"An imitation of British Museum Satires No. 8913, by Woodward. A fat parson sits drinking beside a small round table. His face is fiery and carbuncled. He wears gown and bands, with unbuttoned waistcoast, and ungartered stocking; his wig is back to front. Opposite him, on a round stool sits Care, a naked man, grotesque, aged, emaciated, with a scraggy beard and long grey hair, and talons on hands and feet; he registers gloomy terror. The parson, with a contemptuous smile, snaps his fingers at Care. On the table are decanter, pipe, tobacco-box, and lemon. On the wall (left) is a 'List of the Tythes for the Parish of Guttledown'. A patterned carpet completes the design. An illustration of the song (illustrated also by R. Cruikshank in 'The Universal Songster', ii, 1826, page 129)."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Sheet trimmed within plate mark on three edges., Temporary local Medical Library subject terms: Depression -- Songs., 1 print : etching with engraving, hand-colored ; sheet 208 x 250 mm., and Sheet trimmed within plate mark.
Publisher:
Publishd. June 16th, 1801, by H. Humphrey, 27 St. Jamess [sic] Street
Subject (Topic):
Clergy, Alcoholic beverages, Pipes (Smoking), and Lemons
Watercolor drawing of the fictional archbishop in Lesage's novel Gil Blas; bust length, turned slightly right; overweight, with white hair and bushy white eyebrows; wearing a mitre, pectoral cross, and chasuble
Description:
Title written below image., Signed and dated by the artist in lower left corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 210., and Bound in as page 80 in volume 9 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Title etched below image. and Temporary local subject terms: Allusion to Archbishop -- Anticipation of effects of insanity of King George III -- Mitres -- Allusion to Regency crisis.
Publisher:
Pub, Nov'r 5th 1788 by S.W. Fores No. 3 Piccadilly
Title etched below images, centered at bottom of plate., Two images on one plate., Four lines of text in two columns on either side of title: One that witholdeth not his mite ..., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Parsons -- Furniture: slipcovered chairs -- Writing desk -- Tea table -- Beverages -- Wines: Burgundy., and Watermark: E & P.
Publisher:
Pub. Janry 26, 1796 by S.W. Fores, N. 50 Piccadilly
Subject (Topic):
Clergy, Lawyers, Pipes (Smoking), Wine, and Chairs
"Whitefield preaching to a group of country-people by the roadside. A sign, a lion rampant on a post with the chequers which denote an alehouse, shows that the scene is outside an inn. Whitefield, his squint very pronounced, stands in gown and bands, both arms raised, in the attitude familiar from the mezzotints in print-shop windows, see British Museum satire 5220. Some of his hearers, men and women, clasp their hands in prayer, some kneeling; others grin slyly or scowl. Immediately in front of him an elderly man seated on a mounting-block, is asleep, his head resting on the head of his stick. A woman with three infants is seated in the foreground (left). A pot-man (left), his sleeves rolled up, holds out a foaming tankard, either to the preacher or to one of the audience. Behind, in front of the signboard (left) is a countryman on horseback. Behind Whitefield is the trunk of a large tree, under which the group is collected."--British Museum online catalogue
Description:
Title, printmaker, and publication information from British Museum catalogue., Sheet trimmed within plate mark resulting in loss of title, imprint, and statement of responsibility., and Window mounted to 33 x 26 cm.
Publisher:
Publish'd April 15, 1774, by W. Humphry, St. Martin's Lane
Subject (Name):
Whitefield, George, 1714-1770
Subject (Topic):
Breast feeding, Clergy, Crowds, Drinking vessels, Outdoor religious services, Prayer, Signs (Notices), Sleeping, Taverns (Inns), and Waiters
Satire on the Duke of Cumberland's poor spelling with references to his criminal conversation with Lady Grosvenor. He is shown at a table with a satyr holding a fool's cap over his head as a tutor stands beside the table where the Duke works. Also beside his chair is a monkey on his hind legs. On the wall hangs a birch rod
Description:
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 5 (1770), page 88., and Mounted to 33 x 46 cm.
Publisher:
Oxford magazine
Subject (Name):
Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[12 March 1794]
Call Number:
794.03.12.01+
Image Count:
1
Resource Type:
still image
Description:
Title from item., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Parsons.
