Depiction of the dream of Horace Walpole that inspired him to write The castle of Otranto. The fantastic scene involves a large armored hand perched atop an enormous staircase ascending four levels within a Gothic castle. Two suits of armor stand guard at the junctions of the staircase with each level, and two more are present in the foreground, suggesting that the staircase continues downward. Arched windows and a painting of a mounted knight are seen on the wall to the left of the staircase; a bat is seen flying above
Description:
Title written below image., Signed and dated by the artist in lower left corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 93., and Bound as page 195 in volume 4 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Excellent ballad of a dreadful combat between Moore of Moore-Hall and the dragon of Wantley and Excellent ballad of a dreadful combat betwen Moore of Moore-Hall and the dragon of Wantley
Description:
Date of publication from ESTC., Verse begins: "Old stories ells how Percules"., The "t" of "tells" has failed to print., Percules" is a corruption of "Hercules"., In four columns with the title above the first two and a woodcut above the first; the columns are separated by ornamental rules., Mounted on leaf 7. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Page 365. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the suit of armor, shown in an arched niche with a pike and shield, that Horace Walpole believed to be of Francis I, King of France
Description:
Title and statement of responsibility written in ink below image, on mounting sheet., Artist "E.B." identified as E. Bell in local card catalog record., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., Mounted with a wood-engraved image of the staircase at Strawberry Hill, where the suit of armor was kept., and Mounted on page 365 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of the armor of Francis I, King of France, as seen in the niche on the staircase at Strawberry Hill
Description:
Title written in ink below image., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 75 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
A fanciful portrait of Brian Boru, High King of Ireland, in armor, seated on a rock holding a spear. His victory at Battle of Clontarf (1014) is said to have broken Viking control of Ireland, although Brian was killed in the battle
Description:
Title etched below image. and Approximate date of publication from dealer's description.
"A group of men sitting around a table, one in the centre pointing at his own palm, while two others on the right watch attentively and a third on the left holds out his palm but looks back at a maid holding a staff who approaches an owl perched on a stand nearby; with a fifth man standing behind the others, holding a staff and reading a paper through spectacles and a suit of armour in the background to right; after Hogarth's sketch known as 'Debates on Palmistry'."--British Museum online catalogue
Description:
Title etched below image. and Mounted to 323 x 475 mm.
Publisher:
Publish'd as the act directs Febry. 1, 1782 at No. 3 Clements Inn
Subject (Topic):
Armor, Fortune telling, Newspapers, Owls, Reading, and Servants
"A group of men sitting around a table, one in the centre pointing at his own palm, while two others on the right watch attentively and a third on the left holds out his palm but looks back at a maid holding a staff who approaches an owl perched on a stand nearby; with a fifth man standing behind the others, holding a staff and reading a paper through spectacles and a suit of armour in the background to right; after Hogarth's sketch known as 'Debates on Palmistry'."--British Museum online catalogue
Description:
Title etched below image., Ms. note in Steevens's hand above print: Wretched stuff., and On page 214 in volume 3.
Publisher:
Publish'd as the act directs Febry. 1, 1782 at No. 3 Clements Inn
Subject (Topic):
Armor, Fortune telling, Newspapers, Owls, Reading, and Servants
"A group of men sitting around a table, one in the centre pointing at his own palm, while two others on the right watch attentively and a third on the left holds out his palm but looks back at a maid holding a staff who approaches an owl perched on a stand nearby; with a fifth man standing behind the others, holding a staff and reading a paper through spectacles and a suit of armour in the background to right; after Hogarth's sketch known as 'Debates on Palmistry'."--British Museum online catalogue
Description:
Title etched below image. and Publisher from 2nd state.
Publisher:
Publish'd as the act directs Febry. 1, 1782
Subject (Topic):
Armor, Fortune telling, Newspapers, Owls, Reading, and Servants
Charles Fox, in an armor with shield and spear and a barber's basin for a helmet, marches towards the "Treasurey" building that has windmill sails on it with Pitt's head at their center. Fox is encouraged in his endeavor by a timid-looking Lord North who pats his posterior
Alternative Title:
Don Quixote and his squire Sancho attacking a windmill
Description:
Title from item., Sheet trimmed within plate mark., and Mounted to 29 x 33 cm.
