A copy in reverse of William Hogarth's Plate 6 of A harlot's progress: A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the right, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the left, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Alternative Title:
Harlot's progress. Plate 6, Her funeral properly attended, and Pompe de ses funérailles
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.4 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2107., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 126.
Publisher:
publisher not identified
Subject (Topic):
Prostitution, Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services
Title engraved above image., Caption below image: Keep it up my lads, Johnny Bull pays for all., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Vestry -- Male costume: coats -- Food: vestry dinner -- Reference to John Bull -- Furnishings: window curtains., and Mounted to 21 x 28 cm.
Publisher:
Print'd, publish'd and sold Augt. 1, 1795, by I. Cole, No. 18 Fore Street
Subject (Topic):
John Bull (Symbolic character), Clergy, Dining tables, and Eating & drinking
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[24 February 1796]
Call Number:
796.02.24.01+
Image Count:
1
Resource Type:
still image
Abstract:
A country yokel in a hat and smoking a pipe sits on a stool beside a simple table outside in a farm house opposite a pigsty wtih a large pig and her piglets and chickens and their chicks running around in alarm. In the upper left sky a flock of parson in the form of birds fly in various directions. A second man sits on the gate looking up at the clergy/birds
Description:
Also attributed to Isaac Cruikshank in unverified information from card., Publisher's statement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Paper watermarked T.W. 1795., and Printseller's stamp in lower right corner of plate: S.W.F.
Publisher:
Published Febry. 24, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Agricultural laborers, Clergy, Farms, Pipes (Smoking), Poultry, and Swine
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and 1 print : etching, hand-colored ; plate mark 24.0 x 34.5 cm.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 34.7 cm, on sheet 25.6 x 41.8 cm., and Leaf 16 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and Imperfect; "sc." following the name "Bunbury" in lower right corner has been mostly erased from sheet.
A fat parson sits on a settee with a young courtesan on each knee
Description:
Title etched below image., Sheet trimmed within plate mark on sides., Two lines of verse below title: The business of his church he did by proxy and loved all doxies but the ortho-doxy., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. Cf. For a later copy, see no. 10671, v. 8., and Watermark: T Edmonds 181[...].
Title from item., Sheet trimmed withing plate mark., Two lines of verse below title: The buisiness of his church he did by proxy and loved al doxies but the orthodoxy., Printmaker from British Museum catalogue., Plate numbered '21' in lower left corner., and Temporary local subject terms: Parsons -- Young women -- Furniture: slipcovered love seat.
Publisher:
Pubd. Feby. 1st, 1806 by S.W. Fores, No. 50 Piccadilly
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 3 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out to dinner. Oh dear me, well your mistress will do just the same. & She's out Sir. How provoking. Well, I'll set down by the fire till they come home. I'm sorry to tell you that that's gone out to." Upper right: A soldier is shot by a man (Turk?) hiding in the tall grass and pointing a rifle. Lower half, left: In a pulpit a bald minister with spectacles rants and he holds up a Bible in his left hand ready to throw it at the sleeping congregation below, " Ye sleepy crew if ye wont hear the owrd of God ye shall feel it." Lower right: A simpleton in artist attire holds up a piece of paper with a stick figure drawing and says, "Don't you think I improve."
Description:
Title from captions written each image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping