Title from item., Date supplied by curator., Place of publication from item., Above image: Notions of the Agreeable. No.42., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published by William Spooner, 377, Strand and Printed by W. Kohler, 22, Denmark Street, Soho
Subject (Topic):
Gout, Obesity, Kettles, Sick persons, Fireplaces, Cats, and Bells
"Oh dear Doctor I think I've swallow'd a Mouse! ..."
Description:
Title from item., Date supplied by curator., Place of publication from item., In upper margin center: Whims & Oddities; No. 20., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Clysters.
Publisher:
W. Soffe. 380 Strand
Subject (Topic):
Physician and patient, Diagnosis, Enema, Physicians, Sick persons, and Cats
Lady Cecilia Johnston, shown three-quarter length, turns slightly left but looking back over her shoulder as she reaches for a carafe on an elaborately carved hutch in a fashionably decorated room. She wears a dress with lace sleeves, her hair up in a lace cap. Behind her on the right, one cat is curled in an upholstered chair while another sits in front. Through the window behind, a winter scene, with snow covering the ground, a church, and a leafless tree
Description:
Title written below image, a quotation from Horace Walpole's letter to Lord Nunham, 7 July 1777 in reference to Lady Cecilia Johnston., Signed and dated by the artist in lower right corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 150., and Bound in as page 234 in volume 6 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Six members of the society sit in a row, each singing a different song. All are ugly and elderly except one lady who turns to her neighbour singing, "In sweetest harmony we live." The latter, almost bald, sits on the extreme left, singing, "Time has not thinn'd my flowing hair." A fat, ugly lady bawls towards her left hand neighbour: "Encompass'd in [an] angels frame." He sings to her: "Together let us ran[ge] the fields." A man with closed eyes from which tears fall, sings: "Said a smile to a tear what cause have you hear." A gouty, old naval officer on the extreme right sings: "Oh exquisite harmony!! Music has charms to soften rocks and bend the knotted oak." A dishevelled footman with a bottle in his coat-pocket walks from the right, tilting his salver of glasses so that they fall on a squalling cat. He sings tipsily: "From night till morn I take my glass I hopes to forget my Chloe!!" A dog on the left howls
Alternative Title:
Catalanian picnic society at private rehearsal
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. by T. Tegg, 111 Cheapside
Subject (Topic):
Cats, Crying, Dogs, Organizations, Rehearsals, Servants, Singing, and Sleeping
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 7th December 1772.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 79. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A family scene of barren discomfort. An elderly man (left) in profile to the right sits in a high-backed wooden arm-chair asleep. Next him his wife sits asleep, her hands clasped, her left elbow supported on a table. At the table sits a boy asleep over a book. On the right, very upright on the edge of her chair, sits a middle-aged woman, wearing a low bodice, her hair dressed high. In the foreground a dog and cat are fighting. The room is lit by one guttering candle which stands on the table. A window and a door are indicated."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 79 of: Bunbury album.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 7th December 1772.
Call Number:
Bunbury 772.12.07.03+ Impression 1
Collection Title:
Page 79. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"A family scene of barren discomfort. An elderly man (left) in profile to the right sits in a high-backed wooden arm-chair asleep. Next him his wife sits asleep, her hands clasped, her left elbow supported on a table. At the table sits a boy asleep over a book. On the right, very upright on the edge of her chair, sits a middle-aged woman, wearing a low bodice, her hair dressed high. In the foreground a dog and cat are fighting. The room is lit by one guttering candle which stands on the table. A window and a door are indicated."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching with drypoint on laid paper ; sheet 239 x 295 mm., and Imperfect; sheet trimmed within plate mark with partial loss of image from top edge.
A midwife holds out a newborn child, who exhibits a combination its parents' physical traits: the nose of its mother, who lies in bed, and the hook arm, peg leg, glasses and queue of its father, who stands proudly at the foot of the bed. The midwife exclaims, "My good gracious! Hear's [sic] a family likeness for ye. It's Daddy all over with Mammy's nose. Bless it's [sic] little soul. Hey diddle diddle." A fireplace is visible on the right side of the room; a cat claws the bedding and looks up at the child
Description:
Title etched below image., Sheet trimmed within plate mark., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
As she looks directly at the viewer, a short, plump woman dressed in a short dickey bares her breasts as she stands, legs apart, between a dresser and an armchair. A cat with a shocked expression looks up under her short chemise
Description:
Title from caption etched below image., Printmaker and imprint from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 22 cm.
