Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
"Satire on the opponents of William Hogarth, suggesting that Paul Sandby's 'Burlesque sur le Burlesque' "will Serve to Whipe your Bum"."--British Museum online catalogue
Description:
Title etched below image., Lettered with captions in the image, the title, fourteen lines of verse 'Patrons of Worth Encouragers of Arts ... Oh,. kindly puff their Praise when e'er You Sh-e' and 'According to act of Parliment 1754'., Sheet trimmed to plate mark., and On page 206 in volume 3.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 3 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out to dinner. Oh dear me, well your mistress will do just the same. & She's out Sir. How provoking. Well, I'll set down by the fire till they come home. I'm sorry to tell you that that's gone out to." Upper right: A soldier is shot by a man (Turk?) hiding in the tall grass and pointing a rifle. Lower half, left: In a pulpit a bald minister with spectacles rants and he holds up a Bible in his left hand ready to throw it at the sleeping congregation below, " Ye sleepy crew if ye wont hear the owrd of God ye shall feel it." Lower right: A simpleton in artist attire holds up a piece of paper with a stick figure drawing and says, "Don't you think I improve."
Description:
Title from captions written each image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping
Satire on portrait painting: a middle-aged English couple sit together on a dais, each holding a bird in their hand. Their bored son, dressed as Cupid, is seated on a stool in front of them, yawning. They are being painted by an enthusiastic artist wearing spectacles and holding a brush and palette. Two oval portraits hang on the back wall
Description:
Title etched below image., Publication date based on printmaker's known address., Variant of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., No. 3 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
"A portrait-painter painting a family group of a man and wife and their little boy. The group (right) is raised on a low semicircular platform, the couple sit on a high-backed settee without arms, the little boy on a stool in front of his mother. The child, though in his ordinary clothes, is holding a cupid's bow and a sheaf of arrows (reminiscent of the family portrait in the 'Vicar of Wakefield'); a large quiver holding arrows is slung across his shoulders, a wreath is on his head; he yawns violently. The man, in profile to the left, is obese and wears a short bushy wig, a dove sits on his left wrist; only the toes of his shoes reach the ground. His wife sits on his right holding a dove on her right hand; she turns towards her husband, looking straight forward with a fixed and painful smile; she wears ringlets and a cap of lace and ribbons on her high-dressed hair. The artist (left) stands at his easel which supports a large canvas and is placed close to his sitters. He wears spectacles, a bag-wig, and ruffled shirt, and holds a palette in his left hand. He looks towards his sitters with an insinuating smile, which, together with his attitude and the figure of the man sketched on the canvas, shows that he is intent on flattery. High up on the wall behind him are two oval bust portraits, one (left) of a clergyman, the other of a lady. Behind the sitters is a tall screen of several leaves."--British Museum online catalogue
Description:
Title from caption below image., Printmaker and date of publication from Grego., Plate also published in: Caricatures / drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London?] : [publisher not identified], [1836?], p. 40., A later copy of no. 5921 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 10 of a series., Watermark: 1809., and Imperfect; artist's signature mostly erased from lower right corner of sheet.
Publisher:
publisher not identified
Subject (Topic):
Artists, Artists' materials, Doves, Easels, Families, Group portraits, Obesity, Wigs, and Yawning
A scene in an artist's studio lit from an attic window (left). Four connoisseurs are grouped round a large canvas on an easel: an Apollo with a sheaf of arrows, head turned in profile to the left. The model is a tall black man in the pose of the Apollo but with very different features, the left hand holding the stick of a broom which supports the pose. A fifth connoisseur reaches up to alter the position of the model's head. The artist stands beside his canvas facing the invaders, the left hand, holding palette and brushes, rests on the canvas; he sucks his mahl-stick with a gloomy scowl. On the extreme right a cat sits in a cradle, behind which an alarmed little boy hides. The artist's wife, with an infant in her arms, faces the fire with her back to the visitors whose unwelcome intrusion is apparent. Behind is a bed with drawn curtains. Three casts from the antique decorate the bare room. The model's coat and hat lie on the ground (right). On the far left in the foreground a dog urinates against two canvases leaning against the wall
Alternative Title:
Assemblée des connisseurs
Description:
Titles in English and French etched below image. and Imperfect; sheet trimmed within plate mark with loss of all text from bottom edge. Missing text supplied from impression in the British Museum.
Leaf 101. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man whole length standing in profile looking to the left. Under his arm is a large book, 'Vegetab[le] Syste[m] by D ...' He wears patched old-fashioned clothes and torn stockings, a short wig which fails to conceal his own hair. His hat is under his right arm, a cane under the left."--British Museum online catalogue and "A portrait of 'Sir' John Hill, a quack or charlatan with a diploma of medicine from the University of St. Andrews, but a botanist of some repute. He began the publication of his 'Vegetable System' in 1759, the last of twenty-six folio volumes coming out in 1775."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., and Plate numbered "v. 6" in upper left corner and "24" in upper right corner.
Leaf 101. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of a man whole length standing in profile looking to the left. Under his arm is a large book, 'Vegetab[le] Syste[m] by D ...' He wears patched old-fashioned clothes and torn stockings, a short wig which fails to conceal his own hair. His hat is under his right arm, a cane under the left."--British Museum online catalogue and "A portrait of 'Sir' John Hill, a quack or charlatan with a diploma of medicine from the University of St. Andrews, but a botanist of some repute. He began the publication of his 'Vegetable System' in 1759, the last of twenty-six folio volumes coming out in 1775."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "v. 6" in upper left corner and "24" in upper right corner., Third of three plates on leaf 101., and 1 print : etching on laid paper ; plate mark 17.4 x 12.5 cm, on sheet 27.5 x 44.4 cm.
Title from item., Printmaker and artist from the original issue, of which this reissue of the left half only. See The Attic miscellany, v. ii, p. 195, published by Bentley & Co., 1 March 1791, under title, Overthrow of the arts!, Above image: Engraved for the Carlton House magazine., Plate from: The Carlton House magazine, Oct. 1794., and Temporary local subject terms: Reference to the Somerset House -- Military: French soldiers -- Guns: bayoneted muskets.
