A witch flying to the left on a broomstick and suckling a cat, discharges a blast of "inflammable air" towards a large sphere suspended midair behind her. A spectator standing below holds a torch to the stream of air and says, "How blue it burns!" Another man identified as a F.R.S. (Fellow of the Royal Society) stands to the right watching the scene and observes, "We shall now have a Lunatick Journal." Behind the Fellow of the Royal Society is another spectator identified as A.S.S. who boasts of having a ticket to Georgium Sidus (i.e., Uranus).
Description:
Title from inscription in black ink in the artist's hand above image., Date supplied by cataloger., Print after image is described in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy Georg, v. 4, no. 6335, and For further information, consult library staff.
Subject (Topic):
Antiquarians, Balloons (Aircraft), Witches, and Spectators
Charles Fox, as Harlequin, and Lord North, as Pantaloon, perform on stage for the members of their party. Fox, standing on one leg, holds the Harlequin's 'magic' wand above the head of a bust of George III. Above the wand hangs the royal crown suspended from an air balloon. Behind his back, Fox passes to a smiling North a piece of paper inscribed, "Prerogative." The audience, that includes on the left, in the box, the Prince of Wales and Mrs. Robinson, and in the pit, among the others, Keppel and Burke, applauds the performance. The back wall of the stage is decorated with a portrait of Cromwell. On the wall facing the King's bust hangs a map of the United States
Alternative Title:
Harlequin
Description:
Title from item., Sheet trimmed mostly within plate mark, imprint burnished out., Publication information from British Museum catalogue., and Title partially in the form of a rebus.
Publisher:
E. Hodges?
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., George IV, King of Great Britain, 1762-1830., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Robinson, Mary, 1758-1800., Keppel, Augustus Keppel, Viscount, 1725-1786., Burke, Edmund, 1729-1797., and Cromwell, Oliver, 1599-1658.
Subject (Topic):
Politics and government, Pantomimes, Balloons (Aircraft), and Theaters
An air balloon with the basket in the shape of a boat; two passengers on the left, one on the right holding an oar; four balloons surround the mast with a fully rigged sail
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: The European magazine, 1789, opp. p. 96., Mounted to 24 x 16 cm., and Publication year erased and written in manuscript.
Title from caption etched below image., Numbered '208' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Dover Castle., and Watermark in center of sheet: quartered shield with crown on top, harp in the lower right quarter.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 St. Paul's Church Yard, London
Bonvallet, L. (Louis), approximately 1748-1818, printmaker
Published / Created:
[1785]
Call Number:
785.01.00.01+
Image Count:
1
Resource Type:
still image
Abstract:
A scene in rural France: A farmer holding onto a plow drawn by a team of oxen, shepherds with their sheep, and a man fishing in a stream, all look up in astonishment at the air balloon overhead. This print references the third flight of Jean-Pierre Blanchard, his second with American John Jeffries and the first flight over the English Channel
Alternative Title:
Premier passager aerien de la mer and Dedié à Mr. Blanchard, pensioné du roi, citoyen de Calais
Description:
Title etched below image., Dedication etched above title: Dedié à Mr. Blanchard, Pensioné de Roi, Citoyen de Calais., "Avec Privilege du Roi"--Following imprint., Sheet trimmed within plate mark on three sides., and Six lines of verse, signed "Basset" at the end, in two columns below title: Le Pécheur qui sur l'eau tenait son bras tendu ...
Publisher:
Chez Basset rue St. Jacques au coin de celle des Mathurins
Subject (Geographic):
France.
Subject (Name):
Blanchard, Jean-Pierre, 1753-1809. and Jeffries, John, 1745-1819.
"A companion print to British Museum Satires nos. 6700, 6701, 6703. An enormous balloon not completely inflated rests on a platform suspended between two masts; it is exploding, flames and thick clouds of smoke pour from a crease in its contour, a number of men with faggots on their backs run from the balloon, others are on the platform, which is covered by a large cloth or net which hangs in folds. In the air (left), as if having sprung from the exploding part of the balloon, is a small balloon in the form of a head, identical with that in British Museum Satires No. 6704, with the same inscription and passenger. From it streams, in place of a rope, the tail of a kite. This evidently represents the bursting of Keegan's balloon in the garden of Foley House. A circle of posts with a rope keeps the spectators, who are fashionably dressed, from the balloon. Two men inside the barrier (right), probably Blanchard and Sheldon, who was to be pilot (see British Museum Satires No. 6703) run towards the balloon shouting directions through speaking-trumpets. In the foreground is one of the small balloons which were commonly sent up on the occasion of an ascent, cf. British Museum Satires No. 6668. In the background are trees. A number of spectators watch from the top of the high garden-wall (left). [Foley House was noted for its extremely high wall. 'Town and Country Magazine' xvi, 625] Behind are houses, evidently those in or near Portland Place. Sheldon's projected ascent ended in disaster on 25 Sept. 1784. He attempted to fill a balloon more than three times the size of Lunardi's by heated or rarefied air produced by a furnace suspended below the balloon. The balloon was supported on two masts and on a platform; it burst while it was being filled. See 'London Chronicle', Sept. 24, 28, 29. Except for the contour of the balloon which appears to burlesque human posteriors, and for the little balloon in the shape of a fool's head, this is probably a realistic rendering of the scene, see British Museum Satires No. 6703."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Matted to 33 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
Blanchard, Jean-Pierre, 1753-1809., Sheldon, John, 1752-1808., and Lunardi, Vincent, 1759-1806.
