Title from item., Date supplied by curator., Place of publication derived from street address., Sheet trimmed., Published in Le Charivari, 6 September 1840., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Children & childcare; Families & family life.
Publisher:
Chez Bauger r. du Croissant 16 and Imp. d'Aubert & Cie
Subject (Topic):
Public baths, Parenting, Swimming, Exercise, Swimming pools, Families, Fathers, and Children
Title, date, and publisher from item., Poster advertises a biographical film about the first widely known transexual American., Text in part : "I couldn't live in a man's body." "Did the surgeon's knife make me a woman of a freak?" Sex with a woman was strange and impossible ..., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
United Artists Corporation
Subject (Name):
Jorgensen, Christine, 1926-1989.
Subject (Topic):
Transsexuals, Gender reassignment surgery, Couples, Kissing, and Children
An elderly man plays a harp on a hillside surrounded by couples and children. In the distance are mountains and a tower
Alternative Title:
Harpist in the mountains, the Welsh bard
Description:
Title from the first line of the four-line poem printed below the image., Title continues: "... That not a mountain rears his head unsung. And many an amorous, many a humourous lay, which many a bard had changed many a day.", Sheet trimmed within plate mark., and Frontispiece to: Jones, E. Bardic Museum. Musical and poetical relicks of the Welsh Bards, v. 2. London : For the author, 1802.
Publisher:
Published according to act of Parliament Feb. 20, 1802 by Ed. Jones, in Lord Steward's Court-Yard, St. James's Place
Subject (Topic):
Children, Couples, Harps, Mountains, and Musicians
"A front elevation of a theatre-box crammed with delighted children fills the design. In the front row are a lady and four little girls. In the middle sits the father, one small boy on his knee, an arm round another child. Eight more children fill the box. Behind them a lady chooses fruit from an old woman's basket. Two men stand behind. Over the front of the box hangs a playbill: During the Xmas Holidays--Pantomime of Harliquin--Clown by Mr G [Grimaldi]."--British Museum online catalogue
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Decr. 26th, 1826, by S. Knights, Sweetings [A]lley, Royal Exchange
"A companion print to BMSat 9670. In a squalid room French dancers practise to a fiddle played by an older man (right) who dances as he plays. The parents of the four children dance, facing each other. She is elegant, buxom, with an elaborate feathered coiffure. He is lean, wearing a tattered but well-fitting coat over bare legs, with sleeve-ruffles (cf. the old gibe that the Frenchman wore ruffles but no shirt). He wears a toupee wig with a long queue. A boy and girl, both with hair elaborately dressed, dance together more vigorously. A little girl (right) with bare legs practises the first position, heels together. On the left a boy plays the pipe and tabor to two dogs, one wearing cloak and hat, whom he is teaching to dance. His chair is the only furniture except for a truckle-bed (left) turned up to the wall and a much-tilted wall-mirror (right). A lean cat has climbed to a small cupboard recessed in the wall near the ceiling and licks a stoppered bottle. The cupboard contains a coffee-pot, a covered jar, &c. A print of two clumsy peasant dancers is pinned to the wall, from which plaster has flaked. All practise with serious concentration."--British Museum online catalogue
Description:
Title etched below image.
Publisher:
Pubd. Novr. 5, 1792 by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France
Subject (Topic):
Foreign opinion, British, Cats, Children, Couples, Dogs, Dance, and Interiors
Title from item., Published in: Gleason's Pictorial Drawing-Room Companion, Boston: Frederick Gleason, 19 March 1853., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Families & family life.
Publisher:
Frederick Gleason
Subject (Name):
Bunker, Chang, 1811-1874. and Bunker, Eng, 1811-1874.