Portrait of Adriaen Hanneman (c.1604-1671), Dutch portrait painter, who lived in London from 1626 until around 1640 when he returned to The Hague. He had a long career painting portraits of exiled English royalists and the Dutch court as well as other wealthy residents of The Hague
Description:
Title from inscription in ink, in 18th century hand, lower left: Adrian Hanneman Pictor, Drawing that was later used for an engraving published in : Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 120., and George Vertue, English artist, 1684-1756.
Portrait of Adriaen van Diest (1655-1704), born in The Hague, immigrated to England when he was 17 and remained there, active as a landscape painter of views of England in the western parts landscapes, chiefly in the Italian manner
Description:
Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 129., Title from item., Signed in ink, lower right: ob. 1704 Aeta '49. G.V., Inscription in ink, in 18th century hand, lower right below monogram: poss. Mr. Dahl pict., Inscription in ink, in 18th century hand, lower left: se ipse pinx., and George Vertue, English artist, 1684-1756.
A scene in a bedroom, the bed in a niche behind a curtain, one man sits as he is being shaved by his servant, as a companion stands with his arms crossed. To their left is an open trunk wotj slippers and boots on the ground on the far left. A fourth man stands apart arrange his queue(?), two pistols on the floor to his right beside an open duffle bag. On the right wall hangs a portrait of Emperor Joseph above a large fireplace; on the left wall hangs a portrait of a woman in profile
Alternative Title:
Shanks Leggs servant shaving him
Description:
Title from ink inscription in lower margin, in the artist's hand., Date from dealer's description., Two additional ink inscriptions by the artist, to the left ("J. Nixon") and right ("G. Nixon") of the title, identify figures depicted in the scene., and Window mounted on to a slightly larger sheet.
Subject (Name):
Nixon, John, -1818,
Subject (Topic):
Artists, British, Shaving, Servants, Bedrooms, Canopy beds, and Fireplaces
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and On page 294 in volume 3. Sheet trimmed to: 34.8 x 22.3 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
"An etching of Hogarth seated at a table, holding in one hand a port-crayon, in the other his print of "John Wilkes E", to which satire this is a rejoinder. Tied to Hogarth's right elbow, as if it were an impediment or guide in the use of his skill, is a bag marked "300£ per ann for distorting features"; he has a pug nose, and an impudent, hard look; his feet are cloven like a satyr's; one of his legs is that of a satyr, and it tramples on the cap and spear of Liberty. His dog 'Trump' squats under the table, on which is a paint-pot containing "Colours to blacken fair carachters [sic]". A palette and sheaf of brushes hang off the collar of the Hogarth's dog; on the palette is the "Line of Beauty". The bag refers to Hogarth's appointment as Serjeant-Painter to the King. Behind Hogarth, an ape appears in the act of drawing or measuring a "Line of Beauty" on a canvas set on an easel. Likewise behind on the left, an ugly, skeletal, old, one-eyed woman in a fontange, her lean bust much exposed, holds a mirror and a fan. The woman may be a reference to Mrs. Hogarth. An owl is drawn on the back of Hogarth's chair
Alternative Title:
Answer to the print of John Wilkes Esqr. by William Hogarth
Description:
Title engraved below image., Date from British Museum catalogue., "Price 6 pence"--Following imprint., and Mounted on sheet: 36.2 x 23.2 cm.
Publisher:
Sold in Leicester Fields
Subject (Name):
Wilkes, John, 1725-1797., Hogarth, Jane Thornhill, 1709?-1789, Hogarth, William, 1697-1764., and Hogarth, William, 1697-1764
Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and Bound in Horace Walpole's copy of Analysis of beauty along with State 1 of Plate 2. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and On page 167 in volume 2. Sheet trimmed to: 38.5 x 50.1 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
Title engraved above image., "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue., and Sheet trimmed within plate mark: 38 x 50 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
Title engraved above image. and "One of two prints issued with Hogarth's treatise "The Analysis of Beauty". A sculptor's yard (said to be that of John Cheere at Hyde Park Corner) with copies of well-known classical sculptures including the Farnese Hercules, the Antinous, the Laocoon and the Medici Venus; in the foreground, a sheet with three studies of an écorché leg and a man holding a book on proportion; forming a border around the main image are 49 compartments with diagrams relating to the text. The image is numbered throughout in black ink"--See British Museum online catalogue.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Art education, Artists, Figure drawings, and Sculpture
Collection of six letters from Asger Jorn to Edouard Jaguer and nine black-and-white photographs. Letters discuss the avant-garde art movements COBRA and the Internationale des Artistes Expérimentaux, artists affiliated with these groups, including Pierre Alechinsky, Corneille, and Christian Dotremont, and other topics. Two letters accompanied by manuscripts on the "Programme de l'organisation IAE" and "Au sujet des qualités artiste...". Six photographs record a 1953 visit by Jaguer to Jorn's studio in Silkeborg, Denmark. In addition, there is a photograph by Lars Bay of a ceramic plate made by Jorn and Jaguer, "La sirène du nord," in the Silkeborg kunstmuseum.
Description:
Asger Jorn (1914-1973), Danish artist. and Purchased from Jan Ceuleers on the Edwin J. Beinecke Book Fund, 2010.
Subject (Name):
Alechinsky, Pierre, 1927-, Bay, Lars, Cobra (Association), Corneille, 1922-2010, Dotremont, Christian, 1922-1979, Internationale des artistes expérimentaux, Jaguer, Edouard, 1924-2006, Jorn, Asger, 1914-1973, and Silkeborg kunstmuseum
Subject (Topic):
Artists, Arts, Modern--20th century, and Avant-garde (Aesthetics)--Europe
Portrait of John van Belcamp (ca. 1610-1653), Dutch born artist who was employed in England under Abraham Van der Doort (d. 1640) as a copier of the King's paintings in the court of Charles I.
Description:
Title from inscription below image., Drawing that was later used for an engraving published in :Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 101., and George Vertue, English artist, 1684-1756.