Publisher:
Publish'd as the act directs, March 2d 1784 by S. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain and England
Subject (Name):
Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Pitt, William, 1759-1806., and Quixote, Don (Fictitious character)
Subject (Topic):
Politics and government, Windmills, Armor, and Clothing & dress
"Perceval, as Don Quixote, stands in front of the Treasury, giving his orders for the forthcoming session. Facing him, Ministerial members (right) stand at attention, clasping rolled documents, all inscribed 'Ministerial Military Exercise Aye & No', as if they were muskets; one is in Highland dress. A further phalanx in the background is on Perceval's left. He wears armour, with Mambrino's helmet (the barber's basin) and holds erect a tilting-lance, which serves as staff for the Royal Standard. His left hand, holding a 'Muster Roll', rests on his hip. Behind him, pen in hand, and with a pen behind the ear, the two Treasury Secretaries stand stiffly, each with a large book, one 'Names of Staunch Men', the other 'Names of Deserters'. On the extreme left and in the foreground George Rose stoops over a large 'Military Chest', filled with bank-notes, which he holds out towards the Ministerial troops. On the ground beside him lies a rose labelled 'A Rose in January'. Behind him, lurking in a gateway, is Melville, in Highland dress, with two similarly clad Scots peering over his shoulder. He says: "An Ye should want a set of braw fellows fit for ony service, I ha them here ready for ye". On Perceval's left is a mounted officer (Montrose) holding a paper inscribed 'Treaty for an Armistice for 14 days if Necessary'. Beside him is a mounted trumpeter. Perceval says: "Now my Lads lets see if you are perfect in your Exercise!!! You will stick close right or wrong". All answer "Aye. Nor refuse a good place when it is offered". All answer "No. Of course all I say is truth". All answer "Aye, Nor you wont let the Enemy Contradit me". All answer "No". Perceval: "That will do very well and my Aid de Camps shall register you accordingly remember there is something good at the bottom of the Ches [sic]". ..."--British Museum online catalogue
Alternative Title:
Don Quixote, comander in chief, reviewing his troops previous to the campain and Don Quixote, commander in chief, reviewing his troops previous to the campaign
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Jany. 1810 by Walker, 7 Cornhill
Subject (Name):
Perceval, Spencer, 1762-1812, Rose, George, 1744-1818, Dundas, Henry, 1742-1811, Montrose, James Graham, Duke of, 1755-1836, Quixote, Don (Fictitious character), and Great Britain. Treasury
Subject (Topic):
Buildings, Ethnic stereotypes, Military officers, Armor, Flags, Trumpets, Chests, and Money
A portrait drawing of Edward le Despenser, 1st Baron le Despencer, 1335 or 6-1375, wearing a bascinet helmet connected to a chainmail sheath around his neck. A tunic dyed in a red and gold latticework pattern is worn over a suit or platemail armor
Alternative Title:
Edward Lord Despenser 1375, Edward le Despencer, 1st Baron le Despencer, and Francis Dashwood, Baron le Despencer
Description:
Title from pencil inscription below image. Inscription continues: ... "Tewkesbury Cathedral." and For further information, consult library staff.
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title etched below image., Sheet trimmed within plate mark., Companion print to: English barracks., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
France
Subject (Name):
France. Armée
Subject (Topic):
Barracks and quarters, Foreign opinion, British, Arms & armament, Armor, Barbers, Barracks, French, Breast feeding, Canopy beds, Cats, Children, Dogs, Grooming, Hairdressing, Mirrors, Servants, Soldiers, Women, and Yawning
Shown before the gate of a castle, Hamlet is supported by two men as the ghost of his father, dressed in armour the knees of which are etched with the masks of Comedy and Tragedy, appears before him
Description:
Title etched below image., Two lines from Shakespeare Hamlet quoted below title: "Still I am called .. unhand me gentlemens [sic]. By heaven I'll make a ghost of him that lets me"., Date based on publisher's address. See Maxted, I. The London book trades, 1775-1800., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Plate showing six helmets arranged in three rows, each with a number (1 to 6) etched above
Description:
Title etched below image; plate number etched above image., Imperfect; only the helmet engraved in upper left corner of plate is present, with the rest of the sheet trimmed away. Description based on more perfect impression., Plate from: Grose, F. Supplement to A treatise on ancient armour, being illustrations of ancient and Asiatic armour & weapons. London : Printed for S. Hooper, 1789., and Mounted on page 72 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
Page 705. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Description:
Title and statement of responsibility written in ink on a separate sheet mounted below drawing., Artist "E.B." identified as E. Bell in local card catalog record; artist "A.V. is unidentified., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 705 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Subject (Name):
Walpole, Horace 1717-1797, and Strawberry Hill (Twickenham, London, England)
"Interior of the armoury; cavalry in full armour lined up against back wall for inspection; helmets and other pieces of armour hanging from walls and ceiling."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 101., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 188.
