Leaf 8v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A woman, balancing a basket on her head, stands in the foreground facing the viewer on the side of the street in front of Tron Kirk and an adjacent building. In the background, right, another peddler carrying a barrel on his back walks away
Alternative Title:
Tron Church, High Street
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Wash tubs, Dairy products, and Churches
"Swatow [Shantou] 70th Anniversary Memorial Church. Taken from just west of the front of the old church building." This church building has been constructed using Chinese architectural styles. There is a stone wall around the building.
A group of people are shown walkiing down a city street as they return from a church service. Two carry bibles, one a snuff-box. One man carries a large muff, and the woman wears a skirt with an enormous hoop. The church is shown in the background on the right
Description:
Title from item., Publication place and date inferred from those of the periodical for which this plate was engraved., Companion print: The old political macaroni with his wise family at breakfast. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, no. 4821., and Plate from: The macaroni and theatrical magazine, or, Monthly register of the fashions and diversions of the times. London : John Williams, June 1773, p. 403.
Publisher:
publisher not identified
Subject (Topic):
Chimney sweeps, Churches, City & town life, Dandies, Dogs, Servants, and Wigs
View of Brighton, the town with numerous houses and other buildings, St. Nicholas's Church on the hill above the town to the right, the coast stretching away in the distance, windmills in the fields to the left with haywains drawn by oxen and reapers at their work amongst the crops to the right, elegant ladies and gentlemen strolling through the scene with a man sketching to the left, several boats and ships on the calm sea beyond, gulls amongst the clouds above. The Royal Arms below
Description:
Title engraved below image. and Titled 'A Perspective View of Brighthelmstone, and of the Sea coast as far as the Isle of Wight: by Jas. Lambert, engraved by Canot.' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc., London, 1829.
Publisher:
Publish'd as the act directs, & sold by Jas. Lambert, painter, at Lewes in Sussex, and Robert Sayer, map and printseller, No. 53 Fleet Street, London
Subject (Geographic):
Brighton (England), England., England, and Brighton.
Subject (Topic):
Buildings, structures, etc, Cityscapes, Churches, Coastlines, Meadows, Windmills, and Church buildings
"View looking across Covent Garden piazza, the market in progress, St Paul's Church on the left."--British Museum online catalogue
Alternative Title:
Vüe de Covent Garden
Description:
Titles etched below image, in English and French., Later state, with imprint burnished from plate. For an earlier state with the imprint "London, Printed for Robt. Sayer at the Golden Buck faceing Fetter Lane End, Fleet Street", see British Museum online catalogue, registration no.: 1880,1113.3050., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "11" in upper right corner., Watermark: 1817., Leaf 42 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Covent Garden.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Covent Garden (London, England),, England, and London.
Subject (Name):
St. Paul's Church (Covent Garden, London, England),
Subject (Topic):
Plazas, Markets, Churches, Coaches & carriages, Carts & wagons, and Sedan chairs
"View in the Strand looking towards St Clement Danes, a carriage approaching on the street to the right."--British Museum online catalogue
Alternative Title:
Vüe de l'Eglise de St. Clements, dans le Strand
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "4" in upper right corner., Watermark: Charles Ball 1817., Leaf 35 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: This rare view is copied in Fairholt's "Haunted London".
Publisher:
publisher not identified
Subject (Geographic):
London (England), Strand, The (London, England),, England, and London.
"Perspective view of St James's Square, looking north, the spire of St James's Church visible in the distance."--British Museum online catalogue
Alternative Title:
Vüe de la Place de St. James's
Description:
Titles engraved below image, in English and French., Later state, with imprint burnished from plate. For an earlier state with the imprint "London, Printed for Robt. Sayer at the Golden Buck facing Fetter Lane, Fleet Street", see British Museum online catalogue, registration no.: 1880,1113.2201., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "9" in upper right corner., Watermark: 1817., Leaf 40 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Curious.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Saint James's Square (London, England),, England, and London.
Subject (Name):
St. James's Church (London, England),
Subject (Topic):
Plazas, Churches, Row houses, Coaches & carriages, and Sedan chairs
"View on the Strand looking towards St Mary's Church, with Somerset House on the right, a sedan chair on street to left, a carriage to the right, elegantly dressed figures and street traders on street."--British Museum online catalogue
Alternative Title:
Vüe de L'Eglise de St. Marie dans le Strand, proche le Palais Royal de Somerset a Londres
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "5" in upper right corner., Watermark: Charles Ball 1817., Leaf 36 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old Somerset House.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Strand, The (London, England),, England, and London.