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
A collection of notes by Horace Walpole over the course of three years -- 1759, 1771, 1786 -- on a very wide range of topics. The volumes for 1759 and 1771 include: notes on books he is reading; observations about historical events and historical figures are interspersed with observations about current political topics and prominent social figures. His strong interest in art is reflected in the predominance of his observations on architecture, painters, paintings, prints, and printmakers; descriptions of fine houses, their contents and owners; clippings from newspapers: notices of forthcoming auctions and newly published books of or about art and artists; poems celebrating artists; death notices of artists and printmakers as well as poetry celebrating the lives of artists. The volume for 1786 also includes observations about books that Walpole is reading, generally on antiquarian topics, English history, etc.; anecdotes about his friends and prominent society figures; comments on historical events, including debates on the slave and trade and the events in France; thoughts on Samuel Johnson, Shakespeare, Joshua Reynolds, Fanny Burney, Lady Lyttleton, Lord North, Lord and Lady Salisbury, Mrs. Clive, and other prominent public figures of the period; fragments of epigrams and poems
Description:
Horace Walpole (1717-1797), fourth earl of Orford, author, politician, and patron of the arts, youngest son of Robert Walpole, first earl of Orford (1676-1745), Britain's longest-serving prime minister., In English., Available in pdf format, Two volumes (1759 and 1771) bound in green vellum, one volume (1786) in red morocco with clasps. With Walpole's bookplate 2, in early state, in the 2nd volume and his seal as Lord Orford, type, in the 3rd volume. Each volume signed and dated., Photostat of vol.1 available, Unverified and incomplete transcripts of v. 1 (1759) and v.2 (1771)., and Two volumes in green vellum; one in red morocco with clasps. Bookplate 2 early state, in the second volume (1771); and seal as Lord Orford, type 1, in the third volume. Each volume signed and dated.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Artists, Art, British, Art, Private collections, Historic buildings, Manors, Castles, Aristocracy (Social class), Homes and haunts, Politicians, Authors, English, Kings and rulers, History, and Social life and customs
Inside a cottage at Stoke, Hogarth and his friends breakfast, shave, and draw as they begin their day
Description:
Title etched below image., Figures are lettered in plate with key beneath title: A. The fisherman shaving. B. Mr. Thornhill. C. Mr. Tothall shaving himself. D. Mr. Hogarth drawing this drawing. E. Mr. Forrest at breakfast F. Mr. Tothall. G. Mr. Scott finishing a drawing., Sheet trimmed to plate mark., Plate for: Gosling, W. Account of what seemed most remarkable in the five days peregrination of the five following persons ..., Not in: Paulson, R. Hogarth's graphic works (3rd ed.)., and On page 211 in volume 3.
Publisher:
Publish'd Novr. 27th 1781 by Rd. Livesay at Mrs. Hogarth's Leicester Fields
Subject (Name):
Hogarth, William, 1697-1764,, Thornhill, James, Sir, 1675 or 1676-1734,, and Scott, Samuel, approximately 1710-1772,
Subject (Topic):
Artists, Eating & drinking, Interiors, and Shaving
BEIN Za St34 Y998C: Original wrappers., Caption title., "The text of audiotaped conversations between Cicely Foster Gittes (at age 95; widow of American Painter Archie Gittes (1903-1991)) and her granddaughter Stephanie, which took place in Boulder, Colorado, during July 1998. The conversations were based partly on questions provided by Roy R. Behrens (Professor of Art, University of Northern Iowa), in connection with his research of the American artist William Edwards Cook (1881-1959)"--P. 1., and Includes discussion of Gertrude Stein and Alice B. Toklas.
Publisher:
s.n.
Subject (Geographic):
France and Paris
Subject (Name):
Gittes, Cicely Foster., Cook, William Edwards, 1881-1959., Stein, Gertrude, 1874-1946., and Toklas, Alice B.
Title engraved below image., Plate from: Liber veritatis, or, A collection of two hundred prints / engraved by Richard Earlom from the original drawings owned by the Duke of Devonshire. London: Boydell and Co., 1777., Josiah Boydell (1752-1817), English artist and publisher., and Probably one of the set owned by Horace Walpole and later dispersed. See A.T. Hazen, Catalogue of Horace Walpole's library, no 3669.
Publisher:
Published March 25th, 1777 by John Boydell engraver in Cheapside London
Portrait of Cornelis Ketel (1548-1616), Dutch painter, draftsman, poet, and sculptor, born in Gouda in the Netherlands, moved to London in 1573 where he painted portraits until his return to the Netherlands in 1581
Alternative Title:
Cornelis Ketel painter
Description:
Title from item., Drawing that was later used for an engraving published in: Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v.1, opp. p. 137., and George Vertue, English artist, 1684-1756.
Drawing of Cornelis Poelenburgh (1594 or 1595-1667), Dutch painter and draughtsman, one of the first generation of Dutch italianates. He worked in the Court of Charles 1.
Alternative Title:
Cornelis Poelenburgh and Cornelius Polenburg
Description:
Title in ink below image in Horace Walpole's hand: Corn. Poelenburgh pictor., Signed in pencil, lower right: G.V., George Vertue, English artist, 1684-1756., Engraved portrait by T. Chambars in Anecdotes of painting in England entitled "Cornelius Polenburg" and identifies the work as a self portrait by the artist: ipse pinxit., and Drawing that was used as a basis for an engraving of Poelenburgh in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 103.
Drawing of Cormelius Johnson (1593-1661), English born painter. During the English Civil War, moved to Netherlands in late 1643; believed to have died in Utrecht in 1661
Alternative Title:
Cornelius Janson
Description:
Title from item., Drawing that was used as a basis for an engraving of Johnson in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 4., and George Vertue, English artist, 1684-1756.
Drawing of Daniel Mytens (ca. 1590-1674), painter born in Delft in the northern Netherlands. He moved to London in the mid-1610s where his patrons included many members of the royal court and later King James I and Charles I. He returned to The Hague in 1630 where he worked as an art dealer
Alternative Title:
Daniel Mytens pictor magna Britannia Regis
Description:
Title from item., Signed in pencil, lower right: G.V., Drawing that was used as a basis for an engraving of Mytens in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 7. Artist indentified as: Ant. van Dyck pinxt., and George Vertue, English artist, 1684-1756.