Publisher:
Pub. Novr. 1st, 1809, at R. Ackermann's Repository of Arts, 101 Strand
"Queen Caroline as Lucifera sits in a coach made up of objects which figured in the evidence against her. The driver is Bergami, whip in hand (thus representing Satan) on a high box seat; he turns to hand a bottle of wine to the Queen who holds a sack inscribed '50,000' [see British Museum Satires No. 14145]. The beam or chassis is a cannon (see British Museum Satires No. 13850), on this rests the body of the open coach, the front part being the prow of a boat (the polacca, see British Museum Satires No. 13818), the centre part a tub, representing the bath, see British Museum Satires No. 13819, the back part, half of the body of a travelling-coach, is surmounted by half a conical tent (see British Museum Satires No. 13818), the whole making a canopy over the Queen. On the tub-section a coat-of-arms is represented by a diamond-shape blank (hatchment-wise) with two supporters, Bergami and the Devil. Motto: 'Ama et Aude'. The six animals harnessed single file and their riders are adapted from the 'Faerie Queene', relevant quotations being etched below, in eight compartments. The procession advances from the right, down a slope towards a slough, on the verge of which the leading animal, an ass, has fallen, throwing its rider, Alderman Wood in his livery gown, who has dropped two large stacks of papers: 'Addresses ready made' [cf. British Museum Satires No. 14119] and 'Plate Subscription' [see British Museum Satires No. 14196]. Below: 'Ignorance Might seem the Wain was very Evil led, When such an One had guiding of the way, That knew not whether right he went or else astray.--' [I, iv. 19.] [He replaces the 'Idlenesse' of the original.] The next four carry banners, each topped by a bonnet rouge; the leader is Dr. Parr on a large pig, as 'Gluttony the second of the crew'. He smokes his accustomed pipe, holds an open book; on his banner is 'Un-Sunned Snow' [see British Museum Satires No. 13975]. Below: 'And next to him rode loathsome Gluttony, deformed Creature, on a filthy Swine' [ibid. 21]. Next, on a goat, is Lord Grey, holding a banner inscribed 'Purity' and a staff topped by a burning heart. He wears a garland of white roses over his shoulder. Below: '--Sir G Rat-- In a Green Gown he cloathed was full fair, And in his hand a burning heart he bare' [ibid. 25]. (He is the 'lustfull Lechery' of the original.) He is followed by Brougham riding a wolf (fifth in the original), in wig and gown, holding a broom and a banner inscribed 'Innocence'. Below: 'And next to him malicious Envy rode upon a ravenous Wolf .....He doth backbite and spitefull poison spews' [ibid. 30, 32]. Next (last in the original), riding a fierce lion, is Burdett wearing makeshift and partial armour, a small red cap, and a tricolour sash; he holds up a firebrand and a red flag inscribed 'Victory or Death' [cf. Hunt's motto in 1819, see British Museum Satires No. 13279]. Below: 'And him beside ride fierce revenging Wrath, Upon a Lion loath for to be led, And in his hand a burning brand he hath, The which he brandisheth about his head' [ibid. 33]. Last (fourth in the original) a stout man mounted on a camel holds before him a copy of 'The Times', from a stack of the papers on his knee. He wears an apron with rolled-up shirt-sleeves (like a pressman) and top-boots, and is clearly Barnes (a fair portrait). Large saddle-bags are inscribed 'Hush Money, Pub[lic] Money', and '£500 Weekly'. Below: 'And greedy Avarice next him did ride, Upon a Camel, loaded all with Gold For of his wicked Pelf his God he made, And unto Hell himself for money Sold' [ibid. 27]. The last two inscriptions (right) describe Bergami and the Queen: 'And after all upon the waggon beam Rode Satan with a smarting Whip in hand, With which he forward lashed the lazy Team, As oft as Ignorance ['Slowth' in original] in the Mire did stand [ibid. 36]. So forth She comes and to her coach does climb [ibid. 17] The which was drawn by six unequal Beasts, On which her six sage Counsellors did ride' [ibid. 18]. Queen Caroline is compared to Lucifera: That made her selfe Queene, and crowned to be, Yet rightfull kingdome she had none at all, . . . [ibid. 12]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 46 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Parr, Samuel, 1747-1825, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Burdett, Francis, 1770-1844, and Spenser, Edmund, 1552?-1599.