Title engraved below image., One of a series of 'Drolls.', Temporary local subject terms: Old men -- Parsons -- Dishes: punch bowl -- Storytelling -- Expressions of speech: cock and bull story., and Watermark.
Publisher:
Published Decr. 16th 1793, by Robt. Sayer & Co., Fleet Street, London
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state, with additional publisher's street address added to end of imprint statement. Cf. No. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "5" in upper left corner., and Watermark: L.V.G.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street & No. 33 Strand
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with plate reworked in aquatint and with a different imprint statement, of a print originally published 15 November 1780 by Watson & Dickinson. Cf. No. 5804 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate numbered "5" in upper left corner., Temporary local subject terms: Male costume -- Gaiters -- Clerical wig -- Bob-wig -- Reference to Cambridge., and Watermark.
Publisher:
Pub. April 1, 1794, by J. Harris, Sweetings Alley, Cornhill
Volume 1, page 27. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Three men riding in different directions, having come through a large gateway of square brick pillars surmounted by stone vases. The rider in the centre on a clumsy horse wears a clerical wig, broad-brimmed hat, and gaiters. On the right, and riding in profile to the right, is a man on a stout cob, wearing boots and a bob-wig. Behind him is a fat old woman with outstretched arms shouting in alarm. On the left, riding in profile to the left, is a thin man riding a more spirited horse, and dressed like a layman. Behind him walks a fat divine wearing an academic cap, bands, and a long gown. Through the gateway in the distance a short fat man in a clerical wig stands on a mounting block, a groom beside him holding his horse. With him are two men wearing mortar-boards and long gowns. Behind a large rectangular building is indicated and behind it a church steeple."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark., Plate numbered "5" in upper left corner., and Mounted on page 27 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Novr. 15th, 1780, by Watson & Dickinson, No. 158 New Bond Street
"Prince Leopold sits enthroned, flanked by his new subjects; he wears uniform with a crown, and sits on a two-tiered circular dais in a chair of state, the seat of which is covered with giant thorns. Punctured and frightened, he grasps the arms of his chair with crisped fingers; his toes are drawn back, touching the ground, and he looks towards a savage-looking Greek (right) who kneels before him with a long knife held behind his back. A similar ruffian kneels on the left; others approach menacingly from the left, one smoking a long pipe and grasping a knife. They wear Greek costume with embroidered jackets and full white breeches. On the right are long-robed ecclesiastics, headed by a bearded patriarch with a cross in one hand, a knife in the other."--British Museum online catalogue
A group stand in a churchyard, as two men lower the coffin into a grave. The one sexton has two patches on his britches
Description:
Title from text above image., Print caption: Running to earth or in at the death. Finnis Coronat Opus., Sheet trimmed within plate mark on three edges., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 20, Tichborne Street, Haymarket
"A stout man (right), seated at a round table, tells a story to a parson on his left, who grins broadly. Two women fix the raconteur with expressions of absorbed amusement, while an officer is more frankly amused at watching the lady on his right. All are elderly. On the table are a decanter of 'Port' and glasses. A patterned carpet completes the design. From a sketch by an amateur."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Novr. 9th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Topic):
Chairs, Clergy, Floor coverings, Military uniforms, British, and Storytelling
"A stout man (right), seated at a round table, tells a story to a parson on his left, who grins broadly. Two women fix the raconteur with expressions of absorbed amusement, while an officer is more frankly amused at watching the lady on his right. All are elderly. On the table are a decanter of 'Port' and glasses. A patterned carpet completes the design. From a sketch by an amateur."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified in the British Museum catalogue., Variant state, without publisher and date and with differently etched title, of No. 8753 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Chairs, Clergy, Floor coverings, Military uniforms, British, and Storytelling
"A stout man (right), seated at a round table, tells a story to a parson on his left, who grins broadly. Two women fix the raconteur with expressions of absorbed amusement, while an officer is more frankly amused at watching the lady on his right. All are elderly. On the table are a decanter of 'Port' and glasses. A patterned carpet completes the design. From a sketch by an amateur."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified by George., Sheet trimmed within plate mark., Copy in reverse. Cf. No. 8753 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., No. 6 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Publisher:
publisher not identified
Subject (Topic):
Chairs, Clergy, Floor coverings, Military uniforms, British, and Storytelling
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 3 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A drawing of four scenes, with caricatured figures with large heads and very small bodies. Upper left: A man with a monocle (right) inquires of the butler on a threshold with pillar to his left, "Is your master within. No Mr. Smallfeast he's gone out to dinner. Oh dear me, well your mistress will do just the same. & She's out Sir. How provoking. Well, I'll set down by the fire till they come home. I'm sorry to tell you that that's gone out to." Upper right: A soldier is shot by a man (Turk?) hiding in the tall grass and pointing a rifle. Lower half, left: In a pulpit a bald minister with spectacles rants and he holds up a Bible in his left hand ready to throw it at the sleeping congregation below, " Ye sleepy crew if ye wont hear the owrd of God ye shall feel it." Lower right: A simpleton in artist attire holds up a piece of paper with a stick figure drawing and says, "Don't you think I improve."