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice: 'Club Law". In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer; between his legs sits a large cat. Beside and behind him a man with a bottle in one hand sniffs at another bottle. An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title from caption below image., Printmaker and publication dates from Grego. See: Grego, J. Rowlandson the caricaturist, v. ii, p. 58, 214., Artist from earlier print of which this is a reduced copy. See no. 7452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Description based on imperfect impression; sheet trimmed within plate mark on upper edge, and text erased from lower left corner of sheet., and Additional shading added in pencil to lower left corner of design.
Leaf 35. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike, with slight alteration to dialogue below image; the letters "omp" in "Romp" have been burnished from plate and replaced with an underscore. For original issue published ca. 1830, see Lewis Walpole Library call no.: 830.00.00.122+., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Five numbered lines of dialogue below title: 1. So! they say Miss Stiff R- is in the straw!! 2. Why sure, is it a girl? ..., and On leaf 35 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26, Haymarket and Field & Tuer
Subject (Topic):
Tea, Kettles, Gossiping, Tables, Candles, Fireplaces, Cats, and Accidents
A copy in reverse of William Hogarth's Plate 3 of A harlot's progress: In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are two portrait prints of the hero and heroines of "The Beggar's Opera", Captain Mackheath and Polly Peacham, (Polly replaces Dr. Sacheverell in Hogarth's print), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Alternative Title:
Harlot's progress. Plate 3, Compleat trull at her lodgings in Drury Lane, and Elle est reduite à la misère dans son logement de Drury Lane
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2062., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 123., and Border piece on the left slight overprinting into the design.
The interior of a poor wooden house, a parson's family of four gather around a table covered in a tablecloth worn with holes. They are eating beans, while he sits on the right, gnawing a bone; his wife (left) nurses the youngest child. Behind her on the wall are two shelves of books above which hangs a bird in a birdcage. To her left, the curtains around the canopy bed are also torn. A small cat (foreground) looks up at the parson. On the floor beside the parson's chair lies a sheaf of papers with the title "Charity sermon".
Description:
Title from caption below image., Numbered "481" in lower left corner., No. 24 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Canopy beds, Birdcages, Breast feeding, Cats, Clergy, Eating & drinking, Families, Interiors, and Poverty
"A young woman plays the piano (right) with painful intentness, and sings, as does the man who holds open her music-book, inscribed 'On Rosy Bed by Tinckling Billy'. A middle-aged military officer stands full face playing the flute. A fat elderly 'cit' sleeps in an arm-chair (left); his wig has fallen off and his legs rest on another chair. Behind him a very obese man and an ugly and over-dressed woman with a grotesquely thin neck sing from the same piece of music: 'On Rosy Bed'. He warms his back at a blazing fire; the feathers in her hair are alight in one of the candles on the chimney-piece. A small boy blows a toy trumpet, a dog howls and a cat miaows, standing on an open music-book inscribed 'Water Part ....' Chinese figures on the chimney-piece and the lintel of the door represent comic musicians playing different instruments."--British Museum online catalogue
Alternative Title:
Delights of harmony
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., and Sheet trimmed within plate mark.
A scene in an artist's studio lit from an attic window (left). Four connoisseurs are grouped round a large canvas on an easel: an Apollo with a sheaf of arrows, head turned in profile to the left. The model is a tall black man in the pose of the Apollo but with very different features, the left hand holding the stick of a broom which supports the pose. A fifth connoisseur reaches up to alter the position of the model's head. The artist stands beside his canvas facing the invaders, the left hand, holding palette and brushes, rests on the canvas; he sucks his mahl-stick with a gloomy scowl. On the extreme right a cat sits in a cradle, behind which an alarmed little boy hides. The artist's wife, with an infant in her arms, faces the fire with her back to the visitors whose unwelcome intrusion is apparent. Behind is a bed with drawn curtains. Three casts from the antique decorate the bare room. The model's coat and hat lie on the ground (right). On the far left in the foreground a dog urinates against two canvases leaning against the wall
Alternative Title:
Assemblée des connisseurs
Description:
Titles in English and French etched below image. and Imperfect; sheet trimmed within plate mark with loss of all text from bottom edge. Missing text supplied from impression in the British Museum.