A view of the stairway at Strawberry Hill, Twickenham; on display in an alcove on the left is the armor of Francis I.
Description:
Title engraved below image., Numbered in upper right corner: "Vol. II. P. 439"., Plate from: The works of Horatio Walpole, Earl of Orford. London: Printed for G.G. and J. Robinson, 1798-1825, vol. ii., and First state of the plate, without volume and page numbering, engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784.
Publisher:
G.G. and J. Robinson
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England),
A view of the stairway at Strawberry Hill, Twickenham, looking up towards the armory. On display in an alcove on the left is the armor of Francis I.
Description:
Title etched below image., First state of the plate, before volume and page numbering added in upper right corner., Publication information from that of the volume for which the plate was engraved., Plate engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784., Sheet trimmed within plate mark., and Mounted on page 75 of William Bawtree's extra-illustrated copy of Horace Walpole's: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Publisher:
Printed by Thomas Kirgate
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
A view of the stairway at Strawberry Hill, Twickenham, looking up towards the armory. On display in an alcove on the left is the armor of Francis I.
Description:
Title etched below image., First state of the plate, before volume and page numbering added in upper right corner., Publication information from that of the volume for which the plate was engraved., Plate engraved for: A description of the villa of Mr. Horace Walpole. Strawberry-Hill : Printed by Thomas Kirgate, 1784., Sheet trimmed within plate mark., Mounted on page 58 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : etching on laid paper ; plate mark 25.8 x 20.9 cm, on sheet 27.1 x 23.1 cm., and For further information, consult library staff.
Publisher:
Printed by Thomas Kirgate
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Title from item., Date derived from date of Gaetano Cecchi's death, Place of publication derived from printmaker's country of residence., The print is by Lasinio and Cecchi, after a drawing by Bozzolini, after a painting by Vannini., See Tasso Torquato, La Gerusalemme Liberata, XIX, 103-14., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Tancred, 1075-1112.
Subject (Topic):
Nursing, War wounds, Wounds and injuries, Treatment, Soldiers, Dead persons, Horses, Bandages, and Armor
Plate [22] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Vignette to Bowyer's edition of Hume's 'History of England'; a suit of armour standing in a pile of weaponry on a stone inscribed 'the Normans' at left, sun shining over clouds behind."--British Museum online catalogue
Description:
Title from text within image. and Plate [22] in a volume bound to 50 cm.
"Pitt (left) and St. Patrick (right) bestride bulls whose horns are locked in combat, their noses pressed together; the bulls are similar, but the Irish animal is sturdier, its head heavier, its tail erect. Pitt wears armour with a plumed helmet and a cloak. He holds a baton and says: "Never fear St Patrick all will be yet very well they are a little restive at first but they will take to it, kindly enough bye and bye - I'll warrant you." St. Patrick, wearing a tiara and holding a crozier, says: "Pon my Conscience I don't know what you call it but the duece of any thing like an Union do I see except their horns being fastened together". Pitt's cloak and St. Patrick's robe fly out, as if the two had been riding rapidly towards their impact."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Library ink stamp in inscription area: Philosophical Institution, Beaumont Square M.E. [i.e. Mile End].
Publisher:
Publish'd Janry. 1801 by R. Ackermann, N. 101 Strand
Subject (Name):
Pitt, William, 1759-1806 and Patrick, Saint, 373?-463?
Drawing of the ornate steel gilt armor of Francis I, King of France, that was kept by Horace Walpole in a niche on the staircase at Strawberry Hill
Description:
Title inscribed in ink on two narrow strips of paper mounted below image., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 93 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Francis I, King of France, 1494-1547. and Strawberry Hill (Twickenham, London, England)
Suit of armor made for François I. The armour was purchased in 1771 by Horace Walpole for his collection at Strawberry Hill, Twickenham, from the estate of Louis-Antoine Crozat, Baron de Thiers. The armor was later sold to Samuel Pratt at the 1842 sale of the contents of Strawberry Hill, forty-five years after Walpole's death. The print depicts the armour as seen from the front as well as a detail of the side of the helmet and the back plate
Description:
Title engraved below image., Date based on Pratt's years of ownership of the armor., and W.S. Lewis pencilled note on verso: "Removed from McKinlay extra-illustrated set of Sale catalogues by WSL & sent to Geane[...].
"Burdett in armour stands with legs astride, sword raised, left fist clenched, making an onslaught on a book which is on the ground, its pages slashed and tattered. On these are fragments of inscriptions: 'Red Book for the . . .'; 'Treasury'; 'Pensions' [twice]; 'Pensions 4000, 3000, 2.400'; 'Teller o the Ex[chequer] . . . 6000 4.000'; 'Sinecu[res]'. He declaims: "I will not stop, - till I have cut out the accursed leaves of the Red Book!!!" His sword-blade is 'Took's Improved Steel'. On the right Tooke peers at him, holding aside a curtain; he says: "Come Come my pupil goes on better than I expected - very indeed for a beginning yes - yes - he'll do after a little practice" [see British Museum Satires No. 10731, &c.]. He holds a book: 'Diversions of Purley' [see (e.g.) British Museum Satires No. 9020]. On the left John Bull, dressed as Sancho Panza with a short tunic and ruff, gapes at his master, his hands on his knees. He says: "What the deuce is he at now! he will certainly get himself into some scrape or other." Mambrino's helmet (the barber's basin) lies at Burdett's feet; it has a tricolour cockade and three feathers."--British Museum online catalogue
Alternative Title:
John Bull turned Sancho Panza
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 1807 by Walker, No. 7 Cornhill
Subject (Name):
Burdett, Francis, 1770-1844, Tooke, John Horne, 1736-1812, Cervantes Saavedra, Miguel de, 1547-1616., Quixote, Don (Fictitious character), and Panza, Sancho (Fictitious character)
Subject (Topic):
John Bull (Symbolic character), Armor, Daggers & swords, Books, Draperies, Helmets, and Feathers
Cromwell's ghost wearing armor rises from a cloud evoked by a witch sitting by a cauldron. Cromwell's stern look is fixed on a terrified Charles Fox who stands in a defensive position behind the witch
Description:
Title from item. and Publication information erased from this impression.
Publisher:
Published by E. Hedges, No. 92 Cornhill
Subject (Name):
Fox, Charles James, 1749-1806. and Cromwell, Oliver, 1599-1658.
"A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a 'cit' wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary--Baron B.....i to be Il Baron par Excellence--Ad- W - - d to be Earl Log [see British Museum Satires No. 14189]--Lady A H [Anne Hamilton] to be Spinster for Life--L. H - - d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen's right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen's chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty's Conscience [her Counsel]. Her Majesty's Lord Great Chamberlain Her Majesty's Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose."--British Museum online catalogue
Alternative Title:
Grand coronation of Her Most Graceless Majesty Caroline Columbina ...