Description:
Title from captions written each image., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Artists, Butlers, Clergy, Congregations, Soldiers, British, and Sleeping
Title from item., Sheet trimmed withing plate mark., Two lines of verse below title: The buisiness of his church he did by proxy and loved al doxies but the orthodoxy., Printmaker from British Museum catalogue., Plate numbered '21' in lower left corner., and Temporary local subject terms: Parsons -- Young women -- Furniture: slipcovered love seat.
Publisher:
Pubd. Feby. 1st, 1806 by S.W. Fores, No. 50 Piccadilly
A fat parson sits on a settee with a young courtesan on each knee
Description:
Title etched below image., Sheet trimmed within plate mark on sides., Two lines of verse below title: The business of his church he did by proxy and loved all doxies but the ortho-doxy., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. Cf. For a later copy, see no. 10671, v. 8., and Watermark: T Edmonds 181[...].
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., 1 print : etching on wove paper, hand-colored ; plate mark 24.5 x 34.7 cm, on sheet 25.6 x 41.8 cm., and Leaf 16 in volume 4.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and Imperfect; "sc." following the name "Bunbury" in lower right corner has been mostly erased from sheet.
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The farmer, looking up, with folded hands, sits full face in an upright arm-chair. He wears a dressing-gown and night-cap, and appears fairly robust. The lawyer stands at his right hand, eagerly bending forward to write 'The last Will and Testament of, . .'; behind him (left) is the elder son, a gaping shock-headed youth in a smock. Behind the right arm of the chair is the doctor, sucking his cane disconsolately. On his left hand are the parson, with a grog-blossom nose, holding an open book, the weeping wife, plainly dressed in cap and apron, with a little girl holding a handkerchief to her face, and a smaller boy, yelling. The farmer says: "I bequeath my House and Lands to my eldest Son Dick- the rest of my property to my Wife and younger Children. I leave Six and eightpence to the Lawyer- all his gallipots and phials to the Doctor and half a years tithes to the Parson- Therefore March off Doctor! Write Lawyer! Pray parson cry Wife! and bellow Children! For it is all over with me"."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Plate numbered "299" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., "One shilling colour'd.", Sheet trimmed within plate mark on bottom edge., and 1 print : etching, hand-colored ; plate mark 24.0 x 34.5 cm.
Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[24 February 1796]
Call Number:
796.02.24.01+
Image Count:
1
Resource Type:
still image
Abstract:
A country yokel in a hat and smoking a pipe sits on a stool beside a simple table outside in a farm house opposite a pigsty wtih a large pig and her piglets and chickens and their chicks running around in alarm. In the upper left sky a flock of parson in the form of birds fly in various directions. A second man sits on the gate looking up at the clergy/birds
Description:
Also attributed to Isaac Cruikshank in unverified information from card., Publisher's statement following imprint: Folios of caracatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Paper watermarked T.W. 1795., and Printseller's stamp in lower right corner of plate: S.W.F.