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes ... On the table below the window (left) is a bowl labeled "Pease porridge" and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man's coat is hung on the back of the chair to the right of the hearth
Description:
Title from note in artist's hand above image., Artist name from dealer's description., Study (or copy) for a print of the same title that was published July 1801 by W. Holland. Not reversed., and John Nixon (ca. 1750 - 1818), city merchant and amateur watercolourist (topography) and designer and maker of satirical prints; honorary exhibitor in RA between 1781 and 1815.
Subject (Topic):
Bed, Boxes, Candlesticks, Canopy beds, Cats, Corsets, Couples, Fireplaces, Flatulence, Single women, and Sleepwear
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes ... On the table below the window (left) is a bowl labeled "Pease porridge" and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man's coat is hung on the back of the chair to the right of the hearth
Description:
Title etched above image., Artist attribution from dealer's description., and Study for a print of the same title that was published July 1801 by W. Holland.
Publisher:
Pub'd by Wm. Holland, Oxford street
Subject (Topic):
Bed, Boxes, Candlesticks, Canopy beds, Cats, Corsets, Couples, Fireplaces, Flatulence, Single women, and Sleepwear
Four scenes in one plate, each with a separate title, each showing a marital or courtship scenes with monkeys and cats and pictures on the walls that amplify the domestic scene
Description:
Title from caption below image., Text following imprint: Folios of caricatures lent for evening., Sheet trimmed to plate mark on two sides., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Nov. 26, 1810 by S. W. Fores, 50 Piccadilly
Subject (Topic):
Cats, Couples, Courtship, Fighting, Spouses, Draperies, Fireplaces, Interiors, and Monkeys
"Scene in a neat parlour or music room, with open square piano and lyre-back chairs. A middle-aged termagant, coquettishly dressed, has overturned her chair and stands with raised fist, shrieking at a very young man in riding-dress. He sits (left) with hat and riding-switch beside him, bewildered and passive; his dog takes cover under his chair, looking sideways at an aggressive cat which arches its back against its mistress. A cockatoo screams from its perch. On the piano, which is inscribed Row Maker, is an open music-book: Blow High. Blow Low; on the floor is a book open at Wake to Ecstacy the living Lyre. Behind the woman's head is a convex wall-mirror, topped by a carved eagle which looks fiercely down. This is flanked by two sea-scapes: Calm (left), ships becalmed, and Storm (right), a ship struck by lightning and about to be submerged in towering waves."--British Museum catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Pictures in image amplify subject of the print., and Sheet trimmed within plate mark.
A couple of Irishmen look in horror at a white cat in a church graveyard."--British Museum online catalogue
Description:
Title from item., Sheet trimmed within plate mark., Plate numbered in upper right corner: N. 16., and Undescribed in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A very fat gentleman on the left paying court to an ugly old lady on the right; both are seated with the gentleman with a small dog beneath his chair and a cat near his feet; the lady is holding a fan and wearing the towering hairstyle of the period. Behind them draperies are pulled aside revealing shelves of books
Description:
Title etched below image., Place of publication follows publisher's street address., Numbered in lower left of plate: 382., Variant of George 4557, without verses below design, but with imprint date present., and Contemporary pencil ms. notation identifying subjects: Mr. Mason & Mrs. Montague.
Publisher:
Printed for & sold by Carington Bowles ... No. 69 in St. Pauls Church Yard
Subject (Geographic):
England
Subject (Name):
Montague, Elizabeth Robinson, 1720-1800. and Mason, William, 1725-1797.