Subject (Name):
St. Mary le Strand (Church : London, England), and Somerset House (London, England),
Subject (Topic):
Churches, Streets, Castles & palaces, Carriages & coaches, and Sedan chairs
"View looking down Fleet Street towards Temple Bar, with St Dunstan in the West on the right; elegantly dressed figures among carriages and carts on the street."--British Museum online catalogue
Alternative Title:
Perspective view of Temple Bar and St. Dunstan's Church and Vüe de Temple Barr une des porte de la villa de Londrer, LEglise de St. Dunstan
Description:
Titles etched below image, in English and French., Later state; remnants of burnished imprint visible at bottom of plate., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "3" in upper right corner., Watermark: 1817., Leaf 44 in an album of views of London and its vicinity., and Pencil annotation below plate line, in a later hand: Old St. Dunstan's Church. Temple Bar with the Traitor's Heads on it.
Publisher:
publisher not identified
Subject (Geographic):
London (England), Fleet Street (London, England),, England, and London.
Subject (Name):
Temple Bar (London, England), and St. Dunstan's in the West (Church : London, England),
Subject (Topic):
Streets, Churches, Gates, Carriages & coaches, and Carts & wagons
"View of the west front of Westminster Abbey with St Margaret's on the left."--British Museum online catalogue
Alternative Title:
Perspective view of Westminster Abbey and St. Margarets Church, Vüe de L'Abbaye de Westminster et L Eglise de St. Margurite, and Vüe de L'Abbaye de Westminster et L'Eglise de St. Margurite
Description:
Titles etched below image, in English and French., Later state, with imprint burnished from plate. For an earlier state with the imprint "London, Printed for Robt. Sayer at the Golden Buck facing Fetter Lane, Fleet Street", see British Museum online catalogue, registration no.: 1880,1113.2547., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Plate numbered "2" in upper right corner., Watermark: Charles Ball 1817., and Leaf 33 in an album of views of London and its vicinity.
Publisher:
publisher not identified
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Westminster Abbey, and St. Margaret’s Church (Westminster, London, England),
Page 169. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View of the west front of Westminster Abbey with St Margaret's on the left."--British Museum online catalogue
Alternative Title:
Perspective view of Westminster Abbey and St. Margarets Church, Vüe de L'Abbaye de Westminster et L Eglise de St. Margurite, and Vüe de L'Abbaye de Westminster et L'Eglise de St. Margurite
Description:
Titles etched below image, in English and French., Sheet trimmed within plate mark., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve perspective views of the principal churches, streets, and squares in the cities of London and Westminster", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, pages 87, no. 10., Mounted to 26 x 32 cm., and Mounted on page 169 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for Robt. Sayer at the Golden Buck facing Fetter Lane, Fleet Street
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Westminster Abbey, and St. Margaret’s Church (Westminster, London, England),
Perspective view of the north west front of ye parish church St. Brides ... and Vüe de l'eglise pareissiale de St. Bride : dont son cloche est de 242 pieds
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Sheet trimmed to plate mark., and Window mounted to 29 x 43 cm.
Publisher:
Printed for Bowles & Carver, 69 St. Pauls Church Yard, Robt. Wilkinson in Cornhill, and Laurie & Whittle, 53 Fleet Street
The scene is the interior of a gothic church, with a view of part of a lateral gallery, the tower arch, and west door (on the right). The foreground and the gallery are filled with couples, in general elderly, ugly, and fashionably dressed, in conversation or bowing to each other. An unicorn on a monument holding an escutcheon is conspicuous. On the right the congregation is crowding towards the open door
Description:
Title etched below image., Numbered 'Plate 80' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales / by G.M. Woodward, 1796., and Year in imprint erased from this impression.
Publisher:
Published by Allen & Co., 15 Paternoster Row
Subject (Topic):
Churches, Clothing & dress, Couples, Interiors, and Monuments
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", and Sheet trimmed within plate mark.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 24.7 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 72 in volume 2.
A view of Chesterfield Church and the churchyard, with gravestones
Description:
Title etched below image., Date based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '25' in manuscript. Label on front cover: Prints. For further information consult library staff.