Subject (Topic):
Conjoined twins, Abnormalities, Human, Human curiosities, Families, Spouses, and Children
A midwife holds out a newborn child, who exhibits a combination its parents' physical traits: the nose of its mother, who lies in bed, and the hook arm, peg leg, glasses and queue of its father, who stands proudly at the foot of the bed. The midwife exclaims, "My good gracious! Hear's [sic] a family likeness for ye. It's Daddy all over with Mammy's nose. Bless it's [sic] little soul. Hey diddle diddle." A fireplace is visible on the right side of the room; a cat claws the bedding and looks up at the child
Description:
Title etched below image., Sheet trimmed within plate mark., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
A group stand in a churchyard, as two men lower the coffin into a grave. The one sexton has two patches on his britches
Description:
Title from text above image., Print caption: Running to earth or in at the death. Finnis Coronat Opus., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 20, Tichborne Street, Haymarket
A copy in reverse of William Hogarth's Plate 5 of A harlot's progress: In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll's portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll's chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement "Practical scheme ... 'Anodyne" litters the floor in the foreground
Alternative Title:
Harlot's progress. Plate 5, In a high salivation at the point of death, and Elle meurt en passant par le grand-reméde
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.5 x 36 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2092., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 125.
Publisher:
publisher not identified
Subject (Name):
Misaubin, Jean, 1673-1734. and Rock, Richard, 1690-1777.
A copy in reverse of William Hogarth's Plate 6 of A harlot's progress: A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the right, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the left, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Alternative Title:
Harlot's progress. Plate 6, Her funeral properly attended, and Pompe de ses funérailles
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.4 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2107., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 126.
Publisher:
publisher not identified
Subject (Topic):
Prostitution, Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services
Title from item., Published: Le Petit Journal Supplement Illustré, 20 November 1898., Marinoni was the publisher of Le Petit Journal Supplement Illustré., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Hippolyte Marinoni
Subject (Geographic):
France.
Subject (Name):
Gouraud, François Xavier, 1837-1906. and Hôpital de la charité (Paris, France).
"A young woman plays the piano (right) with painful intentness, and sings, as does the man who holds open her music-book, inscribed 'On Rosy Bed by Tinckling Billy'. A middle-aged military officer stands full face playing the flute. A fat elderly 'cit' sleeps in an arm-chair (left); his wig has fallen off and his legs rest on another chair. Behind him a very obese man and an ugly and over-dressed woman with a grotesquely thin neck sing from the same piece of music: 'On Rosy Bed'. He warms his back at a blazing fire; the feathers in her hair are alight in one of the candles on the chimney-piece. A small boy blows a toy trumpet, a dog howls and a cat miaows, standing on an open music-book inscribed 'Water Part ....' Chinese figures on the chimney-piece and the lintel of the door represent comic musicians playing different instruments."--British Museum online catalogue
Alternative Title:
Delights of harmony
Description:
Title etched below image., Date of publication from unverified data in local card catalog record., and Sheet trimmed within plate mark.
Detail from Hogarth's The March to Finchley": an innocent young piper, a drunken drummer with a weeping woman and child behind him
Description:
Title from caption below image., "N. 02."--Upper left corner., "1."--Upper right corner., and See Paulson, R. Hogarth's graphic works (3rd ed.), no. 184.
Publisher:
Published 12th May, 1794 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
Jacobite Rebellion, 1745-1746, Children, Intoxication, Marching, Prostitutes, and Soldiers
Title and date from item., In upper right margin: 112., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London. Publishd as the Act directs
Subject (Topic):
Obesity, Indigestion, Dogs, Seesaws, Children, and Eating & drinking
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., and Dedication etched below image: To His Majesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", 1 print : etching and engraving on laid paper ; sheet 43.2 x 55.2 cm., Sheet trimmed within plate mark; mounted on leaf 46 x 59 cm., and Plate 37 in the album: Queen Charlotte's collection of Hogarth works.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., Ms. note in pencil in Steevens's hand below print: First impression., A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia"., and On page 151 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., 1 print : etching and engraving on laid paper ; plate mark 43 x 55.4 cm, on sheet 45 x 56 cm., and Leaf 37 in: Album of William Hogarth prints.