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Numeral "6" in publication date is etched backwards., Sheet trimmed within plate mark., Imperfect; sheet mutilated in lower right corner with loss of text. Missing text added in ink to repaired corner, in a modern hand., and Mounted on modern backing.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, and Brandenburgh House (London, England),
Subject (Topic):
John Bull (Symbolic character), Coronations, Scepters, Armor, Crowds, Draperies, Ethnic stereotypes, Interiors, Liberty cap, Podiums, Reception rooms, and Turbans
"Hastings, in oriental dress, rides (right to left) a camel. He and the camel look down with dignified contempt at Burke (left), who fires a blunderbuss point-blank at the 'Shield of Honour' on Hastings's left arm. On the shield is a crown. Behind Hastings are Fox and North (right): Fox raises a dagger with burlesqued gestures and an expression of frenzied rage; North, very short and fat, clutches one of the bags behind Hastings inscribed 'Lacks Rupees added to the Revenue'; this is tied to another inscribed 'Rupees Do'. The three assailants are much caricatured and all wear armour; Burke, grotesquely thin and like some malignant insect, wears a Jesuit's biretta (cf. British Museum Satires No. 6026). He somewhat resembles the Don Quixote of British Museum Satires No. 7678, &c, cf. also British Museum Satires No. 7158; a wallet of 'Charges' is slung across his shoulder, bare feet project from the greaves which cover his legs. North wears his Garter ribbon over his armour, with a feathered helmet and top-boots. The point of a large sabre with a damaged blade projects through the tattered scabbard which is inscribed 'American Subjugation'. Fox wears the cloak of a conspirator over his armour (cf. British Museum Satires No. 6389, &c). Hastings (not caricatured) wears a jewelled turban, floating draperies, trousers, and slippers; his camel is heavily draped. On its back are bags, inscribed 'Saved to the Company' and 'Eastern Gems for the British Crown', with a rolled map, 'Territories acquired by W. Hastings'. The background is a mountainous landscape."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue of plate originally published with the imprint: Pubd. May 11th, 1786, by Willm. Holland, No. 66 Drury Lane. See British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Literary allusion through costume: Miguel de Cervantes's Don Quixote -- Alleged bribery of Hasting's supporters -- Decorated camels -- Hats -- Jesuit's biretta -- Guns: blunderbuss -- Damaged sabres -- Greaves -- India -- Banditti.
Publisher:
Published 1788 by Willm. Holland, No. 50 Oxford St.
Subject (Name):
Hastings, Warren, 1732-1818, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, and Burke, Edmund, 1729-1797
Subject (Topic):
Camels, Firearms, Turbans, Shields, Daggers & swords, and Armor
"Queen Caroline, dignified and regal, stands with extended right arm facing Lord Hutchinson (identified by Reid as Liverpool), a thin man in court dress who bows low, holding out a large purse inscribed '£50,000'. He looks up at her with a servile and apprehensive grimace, saying: "Abandon your claim to the Throne, Change your Name & the Livery & retire to some distant part of the earth were you may never be seen or heard of any more; & if 50,000£ pr Annm will not satisfy you, what will?" She answers: "Nothing but a Crown!" In her left hand is a paper: 'Lawful Claims'. At her side (right) stands Alderman Wood, noble and stalwart in Roman armour; he holds a sword, whose wavy blade (representing flame) is inscribed 'A Swoard for the Guilty', and a shield: 'A Shield for the Innocent--'. Behind Hutchinson and in back-view stands Brougham in barrister's wig and gown; he holds a broom, and says: "I turn my back on such dirty work as this." The Devil, on the extreme left, clutches his arm, saying: "Well done Broom! you have done your business well." Behind Wood is a ship at anchor, her poop inscribed 'The Wooden walls of Old England'; she flies a Union flag inscribed 'Caroline'."--British Museum online catalogue
Alternative Title:
Bribery & corruption rejected!!! and Bribery and corruption rejected!!!
Description:
Title etched below image., Signed only with Robert Cruikshank's name, but a collaboration with George Cruikshank is suggested in the British Museum catalogue., "No. 1"--Upper left corner., and Mounted on page 16 of: George Humphrey shop album.
Publisher:
Pubd. by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Donoughmore, John Hely-Hutchinson, Earl of, 1757-1832, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
Page 457. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the shrine designed by Pietro Cavallini, brought to the chapel at Strawberry Hill from Rome in 1768. A cross sits on the floor beneath the shrine, between the twisted columns; an armored glove and dagger are seen in the foreground, while other arms and armor hang on the walls in the background
Description:
Title and statement of responsibility written in ink below image, on mounting sheet., Artist "E.B." identified as E. Bell in local card catalog record., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 457 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
A view of the stairway at Strawberry Hill, Twickenham, including a view of the armor of Francis I in an alcove
Description:
Title below image., Related to illustrations for: Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole. [London] : Smith and Robins, 1842., and With an embossed ownership stamp of Thomas Mackinaly.