Publisher:
Printed and sold by J. Ford, Chesterfield
Subject (Geographic):
Chesterfield (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
"A bird's eye view of London with the river to the left and Lambeth Church and grounds in the foreground, St Paul's can be seen in the distance."--British Museum online catalogue
Alternative Title:
Veüe de Londres dessinè de dessus l'Eglize de Lambeth
Description:
Titles from text below image, in English and French., Sheet trimmed to plate mark on right and left edges., "Price 1 s."--Following imprint., "No. 24."--Lower right corner., The Lewis Walpole Library: From the Topographical Prints collection., and Numbered in ink in a contemporary hand in lower left corner of sheet: D-282.
Publisher:
Publish'd according to act of Parliament by J. Boydell engraver, at Unicorn the corner of Queen Street, Cheapside
Subject (Geographic):
Thames River (England),, London (England), England, and London.
"View of St Mary-in-the-Strand; looking down the street to the right of the church into the distance; carriages and pedestrians in foreground"--British Museum online catalogue
Alternative Title:
Vüe de la maison royale de Somerset avec l'eglise de Ste. Marie dans le Strand a Londres
Description:
Title from caption below image., Date of publication based on printsellers' street addresses. See British Museum online catalogue., Reissue, with altered publication line, of a print published in 1753. See British Museum online catalogue., and Plate numbered "17" in upper left corner.
Publisher:
Printed for Laurie & Whittle, 53 Fleet Street, Bowles & Carver, 69 St. Pauls Church Yard, & Robert Wilkinson, 58 Cornhill
Subject (Geographic):
England and London.
Subject (Topic):
Castles & palaces, Official residences, and Churches
Page 155. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
View on George Street, looking towards the square, St. George's Church on the right with large Corinthian portico, fat farmer driving sheep in street at center, sedan chair to right
Alternative Title:
View of Saint Georges Church, Hanover Square, from Conduit Street, London and Vuë de l'Eglise de Saint George dans le Carré de Hanover, prés du Côté Rue Conduit à Londres
Description:
Titles engraved below image, in English and French., Titled 'View of St. George's Church, Hannover Square, published by Jefferys' in the Catalogue of Maps, Prints, Drawings, etc., forming the geographical and topographical collection attached to the Library of his late Majesty King George the third, etc, London, 1829., Date range for publication based on publisher's street address and death date; Thomas Jefferys moved to the corner of Charing Cross in 1750 and died in 1771. See British Museum online catalogue., "Publish'd according to act of Parliamt."--Below image., For a variant state published by John Boydell, see British Museum online catalogue, registration no.: 1880,1113.4534., Title in English and French, with publication line in English., Folded to 30.2 x 25.5 cm., and Tipped in at page 155 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Printed for T. Jefferys, the corner of St. Martins Lane, Charing Cross
Subject (Geographic):
England, London, London (England), and London.
Subject (Name):
St. George's Church (Westminster, London, England),
Subject (Topic):
Church buildings, Plazas, Churches, City & town life, Sedan chairs, and Herders
"View of the façade looking northwards."--British Museum online catalogue
Alternative Title:
View of Saint Georges Church, Hanover Square, from Conduit Street, London and Vuë de l'Eglise de Saint George dans le Carré de Hanover, prés du côté Rue Conduit à Londres
Description:
Titles engraved below image, in English and French., Date of publication from British Museum online catalogue., "Publish'd according to act of Parliamt."--Below image., Mounted to 30 x 46 cm., and Watermark.
Publisher:
Printed for Ino. Boydell, Engraver, Cheapside
Subject (Geographic):
England and London.
Subject (Name):
St. George's Church (Westminster, London, England),
Vue de l'Eglise de St. Sebastien qui est hors de la ville de Rome
Description:
Title from caption below image., Date of publication based on printseller's street address. See British Museum online catalogue., and "Publish'd according to act of Parliament"--Below image.
Publisher:
Printed for Robt. Sayer, Map & Print Seller, opposite Fetter Lane, Fleet Street
"View on the river at Battersea; the church on the right; in right foreground boats grouped around pier; Chelsea in distance on the left."--British Museum online catalogue, description of an earlier state of the same composition
Description:
Title from text below image., Reissue of a print published in 1750 by J. Boydell. See British Museum online catalogue., Sheet trimmed within plate mark., "Price 1 s."--Following imprint., "No. 6"--Lower right corner., and Window mounted to 34 x 54 cm.
