A copy in reverse of William Hogarth's Plate 2 of A harlot's progress: Mary Hackabout (left), now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2, In high keeping by a Jew, and Juif l'entretien somptueusement
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.3 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Overprinted with left and right border pieces., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2047., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 122.
Publisher:
publisher not identified
Subject (Topic):
Black people, Jews, Boudoirs, Biblical events, Masks, Monkeys, Clegy, Horses, Lust, Rake's progress, Prostitutes, Relations between the sexes, Servants, and Young adults
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.2 cm, on sheet 45 x 56 cm., and Leaf 36 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book, 3d edit, p. 324., Sheet trimmed to: 41.7 x 51.1 cm., and Formerly on page 162 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Kinnaird 33K Box 310
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., and Laid paper; sheet trimmed to 42.0 x 52.0 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
Title from caption below image., For a possible later state with the text "Musée Francais" etched below title, see British Museum online catalogue, registration no.: 1859,0806.432., and Date of publication from description of a variant state in the British Museum.
Publisher:
Imprimé par Ramboz
Subject (Topic):
Massacre of the Holy Innocents and Biblical events
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., and Formerly on page 118 in volume 2. Removed in 2012 by LWL conservator.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 4
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.5 x 46.3 cm, on sheet 45 x 56 cm., and Leaf 20 in: Album of William Hogarth prints.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 38.4 x 46.6 cm, on sheet 46 x 59 cm., and Plate 20 in the album: Queen Charlotte's collection of Hogarth works.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., and After the painting "The Bagnio" in the National Gallery, London.
Plate 20. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays
Alternative Title:
Marriage a-la-mode. Plate 5
Description:
Title engraved below image., State from Paulson., After the painting "The Bagnio" in the National Gallery, London., Ms. note, and On page 119 in volume 2. Sheet trimmed to: 38.1 x 46.1 cm.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., The engraver's initials 'R.F. Ravenet' are a mistake for 'S.F.' or Simon François., and Sheet trimmed within plate mark.
In a bedroom of The Bagnio, the mortally-wounded Earl leans on a table, the countess kneeling before him with clasped hands. Behind her on the right Silvertongue escapes through the window. On the left the watchmen stand in the doorway with startled expressions. The floor is strewn with clothing including a hooped petticoat, masks, the countess's shoes and her stays. The painting above the door, the mural on the back wall, and the portrait near the window illustrate the theme
Description:
Title engraved below image., In lower left corner: Size of picture 3 ft. by 2 ft. 4 in., After the painting "The Bagnio" in the National Gallery, London., Sheet trimmed to plate mark., No. 5 in a series of 6 images. Series title engraved below image., Copy of: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2748., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 162., and Copy of: Paulson, R. Hogarth's graphic works (1st ed.), no. 232.
Publisher:
Pub. Aug. 1, 1800, by J. & J. Boydell, No. 90, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Muller, Harmen Jansz. (Harmen Janszoon), approximately 1538-1617, printmaker
Published / Created:
[not after 1617]
Call Number:
Print00933
Image Count:
1
Resource Type:
still image
Alternative Title:
[Thou shalt not commit adultery: Bathsheba receiving the message from David].
Description:
Title from item., Date derived from printmaker's date of death., Place of publication derived from publisher's place of residence., After title: Exod. XX., Within image: ij. Samuel xi.Cap. ; 6., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
H. Cock excude
Subject (Name):
Bathsheba (Biblical figure). and David, King of Israel.
Subject (Topic):
Baths, Ten commandments, Adultery, Hygiene, Public baths, Dressing & grooming equipment, Servants, Bathing, Grooming, Biblical events, and Mirrors
Title from item., Date derived from printmaker's date of death., Place of publication from item., Trimmed within plate mark., Text below title: Dedié à Monseigneur Louis André de Grimaldi; des Princes de Monaco, Evèque Comte de Noyon, pais de France; Le Tableau Original se trouve dans la Collection du Sr. Basan; Se vend à Paris ches Basan et Poignant rue et Hotel Serpente; Par son très humble et très Obéissant serviteur Basan., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Miracle cures.
