"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
"An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d'Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed 'Log' chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: 'M O B / I L I T Y'. A board resting on a ram's head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed 'Adultery'. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively 'Sham Addresses' and 'Hired Processions' [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the 'Adultery' slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed 'Brass'; from it dangle emblems of Bergami: a postilion's boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is 'Wood'; from it dangle a bottle, a pestle and mortar, and a porter's knot. In the foreground (right) are thistles, emblem of 'Thistle-Wood', see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, 'To Jerusalem', points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters 'C·B'. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed 'Como'.."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; plate mark 27.3 x 22.6 cm, on sheet 27.5 x 23 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 79 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bergami," "Caroline," and "Wood" identified in ink below image; date "1 June 1821" written in lower right corner of sheet. Typed extract of twenty-seven lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
Como, Lake (Italy),
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Denman, Thomas Denman, Baron, 1779-1854
Volume 2, page 70. Etchings by Henry William Bunbury, Esq. and after his designs. Page 17. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A man, accompanied by two dogs, carries a cage of live rats in his right hand and in his left hand, a sharp, wooden stick on which dead rats are impaled
Description:
Title engraved below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed to plate mark., and Mounted on page 70 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Janry. 26th, 1789, by W. Dickinson, New Bond Street
Volume 2, page 70. Etchings by Henry William Bunbury, Esq. and after his designs. Page 17. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A man, accompanied by two dogs, carries a cage of live rats in his right hand and in his left hand, a sharp, wooden stick on which dead rats are impaled
Description:
Title engraved below image., Plate was engraved by either John Baldrey or his brother Joshua Kirby Baldrey., Sheet trimmed to plate mark., Mounted on page 17 of: Bunbury album., and 1 print : stipple engraving, etching, and engraving on wove paper ; sheet 38.0 x 29.0 cm.
Publisher:
Publish'd Janry. 26th, 1789, by W. Dickinson, New Bond Street
"Nicholas I, in uniform with plumed cocked hat, rides (right to left) a gigantic Russian eagle, his sword raised to slash. The eagle holds in one of its beaks a round wicker coop which it drops over a turkey crouching on a grassy slope (left). From each predatory beak a cloud issues, inscribed WAR in large elaborate letters. The heraldic bird is very much alive, one claw clutching a sceptre, the other an orb. The Tsar stands in his stirrups; his saddle is superimposed on the shield on the bird's breast on which is a mounted knight in armour with visor down and sword raised. To the shield are appended eagles and other emblems. Far below (right) is a snow-covered plain where tiny Cossacks gallop with levelled spears, chasing Turks, The sky is filled with flame and smoke from blazing buildings. On the left from among the smoke emerges the dark silhouette of a profile bust of Napoleon; he says: Europe look well to this beware of the Kelmuc [sic]."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Approximate date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 219.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
Nicholas I, Emperor of Russia, 1796-1855 and Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Russo-Turkish War, 1828-1829, Cages, Ceremonial objects, Daggers & swords, Eagles, Poultry houses, Scepters, and Turkeys
Volume 2, page 82. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Dr Priestley sitting at a garden table, looking at a mouse in a semi-circular cage, smiling as he listens to Mrs Barbauld who stands pleading for its release and another woman and Charles Rochemond Aikin, a little boy look on, with trees all around; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Sixteen lines of verse below image, eight on either side of title: Oh! hear a pensive prisoner's prayer, for liberty that sighs; and never let thine heart be shut against a wretch's cries ... Vide Mrs. Barbauld's poem., and Mounted on page 82 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published Novr. 20, 1791, by Thos. Macklin, 39 Fleet Street
Title from item., Trimmed within plate mark, possibly with loss of design., Publication date conjectured from costume., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clergy, Crowds, Pickpockets, City & town life, Window displays, Cages, and Clothing & dress
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., and Mounted on page 65 with one other print.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., 1 print : etching on wove paper ; plate mark 20.2 x 25.6 cm, on sheet 21.8 x 26.9 cm., and Mounted on leaf 48 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
"A spirited horse, wearing the feathers of the Prince of Wales in his headband, stands on his hind legs, a pen in his fore-foot, writing a letter while Sheridan (right) guides the pen; his blinkers cover his eyes. Sheridan, who leans across the table in profile to the left, holds the paper: 'To Mr Pi[tt] ....' An ape with the (simian) features of Lord Derby squats on the table behind Sheridan, reading a paper: 'Rough Drat of the Letter', and saying "Hear hear hear". On the extreme left appear the profile, hands, and one foot of Weltje, saying, "By Got he vill teach de Orse to speak". Under the table is a circular rat-trap, in which are five rats with quasi-human faces."--British Museum online catalogue
Alternative Title:
To be seen at Mr. Sheridan's menagerie the wonderful learned Hanover colt ...
Description:
Title from text below image., Signed with the monogram of James Sayers., Temporary local subject terms: Regency crisis -- Prince of Wales's answer to Regency restrictions -- Ministerialists as rats -- Lord Derby as a monkey -- Emblems: Prince of Wales's feathers -- Horse of Hanover -- Writing horse -- Caged rats -- Menageries -- Rat traps., Note on verso in contemporary hand: The same Hanover Colt directed by Mr. Sheridan to write a Letter. - 1789. Allusion to an answer to the H. of C. in the P. of Ws. name suppos'd to be dictated by Sheridan., and Watermark: (partial) crown over shield with fleur-de-lis.
Publisher:
Pubd. 27 Jany. 1789 by Thos. Cornell
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Sheridan, Richard Brinsley, 1751-1816, Malmesbury, James Harris, Earl of, 1746-1820, Aubrey, John, Sir, 1739-1826, Hamilton, William Gerard, 1729-1796, Taylor, Michael Angelo, 1757-1834, Smith-Stanley, Edward, 1752-1834, and Weltje, Louis, 1745-1810
Subject (Topic):
Regency, Animal shows, Horses, Writing, Rats, Cages, and Monkeys