Manuscript describes the career of John Francis Rigaud (1742-1810) in detail and includes discussion of his painting techniques. There are frequent mentions of the Royal Academy. Accompanied by seven related pieces concerning the Rigaud and Dutilh families
Subject (Geographic):
Great Britain
Subject (Name):
Dutilh family., Rigaud family., Rigaud, J. F. 1742-1810. (John Francis),, Rigaud, Stephen Francis Dutilh, 1777-1861., and Royal Academy of Arts (Great Britain)
Title from item., Signed in ink, lower right under image: G. Vertue del., Inscription in ink, in 18th century hand, lower right: from an orig in Poses. Mr. Crawley at Hampsted, Hartforsh. An other orig. drawn in Poses. Mr. Rosse., Inscription in ink, in 18th century hand, lower left: H. Famossmo Pittore Francesco Clein Miracolo dell Secolo. I molto esti mato dell. R. Carlo della grande Britagna. 1646., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 2, p. 127., and George Vertue, English artist, 1684-1756.
Drawing of Federico Zuccaro (ca. 1540-1609), Italian born painter, draughtsman and writer, brother of Taddeo Zuccaro
Description:
Title from inscription below image., Inscription in ink, lower right: in poses[n] Mr. T. Gibson paint., Drawing that was used as a basis for an engraving of Zucchero in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 1, opp. p. 140., and George Vertue, English artist, 1684-1756.
An allegorical representation of France with Liberty as a young woman bound and being dragged from a temple, Libertas, by French soldiers to face a angry mob, two decapitated heads at the base of the stairs. One soldier breaks a staff with a liberty cap at the top. A woman kneels a fire which consumes a spinning wheel and is fed books carried by laborers. A crowd of artists, musicians, carpenters, smiths, weavers and other tradesmen are roughly pushed away from the temple by a soldier. In the background a church which has been turned into a theatre attracts a large crowd to a production of "The massacre at Paris."
Description:
Attributed to John Nixon. See British Museum catalogue, no. 8334., Trimmed within plate mark on top and bottom., One line of text below title: This print is most respectfully dedicated to every true hearted Briton who's a friend to his king and country., Four lines from Churchill's poem, Independence, printed in two columns on each side of title: O thou poor country, weak and overpow'rd, By thine own sons, eat to the bone, devour'd ..., Nine lines of explanatory text below image: Liberty is torn from her temple by a hired band of ruffians ... ., and Sheet trimmed to plate mark on bottom with loss of contemporary ms. annotation.
Publisher:
publisher not identified
Subject (Geographic):
France and France.
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
History, Artists, Book burning, Decapitations, Demons, Destruction & pillage, Fools & jesters, Liberty, People associated with manual labor, Trade, Revolutions, and Violence
An engraved advertisement for artist Squire Morley's services, decorated with a border in the Late Baroque style with two putti on either side, one holding a portrait, the other sketching, grand staircases and eagle holding the scroll on which the text is engraved
Alternative Title:
Gentlemen and ladies pictures drawn at their houses in crayons ...
Copy of the bookplate design for George Lambert. The arms and crest are those of Lambert of Banstead (Surrey): gules three narcissus flowers argent; a mount vert wtih a centaur passant, regardant, girt with laurel wreath and holding bow and arrow gules. Supporters are: Music and Painting
Alternative Title:
Bookplate for George Lambert
Description:
Title from text in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 115., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (2nd ed.), no. 47., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 118.
Copy of the bookplate design for George Lambert. The arms and crest are those of Lambert of Banstead (Surrey): gules three narcissus flowers argent; a mount vert wtih a centaur passant, regardant, girt with laurel wreath and holding bow and arrow gules. Supporters are: Music and Painting
Alternative Title:
Bookplate for George Lambert
Description:
Title from text in image., Plate from: Ireland, S. Graphic illustrations of Hogarth. London : Published by R. Faulder, New Bond Street; and J. Egerton, 1794, vol. 1, opposite p. 115., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Cf. Paulson, R. Hogarth's graphic works (2nd ed.), no. 47., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 118., Printmaker's name erased from this impression: A.M.I. fe: erased., and On page 3 in volume 1. Plate mark 100 x 970 mm.
"Portrait seen seated half-length within rectangular frame, almost in profile to left drawing, eyes to front; wearing plain coat and necktie."--British Museum online catalogue
Description:
Title engraved below image., State from: Russell, C.E. English mezzotint portraits and their states., and Imperfect; sheet trimmed within plate mark resulting in loss of all inscriptions. Description based on impression of the third state in the British Museum online catalogue, registration no.: 1950,0520.142.
Publisher:
Pub. Jan. 1, 1805, by J. Harris, Gerrard Street, Soho
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[1763?]
Call Number:
Portraits V568 no. 1+
Image Count:
1
Resource Type:
still image
Abstract:
Bust of George Vertue with cap, in oval, looking left, after oil painting by Richardson
Description:
Title from text below image., Plate originally issued preceding "The life of George Vertue" in: Walpole, H. Catalogue of engravers. Strawberry-Hill : 1763., and Mounted to 49 x 36 cm.
Portrait of Gerrit van Honthorst (1592-1656), Dutch painter and draftsman, active in Italy
Alternative Title:
Gerrit van Honthorst pictor
Description:
Title from inscription in brown ink, in 18th century hand, below image: Ger. Honthorst pictor., Drawing that was later used for an engraving published in : Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 2, opp. p. 110., Signed in graphite, lower right corner: G.V. d., and George Vertue, English artist, 1684-1756.
Cecchi, Giovanni Battista, 1748 or 1749-approximately 1815, printmaker
Published / Created:
[between 1770 and 1790?]