Subject (Topic):
Balloons (Aircraft), Aircraft accidents, Fires, and Spectators
Letterpress broadside with a description of the Grand National Jubilee of 1814 surrounded by eight woodcut views (clockwise from top): The Temple; The Pagoda on Fire; The Jubilee Balloon; The Enemy on Fire; Sham Fight on the Serpentine; Boarding an American; The Royal Booth; The Castle
Description:
Title from first line of text below image. and "Price sixpence plain, or one shilling coloured"--Price below imprint.
Publisher:
Printed and published by John Fairburn, Jun. Fountain Court, Minories
Title from caption below image., Publication date from unverified data from local card catalog record., and Two lines of text below title: Severely injuring Mr. & Mrs. Graham the acronauts and doing damage to the house of Colonel North, No. 16 Arlington Street, Piccadilly, to the extent of upwards of £300.
On the right a steam-driven coach has exploded with the passengers thrown into the air. A hot air balloons with baskets shaped as a boat and the other as a carraige float above the trees. On the left a conventional carriage "Patent Safety Coach" with advertisements about insurance on the windows speeds away, man in the coach looking back in horror
Alternative Title:
March of invention
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1829.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Topic):
Accidents, Airships, Balloons (Aircraft), Insurance, and Steam automobiles
An air balloon inscribed, "America," floats above a group of spectators who include, on the left, a Spaniard and a Frenchman, tied together with a chain and padlock and, on the right, a Dutchman with little devils climbing out of his pocket. Between them stands Franklin. In the background, Charles Fox and Lord North dance merrily to a tune played by the devil who is identified as 'Director general.' Next to them, a number of people vomit under a heavy block inscribed, "Opression taxes," on which stands the gallows with the corpses of 'trade,' 'wealth,' and 'liberty' hanging from it. In the balloon's basket are Washington, with two faces, stretching his arms towards the ghost of Cromwell, and Silas Deane, shaking at the sight of the ghost of "John the Painter" (James Aitken). Numbered figures are identified by references above the image
Description:
Title from item., Sheet trimmed within plate mark., and Plate "No. 8" in lower right below image.
Publisher:
Pubd. as [the] act directs Decr. 29, 1783 by G. Humphrey, No. 48 Long Acre
Titles from text below images., Design composed of three images on one sheet, each individually titled., and Description based on imperfect impression; sheet damaged with partial loss of text below center image. Missing letters supplied in pencil in an unknown hand.
Justification of the first effort of his Royal Highness's courage
Description:
Title from item., Attributed to Gillray in an unverified card catalog record., One line of text below title: When the Duc' had ascended in the balloon forty or fifty feet from the Earth in the greatest fright he desired to go down ..., Companion print to: The battle of Ouessan between the English & French fleets., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., and Matted to 47 x 63 cm.
Publisher:
Publishd Augt. 4th 1790 by J. Aitken, Castle Street, Leicester Field
Subject (Name):
Orléans, Louis Philippe Joseph, duc d', 1747-1793, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
George III is held high in the air by Thurlow, on the left, and Pitt and Temple, on the right, who are all floating above the ground with the help of air balloons. The King, frowning and clenching his right fist, is emitting a strong blast of foul air inscribed, "proclamation for dissolution from a broad bottom" that covers in a large cloud the House of Commons below. A large group of men stands on the side of the building, among them Fox, North, and Burke, watching the cloud. On the other side of the House, the muzzled British Lion lies on the ground "asleep." A satire on the dissolution of the Parliament on March 25.
Alternative Title:
Solomon in the clouds
Description:
Title from item. and Mounted to 37 x 29 cm.