Subject (Topic):
Clothing & dress, Hairstyles, Couples, Interiors, Bookcases, Dogs, and Cats
"An enormously fat lady flings up arms, legs, and tea-cup in terror, as her flimsy gown catches fire from a red-hot poker falling from the grate (left). She, a stiff military officer, and a young woman sit at a round tea-table. The man sits paralysed, alarmed and helpless, spilling his tea; the girl has added to the calamity by knocking over the tea-table so that urn and tea-pot spill their scalding contents, and crockery slides towards the floor. A loutish footman enters (right) but has stopped dead, dropping a dish of muffins. A frightened cat scampers from the hearth-rug. Over the chimney-piece is a picture of Vesuvius in eruption. The woman is a monstrous creature with bare arms and elaborately dressed hair (or wig), a patterned carpet completes the design."--British Museum online catalogue
Description:
Title etched below image. and Text following title: Dedicated to the serious attention of the fashionable ladies of Great Britain.
Publisher:
Publish'd Feby. 15th, 1802, by H. Humphrey, 27 St. James's Street
Subject (Geographic):
England
Subject (Topic):
Cats, Clothing & dress, Parlors, Tea, and Tea tables (Tables)
An angry wife (left) with her hair tied up in a kerchief throws the contents of a chamber pot in her husbands face as she hammers him on the head with a small pick. The rotund husband with breeches untied winces in pain; in his left hand is a large stick. The cat clinges to his leg in terror. On the wall hangs a picture of "Patient Grin[?]".
Description:
Title etched below image., Possibly by Woodward. Cf. Labourers in the vineyard!! / Woodward del., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A group of four musicians in a semi-circle play their instruments -- a viola, violin, harpsichord, and cello. Most of the musicians are seated in chairs, but the violist stands with one leg raised. A dog and cat (who plays amongst some fallen sheet music) are in the foreground left and right, respectively
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. April 21, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Cats, Dogs, Musical instruments, Music ensembles, and Musicians
"Satire on village life. A country fair in which three young women are running for the prize of a smock; the third in line has tripped over a dog and is being helped up by a man. In the foreground, left to right: a young couple embrace beneath two trees hung with drapery; a small girl fills a mug of beer from a cask on which leans the village constable, asleep, with an empty mug in his lap; a small girl beside him holds a book lettered, "Compleat Peace Off[ice]r."; a dog steals food from a plate discarded on the ground; an old man stands on tip-toe holding his eye-glass to read a notice lettered, "To be Run for by Men in Sacks, A Flitch of Bacon on Tuesday next" which is pinned to one of the trees; a sailor sits on a branch of the tree holding up the hem of the prize smock which hangs on a pole at either end of which is a three-cornered hat; another sailor lounges on the ground looking at the runing women, a large jug near his foot; a chimney boy grabs a gingerbread crown from a boy who is holding a donkey by a chain; a small girl holds a younger child who waves another gingerbread crown while a dog jumps up to reach it. Behind the area roped off for the race is a crowd of spectators and a farm cart which a woman climbs into with the help of two men and another woman already in the cart; a man with a cockade in his hat waves a small flag on a pole, perhaps indicating the start of the race; a larger flag with a cross flies behind; other villagers are gathered in and around a makeshift tent; a one-horse carriage driven by a woman and carrying a gentleman comes into the scene from the right; behind the carriage two men are fencing. Women watch from upper windows of a large house in the background; on its walls are two bird-bottles and a dove-cote which a cat is eyeing with interest from a window sill; beyond is a windmill."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Temporary local subject terms: Country fairs -- Buildings -- Prizes: Holland smock -- Tricorne hats -- Constables -- Barrels with spiggots -- Beer -- Food: gingerbread -- Vehicles -- Chaise -- Animals -- Trades -- Donkey-driver -- Dishes: tankards -- Dove-cot -- Placards: race notice -- Customs: allusion to the "Flitch of bacon" -- Quizzing glasses -- Naval uniforms: sailor's uniform., and Mounted to 28 x 38 cm.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, & Jno. Smith, No. 35 in Cheapside, London
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1803]
Call Number:
Drawings W87 no. 40 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A footman leads a parson and six prospective suitors that have arrived in response to an advertisement for a husband posted by an 'old maid'. The bachelors include a Welshman, a Scotsman, and a doctor that offer flatteries while waiting, "Splutter hur, how pretty she looks, she pe [sic] a nice wench", "Leave a Scotch laddie alone for carrying off the sillar", and "From my conscience, she looks like a Venus of medicine!" respectively. The footman leans forward to shout into the elderly woman's ear trumpet, "Please your ladyship all these gentlemen be[?] come about an advartisement [sic] for a husband and to lose no time they have brought the Parson with them; please your Virginship what am I to say to em?" The elderly woman responds, "Say to them, why the men are mad, if I was so inclined do they think I would marry six husbands at once!!" A hissing cat followed by a litter of kittens stand beside the woman's chair
Description:
Title inscribed in black ink in the artist's hand below image., Signed by the artist., and Publication line inscribed in ink below image for possible later print: London, Pubd. Jany. 1, 1803 by William Holland, No. 11 Cockspur Street, removed from Oxford Street.
