Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[1790?]
Call Number:
790.00.00.127+
Image Count:
1
Resource Type:
still image
Abstract:
A gaunt older man sits in an upholstered chair (left) and shown in profile looks upon his well-fed son (facing the viewer). A cat sits at the son's feet. The father says: "It is high time child, thee should't think of setting out in life. Thee art too lively for a farmer, what treade, shoudst like best?" The son replies: "Why father if you have no objection, I should like woundily to be bound prentice to a bishop, for is all pay and little work! Now that would just suit I to a tittle."
Description:
Title etched below image. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Cats, Chairs, Clergy, Fathers, Occupations, and Sons
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[1 March 1792]
Call Number:
792.03.01.01
Image Count:
1
Resource Type:
still image
Abstract:
Design in a circle: An old woman and a little boy sit facing each other in a bare and dilapidated room. She sits in profile to the left, in an upholstered armchair, threading a needle to mend clothes; a shirt lies on her patched apron. He sits with hands folded on a ladderback chair. Between and behind them sits a cat
Description:
Title from time., Sheet trimmed on sides within plate mark., and Two lines of text below image: I wish from my heart - one of us three was hang'd - I don't mean you poor Puss - nor I don't mean myself.'
Publisher:
Published March 1st 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Topic):
Boys, Cats, Chairs, Dwellings, Eyeglasses, Grandparents, Interiors, Poverty, and Sewing
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[1803]
Call Number:
Drawings W87 no. 40 Box D215
Image Count:
1
Resource Type:
still image
Abstract:
A footman leads a parson and six prospective suitors that have arrived in response to an advertisement for a husband posted by an 'old maid'. The bachelors include a Welshman, a Scotsman, and a doctor that offer flatteries while waiting, "Splutter hur, how pretty she looks, she pe [sic] a nice wench", "Leave a Scotch laddie alone for carrying off the sillar", and "From my conscience, she looks like a Venus of medicine!" respectively. The footman leans forward to shout into the elderly woman's ear trumpet, "Please your ladyship all these gentlemen be[?] come about an advartisement [sic] for a husband and to lose no time they have brought the Parson with them; please your Virginship what am I to say to em?" The elderly woman responds, "Say to them, why the men are mad, if I was so inclined do they think I would marry six husbands at once!!" A hissing cat followed by a litter of kittens stand beside the woman's chair
Description:
Title inscribed in black ink in the artist's hand below image., Signed by the artist., and Publication line inscribed in ink below image for possible later print: London, Pubd. Jany. 1, 1803 by William Holland, No. 11 Cockspur Street, removed from Oxford Street.
Subject (Topic):
Bachelors, Cats, Hearing aids, Marriage proposals, Older people, and Single women
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1792]
Call Number:
Drawings W87 no. 34 Box D210
Image Count:
1
Resource Type:
still image
Abstract:
Two rows of women quarter-length and in profile, some cradling cats in their arms, with captions inscribed in ink near each figure: This is my Queensbury the finest Tom Cat in England; I'm going to see Arabella's catery she had two charming sitters yesterday morning; God bless me these Irish captains are terrible men; Eighteen delightful little creatures I'm told what a sweet ...
Description:
Title and date supplied by cataloger., Attributed to Woodward., and Sheet possibly trimmed from a larger design for a border.
A scene in an artist's studio lit from an attic window (left). Four connoisseurs are grouped round a large canvas on an easel: an Apollo with a sheaf of arrows, head turned in profile to the left. The model is a tall black man in the pose of the Apollo but with very different features, the left hand holding the stick of a broom which supports the pose. A fifth connoisseur reaches up to alter the position of the model's head. The artist stands beside his canvas facing the invaders, the left hand, holding palette and brushes, rests on the canvas; he sucks his mahl-stick with a gloomy scowl. On the extreme right a cat sits in a cradle, behind which an alarmed little boy hides. The artist's wife, with an infant in her arms, faces the fire with her back to the visitors whose unwelcome intrusion is apparent. Behind is a bed with drawn curtains. Three casts from the antique decorate the bare room. The model's coat and hat lie on the ground (right). On the far left in the foreground a dog urinates against two canvases leaning against the wall
Alternative Title:
Assemblée des connisseurs
Description:
Titles in English and French etched below image. and Imperfect; sheet trimmed within plate mark with loss of all text from bottom edge. Missing text supplied from impression in the British Museum.
As she looks directly at the viewer, a short, plump woman dressed in a short dickey bares her breasts as she stands, legs apart, between a dresser and an armchair. A cat with a shocked expression looks up under her short chemise
Description:
Title from caption etched below image., Printmaker and imprint from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 22 cm.
