left) stands the Queen, noble and dignified, in royal robes, the crown at her feet. She far outweighs the other scale, on which is a huge green bag: 'Ev[ide]nce a[gainst] [t]he [Que]en'; Castlereagh, Sidmouth, and Canning stand round it, with a serpent as pendant to the crown. The Queen holds out a scroll headed 'Righ[t] ... of ... Queen' and an open book: 'Liturgy'. Castlereagh holds out to her a scroll headed '50,000 pr An'; he says: "Another Bag (now almost ready) Will make the Balance firm & steady, And certain other pond'rous stuff Will make the Lady light enough." Sidmouth flourishes a clyster-pipe (cf. British Museum Satires No. 9849). Canning stands behind the Bag on the extreme right; he says: "I wish to God that I was out Of this infernal mounting Scale, For plainly I percieve a rout, And that the Lady must prevail." The Queen: "Vipers Go! I can't endure you, You wrong me I assure you, Yet still I spurn the wrong, and view, With calmness all your Bag can do." Below the title : '"Do thou inspire the stroke "With prevalence divine - as thine the wrong, "Vengeance and punishment to thee belong; "The injur'd state of Innocece [sic] restore, "Crush the bold insults of aspiring pow'r, "Shine like thy radiant source, and mak the world adore.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Plate from: The new bon ton magazine, or, Telescope of the times. London : Printed for J. Johnston ..., 1818-1821., and Mounted to 36 x 27 cm.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
Lord Eldon (in gown and wig) and George IV (wearing the "Green Bag" of evidence against the Queen) ride on a crocodile whose head is labeled "Deception"; both Eldon and the crocodile have tears pouring from their eyes. The blindfolded figure of Justice is caught in the jaws of the crocodile, her sword sent flying but her scale still clutched in her left hand. At the feet of the crocodile, baby crocodiles emerge out of eggs with labels such as “Disgrace,” “Blood sucker,” and “Quack"; they bear the likenesses of government officials, including Liverpool, Castlereagh, Leach, and Sidmouth, as well as of the witness Majocchi. Eldon carries a scepter inscribed “Oppression” in one hand, and a document that reads “Pains and Penalties” in the other; both have been struck by lightning from ominous thunderclouds, breaking the scepter and setting the scroll (and Eldon's wig) on fire. In the top left corner stands Queen Caroline in the light of an eye in the sky; a soldier stands in front of Caroline wielding his bayonet and rifle, claiming “Justice and Innocence shall be protected.” A man with a sword stands on the left edge of the design, calling out to an army (of public opinion?) that must be advancing on the scene; he says "Steady boys - Firmness and Truth - Caroline and Virtue forever.”
Description:
Title etched below image., In the style of John Lewis Marks, who etched other prints published by Benbow during this time period., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Window mounted to 27 x 39.7 cm, the whole then mounted to 39 x 58 cm., Mounted on leaf 9 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Eldon," "Londondery [sic]," "Leach," "Sidmouth," and "Majocchi" identified in ink below image; date "Nov. 1820" written in lower right corner of mount.
Publisher:
Pubd. Novr. 1820 by Wm. Benbow, 269 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Majocchi, Theodore, active 1820
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., 1 print : etching with stipple ; plate mark 24.7 x 34.8 cm, sheet 25 x 35.4 cm, Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 56 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wood," "Caroline," "Sidmouth," "Londondery [sic]," and "Leach" identified in ink at bottom of sheet; date "1820" written in lower right corner. Typed extract of seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"A stuffed figure of George IV, heavy, inert, and puppet-like, wearing royal robes and with massive antlers on his forehead, is supported by his three chief Ministers. Under his legs are two prostrate men; his left foot is planted on the face of one who wears the remains of a tattered shoe. Sidmouth takes his right leg and holds it out towards the Queen, who escapes to the left. She is protected by John Bull, a stout countryman, who smashes the King's extended leg with a cudgel of 'oak', breaking off the foot. John, with clenched fist, says: "Dom thee, what Kick a defenceless Woman 'the Cowardly Rascal!" Castlereagh and Liverpool (right) support the King's shoulders. Behind (right) is a copy of British Museum Satires No. 13765: the King sleeps in a cradle (as in British Museum Satire No. 13764, &c.) rocked by Lady Conyngham, who sings: "hush my babe lie still & slumber 'tis Eliza guards thy Bed." The cradle is decorated with a pagoda, the Royal Arms, and a nude obese squatting Chinese, symbolizing the King. The Queen, looking behind her vengefully, escapes towards a Chinese doorway. Chinese paintings decorate the wall."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Text below title: *Vide Mr. Marsh's incomparable speech (at Reading) both for wit & point., Occasioned by a speech at Reading by Henry Marsh, a Berkshire magistrate. See: The Times, 11 December 1820., Publisher's announcement in lower right: Pub. by Fores 41 Piccadilli [sic] with a caricature print at top price 1s./-., Watermark: G. Pike 1820., Window mounted to 25.1 x 34.5 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 36 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Sidmouth," "Geo. IV [stuffed figure]," "Londondery [sic]," "Liverpool," "Lady Conyngham," and "Geo. IV [as infant]" identified in ink below image; date "26 Dec. 1820" written in lower right corner.