Publisher:
Publish'd according to act of Parliament by J. Boydell, engraver at the Unicorn, corner of Queen Street, Cheapside
Subject (Geographic):
Battersea (London, England),, Thames River (England),, London (England), England, and London.
"The interior of Dulwich College Chapel. A stout man, probably the Master, wearing a gown, stands in a pulpit or desk (left), a large book before him, his eyes and mouth twisted in a sly leer. Below him (right) the figure of Edward Alleyne has risen from a tombstone and stands (half length) holding up the horizontal stone. He is surrounded by clouds. He wears hat, ruff, and a gown which differs from that of the living man chiefly in being furred. The figure is copied (in reverse) from the whole length portrait of Alleyne at Dulwich College. On the stone, beneath a coat of arms, is the inscription, a strip along the left being cut off by the lower margin of the print: 'Sacred | the Memory of | Edward Alleyne | Founder of this | College | Life Nov 26 | 1626 Æ 63 | Likewise | Joan his Dear | Wife who F | race 28 June 1623.' Next the Master is a sour-looking profile, and, below, three choristers (full-face), are grinning broadly."--British Museum online catalogue
Description:
Title etched below image. and Place of publication based on location of printmaker John Nixon.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Alleyn, Edward, 1566-1626., Alleyn, Thomas, -1805., and Dulwich College
Harris, John, active 1680-1739 or 1740, printmaker
Published / Created:
[1717]
Call Number:
Topos L847 no. 140++
Image Count:
1
Resource Type:
still image
Abstract:
"View of the Church of St Mary-le-Strand, showing the statue of St Anne on the Portico, with further statues in the niches on the south side; elegantly dressed figures on Strand around church, a sedan chair and a carriage on the right"--British Museum online catalogue
Alternative Title:
Prospectum hunc Templi Stae. Mariae in vico dicto the Strand
Description:
Title from text below image., Date of publication from British Museum online catalogue., "Debito Obsequio D.D. Jacobus Gibbs Architectus"--Below title, lower right corner., and Watermark.
A view of the church at Alderley and its neighboring buildings at the town crossroads
Description:
Title engraved below image., Date of printing based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '20' in mss. Label on front cover: Prints. For further information consult library staff.
In a churchyard, tombstones, adorned on top with the heads of prominent politicians, are engraved with epitaphs in their memory
Alternative Title:
Political churchyard
Description:
Title from caption etched above image. and Mounted to 30 x 38 cm.
Publisher:
Pub according t [sic] Act by B. Pownall. No. 6 Pallmall
Subject (Geographic):
Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Fox, Charles James, 1749-1806., North, Frederick, Lord, 1732-1792., Burke, Edmund, 1729-1797., Pitt, William, 1759-1806., Keppel, Augustus Keppel, Viscount, 1725-1786., Conway, Henry Seymour, 1721-1795., Richmond and Lennox, Charles Lennox, Duke of, 1735-1806., Wray, Cecil, Sir, 1734-1805., Cavendish, John, Lord, 1732-1796., Sheridan, Richard Brinsley, 1751-1816., Melville, Henry Dundas, Viscount, 1742-1811., Lansdowne, William Petty, Marquis of, 1737-1805., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809., and Mansfield, William Murray, Earl of, 1705-1793.
“Mission du Congo, Pères Rédemptoristes. Thysville, Intérieur de l’église.” The altar area and front pews are depicted in a Catholic church in Mbanza-Ngungu. Statues of several saints are seen near the altar. There is no handwriting on the back of the postcard.
“Les Missionnaires Prémontrés de France. Église de Vohemar.“ A church altar with a statue of the Virgin Mary is depicted. The name of the publisher “Aulard et Cie, 6 rue de Vieux-Colombier, Paris.” is printed on the back of the postcard. There is no handwriting on the back.
"Interior of Church with altar rails. Ready for Christmas" The church has wooden benches and a wooden railing in front of the altar. Palm leaves decorate the walls
"Interior da Igreja de N. a Sr. a das Victorias - Huambo" An elaborate altar is set behind a railing in a church with a high ceiling, arched windows, and vaulted roof.
Title from item., In upper margin: Jeudi 29 Juillet 1830., Place of publication from item., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Hospitals, Interior; Wounds; Nurses & nursing., and Blind stamp: E. Ardit à Paris.