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title from caption below image., Added title and state from Paulson., State with date in 'Tottenham Court Nursery" sign changed from 1746 to 1745., Dedication etched below image: To His Maiesty the King of Prusia [sic], an encourager of the arts and sciences! This plate is most humbly dedicated., and A line has been added above the 's' in 'Prusia' to indicated the need for a correction; a comma has been added in ink following the word "Prusia".
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image. and Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated."
Plate 37. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill"--British Museum online catalogue
Alternative Title:
March to Finchley
Description:
Title engraved below image., Dedication etched below image: "To His Majesty the King of Prussia, an encourager of the arts and sciences! This plate is most humbly dedicated.", Ms. note in pencil in Steevens's hand below print: Modern impression., Sheet trimmed within plate mark to: 43.1 x 55.2 cm., and Formerly on page 152 in volume 2. Removed in 2012 by LWL conservator.
Title below image., Date and place of publication from item., Sheet trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Published as the Act directs by C. Brightly & T. Kinnerstey, Bungay
Subject (Topic):
Traditional medicine, Quacks and quackery, Sick persons, Healers, Snake charming, and Children
Sherwin, J. K. (John Keyse), 1751-1790, printmaker
Published / Created:
[3 March 1786]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 56. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A group in a garden room listening to a girl read, seated in the centre with the book in her lap, two woman sitting on either side of her, one patting a dog at right, the other with solemn expression, which has been noticed by a man standing against the wall at right, gesturing towards her, another standing directly behind her looks on with concern, a child sitting on the floor beside a large sleeping dog, his eyes raised up; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title from text below image., Sheet trimmed to plate mark., Four lines of verse, from William Shenstone's ballad 'Jemmy Dawson', engraved below title: Come listen to my mournful tale, ye tender hearts and lovers dear; nor will you scorn to heave a sigh, nor need you blush to shed a tear. Vide Shenston., Dedication engraved above imprint statement: To the Countess Sutherland this plate after an original Drawing by Mr. Bunbury, in her Ladyship's possession, is with the greatest respect dedicated by her Ladyship's most obliged humble servant, James Bretherton., and Mounted on page 56 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Published 3 March 1786 by James Bretherton, New Bond Street
Subject (Name):
Shenstone, William, 1714-1763.
Subject (Topic):
Clothing & dress, Children, Courtship, Dogs, and Reading
A woman visiting her grandmother with two children, standing on the right ready to take the little child the grandmother holds on her knee, while the child holds out a hat to receive a bird's nest offered by a young boy; a little truck lying in the foreground; corner of a building behind the figures and trees beyond. On the shelf to the left of the grandmother are two books and a pair of spectables
Description:
Title from item., Plate numbered '254' in lower left corner., and Companion print: A visit to the grandfather.
Publisher:
Published 1st Decr. 1789 by Robt. Sayer, 53 Fleet Street, London
Subject (Topic):
Birds, Children, Eyeglasses, Families, Grandparents, and Nests
A woman visiting her grandmother with two children, standing on the right ready to take the little child the grandmother holds on her knee, while the child holds out a hat to receive a bird's nest offered by a young boy; a little truck lying in the foreground; corner of a building behind the figures and trees beyond. On the shelf to the left of the grandmother are two books and a pair of spectables
Description:
Title from item., Plate reworked from the earlier state which also published by Sayer under the same title and on the same day., Companion print: A visit to the grandfather., and Plate numbered '254' in lower left corner.
Publisher:
Published 1st Decr. 1789 by Robt. Sayer, 53 Fleet Street, London
Subject (Topic):
Birds, Children, Eyeglasses, Families, Grandparents, and Nests
"7. - Un jeune néophyte - <<J'ai tout quitté pour être chrétien.>>" A young boy sits in a stone doorway. The caption indicates that he has become a Christian and left his family behind. A stamp on the back of the card reads, "Cercle Missionnaire Du Sanatorum Du Clerge - Thorenc -"
Title, date, and place of publication from item., Poster edges are marked for trimming to fit the A.D.S. service fixture., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Copyright 1920 American Druggists Syndicate
Subject (Topic):
Laxatives, Children, Health and hygiene, Pediatric oral medicine, Infants, and Medicines
Title, date, and place of publication from item., Poster edges are marked for trimming to fit the A.D.S. service fixture., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Condition: Good; Linen backing; Folds.