Call Number:
770.00.00.191
Image Count:
1
Resource Type:
still image
Abstract:
Self-portrait of the artist, perhaps in his studio, sitting in front of a desk. A miniature hangs on a small easel beside him; sculpted heads and hands, as well as a painting, hang on the walls behind him. Another sculpted head lies on the floor in the foreground
Alternative Title:
Giuseppe Macpherson Pitt
Description:
Title engraved on a separate sheet mounted below image., Printmaker Giovanni Battista Cecchi and intermediate draftsman Carlo Bozzolini identified in the Hamburger Kunsthalle online catalogue., This print was apparently part of the "Serie di ritratti de' pittori che se stessi di dipinsero esistenti nella R. Galleria di Toscana," which has been dated 1770-1790. See Hamburger Kunsthalle online catalogue., Engraved border is also printed on a separate sheet and mounted around the sheets with the image and title; for another impression with the exact same arrangement of sheets, see: Hamburger Kunsthalle, Kupferstichkabinett, Inv. Nr. 57533. For an impression lacking these additional sheets, see: National Portrait Gallery, London, NPG D10968., and Sheets trimmed within plate marks.
Publisher:
publisher not identified
Subject (Name):
Macpherson, Giuseppe or Joseph or James, 1720-1792,
Subject (Topic):
Artists, Artists' studios, Sculpture, and Miniatures (Paintings)
Title from text below image., First published ca. 1675-1700; this is a late 18th-century reissue., After Francis Place (1647-1728). See National Portrait Gallery, London, pen and ink sketch., and Publication date from National Portrait Gallery, London.
Publisher:
Published by W. Richardson, Castle Street, Leicester Fields
Embossed: "Photograph by Carl Van Vechten" and Stamped verso: "Photograph by Carl Van Vechten. / 146 Central Park West / Cannot be reproduced without permission."
Copy of the print after a self-portrait after the painting in the Tate Gallery (London); the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette. Lettered, on the palette 'The Line of Beauty', and below image, Gulielmus Hogarth
Alternative Title:
Alternative form of title
Description:
Title etched below image., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print on secondary mount: An Irish copy of the first print in the first volume of this [col?]lection., and On page 234 in volume 3.
Portrait of Henry Cook (1642-1700), Dutch born artist who was employed in England under Abraham Van der Doort (d. 1640) as a copier of the King's paintings in the court of Charles I.
Alternative Title:
Henry Cooke history painter and Henry Cooke
Description:
Title from inscription below image., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 118., and George Vertue, English artist, 1684-1756.
Drawing of Egbert van Hemskirk, Dutch artist, who was also active in England
Alternative Title:
Egbert van Hemskirk
Description:
Title from caption below image., Drawing that was later used in an engraving of John Riley: Anecdotes of painting in England / by Horace Walpole. London : J. Dodsley, 1782, v. 3, p. 122., and George Vertue, English artist, 1684-1756.
Volume 2, page 1. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait after Lawrence; seated three-quarter length slightly to left in an oval, looking to the right, holding a sheet of figures across his lap inscribed 'Long Minuet', completing the drawing with a pencil in his right hand, which rests on a table at left; pilllar and trees behind"--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Publish'd as the act directs, 24 April 1789, by S. Watts, No. 28 Walcot-place, Lambeth & to be had at T. Ryders, No. 34, Great Titchfield St.
Volume 2, page 1. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait after Lawrence; seated three-quarter length slightly to left in an oval, looking to the right, holding a sheet of figures across his lap inscribed 'Long Minuet', completing the drawing with a pencil in his right hand, which rests on a table at left; pilllar and trees behind"--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted on page 1 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : stipple engraving and etching on laid paper ; oval image 32.1 x 26.3 cm, on sheet 41.4 x 32.2 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs, 24 April 1789, by S. Watts, No. 28 Walcot-place, Lambeth & to be had at T. Ryders, No. 34, Great Titchfield St.
Portrait of Henry Stone (ca. 1655-1726), English painter, son of Nicholas Stone English sculptor and architect
Description:
Title from inscription in ink below image., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 2, opp. p. 31., and George Vertue, English artist, 1684-1756.
Portrait of Henry Tilson (1659-1695), English portrait painter, pupil of Sir Peter Lely
Description:
Title from item., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 103., and George Vertue, English artist, 1684-1756.
Portrait of William Hogarth; half length, to the right, head turned towads the viewer; with short curly hair; part of a curtain in background
Description:
Title engraved below image., Date based on known dates of activity for W. Read. See British Museum online catalogue., and Sheet trimmed within plate mark.
Portrait after a self-portrait; half-length in an oval frame, directed to right, looking towards the viewer, arms at his sides, wearing a plain coat buttoned at the waist, a white cravat and tricorn over a shoulder-length wig
Description:
Title etched below image., State without price below image, lower right., Sheet trimmed to plate mark., On page 209 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d edit., p. 409.
Publisher:
Published according to act of Parliament, June 1781, and sold by C. Townley, Arlington Street, Piccadilly
Portrait of Mrs. Damer, seated and leaning her left arm against a pedestal, with a bouquet of flowers in her left hand
Alternative Title:
Honorable Anne Damer
Description:
Title etched below image., Tipped in at page 201 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12., 1 print : stipple engraving with etching on laid paper ; sheet 27.6 x 24.3 cm., and Sheet trimmed to plate mark on three sides.
Publisher:
Publish'd as the act directs Feby. 1st, 1793, by S. Watts, No. 9 Kennington Cross, Lambeth, & to be had of T. Ryder, No. 43 Great Titchfield St., Oxford Road
Portrait of Mrs. Damer, seated and leaning her left arm against a pedestal, with a bouquet of flowers in her left hand
Alternative Title:
Honorable Anne Damer
Description:
Title etched below image., Mounted on page 261 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., 1 print : stipple engraving with etching on laid paper ; sheet 27.1 x 20 cm., Imperfect; sheet trimmed within plate mark on bottom edge with loss of imprint statement., and For further information, consult library staff.
Publisher:
Publish'd as the act directs Feby. 1st, 1793, by S. Watts, No. 9 Kennington Cross, Lambeth, & to be had of T. Ryder, No. 43 Great Titchfield St., Oxford Road
Portrait of Mrs. Damer, seated and leaning her left arm against a pedestal, with a bouquet of flowers in her left hand
Alternative Title:
Honorable Anne Damer
Description:
Title etched below image. and Mounted on page 26.
