"Caricature on the trial of Queen Caroline, in sixteen small scenes, each with a character from the case and the words they have spoken."--British Museum online catalogue
Alternative Title:
Characters in the new piece now performing at the Theatre Royal Cotton Garden 1820
Description:
Title etched above image., Printmaker from the British Museum online catalogue., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 26 x 27.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted on leaf 12 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Clarence," "D. York," "Caroline," "Liverpool," "Wellington," "Geo. IV," "Leach," "Eldon," "Brougham," and "Majocchi" identified in ink at the bottom of their respective panels in the design.
Publisher:
Pub. Nov. 6, 1820, by John Marshall Junr., 24 Little St. Martins Lane, London
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Leach, John, 1760-1834, Majocchi, Theodore, active 1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Politicians, Military officers, Lawyers, Crowns, Bags, Gallows, Dandies, Justice, Scales, Brooms & brushes, Worms, and Ethnic stereotypes
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 3
Image Count:
1
Resource Type:
still image
Abstract:
"Politician as Daniel in a cell sitting among trained lions and the King and the Queen watching him through the bars."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint. Missing text supplied from impression in the British Museum., Mounted on gray paper backing., and No. 108.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Name):
O'Connell, Daniel, 1775-1847, William IV, King of Great Britain, 1765-1837, and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
Title from caption below image., Questionable attribution to W. Heath from local card catalog record., Text following title: "His life is parallel'd even with the stroke and line of his great justice." Shakspear., Sheet trimmed within plate mark on lower edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman., and Numbered in ms. at top of sheet: 242.
Publisher:
Pub. by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
"Duchess of Kent sits regally on the throne, holding the orb, and turning her head to watch Princess Victoria, who sits (left) on Prince Leopold's knee, holding the sceptre (in the form of a hand of Justice, cf. BM Satires No. 12247) and with the crown half-extinguishing her little head. He wears uniform, sits on a lower seat, but with his right foot on a footstool. He holds out twin cherries to the child, saying, 'Now we'll play at Bob Cherry--open your mouth'. On a table (left) are Sweet Meats and Sugar Candy, on the floor a (mature) doll. On the right, framed by pillars, is the Council Chamber. Wellington presides, in the royal chair, turning arrogantly to say: 'As president of the Council--who shall gainsay me--' [Bathurst was Lord President of the Council]. Behind him Grenadier Guards with fixed bayonets stand at attention. Inconspicuously at his right hand, and below the dais, sits William IV. Peel stands at a side-table (right), his back to Wellington, looking conspiratorial. The (?) Archbishop is among those seated on Wellington's left."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 123.
Publisher:
Pub. July 8, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Victoria Mary Louisa, Duchess of Kent, 1786-1861, Victoria, Queen of Great Britain, 1819-1901, Léopold I, King of the Belgians, 1790-1865, Wellington, Arthur Wellesley, Duke of, 1769-1852, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Ceremonial objects, Crowns, Dolls, Military uniforms, British, and Thrones
"The Prince of Wales lies on his bed, partly dressed, in a drunken stupor, head downwards, right arm hanging to the ground, where are broken bottles and spilt wine. The ghost of his great-uncle, William Augustus, Duke of Cumberland (1721-65), immensely fat, and naked except for cocked hat and sabre, emerging from clouds, stands at the bed-side (right), holding up an hour-glass whose sands have nearly run out; in his right hand he raises the bed-curtains which frame the design. He warns the Prince of the effects of drink and corpulence. See BMSats 9383, 9384, 9385, where the warning is extended."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed mostly within plate mark.
Publisher:
Pubd. May 7th, 1799, by H. Humphrey, 27 St. James's Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Beds, Drinking vessels, Ghosts, Hourglasses, Intoxication, and Obesity
Title etched below image., Plate numbered '39' in lower right corner., Restrike for Bohn's "Supressed plates". Cf. No. 9381in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v.7., and Temporary local subject terms: Furnishings: bed curtains -- Hour-glass -- Glass: wine bottles.
Publisher:
Pubd May 7th, 1799, by H. Humphrey, 27 St. James's Street
Subject (Name):
William IV, King of Great Britain, 1765-1837 and William Augustus, Prince, Duke of Cumberland, 1721-1765
"A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
Description:
Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., and Sheet trimmed within plate mark on upper and lower edges.
Publisher:
Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
A reduced copy probably from a book and resembling the folding plates to the 'Hibernian Magazine'. The groups are arranged from left to right as in British Museum satire no. 7301, but each figure is reversed and the groups are in two rows, one above the other
Alternative Title:
Picture of the times
Description:
Title etched below image., Place of publication based earlier state. See British Museum catalogue., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark at top.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, William IV, King of Great Britain, 1765-1837, Fitzherbert, Maria Anne, 1756-1837, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Thurlow, Edward Thurlow, Baron, 1731-1806, Hastings, Warren, 1732-1818, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Pigot, Hugh, 1721?-1792, Farren, Elizabeth, 1762-1829, Smith Stanley, Edward, 1752-1834, Greville, Charles, 1762-1832, Billington, Elizabeth, 1765-1818, and Archer, Sarah West, Lady, 1741-1801
A satire of the 1832 Reform Bill, with a see-saw with the Crown as the fulcrum. At the center is William IV, waving the Union flag; to the right is Lord Grey, seated on the lever, helping William balance with a scroll marked 'Union', with John Bull standing underneath, wedging the lever up with the 'Reform Bill'; and to the right the Duke of Wellington tumbles backwards as the lever breaks under the weight of him and two huge scrolls marked 'Anti Reform'.
Description:
Title from text below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Laid on canvas backing.
Publisher:
Pubd. by O. Hodgson, 10 Cloth Fair
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Grey, Charles Grey, Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, John Bull (Symbolic character), Seesaws, Crowns, Flags, and British
"The Duke of Clarence drags his three children (left to right) in a go-cart. His waistcoat is open, a handkerchief under his hat drapes his head, perspiration pours from his forehead. The boy, an infant replica of his father, holds a pair of reins which are attached to the duke's pocket, and flourishes a whip. Beside him are a little girl hugging a dog, which hides her face except for the eyes, and a crying infant whose features, though infantine, are those of her father. The crest on the cart is a chamber-pot (cf. BMSat 7835, &c.) surmounted by a crown. From the duke's pockets project a toy battleship, a coral and bells, a toy windmill, and a doll. Mrs. Jordan, in a dress of masculine cut, walks beside the cart, intent on the part which she is studying from an open book ('The Spoil'd Child', see BMSat 7835): 'Act IIId enter Little Pickle'. A signpost (right) points (left) 'From Richmond', (right) 'To Bushy'. A sandy bank with trees forms a background."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Children -- Toys -- Pets: King Charles spaniel -- Literature: Bickerstaff's Farce of the Spoil'd Child.
Publisher:
Pubd. April 23d, 1797, by H. Humphrey, New Bond & St. James's Street's
Subject (Name):
William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, and Munster, George Augustus Frederick FitzClarence, Earl of, 1794-1842