"William IV, as Mars, in Roman armour, stands defiantly in a war-chariot drawn by three galloping horses, ridden by Discord, a virago with serpents for hair, who brandishes a handful of serpents. He holds a shield inscribed 'Signed Protocols', and a levelled spear; on his helmet is a dragon with gaping jaws. The chariot advances upon terrified Dutch soldiers (left), who flee; one drops his musket, but one on the extreme left (William I) stands firm beside the muzzle of a cannon and glares at the King with an obstinate scowl. They have high-crowned hats, with a ribbon inscribed 'Orange'. Facing the chariot-horses (left) are a menacing Russian bear and a Prussian Death's Head hussar with a levelled blunderbuss. Discord, looking sideways at the Prussian though turning away from him, says: 'A word in your Ear! there's nothing meant, its all show just to frighten these Dutchmen a little'. Under the chariot is a document inscribed 'Treatys'; the wheel is about to collide with a large stone inscribed 'Ireland', on which the features of O'Connell are faintly suggested. Behind the chariot are three Furies, with serpents for hair, and holding firebrands and bunches of serpents. Rushing forward, they urge the King on; they are (left to right) Grey, Durham, and Brougham. As a background to the chariot a swarm of countless frogs (French soldiers) is dimly suggested; they rush forward, with a tricolour flag. On the front of the chariot perches a Gallic cock. In the foreground (right) stands John Bull, stout and spectacled; he clutches his 'Reform Bill', and gapes up in horror, saying, 'Hey dey here's a bobbery, just as I was going to look over my Reform Bill quietly, what do they mean not to go to war sure now,!! after suffering Poland to be annihilated & Germany trampled on, Oh nonsense! Nonsense'."--British Museum online catalogue
Description:
Title from text below image., Printmaker from British Museum online catalogue., Publisher from publisher's statement "Published on the first of every month by Thos. McLean, 26 Haymarket, London" on first page of magazine; date of publication from series numbering "Vol. 3rd, Novr. 1st, 1832" on first page of magazine. See British Museum catalogue., Fourth page of a monthly magazine that consisted of four pages., and Imperfect; sheet trimmed resulting in loss of series title and numbering from top edge.
Publisher:
T. McLean
Subject (Name):
William IV, King of Great Britain, 1765-1837, William I, King of the Netherlands, 1772-1843, O'Connell, Daniel, 1775-1847., Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Grey, Charles Grey, Earl, 1764-1845, Durham, John George Lambton, Earl of, 1792-1840, and Mars (Roman deity)
Subject (Topic):
John Bull (Symbolic character), Armor, Chariots, Snakes, Shields, Spears, Firearms, Soldiers, Dutch, Prussian, National emblems, Bears, Frogs, and Roosters
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing depicting a helmet with face guard, which was formerly in the collection of Horace Walpole at Strawberry Hill
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 226 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1853]
Call Number:
24 17 791P Copy 5
Collection Title:
Before title page. Castle of Otranto.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of an arched niche, surrounded by ornate Gothic tracery, in which several weapons and pieces of armor are arranged. A plumed helmet sits atop the center stack of the arrangement, with an armor chest plate and a round shield below it. Spears and a spiked mace stick out from the left side of the center stack; a variety of axes stick out from the right side
Description:
Title devised by curator., Unsigned; attribution to George Perfect Harding from local catalog card., Date of production based on artist's death date., and Mounted before title page in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Armor, Arms & armament, Helmets, Spears, Shields, and Axes
Title devised by curator, based on inscription beneath image., Inscription in ink below image: "Armour said to have belonged to Francis I in possesion of Mr. Walpole.", Unknown artist., Annotation on verso, in W.S. Lewis's hand referring to Yale edition of Horace Walpole's correspondenc, VIII, 98, 107, et al., Formerly shelved as part of the SH Contents collection., and Not in Manuscript Catalogue of 1763.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the servant Bianca shown descending a staircase while looking over her right shoulder, a worried expression on her face. Her gaze is directed at the top of the stairs, where a large hand in armor is seen resting on the banister near the landing of the floor above. The arched opening to the landing is flanked on either side with a display of armor and weapons mounted on the wall. Several arched windows and doorways are seen in the shadowy background
Description:
Title devised by cataloger., Signed and dated by the artist in lower left corner., and Bound in opposite page 217 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A view of the interior of busy French barracks shows a more domestic atmosphere than military although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title from engraving based on this drawing, published by S.W. Fores 12 August 1791. and For further information, consult library staff.