Publisher:
Copyright 1920 American Druggists Syndicate
Subject (Topic):
Laxatives, Children, Health and hygiene, Pediatric oral medicine, Infants, and Medicines
Title from upper sheet., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Nuns as nurses, Corporal works of mercy, Phlebotomy, Nuns, Children, Prisoners, Wounds & injuries, Poor persons, Sick persons, and Nursing
A young boy holding a monkey looks admiringly at a girl who holds a dog
Description:
Title from caption below image., Publication date from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
An Italian family, in a poverty-stricken room, practise for opera. A young man stands full-face, singing, his fingers interlaced across his chest. He wears an open, ruffled shirt, awaistcoat, breeches, and ungartered stockings. To his right an old man plays an enormous 'cello. To his left a middle-aged man, seated in profile singing, plays a low harpsichord; he wears open ruffled shirt and breeches, with bare legs. Beside him on the extreme left a little boy dressed in a shirt plays the violin. On the extreme right a pretty young woman sits over the fire with an infant on her knee; she holds out a cloth to dry, looking over her shoulder to sing. Her score ('Affetuoso') is pinned to the chimney-piece, on which stands a crucifix with a tankard, &c. A lean greyhound howls up the chimney. All but the old man have fashionably dressed hair, and a certain elegance. The room is lit from an open casement window (left); there are dark cast shadows and the bare room has no ceiling. On the wall are a print of 'Vestris' dancing, a sword, a play-bill: 'l'Avaro Deluso' (opera by Paisiello, libretto by Vulpius), and a bunch of farthing dips; on the window ledge a cracked mirror, cocked hat, bottles, &c. Beneath the harpsichord is a large bowl labeled 'Macaroni'; and in the foreground lie a violin, music-books, earthenware pots, &c."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Watermark: J Whatman.
Publisher:
Pubd. Decr. 1785 by S. Alken, No. 3 Dufours Place, Broad Street, Soho. Sold by W. Hinton, No. 5 Sweeting Alley, Cornhill
Subject (Name):
Vulpius, Christian August, 1762-1827, Paisiello, Giovanni, 1740-1816, and Vestris, Auguste, 1760-1842
Subject (Topic):
Children, Families, Italian, Mothers, Musical instruments, Musicians, and Singing
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", Ms. note in pencil in Steevens's hand above print: 3d impression., Sheet trimmed to: 43.3 x 55.5 cm., and Formerly on page 171 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., and Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth."
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." In this state a cobweb has been introduced in the upper right corner of the window. The words "AND THE" in the sign on the street is imperfectly erased after "DEVIL".
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", Ms. note in pencil in Steevens's hand above print: First impression. See Mr. Nichols's book, 3d edit. p.334 &c., and On page 169 in volume 2.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., and Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth."
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..."
Alternative Title:
Scene in a tavern on election day
Description:
Title devised by cataloger., Series title and number engraved above image., State from Paulson., Dedication etched below image: "To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth.", and Sheet 431 x 552 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..."
Alternative Title:
Scene in a tavern on election day
Description:
Title devised by cataloger., Series title and number engraved above image., State from Paulson., and Dedication etched below image: "To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth."
Publisher:
Wm. Hogarth
Subject (Topic):
Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and Bound in Horace Walpole's copy of Analysis of beauty along with State 3 of Plate 1. Also with the subscription ticket "Columbus breaking the egg", first state, trimmed to the image, mounted on the verso of the t.p.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand below print: See Mr. Nichols'sbook, 3d edit, p. 325., and On page 164 in volume 2. Sheet trimmed to: 39.1 x 50.8 cm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., and 1 print : etching and engraving, on laid paper ; sheet 385 x 504 mm.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State and date from Paulson., Ms. note in pencil in Steevens's hand above print: 3rd Impression., and Formerly on page 166 in volume 2. Removed in 2012 by LWL conservator.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., Ms. note in pencil in Steevens's hand above print: 2nd impression., and On page 165 in volume 2.
