Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., and On page 59 in volume 1. With a ms. note in Steevens hand above print: 2nd Impression. Plate trimmed to: 31 x 37.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., Sheet trimmed within plate mark., and On page 59 in volume 1. With pencilled ms. note in Steevens hand above print: 1st Impression. Plate trimmed to: 31.1 x 37.7 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title, state and date from Paulson., Second state of the second plate in the series A harlot's progress, as described by Paulson, with black Latin cross in the center below design., "Plate 2"--Lower left corner., Sheet trimmed within plate mark., and Touched in sepia ink around the Harlot's and Jew's faces, and the Harlot's dress and foot; the foot of the blackamoor is extended down to meet the pile of cloth.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Prostitution, Biblical events, Ethnic stereotypes, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Description:
Title devised by cataloger., Title, state, and date from Paulson., State before addition of black Latin cross in the center below design, "Plate 2."--Lower left corner., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Jews, Masks, Monkeys, Paintings, Prostitutes, Rake's progress, Relations between the sexes, Servants, and Tea
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., and Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
As described in Book 3 of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance. In the center angels play musical instruments including trumpets, harps, and an organ
Alternative Title:
Council in heaven
Description:
Title, state, and date from Paulson., According to Paulson this print was never published., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Given me by the Rt Honble Willm Windham / original., and On page 55 in volume 1.
Subject (Name):
Milton, John, 1608-1674.
Subject (Topic):
Angels, Biblical events, Devil, Harps, Hell, Heaven, Organs, and Putti
As described in Book 2 of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance
Alternative Title:
Council in hell
Description:
Title, state, and date from Paulson., According to Paulson this print was never published., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Given me by the Rt Honble Willm Windham / original., and On page 55 in volume 1.
Title devised by curator., Date of production based on artist's death date., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Holy Family seated before a steep hill in a landscape with lush trees. Mary with a gold halo holds the infant savior on her lap. Joseph sits to her proper right. The young St. John the Baptist standing to Mary’s proper left extends his hand with and offering for the infant. Flanking the group, winged putti gather flowers and pet a sheep. A pile of fruit lies before them. In the left foreground is a body of water. Buildings are visible in the left distance
Alternative Title:
Holy Family, in a landscape and Holy family, with boys and angels, in a landscape
Description:
Title devised by curator., Label on front of frame: Avont Pieter van 1600-1652., Attributed by Horace Walpole to Pieter Van Artois. Now attributed by curator to Antwerp School, first half of the 17th century., Text from 1774 Description: East end: ... Holy family, with boy angels, in a landscape; by Van Artois, scholar of Rubens: from Sir Robert Walpole's collection. Formerly hung in the Gallery at Strawberry Hill., and Title from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: The Holy Family, in a Landscape. St. John is seen presenting fruit to the Infant Saviour, with Angels fondling a Lamb and gathering fruit and flowers, a highly finished and exquisite specimen of the art, the colours most brilliant and in fine preservation, on copper, by Van Artois, a pupil of Rubens. From Sir Robert Walpole's collection.