Publisher:
Published Febry. 24, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Topic):
Agricultural laborers, Clergy, Farms, Pipes (Smoking), Poultry, and Swine
Title engraved above image., Caption below image: Keep it up my lads, Johnny Bull pays for all., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Vestry -- Male costume: coats -- Food: vestry dinner -- Reference to John Bull -- Furnishings: window curtains., and Mounted to 21 x 28 cm.
Publisher:
Print'd, publish'd and sold Augt. 1, 1795, by I. Cole, No. 18 Fore Street
Subject (Topic):
John Bull (Symbolic character), Clergy, Dining tables, and Eating & drinking
A copy in reverse of William Hogarth's Plate 6 of A harlot's progress: A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the right, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the left, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Alternative Title:
Harlot's progress. Plate 6, Her funeral properly attended, and Pompe de ses funérailles
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.4 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2107., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 126.
Publisher:
publisher not identified
Subject (Topic):
Prostitution, Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services
On the street in front of the shop of S.W. Fores & Co. a mix of Londoners -- trades people, clergy, gentleman and ladies, etc. -- fight the effects of a very strong wind: a parson loses his wig, a woman's dress is blown up over her hips revealing her large buttocks; a woman selling fish has fallen to the ground, her hat and wares strewn across the sidewalk as a man with a walking stick trips over her, etc. Above the shop window is a sign that reads "Prints &c wholesale & for expotation".
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 42 x 56 cm., matted to 49 x 63 cm.
Publisher:
Pub. May 28, 1793 by S.W. Fores, No. 3 Piccadilly and No. 57 St. Pauls Church Yard
Subject (Geographic):
England, London., and England.
Subject (Name):
St. Paul's Church (Covent Garden, London, England) and Fores, S. W.
Subject (Topic):
City & town life, Clergy, Clothing & dress, Crowds, Fishmongers, Men, Prints, Publishing industry, Stores & shops, Wigs, Window displays, Winds, and Women
A fat, red-checked clergyman sits across an oval table from a thin, distressed man. On the table between them is a backgammon game and two lit candles in brass candlesticks. The clergyman throws up his arms in joy after another successful roll of the dice
Alternative Title:
Hit at backgammon
Description:
Title etched below image., Printseller's announcement following publication statement: Folios of carricatures [sic] lent out for the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Edm[onds] & Pine.
Publisher:
Pub. July 20th, 1796, by S.W. Fores, No. 50 Piccadilly
The interior of a poor wooden house, a parson's family of four gather around a table covered in a tablecloth worn with holes. They are eating beans, while he sits on the right, gnawing a bone; his wife (left) nurses the youngest child. Behind her on the wall are two shelves of books above which hangs a bird in a birdcage. To her left, the curtains around the canopy bed are also torn. A small cat (foreground) looks up at the parson. On the floor beside the parson's chair lies a sheaf of papers with the title "Charity sermon".
Description:
Title from caption below image., Numbered "481" in lower left corner., No. 24 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Canopy beds, Birdcages, Breast feeding, Cats, Clergy, Eating & drinking, Families, Interiors, and Poverty
"Queen Caroline, stout and flamboyant, stands on the balcony over the porch of Wood's house in South Audley Street, looking down complacently with folded arms at the cheering crowd which fills the street. Alderman Wood stands cringingly behind her. A boy sits on a lamp-bracket, looking up, saying, "I've got a good place Jack I can see the whole of her." A sailor climbs one pillar of the porch, a little chimney-sweep swarms up the other. A man on horseback says: "Come down you Smutty." Another man shouts: "Clap my Boy! Clap her!!" A boy with newspapers inscribed 'Times', bawls: "Never Vas sich Times as these" [a catch-phrase]; cf. British Museum Satires No. 13729. The street is densely packed; spectators wave from the opposite windows and balcony. In the distance is a church, on the roof of which are spectators; one looks through a telescope, another asks "Can you see it." On the extreme right a parson on horseback is assailed with mud and brickbats."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Temporary local subject terms: Female costume: 1821 -- Male costume: 1821-- Parsons., and Manuscript "267" in upper center of plate.