Publisher:
Publish'd as the act directs Feby. 1st, 1793, by S. Watts, No. 9 Kennington Cross, Lambeth, & to be had of T. Ryder, No. 43 Great Titchfield St., Oxford Road
A series of six scenes, three in two rows, showing skeletons in various activities, each individually captioned: Singing, Dancing, Music, Oratory, Painting, Sculpture
Description:
Title from text above images., Sheet trimmed within plate mark., Six designs on one plate, each individually captioned., Text below title: No. 2., and Watermark: W. King 1829.
Publisher:
Published 3rd June 1830 by S. Gans, 15, Southampton Street, Strand
Subject (Topic):
Artists, Dancers, Musicians, Public speaking, and Skeletons
Drawing of Jan Wyck (or John Wijck) (1566-1640), Flemish born painter, son of Thomas Wyck (ca. 1616-1677). Settled in England where he excelled at depicting battle scenes
Alternative Title:
Jan Wyck battle painter
Description:
Title from inscription in ink below image., Signed in ink, lower right: G. V., Inscription in pencil, lower left: [illegible]., Drawing that was used as a basis for an engraving of Wyck in: Anecdotes of painting in England / by Mr. Horace Walpole. Strawberry-Hill : Printed in the year MDCCLXIII, [1763], v. 3, opp. p. 133., and George Vertue, English artist, 1684-1756.
Drawing of Rolland LeFebvre (1608-1677), French born painter ; moved to England about 1676 and died in London 1677
Alternative Title:
LeFebvre
Description:
Title from item., Drawing that was later used in an engraving of Le Fevre: Anecdotes of painting in England / by Horace Walpole. Strawberry-Hill : Printed in the year MDCCLXIII, 1783, v. 3, opp. p. 29., and George Vertue, English artist, 1684-1756.
Series I contains approximately a thousand letters, primarily personal correspondence among members of Louisa Siefert's family. The majority of the letters are between Siefert and her sister, Clemy (Siefert) Bost, and between Siefert and her mother, Adele-Adrienne (Belz) Siefert. These letters mainly document social and personal activities, such as news of Clemy's husband and children and the health of their mother. Many of Louisa Siefert's letters to her sister describe her own ailing health and advancing tuberculosis, and her doctors' advice. Letters to Siefert's mother also describe the dinners Siefert attends; visits with acquaintances, including Victor Hugo, Charles Blanc, and Paul Chenevard; and operas she sees. Other correspondents in the collection include Siefert's friends such as Charles Asselineau, Chenevard, and Emmanuel des Essarts; admirers of her poetry; the Journal de Lyon concerning her publications; and family members to each other after her death. Also in the collection are Siefert's wedding announcement and death notice; several accounts and receipts; and a manuscript, with numerous corrections, of Adele-Adrienne Siefert's memoirs of her daughter and Series II contains eight volumes of poetry, primarily in Siefert's hand. Two volumes contain collections of other poets' works, one of which includes, dos-a-dos, a juvenile play by Siefert titled En Automne. Other volumes include a set of notes taken during a course on French poetry taught by Charles Asselineau, and four collections of original poetry dated between 1865 and 1872, which include many sentimental or dedicatory poems to friends and family members. The original poems are annotated with the dates of their composition, and occasionally with publication information; and laid in a volume titled Poems d'amour are two pages of comments on the poems in Asselineau's hand. Also included in the collection is a volume of reviews of Siefert's works, copied in her hand
Description:
Louisa Siefert (1845-1877), poet, was raised in Lyon as a Protestant by her parents Henry Siefert, vice-consul to Portugal, and Adele-Adrienne (Belz) Siefert. Her first book of poems, Rayons perdus, was published in 1868 to great acclaim; other collections published during her lifetime include L'Année républicaine (1869); Les Stoïques (1870); Les Saintes Colères (1871); and Comédies romanesques (1872); as well as a novel, Méline (1875). Through her friendship with Charles Asselineau, she became well acquainted with other literary and artistic figures, including Victor Hugo, Emile Deschamps, Charles Baudelaire, and Paul Chenavard. In 1876, she married Jocelyn Pene, secretary to Emilio Castelar; a year later, she died of tuberculosis in Pau, France. After her death, her mother published Souvenirs, Poésies inédites. and In French.
Subject (Geographic):
France and France.
Subject (Name):
Asselineau, Charles, 1820-1874, Blanc, Charles, 1813-1882., Castelar, Emilio, 1832-1899., Chenavard, Paul Marc Joseph, 1807-1895., Des Essarts, Alfred Emmanuel Langlois, 1839-1909., Hugo, Victor, 1802-1885., Siefert, Louisa, 1845-1877., and Siefert family.
Subject (Topic):
Artists, Authors, French, French literature, French poetry, Romanticism, Sentimentalism in literature, Tuberculosis, and Social life and customs
Series I contains approximately a thousand letters, primarily personal correspondence among members of Louisa Siefert's family. The majority of the letters are between Siefert and her sister, Clemy (Siefert) Bost, and between Siefert and her mother, Adele-Adrienne (Belz) Siefert. These letters mainly document social and personal activities, such as news of Clemy's husband and children and the health of their mother. Many of Louisa Siefert's letters to her sister describe her own ailing health and advancing tuberculosis, and her doctors' advice. Letters to Siefert's mother also describe the dinners Siefert attends; visits with acquaintances, including Victor Hugo, Charles Blanc, and Paul Chenevard; and operas she sees. Other correspondents in the collection include Siefert's friends such as Charles Asselineau, Chenevard, and Emmanuel des Essarts; admirers of her poetry; the Journal de Lyon concerning her publications; and family members to each other after her death. Also in the collection are Siefert's wedding announcement and death notice; several accounts and receipts; and a manuscript, with numerous corrections, of Adele-Adrienne Siefert's memoirs of her daughter and Series II contains eight volumes of poetry, primarily in Siefert's hand. Two volumes contain collections of other poets' works, one of which includes, dos-a-dos, a juvenile play by Siefert titled En Automne. Other volumes include a set of notes taken during a course on French poetry taught by Charles Asselineau, and four collections of original poetry dated between 1865 and 1872, which include many sentimental or dedicatory poems to friends and family members. The original poems are annotated with the dates of their composition, and occasionally with publication information; and laid in a volume titled Poems d'amour are two pages of comments on the poems in Asselineau's hand. Also included in the collection is a volume of reviews of Siefert's works, copied in her hand
Description:
Louisa Siefert (1845-1877), poet, was raised in Lyon as a Protestant by her parents Henry Siefert, vice-consul to Portugal, and Adele-Adrienne (Belz) Siefert. Her first book of poems, Rayons perdus, was published in 1868 to great acclaim; other collections published during her lifetime include L'Année républicaine (1869); Les Stoïques (1870); Les Saintes Colères (1871); and Comédies romanesques (1872); as well as a novel, Méline (1875). Through her friendship with Charles Asselineau, she became well acquainted with other literary and artistic figures, including Victor Hugo, Emile Deschamps, Charles Baudelaire, and Paul Chenavard. In 1876, she married Jocelyn Pene, secretary to Emilio Castelar; a year later, she died of tuberculosis in Pau, France. After her death, her mother published Souvenirs, Poésies inédites. and In French.