"In a plainly furnished room a whole family suffers. An elderly 'cit' and a skinny old woman register acute discomfort. Between their chairs is a round table on which is a dish of cherries and currants. A stout maidservant (left) drinks from a bottle she has taken from a store-cupboard. A little boy, a cat, and a dog are afflicted. A door opens into a bedroom (right) where a little girl relieves herself; another tries to kick her from her seat. On the wall are three shelves of books, among them 'Family Bible' and 'Family Phisician'. A magpie is in a wicker cage."--British Museum online catalogue
Alternative Title:
Comforts of a hot summer
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Probably etched after a design by G.M. Woodward. For a drawing by Woodward of a similar scene, see Yale Medical Library call number: Print00232., Year of publication suggested in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement following title: Folios of caracatures [sic] lent out for the evening.
Publisher:
Pubd. Jany. 12th, 1881 [sic], by S.W. Fores, 50 Piccadilly
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grocer's snug parlour, with 'Mr. Fig', an ugly 'cit', holding on his knee an ugly child who is playing havoc with the tea-things. With a mug inscribed 'EF' the infant has smashed the tea-pot, while an overturned milk-jug makes a pool on the floor at which a cat laps. The man's back is to the fireplace (left), where a kettle is boiling over, and a red-hot poker is burning the floor. He says, with a fatuous smile: "Pretty Dear Heart! what a Gulley [an unrecorded word, evidently from Gully the pugilist]. it has given the Tea Pot, she delights in a little mischief, I should not be surprised Mrs Fig if she was to make as much Noise in the World as her Namesake, and as the Poet says "like another Ellen fire another Troy". Mrs. Fig (right), with arms angrily extended, exclaims: "Troy indeed Mr Fig, I think your more likely to Fire the House, look where the red hot poker lays and see how the tea Kettle is boiling over!!" On the wall is a framed print of 'The Worlds End', a flaming globe (the sign of more than one public house in the outskirts of London). On the mantelpiece are a large china mandarin (sign of the grocer's connexion with the tea-trade) and a medicine-bottle labelled 'Composing Draught for Miss Fig'. In a letter-rack are letters 'To Mr Fig Grocer'."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Two lines of quoted text below title: The parents partial fondness for a child," an only child, can surley [sic] be no crime." Shirleys Parricide., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "284" in upper right corner., Temporary local Medical Library subject terms: Childcare -- Families and Family Life., 1 print : etching ; plate mark 346 x 246 mm., and Hand-colored.
Publisher:
Thomas Tegg
Subject (Topic):
Families, Child care, Children, Tea services, Kettles, Fireplaces, and Cats
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A grocer's snug parlour, with 'Mr. Fig', an ugly 'cit', holding on his knee an ugly child who is playing havoc with the tea-things. With a mug inscribed 'EF' the infant has smashed the tea-pot, while an overturned milk-jug makes a pool on the floor at which a cat laps. The man's back is to the fireplace (left), where a kettle is boiling over, and a red-hot poker is burning the floor. He says, with a fatuous smile: "Pretty Dear Heart! what a Gulley [an unrecorded word, evidently from Gully the pugilist]. it has given the Tea Pot, she delights in a little mischief, I should not be surprised Mrs Fig if she was to make as much Noise in the World as her Namesake, and as the Poet says "like another Ellen fire another Troy". Mrs. Fig (right), with arms angrily extended, exclaims: "Troy indeed Mr Fig, I think your more likely to Fire the House, look where the red hot poker lays and see how the tea Kettle is boiling over!!" On the wall is a framed print of 'The Worlds End', a flaming globe (the sign of more than one public house in the outskirts of London). On the mantelpiece are a large china mandarin (sign of the grocer's connexion with the tea-trade) and a medicine-bottle labelled 'Composing Draught for Miss Fig'. In a letter-rack are letters 'To Mr Fig Grocer'."--British Museum online catalogue
Description:
Title etched below image., Publisher and date of publication from British Museum catalogue., Two lines of quoted text below title: The parents partial fondness for a child," an only child, can surley [sic] be no crime." Shirleys Parricide., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Plate numbered "284" in upper right corner., Temporary local Medical Library subject terms: Childcare -- Families and Family Life., 1 print : etching on wove paper, hand-colored ; plate mark 34.7 x 24.6 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 94 in volume 4.
Publisher:
Thomas Tegg
Subject (Topic):
Families, Child care, Children, Tea services, Kettles, Fireplaces, and Cats