Publisher:
à Paris, chez E Ardit, editeur rue Vivienne No.2, Pl.6. London by Engelmann, Graff Condet et Cie and Imp. lith. de E Ardit
Subject (Geographic):
France. and France
Subject (Topic):
Hospital wards, War wounds, Hospitals, Emergency medicine, Soldiers, Revolutionaries, Nurses, Churches, and History
In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone
Description:
Title etched below image., Attributed to Newton in the British Museum online catalogue, registration no.: 2001,0520.7., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone
Description:
Title etched below image., Attributed to Newton in the British Museum online catalogue, registration no.: 2001,0520.7., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
publish'd according to act of Parliament, 1753 [printed not before 1764]
Call Number:
Topos L847 no. 94+
Image Count:
1
Resource Type:
still image
Abstract:
"Interior view of the church of St Stephen Walbrook; large Corinthian columns supporting upper gallery; dome over centre, groups of people stroll through space"--British Museum online catalogue, description of an earlier state of the same composition
Alternative Title:
Vüe du dedans de l'eglise de St. Etienne Walbrook a Londres
Description:
Title from caption below image., Date of printing based on printsellers' street addresses. See British Museum online catalogue., Reissue of a print originally published in 1753 with the publication line "London: Printed for & Sold by T. Bowles in St. Pauls Church Yard, John Bowles & Son in Cornhill, Robt. Sayer in Fleet Street." See British Museum online catalogue., and Plate numbered "14" in upper right corner.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, John Bowles, No. 13 in Cornhill, Robt. Sayer in Fleet Street
Title engraved above image., With a separately titled plate on same sheet: Corse. [London] : Published by Richd. Bigland, January 9th, 1790., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '19' in mss. Label on front cover: Prints. For further information consult library staff.
A view of a church at Avening from the town road, including the churchyard with gravestones
Description:
Title engraved below image., With a separately titled plate on same sheet: Monument of Bruges in Avening. [London?] : [publisher not identified], [178-?]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '23' in mss. Label on front cover: Prints. For further information consult library staff.
A view of the church at Bibury and the churchyard with gravestones
Description:
Title engraved below image., Date of printing based on watermark., and Bound in a volume of prints [English cathedrals and monuments]; numbered '21' in mss. Label on front cover: Prints. For further information consult library staff.
Page 138. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View of the church of St Mary-le-Bow in Cheapside, London; figures and carriages on street in foreground; shops adjoining church to the left."--British Museum online catalogue
Description:
Title etched at top of image., Plate from: Stow, J. A survey of the cities of London and Westminster. London : Printed for A. Churchill, J. Knapton, R. Knaplock, J. Walthoe, E. Horne, [and 5 others in London], 1720, v. 1, book 3, opposite page 25., Imperfect; sheet trimmed within plate mark with loss of printmaker's signature from lower right. Missing text supplied from impression in the British Museum, registration no.: 1978,U.3633., "V 1: B 3: p. 25."--Upper right corner., Folded to 31.8 x 20.7 cm; mounted to 32 x 26 cm., and Mounted on page 138 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
View of the church of St. Mary-le-Bow in Cheapside, London; figures and carriages on street in foreground; shops adjoining church to the left
Description:
Title from text etched within banner at top of image., Plate numbered "10" in lower right corner., Sheet trimmed within plate mark., and Plate from: Stow, J. A survey of the cities of London and Westminster, and the borough of Southwark. London, Printed for W. Innys and J. Richardson [etc.], 1754-55.
Publisher:
Published according to act of Parliament, 1754, for Stowes Survey
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Stow, John, 1525?-1605. and St. Mary-le-Bow (Church : London, England),
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of Bradwell Church in Suffolk with its graveyard. A woman and child walk along the road on the right beside a stand of trees
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
A view of a church at Cam, including the churchyard with gravestones
Description:
Title engraved below image. and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '24' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Published as the act directs by Richd. Bigland
Subject (Geographic):
Cam (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
"2969 - Rép. Centre Africaine - Bangui - La Cathédrale" A large Western-style church has towers on either side of a center section with peaked roof and arched doors and windows.
"Dahomey [now Benin] - Ouidah - La Cathédrale - De ce côte-ci de la place se trouve le grand temple du Serpent pithon, principal fétiche du pays." A large Western-style church with central tower is portrayed.
A view of the church at Cheltenham and the churchyard with gravestones
Description:
Title engraved below image., Bound in a volume of prints [English cathedrals and monuments]; numbered '23' in mss. Label on front cover: Prints. For further information consult library staff., and Paper with watermark '1791'.