Publisher:
Pubd. June 19, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Balconies, Crowds, Cheering, Sailors, Chimney sweeps, Clergy, and Telescopes
"Queen Caroline, stout and flamboyant, stands on the balcony over the porch of Wood's house in South Audley Street, looking down complacently with folded arms at the cheering crowd which fills the street. Alderman Wood stands cringingly behind her. A boy sits on a lamp-bracket, looking up, saying, "I've got a good place Jack I can see the whole of her." A sailor climbs one pillar of the porch, a little chimney-sweep swarms up the other. A man on horseback says: "Come down you Smutty." Another man shouts: "Clap my Boy! Clap her!!" A boy with newspapers inscribed 'Times', bawls: "Never Vas sich Times as these" [a catch-phrase]; cf. British Museum Satires No. 13729. The street is densely packed; spectators wave from the opposite windows and balcony. In the distance is a church, on the roof of which are spectators; one looks through a telescope, another asks "Can you see it." On the extreme right a parson on horseback is assailed with mud and brickbats."--British Museum online catalogue
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum catalogue., Temporary local subject terms: Female costume: 1821 -- Male costume: 1821-- Parsons., Mounted on page 16 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 38.9 cm, on sheet 26.1 x 39.4 cm
Publisher:
Pubd. June 19, 1820, by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Wood, Matthew, Sir, 1768-1843
Subject (Topic):
Balconies, Crowds, Cheering, Sailors, Chimney sweeps, Clergy, and Telescopes
"On a small platform a quack doctor stands on the left, while a dissenting parson wearing bands sits on a chair (right); both lean towards their customers. Behind is a curtain with the inscription 'The cheapest Booth in the Fair'. The quack, an open box of medicine-bottles beside him, holds out a bottle, saying, "This is the only cure my Dear Friends for every disorder incident to the human body but for cure and comfort to your Souls I must beg leave to refer you to my Partner the other side of the stage". A woman and a man gaze up at him. His partner holds out a pamphlet to an elderly woman who reaches up eagerly for it, proffering a coin. He says: "All my last books of Sermons going for two pence a piece cheaper by one penny than you can buy them on those days that I preaches in the fields: and if any of you ketchd a cold at that time I'd advise you to apply to my partner for a bottle or two of his Stuff." The heads and shoulders of two other persons complete the audience."--British Museum online catalogue
Alternative Title:
Souls and bodies cured without loss of time
Description:
Title etched below image., Printseller's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., and Printseller's stamp in lower right of sheet: S.W.F.
Publisher:
Pubd. Septr. 3, 1795, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., 1 print : etching ; plate mark 349 x 247 mm., and Hand-colored.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A lean and grotesquely ugly old parson, wearing cap and gown, sits in his college room with a pretty young woman on his knee. She puts an arm round his neck and warms a foot at a blazing fire, on which stands a large coffee-pot. Her (large) straw bonnet and gloves are on the ground. Through a high Gothic window (right) two other Fellows look in, much amused. Behind him and against his chair is a table covered with punch-bowl, lemons, a decanter, bottles of 'Gin', 'Rum', and 'Coniac', and a jar of 'Preserved Ginger', &c. On the floor beside it is a huge volume: 'Doomsday Book', with other books, one being 'Arratin' [Aretino], another (open) 'A Master of Arts / a Fellow Feeling for the human Race'. With these are spectacles, cork-screw, long pipe, tobacco-jar. On the high chimney-piece are a nymph disrobing, candlestick, medicine-bottles, jug, and a framed 'Oxford almanack'. Beside it hang a violin and bow. On the wall hang a chess-board and a bag, as in British Museum Satires No. 12161, with a notice: 'Term begins -- Term ends -- Long Vacation'. British Museum Satires No. 10811 by Rowlandson has the same title (from Mackenzie's novel)."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Later state; imprint has been completely burnished from plate., Publication information inferred from earlier state with the imprint "Pubd. December 2nd, 1811, by Thos. Tegg, No. 111 Cheapside". Cf. No. 11783 in the Catalogue of prints and drawings in the British Museum, v. 9., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., "Price one shilling coloured.", Plate numbered "126" in upper right corner., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 216., Temporary local Medical Library subject terms: Sex behavior., Watermark: 1817., and Leaf 91 in volume 2.