Elevation drawing of the stairway at Strawberry Hill, with the suit of armor of Francis II in niche at the top
Alternative Title:
Elevation of the hall with Francis II armor
Description:
Title and tentative date supplied by curator., Formerly shelved as part of the SH Views collection., and George Perfect Harding (1780-1853), British miniature painter.
Volume 3, page 192a. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the suit of armor, shown in an arched niche with a pike and shield, that Horace Walpole believed to be of Francis I, King of France. It sold in lot 77 on the nineteenth day of the 1842 Strawberry Hill Sale
Description:
Title devised by curator., Signed in lower left corner with the artist Thomas H. Shepherd's initials., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Bound in as page 192a in volume 3 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
"Death (left) poises his javelin, about to strike an old man in bed, reading a book by the light of a candle held in his left hand. The room is heaped with his treasures (armour, &c.). Rats scamper, chased by a cat."--British Museum online catalogue
Description:
Title from description of a later state in the British Museum catalogue; the assigned title for each plate from The English dance of death is the heading to the opposite printed page., Early (proof?) state, before aquatint added. For a later state, see no. 12412 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from imprint on later state: London, Pub. 1 April 1814, at R. Ackermann's, 101 Strand., Sheet trimmed within plate mark, with possible loss of text below image., Later state issued in: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 320., Temporary local Medical Library subject terms: Skeleton as Death., and Ink verse notation on verso, perhaps in Rowlandson's hand; additional pencil notation on verso.
Publisher:
publisher not identified
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Wills, Skeletons, Spears, Beds, Sleeping, Cats, Rats, Armor, Musical instruments, Books, Candles, Artists' materials, Urns, and Sculpture
Volume 3, page 248a. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the shrine designed by Pietro Cavallini, brought to the chapel at Strawberry Hill from Rome in 1768. A cross sits on the floor beneath the shrine, between the twisted columns; an armored glove and dagger are seen in the foreground, while other arms and armor hang on the walls in the background
Description:
Title devised by curator., Signed with initials and dated by the artist in lower left corner of image., and Bound in as page 248a in volume 3 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Matilda shown full-length on the right, wearing a white gown and standing within an arched doorway. Theodore, dressed in full armor and wearing a red sash, kneels down in front of her on the left, staring up at her intently and grasping her hand with both of his. His shield, adorned with a red cross, lies on the ground next to him; mountains and a cloud-filled sky are seen in the distance on the left
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 142., and Bound in opposite page 142 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Theodore depicted full-length on the right, wearing armor and holding a shield in his left arm, facing left and holding a sword out in front of him. He stands beside the entrance to a cave on the left, the interior of which is shrouded in darkness. Small rocks and a broken tree trunk are in the foreground; tree branches, two birds, and a cloud-filled sky are seen above
Description:
Title devised by cataloger., Signed and dated by the artist in ink in lower right corner., and Tipped in opposite page 120 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
Plate showing two helmets, one engraved above the other. The helmet at top, numbered "1" above, is a Venetian Morion shown in profile, with the figure of Acteon visible at its center immediately under the crest. The helmet at bottom, numbered "2" above, is of the burgonet kind
Description:
Title devised by cataloger., Imperfect; only the helmet engraved at top of plate is present, with the rest of the sheet trimmed away. Description based on more perfect impression., "Pl. 3.", Plate from: Grose, F. A treatise on ancient armour and weapons. London : Printed for S. Hooper, 1785 [1786]., Mounted on page 72 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Note in Thomas Kirgate's hand below image on mounting page: V. Appendix, page 96.