Publisher:
Published as the act directs Dec. 17, 1787 by Richd. Bigland
Subject (Geographic):
Cheltenham (England) and England.
Subject (Topic):
Buildings, structures, etc, Churches, and Cemeteries
The gated entrance and front of a Western style stone church is shown behind a low stone wall. A cross can be seen on the roof above the pediment. There is no handwriting on the back of the postcard.
“Missions des Pères Rèdemptoristes au Congo. Préfecture Apostolique de Matadi. Thysville – Eglise et clocher. Kongo-missie der Paters Redemptoristen. Apostolische Prefektuur van Matadi. Thysstad – Kerk en toren.” A small brick mission church is depicted with the steeple sitting on blocks next to the church. The caption is printed on the back of the postcard. There is no handwriting on the back.
“Eglise de Kangu (Mayombe). Kangu Kerk. (Mayombe).” A large, brick, Western style mission church with twin towers is depicted. Native plantings are seen at the side. “Missions de Scheut. Kangu. (Mayombe) Congo. Mission de Kangu. Missiën van Scheut. Kangu. Maybome). Kongo. Missie van Kangu.” The name of the publisher, “Ern. Thill, Bruxelles.” is printed on the back of the postcard. There is no handwriting on the back.
"Missions Africaines, 150, Cours Gambetta, Lyon. Dahomey [now Benin] - Eglise d'Athiémé." The congregation is standing in front of a Western-style church with a tall cross-topped tower in front.
"Bobo Dioulasso - Haute Vola (A.O.F.) [Burkina Faso] No. 1 - L'Eglise" A rectangular building made of brick or stone has dual stairways meeting under an arched window and an arched door on ground level.
"5. Bénin - Eglise d'Idjébu Odé. Missions Africaines, 150 Cours Gambetta, Lyon" A Western-style church with a bell tower is show with a few people seated in front of it. A two-storey building with porches is in the background.
"Colonies Françaises. Dahomey [now Benin] - Eglise de Porto-Novo" A few people are sitting on the front steps of a Western-style church that hascross-topped pointed façade and a round window above an arched door.
“Les Missionnaires Prémontrés de France. Église de Vatomandry.“ The altar and devotional areas and several rows of pews are shown inside a Catholic church in Vatomandry. The name of the publisher “Aulard et Cie, 6 rue de Vieux-Colombier, Paris.” is printed on the back of the postcard. There is no handwriting on the back.
The sanctuary of a Christian church is depicted looking toward the altar. Pews are seen along the side isles but there is no seating in the central area of the nave. There is no handwriting on the back of the postcard.
"Eglise N.D. de Lourdes à Villenur (Pondichéry) Lieu de pélerinage. Church of Our Lady of Lourdes at Villenur (Pondicherry [Puducherry]) Place of pilgrimage." This relatively ornate church is surrounded by a gate and palm trees. Additional information reads, "Missions-Etrangères de Paris, 128 rue du Bac."
"Ruins of Tien Gu Chao church, burned by Boxers about 1902." Stone walls are shown standing near trees after the church was burned during the rebellion.
"Missions Salésiennes. Indes II. 7. Préfecture apostolique de l'Assam - Résidence de Gauhati [Guwahati]." The outside of a church is shown with a palm tree next to it. It is the Apostolic Prefecture of Guwahati in the state of Assam. Next to the church is a smaller building. This postcard was published in France.
"Church Kohat." The side of a Church in Kohat, Pakistan is shown here. There are large trees around it. Additional information reads, "Ram Singh and Sons, Kohat." This postcard was printed in Luxembourg. There is a handwritten note on the back.
"Missions Salésiennes. Indes II. 8. Mission de Saharampur (Pendjab) - L'église." The front of a church in Punjab is depicted here. This postcard was published in France.
Title engraved below image., With a separately titled plate on same sheet: Dixton, in Trinity Chapel, Cirencester. [London? : Ralph Bigland?, 1781?], and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '18' in mss. Label on front cover: Prints. For further information consult library staff.
Publisher:
Publish'd according to act of Parliament January1st 1781 by Ralph Bigland, Garter principal King of Arms
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. Octr. 8, 1791, by Willm. Holland, No. 50 Oxford St.