Subject (Topic):
Bachelors, Cats, Hearing aids, Marriage proposals, Older people, and Single women
Verse - "Here I must tell the praise of worthy Whit-"., Dated from the address; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., In this edition, the text is in four columns, with the title above the first two columns. There are four woodcuts. The first and second woodcuts are above their respective columns. The third woodcut is located in the middle of the third column. The fourth woodcut is located near the top of the fourth column., Mounted on leaf 65. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
"The Duke of Richmond (left) sleeps in an arm-chair beside a table on which are playing-cards and bits of broken tobacco-pipes arranged to represent fortifications. On the right are two cannons, one on a gun-carriage ; a cat sits on its muzzle miaowing at Richmond, one paw on the table. By his side (left) are plans on rollers and a box of long tobacco-pipes. On the wall hang two pictures on rollers as if they were plans. In one (left) soldiers with wheelbarrows, &c. work on the sea-shore, off which dismantled ships lie at anchor. In the other, cannons and cannon-balls with one sentry lie along the sea-shore, off which are ships at anchor with brooms at their mast-heads to show that they are for sale. Richmond's hat, overcoat, and sword hang on the wall between the two pictures. At his feet is an open book inscribed 'Trial of Colol Debbeig'."--British Museum online catalogue
Alternative Title:
Planing of fortifications and Planning of fortifications
Description:
Title etched below image., Printmaker from Grego and British Museum Catalogue., Temporary local subject terms: House of Cards -- Card players -- Bill to fortify Portsmouth -- Fortifications -- Furniture -- Pictures that amplify subject -- Matches -- Pets., Horace Walpole refers to subject of print in his letter to Mann dated March 16, 1786., and Watermark in center of sheet: J Whatman?
Publisher:
Published March 7th, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Subject (Topic):
Chairs, Sleeping, Tables, Playing cards, Pipes (Smoking), Cats, and Pictures
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
Titles from captions below individual images., Series titles from text above design., Publication date from unverified data from local card catalog record., and Design consists of ten images; most individually captioned.
Title from item., Sheet trimmed to plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: French term for pregnancy.
Publisher:
Pubd. Feby. 20th 1786 by J. Wicksteed, No. 30 Henrietta Strt. Covent Garden
In seven scenes in a design of two tiers, citizens dispute the oppressive fees imposed by a zealous tax collector who taxes bugs, pets, a bulbous nose and a runny nose, corns on a foot, and a man's skin. In the scene on the upper right, the tax collector penalizes a man whom he accuses of evading tax as he defecates in a bush
Alternative Title:
Taxes as they will be!!
Description:
Title etched below image., Attributed to Isaac Cruikshank by Krumbhaar., Publisher's advertisement following imprint: ... folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. June 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street ...
