Plate showing two helmets, one engraved above the other. The helmet at top, numbered "1" above, is a Venetian Morion shown in profile, with the figure of Acteon visible at its center immediately under the crest. The helmet at bottom, numbered "2" above, is of the burgonet kind
Description:
Title devised by cataloger., Imperfect; only the helmet engraved at top of plate is present, with the rest of the sheet trimmed away. Description based on more perfect impression., "Pl. 3.", Plate from: Grose, F. A treatise on ancient armour and weapons. London : Printed for S. Hooper, 1785 [1786]., Mounted on page 72 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., and Note in Thomas Kirgate's hand below image on mounting page: V. Appendix, page 96.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Theodore depicted full-length on the right, wearing armor and holding a shield in his left arm, facing left and holding a sword out in front of him. He stands beside the entrance to a cave on the left, the interior of which is shrouded in darkness. Small rocks and a broken tree trunk are in the foreground; tree branches, two birds, and a cloud-filled sky are seen above
Description:
Title devised by cataloger., Signed and dated by the artist in ink in lower right corner., and Tipped in opposite page 120 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. London : Printed for Tho. Lownds in Fleet-Street, MDCCLXV [1765].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Matilda shown full-length on the right, wearing a white gown and standing within an arched doorway. Theodore, dressed in full armor and wearing a red sash, kneels down in front of her on the left, staring up at her intently and grasping her hand with both of his. His shield, adorned with a red cross, lies on the ground next to him; mountains and a cloud-filled sky are seen in the distance on the left
Description:
Title devised by curator., Signed by the artist in lower right corner., Date of production based on artist's death date., Page reference written in ink below lower right corner of image: P. 142., and Bound in opposite page 142 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Volume 3, page 248a. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the shrine designed by Pietro Cavallini, brought to the chapel at Strawberry Hill from Rome in 1768. A cross sits on the floor beneath the shrine, between the twisted columns; an armored glove and dagger are seen in the foreground, while other arms and armor hang on the walls in the background
Description:
Title devised by curator., Signed with initials and dated by the artist in lower left corner of image., and Bound in as page 248a in volume 3 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
"Death (left) poises his javelin, about to strike an old man in bed, reading a book by the light of a candle held in his left hand. The room is heaped with his treasures (armour, &c.). Rats scamper, chased by a cat."--British Museum online catalogue
Description:
Title from description of a later state in the British Museum catalogue; the assigned title for each plate from The English dance of death is the heading to the opposite printed page., Early (proof?) state, before aquatint added. For a later state, see no. 12412 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from imprint on later state: London, Pub. 1 April 1814, at R. Ackermann's, 101 Strand., Sheet trimmed within plate mark, with possible loss of text below image., Later state issued in: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 320., Temporary local Medical Library subject terms: Skeleton as Death., and Ink verse notation on verso, perhaps in Rowlandson's hand; additional pencil notation on verso.
Publisher:
publisher not identified
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Wills, Skeletons, Spears, Beds, Sleeping, Cats, Rats, Armor, Musical instruments, Books, Candles, Artists' materials, Urns, and Sculpture
Volume 3, page 192a. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the suit of armor, shown in an arched niche with a pike and shield, that Horace Walpole believed to be of Francis I, King of France. It sold in lot 77 on the nineteenth day of the 1842 Strawberry Hill Sale
Description:
Title devised by curator., Signed in lower left corner with the artist Thomas H. Shepherd's initials., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Bound in as page 192a in volume 3 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.
Elevation drawing of the stairway at Strawberry Hill, with the suit of armor of Francis II in niche at the top
Alternative Title:
Elevation of the hall with Francis II armor
Description:
Title and tentative date supplied by curator., Formerly shelved as part of the SH Views collection., and George Perfect Harding (1780-1853), British miniature painter.
A view of the interior of busy French barracks shows a more domestic atmosphere than military although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (right) as another child plays at her feet. Beside her another woman holds up a mirror so that an officer can admire his reflection from both the front and back. A third woman (left) cuts an officers toe nails as a barber dresses his long queue; another officer has his hair powdered. In the background a man in his night shirt sits on the side of his bed as he stretches his arms and yawns
Description:
Title from engraving based on this drawing, published by S.W. Fores 12 August 1791. and For further information, consult library staff.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the servant Bianca shown descending a staircase while looking over her right shoulder, a worried expression on her face. Her gaze is directed at the top of the stairs, where a large hand in armor is seen resting on the banister near the landing of the floor above. The arched opening to the landing is flanked on either side with a display of armor and weapons mounted on the wall. Several arched windows and doorways are seen in the shadowy background
Description:
Title devised by cataloger., Signed and dated by the artist in lower left corner., and Bound in opposite page 217 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Title devised by curator, based on inscription beneath image., Inscription in ink below image: "Armour said to have belonged to Francis I in possesion of Mr. Walpole.", Unknown artist., Annotation on verso, in W.S. Lewis's hand referring to Yale edition of Horace Walpole's correspondenc, VIII, 98, 107, et al., Formerly shelved as part of the SH Contents collection., and Not in Manuscript Catalogue of 1763.