Subject (Topic):
Boredom, Cemeteries, Churches, Couples, Obesity, and Tombs & sepulchral monuments
Title engraved below image., With a separately titled plate on same sheet: Arcade & inscription against the tower at Cotes. [London : Published by Richd. Bigland?, January 9th, 1790?], and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '19' in mss. Label on front cover: Prints. For further information consult library staff.
Twenty-four views, displaying the Beauties of Yarmouth and its environs.
Image Count:
1
Resource Type:
still image
Abstract:
A view of the ruins of Corton Church, Suffolk, surrounded by gravestones. A man sits alone, leaning against one of the tombs
Description:
Title etched below image. and Plate from: Joseph Lambert's Twenty-four views, displaying the Beauties of Yarmouth and its environs. Yarmouth : Printed and sold by W. Meggy, [1822?].
published according to act of Parliament, Feb. 1, 1751. and [between 1790 and 1835]
Call Number:
Print20074
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Restrike of a plate first published in 1751. This later printing was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). The plate was again issued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., Temporary local Medical Library subject terms: Prevention of cruelty to animals -- Murder -- Pregnancy., and Price statement has perhaps been partially burnished from plate; it is lightly printed but visible on this impression.
Publisher:
Wm. Hogarth and publisher not identified
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio Greenberg 75 H67 753
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.7 x 31.9 cm, on sheet 56 x 45 cm., and Leaf 54 in: Album of William Hogarth prints.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Kinnaird 54K(b) Box 215
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and Imperfect: sheet trimmed to plate mark 384 x 313 mm.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Sotheby 71++ Box 315
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", and "Price 1s"--Bottom left below design.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Hogarth 751.02.01.05.1+ Box 200
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching on laid paper ; plate mark 383 x 319 mm, on sheet 473 x 380 mm., and Pencilled note on verso: '2nd state'.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 78 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 78. Queen Charlotte's collection of Hogarth works. Leaf 54. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
Description:
Title engraved above image., Publisher and series title from Paulson., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., and On page 156 in volume 2. Sheet trimmed within plate mark to: 37.8 x 30.4 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Cemeteries, Criminals, Churches, Homicides, and Pregnant women
"Scene outside a large apothecary's shop, both windows filled with large coloured jars. Above the door is the sign, a terrestrial globe on which scales are balanced. Outside, a doctor in old-fashioned dress, acts as usher with a long wand to a band of naked infants (left) who run eagerly towards him. In the jars fœtuses are indicated. Outside the other window stands an undertaker holding up his professional staff and doffing a hat draped with a mourning scarf towards a skeleton who advances from the background (right). Behind the skeleton is a church among trees."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with text "The World!" removed from lower margin and added (without exclamation mark) to the shop sign within image. Text beginning "Accoucheurs & apothecaries ..." below image has also been re-etched. For earlier state before these changes to the plate, see no. 14584 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local Medical Library subject terms: Pharmacies.
Publisher:
Pub. June 29, 1823, by G. Humphrey, 24 St. James's St. & 74 New Bond St.
Subject (Topic):
Death (Personification), Drugstores, Storefronts, Globes, Scales, Signs (Notices), Physicians, Infants, Containers, Undertakers, Staffs (Sticks), Skeletons, and Churches
A copy based on Hogarth's Satire on flase perspective: A view of a tower, staircase, bridge over a river
Alternative Title:
Satire on false perspective
Description:
Title etched below image., Printmaker and artist statemetns inscribed in reverse on print., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 239., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, page 333., and On page 168 in volume 2.
“VIII. – Giappone – Chiesa Francescana di Sapporo.” The Western style church at the Franciscan mission at Sapporo is depicted. “Unione Missionaria Francescana Via Merulana, 124 – Roma (124).” is printed on the back of the postcard. There is no handwriting on the back.
Title from item, in Dutch and French., Date and place of publication supplied by curator., Curator lists Delft as the location of the view., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title engraved below image., Date of publication based on watermark., With a separately titled plate on same sheet: Gloucester Cathedral, west view. [London?] : [publisher not identified], [1794?]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '12' in mss. Label on front cover: Prints. For further information consult library staff.
Title engraved below image., Date of publication based on watermark., With a separately titled plate on same sheet: Gloucester Cathedral, south view. [London?] : [publisher not identified], [1794?]., and Bound in a volume of prints [English cathedrals and monuments]; leaf numbered '12' in mss. Label on front cover: Prints. For further information consult library staff.