Publisher:
Pub'd 1st April, 1784 by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Thurlow, Edward Thurlow, Baron, 1731-1806., Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., Pitt, William, 1759-1806., and Great Britain Parliament
Subject (Topic):
Dissolution, Politics and government, Flatulence, Balloons (Aircraft), Clothing & dress, and Lions
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequel to No. 11384. A fantastic scene in Oxford representing Grenville's installation as Chancellor, which took place at Commemoration, 3 July 1810. Grenville rises in a balloon above a vast applauding crowd; his inflated and spherical posterior fits into the shallow bowl which forms the car. He wears a papal tiara and his Chancellor's gown; a large cross is on his posterior. He extends his arms horizontally, scattering symbolical objects. These are (left): a Cardinal's hat, a rosary, a mitre set in a ducal coronet, and a book, 'Liber Regis . . . Oxford . . .'; (right): three books: 'Letter to the Earl of Fingal'; 'Irish Mass Book'; 'Liber Valorum'. The spherical gas-bag of the balloon represents an inflated Lord Temple, the crown of the head at the summit, with upturned profile in the arc just below (left); shoes emerge from the opposite pole; from the posterior issues a tail or cloud, streaming upward, inscribed 'Promisses'. The car, decorated with Popish emblems, the Host between winged heads, hangs from cords suspended from a net covering the balloon. Three bishops, seated on asses which crouch in neighing obeisance towards Grenville, reach up eagerly towards the Cardinal's hat, &c. They are in back view, and in the foreground on the extreme left. Behind them is part of the Radcliffe Camera, the greater part being cut off by the left margin. By the door is a placard: 'Order'd That No Doctor of Laws shall be admitted without Bag Wig'. Two men are leaving the building: Lord George Grenville, followed by (?) Thomas Grenville. [Not Windham (as Wright and Evans say) who died in June. Lord Holland says Lord Grenville, but he does not resemble him, and his double appearance is unlikely.] The Marquis of Buckingham looks from the principal window under the dome; Lord Stafford leans from a smaller window below. All four wear bag-wigs and gowns. On a projection above the door stands a chicken with the head of M. A. Taylor (the 'Chick of Law', see No. 6777) puffing a blast up at the balloon. Spectacled and bewigged owls perch on the balustrade surrounding the dome. In the foreground on the right is a large group, many of whom wear doctor's gowns with black masks over their features, tied over bag-wigs that perch awkwardly on their heads. Three of them wave their mortar-board caps towards the balloon: Erskine, Tierney (without a mask and especially deferential), and Lord Holland, his face completely blackened by a mask and wearing a mob-cap. Behind (right) are Lord Grey, Sidmouth holding a clyster-pipe behind his back (cf. No. 9849), Lord Cholmondeley, whose wig is back to front and tilted tipsily over one eye, and Whitbread, who clutches his mortarboard in both hands. In front little Lord Lansdowne capers, holding up the brush and shovel of a chimney-sweep (as Lord Henry Petty he was satirized as an inveterate dancer, cf. No. 10589). Next him, but walking off to the right, is Sheridan, who, unlike the others, does not wear a gown and bag-wig, but is naked except for tattered Harlequin trousers (cf. No. 9916), shoes, and ruffles fastened round his wrists to indicate genteel poverty; he clutches his head with a despairing gesture. In the foreground on the extreme right. Dr. Crowe, the Public Orator, sits on the ground, leaning against a milestone with closed eyes and a contented smile; beside him are an overturned tankard inscribed 'Whitbread Entire' [cf. No. 10421], and papers, 'Oratio Croweiana', which a dog is befouling. The stone is inscribed [blank] 'Miles from Oxford to Rome'. The middle distance is filled with a dense crowd of spectators, receding into a sea of heads. Those in front are doctors in red gowns bowing low as Grenville ascends. In front of the crowd Sir W. W. Wynn and his two brothers (Grenville's nephews), sit together in a little chaise drawn by three galloping Welsh goats (as in No. 9760); they wear bag-wigs and gowns and raise their caps to Grenville. One of the goats gallops over a prostrate man in doctor's wig and gown. A bishop (the Archbishop of York) drives through the crowd (left to right) in an open barouche; he doffs his mitre; the coachman and three fat footmen standing behind wave their cocked hats. The crowd surrounds a wooden booth (left) and a high wagon which serves as platform for a rustic family group to view the display. The booth is placarded: 'Wonder of the World the biggest Flying Elephant in the Whole Fair'. Inside it, tiny figures peer at the posterior of a vast elephant with little wings and the head of Grenville. The background is a fantastic view of Oxford towers, which resembles, and is perhaps based on, a drawing by Rowlandson (reproduced, C. Hobhouse, 'Oxford', 1939, p. 60). The crowd fills a space between the Radcliffe Camera and the wall of All Souls abutting (right) on the west end of the Chapel. Behind (left) is the cupola over the gate of All Souls with (right) Hawkesmoor's twin towers flanking a 'Popish' cross. Tom Tower, Christ Church, much heightened and enlarged (right), behind the chapel, flies a Popish flag decorated with tiara and keys, and is traversed from top to bottom by a great fissure. Bats and carrion birds fly round it. Below the design: '-He steers his flight Aloft, incumbent on the dusky air That felt unusual weight,-Par, Lost, Lib: I. l, 225-'"--British Museum online catalgoue
Alternative Title:
He steers his flight aloft, incumbent on the dusky air that felt unusual weight. Par. Lost and Tentanda via est qua me quoque possim tollere humo. Virgil, Geor. ...
