Title devised by curator., From: Das Leben und die Meinungen des Tristram Shandy: Karl Ernst Bohn, Berlin, 1776., Top inscription: VIII. ; VI. Th. pag.11., Sheet trimmed through top inscription., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings W87 no. 50 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
Six sketches arranged across two rows depicting rotund red-faced countrymen riding horses poorly or in various states of humorous accidents. Captions include: How to be obstinate; The most approved method of sliding; How to stick in a ditch; How to prevent being run away with; A Cheshire kick; How to slip from your saddle with ease to yourself and horse
Description:
Title and date devised by cataloger. and Sheet trimmed cropping artist's signature and title.
Subject (Topic):
Horses, Horseback riding, Accidents, and Country life
Title from published print: Published Octr., 1807 by R. Ackermann, Repository of Arts, 101 Strand. and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
A young mopping maid clumsily shoves an older gentleman whom reels away flailing his cane in the air. A second onlooker maid laughs at the awkward situation
Description:
Title and date supplied by cataloger., Attributed to Rowlandson., and For further information, consult library staff.
Subject (Topic):
Women domestics, Servants, Accidents, Clumsiness, and Mops & mopsticks
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds
"A runaway horse dashes over a bank towards the sea. The driver, a stout 'cit', falls backwards, broken reins in his hands. A young woman flings herself out. Death sits beside the road on a mile-stone, '56 Miles from London', holding up his hour-glass at the pair. (In the text the accident is on Shooters Hill.)"--British Museum catalogue
Alternative Title:
Away they go in chaise & one, or to undo or be undone
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: Away they go in chaise & one, or to undo or be undone., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 158., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Octr. 1 - 1815, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Accidents, Skeletons, Carriages & coaches, Horses, Dogs, Traffic signs & signals, and Hourglasses
In the beginning, He is considered as God the Saviour
Description:
Title supplied by curator., Place of publication derived from artist's place of residence., Date from: Ao. 87., Done by an anonymous student of Goltzius., Verse below image: Dum nigris egrum prope Mors circumuolat alis, funestamque aciem iam fera iamque parat. Tum me promissis beat et domus omnis adorat, Tum vocat immensum me venerate deum., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, interior; Uroscopy; Medical profession; Surgeons and Surgery; Instruments.