Huntsmen and hounds with moutned members of the hunt are in an enclosure flanked by corn-stacks and resembling a farmyard, except for a boiling-house with a tall chimeny and joints of meat hanging from the gable-end of a building. The artist (Robert Crukshank) sits (right) sketching; 'Blackmantle', stands beside him pointing. Behind is a large church. The Berkeley hourds, a double pack, were kept alternately during the season at Cheltenham and Gloucester. British Museum catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Copy in reverse of the first state of Plate 5 of Hogarth's 'The Rake's Progress' (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
Rake's progress. Plate 5 and Youth to reimburse his squander'd gold
Description:
Title from text engraved above image., "Plate 5"--Lower right below design., Verses below image in three columns, four lines each: The youth to reimburse his squander'd gold, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the fifth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on the left and last word on the right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
Leaf 15r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A man stands in the foreground, in profile to the right, a sack slung over his shoulder. Behind him on the opposite side of the street are two buildings, Conongate Kirk and Canongate Tolbooth
Alternative Title:
Canongate Church & Prison
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Canongate (Edinburgh, Scotland), Scotland, and Edinburgh.
Subject (Name):
Canongate Kirk (Edinburgh, Scotland),
Subject (Topic):
City & town life, Peddlers, Bags, Churches, and Prisons
Leaf 17r. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
A blind man stands in the foreground, in profile to the left, holding a cane in his left hand. The Chapel of Ease of St. Cuthbert's, in Crosscauseway, is seen in the background
Alternative Title:
Chapel of Ease, Cross Causeway
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Blind persons, Poor persons, Staffs (Sticks), and Churches
Leaf 3v. Cries of Edinburgh characteristically represented.
Image Count:
1
Resource Type:
still image
Abstract:
An old man, holding a cane and a basket of eggs, stands in Edinburgh's New Town. St. Andrew's Church is seen in the background on the right; a carriage, two pedestrians, and a dog are seen in the background on the left
Alternative Title:
St. Andrews Street
Description:
Title from verses etched below image., Publication information from that of the volume for which the plate was engraved., Plate from: Cries of Edinburgh characteristically represented : accompanied with views of several principal buildings of the city. Edinbr. : Sold by L. Scott ..., 1803., and Sheet trimmed within plate mark.
Publisher:
L. Scott
Subject (Geographic):
Scotland and Edinburgh.
Subject (Topic):
City & town life, Peddlers, Older people, Staffs (Sticks), Baskets, and Churches
"A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line "Gisling Geneve exc.", and numbering 1-10, and with letterpress verses, including legend, in two columns."--British Museum online catalogue
Description:
Title engraved below image, with two columns of verse below in letterpress. and Publisher, place of publication, and date of publication from the British Museum online catalogue, registration no.: 1864,0813.274.
Publisher:
Gisling Geneve exc. [that is, Romeyn de Hooghe?]
Subject (Geographic):
England.
Subject (Name):
William III, King of England, 1650-1702,, James II, King of England, 1633-1701,, James, Prince of Wales, 1688-1766,, Petre, Edward, 1631-1699,, Mary, of Modena, Queen, consort of James II, King of England, 1658-1718,, and Louis XIV, King of France, 1638-1715,
Subject (Topic):
Kings, National emblems, Babylonian, Dutch, Goats, Dragons, Armor, Pikes (Weapons), Shields, Monks, Priests, Boats, Churches, and Windmills
"A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him."--British Museum online catalogue
Alternative Title:
Hot cross buns, two a penny buns
Description:
Title etched below series title and number.
Publisher:
Pubd. May 4, 1799, at Ackermann's Gallery, 101 Strand
Subject (Topic):
Baked products, Beggars, Children, Churches, City & town life, Clergy, Peddlers, Vegetables, and Women
“3. ̶ Madagascar. ̶ Intérieur d’église de brousse.” The interior of a small country church is depicted with several people sitting off at one side. Wooden beams are shown supporting the roof and walls. The following information is printed on the back of the postcard: "Pour ‘l’Œuvre des Prêtres Malgaches’, 79, Avenue de Breteuil, Paris XVe.” There is no handwriting on the back.
"Missions d'Afrique. "Maison Mère des Soeurs Missionnaires de N-D d'Afrique - Interieur de la Chapelle" The interior of a church with a high arched ceiling is shown facing the altar. "On the back of the postcard is printed "Soeurs Missionnaires de N-D. d'Afrique. Birmandreis (Alger) Soeurs Blanches du Cardinal Lavigerie"