"One of two prints issued with Hogarth's treatise "The Analysis of Beauty": a ballroom scene with dancers ranging from elegant to ungainly; in the lower left corner is a pile of tricorne hats; forming a border around the main image are 41 compartments with diagrams relating to the text; the image is numbered throughout"--British Museum online catalogue
Description:
Title engraved above image. and State from Paulson.
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., 1 print : etching and engraving on laid paper ; plate mark 42.2 x 52.2 cm, on sheet 45 x 56 cm., and Leaf 36 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., Ms. note in pencil in Steevens's hand beneath print: See Mr. Nichols's book, 3d edit, p. 324., Sheet trimmed to: 41.7 x 51.1 cm., and Formerly on page 162 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
publish'd February 5, 1752 according to act of Parliament.
Call Number:
Kinnaird 33K Box 310
Collection Title:
Leaf 36. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The child Moses is being delivered up by his mother Jochebed (who has been acting as wet nurse) to Thermuthis, the daughter of Pharaoh (Exodus, ii.10; after the painting in the Foundling Museum); to right, the mother/nurse is handed coins by a steward as her son clings to her and looks at his adoptive mother warily; to the left, two female attendants, one a Nubian enslaved woman whispers the secret of Moses identity to her colleague. The scene is identified as being in Egypt by a small crocodile and an Egyptian figure with a snake wrapped around its torso beneath the throne; in the left corner an incense burner. In the background are pyramids and a sphinx
Alternative Title:
Moses brought before Pharaoh's daughter
Description:
Title from caption below image., Added title and state from Paulson., After Hogarth's 1746 painting: Moses brought before Pharaoh's daughter. One of a set of four paintings for the Council Room of the Foundling Hospital., Second state with caption. See Paulson., and Laid paper; sheet trimmed to 42.0 x 52.0 cm.
Publisher:
Wm. Hogarth
Subject (Geographic):
Egypt
Subject (Name):
Moses (Biblical leader), and Thermuthis (Biblical figure),
Foundling Hospital: above, the achievement of arms; below, Captain Coram and several children, carrying implements of work, a church and ships in the distance. The lower scene shows Coram carrying the Royal Charter, granted in 1739, under his arm. Hogarth made the original drawing to head the subscription roll of the hospital
Description:
Title etched below image., Plate from: Nichols, J. The genuine works of William Hogarth. London : Printed for Longman, Hurst, Rees, and Orme, Paternoster Row, 1808-17, v. 2, page 152., Sheet trimmed to plate mark on right edge., and Two images on one plate. Top image is a copy of an engraving after Hogarth from ca. 1747; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 230. Bottom image is a copy of an engraving after Hogarth from the 1740s; see: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 225.
Title from item., Date and publisher from item., In upper margin: April 28, 1887; The Illustrated London News; 469., Vignettes are titled: In the palace; In the cottage; In the study; At sea., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Illustrated London news
Subject (Name):
Beecham's Pills (Firm).
Subject (Topic):
Patent medicines, Nurses, Children, Knitting, and Advertisements
A poor, sad-faced woman in ragged clothes wearing a scarf around her head, carries a small child strapped to her back
Description:
Title engraved below image., Printmaker and imprint from title page of work in which this print was published., Plate from: Costume of the lower orders of the metropolis / T.L.B. London : Printed for Samuel Leigh, by W. Clowes, 1820., Sheet trimmed within plate mark., and Reduced copy in reverse of no. 69 in M. Laroon's Cries of London.
A man, woman, and child with a ram beneath a tree with a snake coiled around it. The scene surrounded by a oval frame. There are torches flanking the image, which in part make up a rectangular border. The phrase Servat et Docet is above the oval frame, and below it reads Fundata MDCCCLXXV. A motto: Fundata MDCCCLLXXV. Beneath is a box indicating Ex Dono, and a space to write a name.