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, Black people, Birds, Birdcages, Cats, Defecation, Dogs, Servants, Single women, and Tax payers
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
Abroad and at home
Description:
Two distinct designs on one plate each titled separately., Sheet trimmed within plate mark., and Mounted to 35 x 26 cm.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi
Leaf 54. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Two designs on one plate. Design on top: A fat woman sits in a nightgown on the edge of a curtained bed while her husband (right) yawns in an armchair, glass and decanter beside him. He has dropped a (broken) pipe and his book: 'Memoirs of an Amorous Fat Rump'd Old Tabby'. She watches him anxiously, holding out his nightshirt to the fire (left). An elderly maidservant leaves the room with warming-pan and candle, looking over her shoulder much amused. On the chimney-piece by the bed are bottles labelled 'Restorative Drop' and 'Corn Plais[ter]'. A cat and kitten sit by the fire. Design below: A young man and a pretty courtesan caress each other on a sofa. Beside them are wine and fruit on a round table; a dog sits on hind legs looking up at the couple. Behind a curtain (right) a degraded-looking woman drinks furtively. See British Museum online catalogue
Alternative Title:
At home and abroad ; Abroad and at home
Description:
Titles etched below images., Two images on one plate, each with a separate title and signature. A single imprint statement is etched in lower left corner of top image., Restrike. For original issue of the plate, see nos. 10809 and 10810 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 66., and On leaf 54 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feb. 28, 1807, by T. Rowlandson, No. 1 James St., Adelphi [i.e. Field & Tuer]
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., 1 print : etching with stipple ; plate mark 350 x 247 mm., and Hand-colored.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., and Watermark: J. Whatman 1822.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A young man with a grotesquely long chin sits in a high back chair, kissing a pretty young woman who stands between his legs. Behind him a dog has his paws on the cloth-covered table on which is laid cheese and bread; a cat drinks from a pitcher on the ground. Through the door on the right, a fat older man sits on a stool, smoking his pipe as he looks up at another pretty girl. On the wall hangs his gun and game; above them hangs a bird in a cage
Alternative Title:
Bachelor's fare, bread cheese and kisses
Description:
Title etched below image., Later state; former plate number "309" has been replaced, date following artist's signature has been altered from "1813" to "1818," and beginning of imprint statement has been burnished from plate., Date of publication based on complete imprint on earlier state: Pubd. Feby. 10th, 1814, by Thos. Tegg, No. 111 Cheapside. Cf. No. 12400 in the Catalogue of prints and drawings in the British Museum, v. 9., Sheet trimmed within plate mark on three sides., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "285" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, pages 253-4., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 35.1 x 24.8 cm, on sheet 41.8 x 25.6 cm., and Leaf 95 in volume 4.
A young woman under an enormous heart-shaped coiffure. In the topmost section of her hair is a kitchen fireplace with meat roasting on a spit, and a monkey in a fool's cap sitting on the chimney admiring itself in a mirror. On either side of the hair are kitchen implements, poker, tongs and shovel, a mop, broom, etc., and, in the center, a large wheel of cheese infested by mice. Various vegetables are assembled around the cheese, while a dog and cat confront one another below it.
Description:
Verse in lower margin: The taste at present all may see, but none can tell what is to be. Who knows when Fashion's whims are spread, but each may wear this kitchen head. The noddle that so vastly swells, may wear a fools cap hung with bells., "Price one shill."--Lower margin., Sheet trimmed within plate mark., Sheet trimmed with loss of imprint and price. Imprint from impression in the British Museum online catalogue., and Mounted to 38 x 27 cm.
Publisher:
Pub. 13 June 1776 by W. Humphrey Gerrard Street Soho
Subject (Geographic):
England
Subject (Topic):
Women domesticss, Wigs, Hairstyles, Cooks, Cooking utensils, Fireplaces, Mops & mopsticks, Brooms & brushes, Dogs, Cats, Apes, Cheese, and Vegetables
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Politicians and chancellor after the woolsack fire, begging for money to John Bull."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "59" in brown ink in top center portion of design., and No. 59.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Subject (Geographic):
England.