Publisher:
Pub. Dec. 26, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, John Bull (Symbolic character), Adultery, Mistresses, Robes, Antlers, Infants, Cradles, Coats of arms, and Doors & doorways
"George III, in profile to the right., has risen from the throne to receive the new Ministry whom he inspects through his glass (as in BMSat 10019). The head and halberd of a beefeater appear behind the throne. All bend low; Fox, the foremost, makes the lowest and most obsequious bow. His court suit, with flowered waistcoat, and coat with too much gold lace, is worn with his old buff breeches. Grenville, beside him, makes a gesture of introduction. Crowded behind these two are the others: Windham with his hand on his heart, Sheridan looking eager but apprehensive, Moira and Sidmouth more impassive; Erskine, in Chancellor's wig and gown, smiles with complacent egotism (cf. BMSat 9246, &c); on the extreme right. is (?) Lord Henry Petty. The King says: "Gentlemen I am very happy to see you here, in such Talents my People must have the most Implicit Confidence, & well as myself - Hum, don't like the Mixture. - " The new Ministers say simultaneously (dotted lines rising from each head to the inscription): 'We assure your M-----of our most confirmed Integrity, & are determined to make the - the the most of our places."--British Museum online catalogue
Alternative Title:
Strangers at court and Promising scene
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Descriptive phrase following title: A promising scene., and Mounted to 30 x 39 cm.
Publisher:
Pubd. Feby. 10th, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Sidmouth, Henry Addington, Viscount, 1757-1844, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Lansdowne, William Petty, Marquis of, 1737-1805, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"Fox, as the Devil, has sprung into the air, supported by small feathered wings inscribed 'Honesty' and 'Humility' and by two stout crutches, which rest upon dark clouds. He has a heavy hairy body with cloven hoofs, and wears a bonnet rouge with tricolour cockade and the triple plume of the Prince of Wales. The two crutches have the heads, respectively, of Sidmouth (left) and Grenville. He wears a long narrow cloak with a tricolour collar; it is inscribed 'Loyalty, Independence & Public-Good'. The end of this is clutched by John Bull, a fat 'cit' (resembling John Gilpin, see BMSat 6886, &c), who is drawn up into the air, losing hat and wig. Fox says, looking over his right shoulder with a sinister grin: "Come along Johnny! - take fast hold of my Cloak, & I'll bring you to the land of Milk & Honey!!!" The terrified John answers: " - O yes, I will try to holdfast! - but I'm damnably afraid that your Cloak may slip off before we get there, & I may chance to break my Neck!" Below John's feet and at the base of the design (left), are the roofs of London, including the top of the gateway of St. James's Palace and the dome of St. Paul's. Fox is flying towards the façade of Carlton House, which emerges from clouds; over its roof rises a sun emitting rays, the disk inscribed 'New Constitution'. Above the colonnade is the inscription 'Carolus. II. Redimmus'. Resting on the clouds below Carlton House are three tiny scenes: 'Liberty': two gamblers throwing dice, one Sheridan the other the Prince; men watch them. 'Chastity', the Prince and Mrs. Fitzherbert, indicated by feathers in her hair, embrace on a sofa. 'Temperance', men carouse at a round table; one sprawls on the floor. Fox, as the Devil (cf. BMSat 6383, &c), under the cloak of patriotism, is carried to power by two props, Sidmouth and Grenville, on whose coalition with the Foxites the new Ministry, see BMSat 10531, &c, is. based. This relies not on St. James's but on Carlton House, the secrets of which, as in Le Sage's story, are revealed in three scenes satirizing the life of the Prince. The allegation that the new Ministry was subservient to Carlton House was natural, see BMSat 10252, &c, and recurs, see (e.g.) BMSats 10530, &c, 10543, 10697, but proved unfounded, see G. M. Trevelyan, 'Lord Grey of the Reform Bill', p. 153 f., and cf. BMSat 10526, &c."--British Museum online catalogue
Alternative Title:
Devil upon two sticks conveying John Bull to the land of promise
Description:
Title etched below image., Attribution following title: Vide le Sage., and Mounted to 45 x 31 cm.
Publisher:
Publishd. Feby. 8th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Sidmouth, Henry Addington, Viscount, 1757-1844, and Grenville, William Wyndham Grenville, Baron, 1759-1834
