Manuscript describes the career of John Francis Rigaud (1742-1810) in detail and includes discussion of his painting techniques. There are frequent mentions of the Royal Academy. Accompanied by seven related pieces concerning the Rigaud and Dutilh families
Subject (Geographic):
Great Britain
Subject (Name):
Dutilh family., Rigaud family., Rigaud, J. F. 1742-1810. (John Francis),, Rigaud, Stephen Francis Dutilh, 1777-1861., and Royal Academy of Arts (Great Britain)
Title from item., Signed in ink, lower right under image: G. Vertue del., Inscription in ink, in 18th century hand, lower right: from an orig in Poses. Mr. Crawley at Hampsted, Hartforsh. An other orig. drawn in Poses. Mr. Rosse., Inscription in ink, in 18th century hand, lower left: H. Famossmo Pittore Francesco Clein Miracolo dell Secolo. I molto esti mato dell. R. Carlo della grande Britagna. 1646., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 2, p. 127., and George Vertue, English artist, 1684-1756.
Drawing of Federico Zuccaro (ca. 1540-1609), Italian born painter, draughtsman and writer, brother of Taddeo Zuccaro
Description:
Title from inscription below image., Inscription in ink, lower right: in poses[n] Mr. T. Gibson paint., Drawing that was used as a basis for an engraving of Zucchero in: Anecdotes of painting in England / by Mr. Horace Walpole. [Strawberry-Hill] : Printed by Thomas Farmer at Strawberry-Hill, MDCCLXII [1762], v. 1, opp. p. 140., and George Vertue, English artist, 1684-1756.
An allegorical representation of France with Liberty as a young woman bound and being dragged from a temple, Libertas, by French soldiers to face a angry mob, two decapitated heads at the base of the stairs. One soldier breaks a staff with a liberty cap at the top. A woman kneels a fire which consumes a spinning wheel and is fed books carried by laborers. A crowd of artists, musicians, carpenters, smiths, weavers and other tradesmen are roughly pushed away from the temple by a soldier. In the background a church which has been turned into a theatre attracts a large crowd to a production of "The massacre at Paris."
Description:
Attributed to John Nixon. See British Museum catalogue, no. 8334., Trimmed within plate mark on top and bottom., One line of text below title: This print is most respectfully dedicated to every true hearted Briton who's a friend to his king and country., Four lines from Churchill's poem, Independence, printed in two columns on each side of title: O thou poor country, weak and overpow'rd, By thine own sons, eat to the bone, devour'd ..., Nine lines of explanatory text below image: Liberty is torn from her temple by a hired band of ruffians ... ., and Sheet trimmed to plate mark on bottom with loss of contemporary ms. annotation.
Publisher:
publisher not identified
Subject (Geographic):
France and France.
Subject (Name):
Paine, Thomas, 1737-1809.
Subject (Topic):
History, Artists, Book burning, Decapitations, Demons, Destruction & pillage, Fools & jesters, Liberty, People associated with manual labor, Trade, Revolutions, and Violence
An engraved advertisement for artist Squire Morley's services, decorated with a border in the Late Baroque style with two putti on either side, one holding a portrait, the other sketching, grand staircases and eagle holding the scroll on which the text is engraved
Alternative Title:
Gentlemen and ladies pictures drawn at their houses in crayons ...