Subject (Topic):
John Bull (Symbolic character), Politicians, Pleading (Begging), Poor persons, Bagpipes, and Cats
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grotesquely ugly candidate (right) bows low, top-hat in hand, right hand pointing to his breast, before a sturdy and ragged rat-catcher, who stands facing him, scratching his forehead. The latter holds by a strap a rectangular cage of rats; across his shoulders, like a garter ribbon, is a broad band on which dead rats, or rat-skins, are extended (cf. British Museum satires No. 5099). Under his arm is a rod on which two rats are spiked, a pouch hangs from his shoulders, and he wears short gaiters. The candidate, apprehensive and deferential, says: "What my honest friend Lurcher--I have not had the pleasure of seeing you since last Election. we expect a severe contest this time, therefore "earnestly Solicit Your Vote and Interest and shall request the Honor of--Mr Lurcher's Company to Dinner at the Hog in the Pound. N.B. Dinner Ticket only .10s--6d." Close behind the candidate is his very ugly agent, holding a purse from which he is about to take a coin. Both wear spurred boots. The rat-catcher answers: "I see Your Honor bees mortal short of memory. You forget as how your Worships committed me to the County Jail for--a Month--"fro [sic] only Throwing a Sheeps Je at a Hare running a cross the Common. So your worship may if you please Call a gain to Morrow [a catch-phrase, cf. British Museum Satires No. 11207]." Two curs stand beside him. Behind is the corner of his cottage; over the door: 'Gs Lurcher Rat Catcher All sorts of Vermin destroyed'. A fat countrywoman stands on the door-step using a broom to dislodge two cats from the projection over the door. In the background (right) is a country inn with a sign on which a fat pig is depicted. A man leads two saddle-horses under the entrance to the courtyard; above is a placard: 'Neat Wines ...' In a bow-window punch-bowls and bottles are ranged."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as William Elmes in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "86" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., In lower left corner of design: Price one shilling col'oured., Sheet trimmed within plate mark on top edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 35.1 cm, on sheet 25.6 x 41.8 cm., and Leaf 29 in volume 2.
Publisher:
Thomas Tegg
Subject (Topic):
Cats, Dogs, Political elections, Ratcatchers, Rats, Swine, and Taverns (Inns)
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grotesquely ugly candidate (right) bows low, top-hat in hand, right hand pointing to his breast, before a sturdy and ragged rat-catcher, who stands facing him, scratching his forehead. The latter holds by a strap a rectangular cage of rats; across his shoulders, like a garter ribbon, is a broad band on which dead rats, or rat-skins, are extended (cf. British Museum satires No. 5099). Under his arm is a rod on which two rats are spiked, a pouch hangs from his shoulders, and he wears short gaiters. The candidate, apprehensive and deferential, says: "What my honest friend Lurcher--I have not had the pleasure of seeing you since last Election. we expect a severe contest this time, therefore "earnestly Solicit Your Vote and Interest and shall request the Honor of--Mr Lurcher's Company to Dinner at the Hog in the Pound. N.B. Dinner Ticket only .10s--6d." Close behind the candidate is his very ugly agent, holding a purse from which he is about to take a coin. Both wear spurred boots. The rat-catcher answers: "I see Your Honor bees mortal short of memory. You forget as how your Worships committed me to the County Jail for--a Month--"fro [sic] only Throwing a Sheeps Je at a Hare running a cross the Common. So your worship may if you please Call a gain to Morrow [a catch-phrase, cf. British Museum Satires No. 11207]." Two curs stand beside him. Behind is the corner of his cottage; over the door: 'Gs Lurcher Rat Catcher All sorts of Vermin destroyed'. A fat countrywoman stands on the door-step using a broom to dislodge two cats from the projection over the door. In the background (right) is a country inn with a sign on which a fat pig is depicted. A man leads two saddle-horses under the entrance to the courtyard; above is a placard: 'Neat Wines ...' In a bow-window punch-bowls and bottles are ranged."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as William Elmes in the British Museum catalogue., Publisher and date of publication from British Museum catalogue., Plate numbered "86" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., In lower left corner of design: Price one shilling col'oured., and Sheet trimmed within plate mark on top edge.
Publisher:
Thomas Tegg
Subject (Topic):
Cats, Dogs, Political elections, Ratcatchers, Rats, Swine, and Taverns (Inns)
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Three columns of verse below title: Did you ever hear of Captain Wattle, / He was all for love and a little for the bottle ..., Plate numbered '214' in lower left corner., Temporary local subject terms: Furniture: chairs -- Maps: wall-map of England -- Naval uniforms: officer's uniform., and Watermark: 1811.