Subject (Name):
Boston Medical Library and Yale University. School of Medicine
Subject (Topic):
Children, Heraldic bookplates, Medical libraries, Nature, Snakes, and Torches
Three West Indian washer women sit or stand in or near a stream. The one on land balances a basket of clean wash on her head and has a baby strapped to her back
Alternative Title:
West India washer-woman
Description:
Title from caption below image, in French and English., "This plate is dedicated to Sir John Frederick, Bart. by his most obliged and devoted servt. A. Brunias."--Dedication following title., and Sheet trimmed to plate mark.
Publisher:
Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l'Hopital, No. 416 et au Palais Royal, au Pavillon près le bassin
Three West Indian washer women sit or stand in or near a stream. The one on land balances a basket of clean wash on her head and has a baby strapped to her back
Alternative Title:
West India washer-woman
Description:
Title from caption below image, in French and English., "This plate is dedicated to Sir John Frederick, Bart. by his most obliged and devoted servt. A. Brunias."--Dedication following title., Sheet trimmed to plate mark., Imperfect; sheet trimmed within plate mark on lower edge, resulting in loss of imprint statement., and Printed on laid paper; hand-colored.
Publisher:
Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l'Hopital, No. 416 et au Palais Royal, au Pavillon près le bassin
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., and Sheet trimmed within plate mark.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A dancing-master, playing his small fiddle or kit, dances, facing a stout 'cit' who dances between wife and daughter, holding their hands; another grown-up daughter dances opposite them beside the dancing-master. The 'cit's' leg is extended stiffly. The first daughter says: "Law Pa that's just as when you was drilling for the Whitechaple Volunteers-- only look how Ma and I & sister Clementina does it??--" Pa: "I say Mounseer Caper! don't I come it prime? Ecod I shall cut a Figor!!" The man answers: "Vere vell Sar, Ver Vell you vil danse a merveille vere soon!" On the left a tiny child imitates her father's step, supported by a little sister, while three rather older children dance in a ring. A plainly dressed maiden aunt sits in an armchair (right). A handsomely furnished drawing-room is suggested. The curtains are drawn, candles burn on the chimney piece. On the wall is a bust portrait of an austere-looking man."--British Museum online catalogue, descriptioin of an earlier state
Alternative Title:
Bobbin about to the fiddle. A family rehearsal of quadrille dancing, or, Polishing for a trip to Margate, Familly rehersal of quadrille dancing, and Polishing for a trip to Margate
Description:
Title etched below image., Attributed to Williams in description of earlier state in the British Museum catalogue., Later state; former plate number "390" has been replaced with a new plate number, and imprint statement has been completely burnished from plate., Publication information inferred from earlier state with the imprint: London, Pubd. May 1817 by T. Tegg, 111 Cheapside. Cf. No. 12932 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "194" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Also issued separately., Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 35.2 cm, on sheet 25.6 x 41.8 cm., and Leaf 48 in volume 3.
Publisher:
Thomas Tegg
Subject (Topic):
Children, Couples, Dance, Families, Musicians, and Parlors
"Les Capucins français aux Indes (4e Serie) La Mission du Sacré Coeur au Rajputana [Rajasthan]. 5. - Un scout du collège St-Anselme d'Ajmer." A boy dressed in a scout uniform poses for the camera. He is holding a flag and wearing a hat and stands in front of a garden. Additional information directs donations to Paris, France.
Title from item., Publisher supplied by curator., Date derived from publishing firm's active dates., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
N. Currier
Subject (Topic):
Siblings, Sibling attachment, Children, and Arbors (Bowers).
"In a room, a group watching as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at right, the man and a man standing in outdoor clothes behind looks at him with dismay; in the right foreground two young children build their own house on a small table; doors open onto garden in background."--British Museum online catalogue
Description:
Title engraved below image., Publisher inferred from another print in the series: The king and miller of Mansfied., One of a series of engravings after paintings by Francis Hayman for the ballroom at Vauxhall Gardens in 1743., and Sheet trimmed within plate mark resulting i`n loss of imprint.
