A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XIII; see p. 109., Ms. note in Steevens's hand: Fustium admonitio., and On page 24 in volume 1. Plate trimmed to: 4.3 x 7.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Beating, Punishment & torture, Soldiers, and Roman
Title from item., Date supplied by curator., Place of publication derived from street address., Published in Le Charivari, 30 March 1843., Above image: Les Malades et les Médecins 5., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Notation (or signature) in ink verso.
Publisher:
Chez Pannier & Cie. Edrs. R. du Croissant, 16 and Imp. d'Aubert & Compie
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott and Tozer drive before them a crowd of fat bishops, who flee to the right in wild confusion. She uses a birch-rod, he wields a flail, inscribed 'Revd Roger Towser's Flail'. Joanna holds by the toe the hindmost bishop, who wears a papal tiara. One has fallen to the ground, losing wig and crosier, another escapes over the former's body; two wear mitres. Several turn round to shriek defiance; one kicks out at Tozer, and uses his crosier as a weapon, another brandishes his wig. Joanna is plainly dressed, and wears a cap and spectacles; from her neck hangs a medallion inscribed 'I C' between two stars, with the words 'A Fac Simili of Joannas Seal'. Drapery streams behind her inscribed 'Elijah's Mantle' and 'Mohair'. Demons and serpents fly round the angry pair. She screams: "Lay it on hip and thigh Brave Towzer Smite the unbelievers--I put no more trust in Bishops as men, than I do in their Chariots and Horses, but my trust is in the Lord of Hosts." He shouts: "I'll well Dust their Woolsacks and make them drunk in my fury, I will bring down their strength to the earth." Behind them (left) is a chest (as in British Museum Satires No. 12333) inscribed 'Contents of the Sealing. The Sealed of the Lord--The Elect--To inherit the Tree of Life. To be made Heirs of God and Joint Heirs of [sic] with Jesus Christ--Joanna Southcott.' Beside it lie a goblet and 'Salver'. At her feet is an open book: 'Third Book of Wonders'. A serpent darts from left to right over the bishops."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: Know I told thee I should begin at the sanctuary I will cutt them all off, having already cutt off four bishops for refusing to hear her visitation., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 51 in volume 5.
Publisher:
Pubd. Septr. 20th, 1814, by T. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814 and Tozer, William, approximately 1770-1828
Subject (Topic):
Women prophets, Prophets, Bishops, Crosiers, Miters, Medals, Chalices, Boxes, Wigs, Beating, Whipping, Whips, and Demons
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., After Hogarth., Caption on either side of title begins: "No sooner was he come t' himself, but on his neck a sturdy Elf ... And that which was prov'd true before prove false again two hundred more.", Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90.
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "4"--Upper right corner., Number 9 in the series. See Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Caption on either side of title begins: "No sooner was he come t' himself, But on his Neck a sturdy Elf ...", and On page 36 in volume 1. Plate trimmed to: 26.6 x 35 cm.
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Alternative Title:
Hudibras catechized
Description:
Title engraved below image., State, publisher, and date from Paulson., Numbered "4"--Upper right corner., Number 9 in the series. See Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Caption on either side of title begins: "No sooner was he come t' himself, But on his Neck a sturdy Elf ..."
"A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. It is inscribed 'Tis expected every' and (round her neck) 'will do his duty'. She watches a servant holding a foppish and elderly naval officer, while he flourishes a cudgel. Bellows lie on the ground. The servant had discovered Miss Baily hanging, and after reviving her with bellows, had fetched the object of her affections and compelled him to marry her."--British Museum online catalogue. On the wall is a painting of Venus and Adonis with Cupid
Alternative Title:
Miraculous recovery of the unfortunate Miss Baily
Description:
Title etched below image., Later printing, not before 1812., Possibly also the work of Isaac's son George., One line of text immediately below title: A ballad by W.J. Donne., Five numbered stanzas of verse arranged in two columns in lower portion of print: A lady fair in deep despair, who pleas'd the beaux in singing, From off the tester of her bed, one morning she was singing..., From the Laurie & Whittle series of Drolls, plate numbered: 456., and Watermark: [Turke]y Mill 1812?
Publisher:
Publish'd Jany. 28th, 1807 by Laurie and Whittle, 53 Fleet Street
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Canopy beds, Military officers, British, Paintings, Seduction, and Servants