Publisher:
Se vend à Paris ches Basan et Poignant rue et Hotel Serpente
Subject (Name):
Jesus Christ
Subject (Topic):
Miracles, Medicine in the Bible, Healing of the paralytic (Miracle)., Biblical events, People with disabilities, Litters, Sick persons, Camels, and Obelisks
Illustration to verses printed in two columns. An elderly parson, holding his pipe, his back to the fire, makes gestures of rage towards his servant (right) who hurries terrified from the room as he drops a jug. His wife (left) holds his coat to restrain him, dropping a book from her lap as she sits in a chair with a slipcover. The verses in letterpress below the image relate that after a sermon on the misfortunes of Job, the parson told his wife that his 'patience and strength of mind' were equal to Job's, though she (like other women) was incapable of such restraint. His servant enters to tell him that the contents of a cask of ale had been spilt. His wife reproaches him for his violent abuse: "Job was not half so vext ..."; he says: "Answer me this, I say- Did Job e'er lose a barrel of such ale?" On the wall behing is a picture of Job suffering by the road as described in the Bible. See British Museum catalogue
Alternative Title:
Bad job
Description:
Titie from letterpress printed below the image. On this impression part of the title is printed below plate., Printmaker identified from the original drawing in the Huntington Library., Text of the tale in letterpress printed in two columns below title: Twas at some country place, a parson preaching, The virtue of long sufferance was teaching ..., One of the series of Laurie & Whittle drolls., and Watermark: E & P 1796.
Publisher:
Published 20th November 1798 by Laurie & Whittle, 53 Fleet Street, London
Subject (Name):
Job (Biblical figure)
Subject (Topic):
Biblical events, Chairs, Clergy, Fireplaces, Interiors, Pipes (Smoking), Pitchers, Religious dwellings, Servants, and Spouses
"In the distance, the pyramids are visible, with flames running across the ground in front of them; in the foreground are a low building, broken tree-stumps, a dead horse and rider and two supplicating figures."--British Museum online catalogue
Alternative Title:
Fifth plague of Egypt
Description:
Title etched below image., Letter "H" etched above image., and Watermark.
Publisher:
Published June 10, 1808, by C. Turner, No. 50 Warren Street, Fitzroy Square
Title from caption below image., Text in lower left corner of plate: Size of the picture, 4 f. 9 1/2 i. by 6 f. 4 3/4 i. in height., Etched coat of arms below image bearing the motto: Fari quae sentiat., Plate XXIV from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 1., and Mounted to 55 x 39 cm.
Publisher:
Published Novr. 1st, 1775, by John Boydell, engraver in Cheapside
The scene from Acts, Chapter 12, verse 17 in which an angel leads Peter through the door from his prison while the Roman soldier sleeps at the foot of the steps outside
Description:
Title engraved below image., "The Acts Chap. 12 Verse 17.", and Sheet trimmed within plate mark.
Publisher:
Pub. July 6, 1793, by E. & S. Harding, Pall Mall, & J. Good, Bond Street
Subject (Name):
Peter, Saint, -304.
Subject (Topic):
Angels, Biblical events, Sleeping, Soldiers, and Roman
published as the act directs [...] [not before 9 November 1782]
Call Number:
782.11.09.02+
Image Count:
1
Resource Type:
still image
Abstract:
A generous physician refusing money for services rendered from a poor family and "The interior of a room showing no trace of actual poverty. The invalid, a man, fully dressed but wearing a nightcap, sits in an upholstered arm-chair by the fire. A little girl stands at his knee; at his side on a tray or table are two bowls and a medicine bottle labelled 'as before'. The physician, a well-dressed man wearing a bag-wig, is about to leave the room (right); he puts coins into the hand of a young woman holding an infant. The room is papered, a half-tester bed with curtains stands against the wall. Tea-things are ranged along the chimney-piece, over which is a framed picture of a Christ healing the blind man."--British Museum online catalogue
Description:
Title engraved below image., A publication date of 1783 was originally suggested in the British Museum catalogue; however, the British Museum has since acquired an impression with an intact publication date of "9 Novr. 1782." See British Museum online catalogue, registration no.: 2010,7081.837., Description based on an imperfect impression; publication date erased from sheet., Four lines of verse in two columns beneath title: The benevolent physician takes no fee, of those that need him much in poverty. To poor distress'd, and those of small estate, he money gives, takes only of the great., Companion print to: The rapacious quack., and Plate numbered "486" in lower left.
Publisher:
Printed for & sold by Carington Bowles, at No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
Great Britain.
Subject (Topic):
Physicians, British, Families, Sick children, Interior decoration, Fireplaces, Biblical events, Canopy beds, Painting, Poverty, Beneficence, Patients, fireplaces, medicine bottles, beds (furniture), poverty, patients, Clothing, Money, Medicine bottles, House furnishings, Benevolence, and Beds