Publisher:
Robert Sayer
Subject (Topic):
Chairs, Children, Dogs, Drawing rooms, Furniture, Interiors, Playing cards, Screens, Tables, and Toys
In a room, a small group of women and children watch as a man sitting at a round table builds a house of cards, which tumbles down as a figure leans in at the right; a man standing in outdoor clothes behind looks at him with dismay. On a chair on the right a lapdog jumps on the woman standing between the two young boys; in the left foreground two little girls build their own house on a small table; doors open onto garden in background; after a painting by Hayman for Vauxhall Gardens
Description:
Publication date from Carington Bowles's entry in Maxted, I. London book trades, 1775-1800., Sheet partially trimmed within plate mark., and Numbered in upper right corner: V. 6.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil [sic], and Carington Bowles in St. Pauls Church Yard, London
"One of a set of eight plates, No. 7 (not mentioned by Grego) being missing, all having the same signatures. They may have been intended to burlesque Wheatley's 'Cries' (1793-7), from which they appear to derive. [The subjects are different from those of Wheatley, and there is no element of copying, but the group, with sentimental or humorous incident and architectural background, was Wheatley's innovation on the traditional single figure representing the 'Cries of London'. Cf. W. Roberts, 'The Cries of London', 1934, p. 12.] A ragged man, with traps of various patterns slung round him, and a trap in each hand, offers his wares to an old man (left) who looks from his bulk or stall, on which are a bird in a wicker cage and a rabbit in a hutch. A little boy and girl, hand in hand, stare intently at the rabbit. A dog snarls at two rats in one of the traps. A woman looks down from a casement window over the pent-house roof of the stall. In the background are a church spire and the old gabled houses characteristic of the slums of St. Giles and Westminster."--British Museum online catalogue
Description:
Title etched below series title and number., 1 print : etching with aquatint border on wove paper, hand-colored ; sheet 31 x 22 cm., Sheet trimmed within plate mark with loss of imprint., State with border removed., and Double window-mounted to 34 x 26 cm.
Publisher:
Pub. Jan. 1t., 1799, at R. Ackermann's, 101 Strand
Subject (Topic):
Birdcages, Children, Dogs, Houses, Men, Mousetraps, Peddlers, Prostitutes, Rabbits, Rats, and Street vendors
Title below image., Plate engraved for: A catalogue of the extensive and most valuable collection of engraved portraits ... as originally collected by Horace Walpole. [London] : Smith and Robins, printers, [1842]., and With embossed ownership stamp of Thomas Mackinlay.
Publisher:
publisher not identified
Subject (Name):
Rubens, Peter Paul, 1577-1640 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Art, Art collections, Children, Owls, and Sculpture
Title from item., In margin lower left: A. C. 355 ; English Hindi 10,000., Date derived from printing company history., Text is also in Hindi., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Issued by the Health Education Section, Directorate General of Health Services, Government of India. Published by the Advertising Branch, Ministry of I & B and Printed by Glasgow Printing Co., Ltd. Howrah
Subject (Topic):
Public health, Communicable diseases, Prevention, Sneezing, Cough, Children, Health and hygiene, Handkerchiefs, and Sick persons
A cherub playing a lyre, at the center of a bookshelf surrounded by books and flowers. At the bottom is an area marked "No.", and space in which to write a number.
Plate [145] Plate in: Series of one hundred and ninety-six engravings, (in the line manner) by the
Image Count:
1
Resource Type:
still image
Abstract:
"Illustration to Bowyer's edition to Hume's 'History of England'; the king sitting in chair, holding Charles II in his lap, Henrietta Maria on her knees at left, clutching her husband's arm, guards standing at either side."--British Museum online catalogue
Alternative Title:
Charles the First taking leave of his children
Description:
Title from text below image., Sheet trimmed within plate mark on three sides., and Plate [145] in a volume bound to 50 cm.