Publisher:
Published 4th April 1798 by Laurie & Whittle, 53 Fleet Street, London
The cats' castle is assaulted by an army of rats; in five scenes with verses below
Description:
Title etched above image., Approximate date of publication supplied by curator. Prints with C. Sheppard's publication line are first known from 1778; see British Museum online catalogue., Sheet trimmed to plate mark., For a variant (later?) state with imprint "Printed & Sold by D. Ash, 27 Fetter Lane, London" and plate number "28" in upper left corner, see British Museum online catalogue, registration no.: 1862,1011.552., For a brief mention of The Lewis Walpole Library impression of this print, see: O'Connell, S. The popular print in England, 1550-1850, page 124., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Battles: Cats vs. rats -- Spikes on Temple Bar(?) -- Executions -- Food: Cheshire cheese -- Sieges -- Navy -- Ships: 'Royal Rat' -- Castles -- Military camp -- Flag of the rats: Cheshire cheese -- Flag of the cats: Three herring., and Window mounted to 20 x 29 cm.
An obese gouty man in trouble, while his attendants cavort. The man's kettle boils over scalding his gouty foot and startling the cat, in his alarm he knocks over the table and snaps the bell-rope; the couple cavorting in the doorway are oblivious to his strife
Alternative Title:
Careless attention
Description:
Titles in French and English below image., According to Nicholas J.S. Knowles, this is a 20th century reproduction of a drawing by Rowlandson. For an etching after the same drawing, published in 1789, see The Metropolitan Museum of Art online catalog, accession no.: 59.533.327. See also: Grego, J. Rowlandson the caricaturist, v. 1, page 256., and Temporary local Medical Library subject terms: Sex behavior.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Topic):
Gout, Obesity, Home accidents, Household employees, House furnishings, Fireplaces, Kettles, Cats, Servants, Women domestics, and Lust
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and Mounted to 21 x 26 cm.
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A party of revellers gathered in a cosy room by a fireplace, under the jolly gaze of the slightly grotesque hosts who sit grinning at centre, looking out to the viewer; the forfeit has just been announced that a young countryman ('Ralph Jones') should kiss the candlestick; a young woman stands holding a candle at left, impersonating the said object, while Ralph fervently kisses the actual candlestick at right, watched by a laughing young woman, a thin man wearing glasses and a young boy, who are standing around a table with glasses and punch-bowl; behind at left, the 'long-nosed clergyman' is locked in an embrace with the 'snub-nosed old maid'."--British Museum online catalogue
Description:
Title etched below image., Artist questionably identified as either G.M. Woodward or Samuel Collings in the British Museum online catalogue., Listed without description with other prints from The wit's magazine. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6885., Temporary local subject terms: Games: "Kiss the candlestick"., and 1 print : etching with stipple on laid paper ; plate mark 17.5 x 22.5 cm, on sheet 22 x 24 cm
Publisher:
Published as the act directs by Harrison & Co.
Subject (Topic):
Bowls (Tableware), Cats, Dogs, Fireplaces, Holidays, Kissing, Mirrors, and Tables
"A woman sitting on a stool in a landscape, looking up from her writing, upon a wedge on her lap, a cat reaching up to her knee for attention at left, a man packing a gun through a fence beside a house at right, a tower and woods in the distance beyond at left; circular design after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image., For an earlier state, published 12 November 1781 by J. Baldrey and sold by R. Wilkinson, see British Museum online catalogue, registration no.: 1917,1208.3003., Sheet trimmed within plate mark., One line of quoted text below title: "The rival of the parson's maid was she." Gay., Companion print to: Marian., Plate numbered "6" above image., and Mounted on page 33 of: Bunbury album.
Publisher:
Pubd. Novr. 25, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Postcard depicting a cat as judge and Legally themed postcard depicting cat as judge
Description:
Date from postmark., Card addressed: Master J. Lodie ... Cathays, Cardiff., In upper left corner: 10 645., Also available in original print http://morris.law.yale.edu/record=b1281843, Digital reproduction. New Haven, Connecticut : Yale Law Library, 2019 LM Z Postcards v.1 no.1 tall., and Online resource; description based on print version record.