Subject (Geographic):
France and France.
Subject (Name):
Asselineau, Charles, 1820-1874, Blanc, Charles, 1813-1882., Castelar, Emilio, 1832-1899., Chenavard, Paul Marc Joseph, 1807-1895., Des Essarts, Alfred Emmanuel Langlois, 1839-1909., Hugo, Victor, 1802-1885., Siefert, Louisa, 1845-1877., and Siefert family.
Subject (Topic):
Artists, Authors, French, French literature, French poetry, Romanticism, Sentimentalism in literature, Tuberculosis, and Social life and customs
Series I contains approximately a thousand letters, primarily personal correspondence among members of Louisa Siefert's family. The majority of the letters are between Siefert and her sister, Clemy (Siefert) Bost, and between Siefert and her mother, Adele-Adrienne (Belz) Siefert. These letters mainly document social and personal activities, such as news of Clemy's husband and children and the health of their mother. Many of Louisa Siefert's letters to her sister describe her own ailing health and advancing tuberculosis, and her doctors' advice. Letters to Siefert's mother also describe the dinners Siefert attends; visits with acquaintances, including Victor Hugo, Charles Blanc, and Paul Chenevard; and operas she sees. Other correspondents in the collection include Siefert's friends such as Charles Asselineau, Chenevard, and Emmanuel des Essarts; admirers of her poetry; the Journal de Lyon concerning her publications; and family members to each other after her death. Also in the collection are Siefert's wedding announcement and death notice; several accounts and receipts; and a manuscript, with numerous corrections, of Adele-Adrienne Siefert's memoirs of her daughter and Series II contains eight volumes of poetry, primarily in Siefert's hand. Two volumes contain collections of other poets' works, one of which includes, dos-a-dos, a juvenile play by Siefert titled En Automne. Other volumes include a set of notes taken during a course on French poetry taught by Charles Asselineau, and four collections of original poetry dated between 1865 and 1872, which include many sentimental or dedicatory poems to friends and family members. The original poems are annotated with the dates of their composition, and occasionally with publication information; and laid in a volume titled Poems d'amour are two pages of comments on the poems in Asselineau's hand. Also included in the collection is a volume of reviews of Siefert's works, copied in her hand
Description:
Louisa Siefert (1845-1877), poet, was raised in Lyon as a Protestant by her parents Henry Siefert, vice-consul to Portugal, and Adele-Adrienne (Belz) Siefert. Her first book of poems, Rayons perdus, was published in 1868 to great acclaim; other collections published during her lifetime include L'Année républicaine (1869); Les Stoïques (1870); Les Saintes Colères (1871); and Comédies romanesques (1872); as well as a novel, Méline (1875). Through her friendship with Charles Asselineau, she became well acquainted with other literary and artistic figures, including Victor Hugo, Emile Deschamps, Charles Baudelaire, and Paul Chenavard. In 1876, she married Jocelyn Pene, secretary to Emilio Castelar; a year later, she died of tuberculosis in Pau, France. After her death, her mother published Souvenirs, Poésies inédites. and In French.
Subject (Geographic):
France and France.
Subject (Name):
Asselineau, Charles, 1820-1874, Blanc, Charles, 1813-1882., Castelar, Emilio, 1832-1899., Chenavard, Paul Marc Joseph, 1807-1895., Des Essarts, Alfred Emmanuel Langlois, 1839-1909., Hugo, Victor, 1802-1885., Siefert, Louisa, 1845-1877., and Siefert family.
Subject (Topic):
Artists, Authors, French, French literature, French poetry, Romanticism, Sentimentalism in literature, Tuberculosis, and Social life and customs
Series I contains approximately a thousand letters, primarily personal correspondence among members of Louisa Siefert's family. The majority of the letters are between Siefert and her sister, Clemy (Siefert) Bost, and between Siefert and her mother, Adele-Adrienne (Belz) Siefert. These letters mainly document social and personal activities, such as news of Clemy's husband and children and the health of their mother. Many of Louisa Siefert's letters to her sister describe her own ailing health and advancing tuberculosis, and her doctors' advice. Letters to Siefert's mother also describe the dinners Siefert attends; visits with acquaintances, including Victor Hugo, Charles Blanc, and Paul Chenevard; and operas she sees. Other correspondents in the collection include Siefert's friends such as Charles Asselineau, Chenevard, and Emmanuel des Essarts; admirers of her poetry; the Journal de Lyon concerning her publications; and family members to each other after her death. Also in the collection are Siefert's wedding announcement and death notice; several accounts and receipts; and a manuscript, with numerous corrections, of Adele-Adrienne Siefert's memoirs of her daughter and Series II contains eight volumes of poetry, primarily in Siefert's hand. Two volumes contain collections of other poets' works, one of which includes, dos-a-dos, a juvenile play by Siefert titled En Automne. Other volumes include a set of notes taken during a course on French poetry taught by Charles Asselineau, and four collections of original poetry dated between 1865 and 1872, which include many sentimental or dedicatory poems to friends and family members. The original poems are annotated with the dates of their composition, and occasionally with publication information; and laid in a volume titled Poems d'amour are two pages of comments on the poems in Asselineau's hand. Also included in the collection is a volume of reviews of Siefert's works, copied in her hand
Description:
Louisa Siefert (1845-1877), poet, was raised in Lyon as a Protestant by her parents Henry Siefert, vice-consul to Portugal, and Adele-Adrienne (Belz) Siefert. Her first book of poems, Rayons perdus, was published in 1868 to great acclaim; other collections published during her lifetime include L'Année républicaine (1869); Les Stoïques (1870); Les Saintes Colères (1871); and Comédies romanesques (1872); as well as a novel, Méline (1875). Through her friendship with Charles Asselineau, she became well acquainted with other literary and artistic figures, including Victor Hugo, Emile Deschamps, Charles Baudelaire, and Paul Chenavard. In 1876, she married Jocelyn Pene, secretary to Emilio Castelar; a year later, she died of tuberculosis in Pau, France. After her death, her mother published Souvenirs, Poésies inédites. and In French.