Publisher:
Published as the act directs by R. Bowyer, Historic Gallery, Pall Mall
Subject (Name):
Charles I, King of England, 1600-1649, and Henrietta Maria, Queen, consort of Charles I, King of England, 1609-1669,
Volume 2, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 5. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman seated in profile to right, holding a handkerchief on her laps with both hands; a little girl standing next to her, almost in profile to left, putting both hands on the woman's lap and looking up towards her; to right, an older girl seated, holding a book open on her lap with both hands, looking up to the sky; to left, a boy seated, in profile to left, blowing a trumpet; in a roundel; after H Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., State with dedication added above imprint statement. For an earlier state lacking this text, see British Museum online catalogue, registration no.: 1917,1208.953., Sheet trimmed to plate mark., Four lines of text below title: The shade of my mother hovers round me, when in a still evening I sit in the midst of her children, I wish that she could look down upon us, and see that I fulfil the promise I made her to be a mother to them. Sorrows of Werter, Dedication etched above imprint statement: To the Honble. Miss Grenville, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by her most obedient humble servant, W. Dickinson., Illustration to Goethe's The sorrows of young Werther., Mounted on page 5 of: Bunbury album., and 1 print : stipple engraving and etching on laid paper ; circular image 30.0 cm, on sheet 40.1 x 36.0 cm.
Publisher:
Publish'd August 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Volume 2, page 14. Etchings by Henry William Bunbury, Esq. and after his designs. Page 5. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
"A woman seated in profile to right, holding a handkerchief on her laps with both hands; a little girl standing next to her, almost in profile to left, putting both hands on the woman's lap and looking up towards her; to right, an older girl seated, holding a book open on her lap with both hands, looking up to the sky; to left, a boy seated, in profile to left, blowing a trumpet; in a roundel; after H Bunbury."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., State with dedication added above imprint statement. For an earlier state lacking this text, see British Museum online catalogue, registration no.: 1917,1208.953., Sheet trimmed to plate mark., Four lines of text below title: The shade of my mother hovers round me, when in a still evening I sit in the midst of her children, I wish that she could look down upon us, and see that I fulfil the promise I made her to be a mother to them. Sorrows of Werter, Dedication etched above imprint statement: To the Honble. Miss Grenville, this print after an original drawing by H. Bunbury Esqr. is with the greatest respect dedicated by her most obedient humble servant, W. Dickinson., Illustration to Goethe's The sorrows of young Werther., and Mounted on page 14 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd August 21st, 1783, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Title and publisher from item., Date from item: National Poison Prevention Week, March 21-27, 1976., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Prepared by the American Pharmaceutical Association and [1976].
Subject (Topic):
Accidental poisoning in children, Poisoning, Chemicals, Mothers, and Children
"Kanunnikessen - Missiezusters van den H. Augustinus." Three children with belongings strapped to their backs are walking down a path with walking sticks. Additional information indicates that this postcard was published in Belgium.
"Kanunnikessen - Missiezusters van den H. Augustinus." Two boys and a girl pose for the camera. One of the boys is carrying two fish in his hand. They are outside. Additional information on the back indicates that the postcard was published in Brussels.
"Catéchistes Missionnaires de Marie-Immaculée. - "Nos petits Indiens". - 6. - Parapluies indiens." Children are walking together with mats made of leaves hanging on their heads. They are sort of like umbrellas. The children are standing in the jungle. The postcard notes the publisher as "Regnault, Photo-Editeur - Orléans."
Title from note in pencil at lower left: Children's Ward., Date supplied by curator., Artist's name in plate lower right., Place of publication derived from other works in series., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Braces; Casts., and In pencil lower right: Robert Riggs.
Publisher:
publisher not identified
Subject (Topic):
Hospitals, Pediatrics, Orthopedics, Children, Orthopedic braces, Hospital wards, Toy guns, and Toys
Children gather near some bushes and trees. Some of them sit on the ground and others are holding a sign that asks for financial assistance. There is a handwritten note on the front and back of this postcard.