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 11570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "34" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 93 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Moss, Charles, 1763-1811
View of the pagoda and bridge in St. James's Park, both in Chinese style, with the pagoda in the centre of the bridge and two small turrets on either side, boats on the water below with passengers embarking to the left, tents on each side of the canal flying the various flags of the Allies, numerous figures throughout the scene, a hot air balloon in the sky above
Description:
Title etched below image., Plate numbered "162" in upper right corner., and Titled 'View of the Chinese Pagoda and Bridge erected over th Canal in St. James's Park.' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829.
Publisher:
Published Septr. 9, 1814, by James Whittle & Richard Holmes Laurie, No. 53 Fleet Street, London
Subject (Geographic):
Saint James's Park (London, England),, London (England), England, London., and London
Charles Fox hangs by the neck from a large balloon with the image of the East India House on it. He has a fox's tail inscribed, "The man of the people." Below on the left stands a female figure of Justice with the face of George III. Under his feet are sheets of paper inscribed, "Coalition" and "East India Bill." In the right hand he holds a scale with half royal crown on one side and "America' on the other. Lifting the cloth that covered his eyes, the King blows the balloon away. Opposite the King, Lord North kneels on the ground, a "Letter of dismission" next to him. He begs George to keep him in office
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Pubd. by J. Cattermoul, No. 376 Oxford Street
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., and East India Company.
Subject (Topic):
Politics and government, Balloons (Aircraft), and Clothing & dress
the 25th of October 1783. and [approximately 1868?]
Call Number:
Folio 724 836C (Oversize)
Collection Title:
Leaf 28. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A Frenchman, in profile to the left, seated on a globe. To the globe are fixed vertical rods, the upper ends of which terminate in four smaller globes which are thus supported above the principal one; chains link these four globes to a fifth globe above, and slightly longer than, the other four. On this fifth globe is a child from whose bare posteriors six balls are being projected. On two (right) of the four globes are the heads of an ass, and of a man wearing a fool's cap; to their jaws are attached reins which are held by the Frenchman whose right hand is extended in the attitude of an orator. On the third globe is a monkey's head, which more resembles that of a sheep; the fourth globe is blank. The intention of the satire is explained by the inscription beneath the title, 'A F------t ------An Ass------ A Fool------A Monkey------A Nothing'. On the large globe on which the aeronaut sits is a cannon, its muzzle projecting upwards and to the left beyond the contour of the globe. In the centre is the winged head of a bald and bearded man in profile to the left. Below is the stern and part of the side of a man-of-war, with cannon projecting from port-holes."--British Museum online catalogue
Alternative Title:
Montgolsier, a first rate of the French aerial navy and Montgolfier, a first rate of the French aerial navy
Description:
Title etched below image., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 28 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub by E. Dachery, N. 11 St. James's Street [i.e. Field & Tuer] and Field & Tuer
Subject (Name):
Restrike. For original issue of the plate, see no. 6333 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
"A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:
Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:
Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),
"A circular globe floating in the air just above the heads of three standing spectators. A witch on a broom-stick (left) flies with her back to the balloon at which she directs a blast, labelled 'Inflammable Air', from her posteriors; she is suckling a cat which sits on the broom-stick. A man standing below (left) holds a torch in the 'Inflammable Air' saying "How blue it burns". On the right two men look up at the balloon. One, in profile to the left, wearing pigtail queue, looped hat, and ruffled shirt, says "We shall now have a Lunatick Journal". The letters 'F.R.S.' inscribed at his feet show that he is a Fellow of the Royal Society. Behind him is a more plainly dressed man wearing a bob-wig and no hat; he holds up a card saying "I've a card for ye Georgium Sidus"; he is A.S.S."--British Museum online catalogue
Alternative Title:
Trip to the moon
Description:
Title etched below image.
Publisher:
Publish'd 02th [sic] Novr. 1783 by W. Humphrey, No. 227 Strand
A bewildered group of French people watches in amazement the rising air balloon shown as a perfect globe attached to the handle of a basket in which travel a sheep, a cock, and a goose. The observers include members of all social classes, from the local landlord to a peasant woman with a child. An ape, accompanied by an owl and a scholar, watches the balloon through a telescope from a nearby tower
Description:
Title from item. and From the European magazine, October 1783, p. 272.
Publisher:
Published Novr. 1st, 1783, by I. Fielding, Pater Noster Row
Subject (Geographic):
France
Subject (Topic):
Balloons (Aircraft), Spectators, Animals, Telescopes, and Clothing & dress