Subject (Geographic):
France and France.
Subject (Name):
Asselineau, Charles, 1820-1874, Blanc, Charles, 1813-1882., Castelar, Emilio, 1832-1899., Chenavard, Paul Marc Joseph, 1807-1895., Des Essarts, Alfred Emmanuel Langlois, 1839-1909., Hugo, Victor, 1802-1885., Siefert, Louisa, 1845-1877., and Siefert family.
Subject (Topic):
Artists, Authors, French, French literature, French poetry, Romanticism, Sentimentalism in literature, Tuberculosis, and Social life and customs
Series I contains approximately a thousand letters, primarily personal correspondence among members of Louisa Siefert's family. The majority of the letters are between Siefert and her sister, Clemy (Siefert) Bost, and between Siefert and her mother, Adele-Adrienne (Belz) Siefert. These letters mainly document social and personal activities, such as news of Clemy's husband and children and the health of their mother. Many of Louisa Siefert's letters to her sister describe her own ailing health and advancing tuberculosis, and her doctors' advice. Letters to Siefert's mother also describe the dinners Siefert attends; visits with acquaintances, including Victor Hugo, Charles Blanc, and Paul Chenevard; and operas she sees. Other correspondents in the collection include Siefert's friends such as Charles Asselineau, Chenevard, and Emmanuel des Essarts; admirers of her poetry; the Journal de Lyon concerning her publications; and family members to each other after her death. Also in the collection are Siefert's wedding announcement and death notice; several accounts and receipts; and a manuscript, with numerous corrections, of Adele-Adrienne Siefert's memoirs of her daughter and Series II contains eight volumes of poetry, primarily in Siefert's hand. Two volumes contain collections of other poets' works, one of which includes, dos-a-dos, a juvenile play by Siefert titled En Automne. Other volumes include a set of notes taken during a course on French poetry taught by Charles Asselineau, and four collections of original poetry dated between 1865 and 1872, which include many sentimental or dedicatory poems to friends and family members. The original poems are annotated with the dates of their composition, and occasionally with publication information; and laid in a volume titled Poems d'amour are two pages of comments on the poems in Asselineau's hand. Also included in the collection is a volume of reviews of Siefert's works, copied in her hand
Description:
Louisa Siefert (1845-1877), poet, was raised in Lyon as a Protestant by her parents Henry Siefert, vice-consul to Portugal, and Adele-Adrienne (Belz) Siefert. Her first book of poems, Rayons perdus, was published in 1868 to great acclaim; other collections published during her lifetime include L'Année républicaine (1869); Les Stoïques (1870); Les Saintes Colères (1871); and Comédies romanesques (1872); as well as a novel, Méline (1875). Through her friendship with Charles Asselineau, she became well acquainted with other literary and artistic figures, including Victor Hugo, Emile Deschamps, Charles Baudelaire, and Paul Chenavard. In 1876, she married Jocelyn Pene, secretary to Emilio Castelar; a year later, she died of tuberculosis in Pau, France. After her death, her mother published Souvenirs, Poésies inédites. and In French.
Subject (Geographic):
France and France.
Subject (Name):
Asselineau, Charles, 1820-1874, Blanc, Charles, 1813-1882., Castelar, Emilio, 1832-1899., Chenavard, Paul Marc Joseph, 1807-1895., Des Essarts, Alfred Emmanuel Langlois, 1839-1909., Hugo, Victor, 1802-1885., Siefert, Louisa, 1845-1877., and Siefert family.
Subject (Topic):
Artists, Authors, French, French literature, French poetry, Romanticism, Sentimentalism in literature, Tuberculosis, and Social life and customs
Carl Van Vechten Papers Relating to African American Arts and Letters
Container / Volume:
Box 112 | Folder 2128
Image Count:
4
Resource Type:
Prints & Photographs
Abstract:
One print formerly owned by Grace Nail Johnson.
Description:
Stamped verso: "Photograph by Carl Van Vechten. / Cannot be reproduced without permission.
Subject (Name):
Lucioni, Luigi, 1900- and Waters, Ethel, 1896-1977
Subject (Topic):
African American actresses, African American entertainers, African American women jazz singers, African American women singers, Artists, Blues (Music), and Harlem Renaissance
SH Contents H217 no. 1 Framed, shelved in LFS Bin 33
Image Count:
1
Abstract:
Portrait of Margaret Smith, wife of Sr. Charles Bingham ...
Alternative Title:
Margaret Smith, wife of Sir Charles Bingham, an excellent paintress
Description:
Title from Horace Walpole's note on verso: Margaret Smith, wife of Sr. Charles Bingham, an excellent paintress, by Hamilton 1774., Also with a poem on verso in Walpole's hand: Without a rival long on painting's throne, Urbino's modest artist sat alone. At last a British fair's unerring eyes, in five short moons contests the glorious prize, Raphael by genuis nurs'd by labour gain'd it, Bingham but saw perfection, and attain'd it. H.W.", Hugh Douglas Hamilton, English portrait and subject painter, 1739-1808., and No. 20 in the Catalogue of Framed Pictures in the Lewis Walpole Library.