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Parsons., Leaf 54 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 27.5 x 21.0 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [Ed]meads 1808.
"A grossly obese bishop, almost spherical, walks with a lean parson, right to left, and slightly towards the spectator. Both wear hat, gown, and bands. Their features are not dissimilar in type, but one is gross, carbuncled, and surly, the other lean and melancholy. One has a ticket for a 'Turtle Dinner' tucked into his waistcoat, the other holds a large Bible in both hands."--British Museum online catalogue
Alternative Title:
A master parson and his journeyman
Description:
Title etched below image., Printmaker from British Museum catalogue., and Temporary local subject terms: Parsons.
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. Cf. Plomer., Numbered '348' in lower left corner., and Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original print was published by Carington Bowles in 1760 and 1785.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., No. 34 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.2 x 25 cm, on sheet 38.5 x 37.2 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
In a richly decorated and carpeted interior, a clergyman, his obese bespectacled wife, and 3 children sit at table, behind which a portrait of the parson hangs on the wall. The clergyman raises a wineglass to his lips as a servant uncorks another bottle of wine
Description:
Title from item., After a designed by Dighton., Numbered in lower left 343., A probable reduced version of no. 3753, originally issued ca. 1760. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Imperfect; hole in upper right corner.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard
Subject (Geographic):
England
Subject (Topic):
Clergy, Eating & drinking, Interiors, Tableware, and Clothing & dress
In a richly decorated and carpeted interior, an obese clergyman, his obese bespectacled wife, and three children sit at table. A portrait of the parson hangs on the back wall. The clergyman raises a wineglass to his lips as a servant uncorks another bottle of wine
Description:
Title from item., Imperfect; trimmed to design with loss of imprint., Afger a design by Dighton., Place of publication and publisher from British Museum online catalogue., and Date estimated from British Museum. catalogue, v. 5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles."
Publisher:
Printed for & sold by Carington Bowles
Subject (Geographic):
England
Subject (Topic):
Clergy, Eating & drinking, Interiors, Tableware, and Clothing & dress
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., 1 print : etching with stipple, hand-colored ; sheet 320 x 257 mm., and Imperfect; sheet trimmed within plate mark with loss of numbering from upper right.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., 1 print : etching with stipple, hand-colored ; sheet 36.8 x 26.8 cm., Sheet trimmed within plate mark., and Probably a later impression from a worn plate; numbering in upper right is lightly printed and barely visible.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Joanna Southcott, a stout termagant, stands in back view directed slightly to the right, gathering up her petticoats to display her person to three doctors who gaze closely at her. She is grossly caricatured, with no resemblance to her portraits. She says, her head turned in profile to the right, and looking up with a triumphant smile: "Seeing is believing are you Now satisfied theres no [sic] Behold the Naked Truth most Learned Doctors." The doctors, who are crouching for closer inspection, say respectively: "It has a confounded strange appeara[nce]"; "I have my doubts"; "I cant help suspecting". Across her posteriors, defined by the pulling up of her petticoats, is engraved: 'Aged 64 Bladders of Blasphemy and Corruption Sealed up and Ready to Burst'. On the left is a large cradle of straw in which is seated a grotesque parson with horns projecting from his forehead; he holds a spoon and a bowl inscribed 'Caudle'; beside him is a paper: 'Cradle Hymns'. He leers cunningly. The cradle is inscribed 'Parson Towser' and 'Cradle for Joanna's Boar Pig'. A bird-like demon, grinning grotesquely, crouches on the head of the cradle. Against it lies a sack inscribed 'Donations Child Bed Linen for young Beelzebub'. Beside this lie a large coral and bells, pap-spoon, syringes, a little saucepan, &c. (presents from the faithful). Beside Johanna (right) is a chest (as in British Museum Satires No. 12334) inscribed 'Joanna Southcot's Prophecys' and 'Seals for Sale'. Other things beside it are a syringe inscribed 'infusion of Devils Dose', a paper inscribed 'Game of Humbug', a bowl of 'Cock Broth for Tom Tozer', and a decanter of 'Strong Water'. In the background, framed by large curtains, are a pulpit and a high latticed window, suggesting a chapel interior."--British Museum online catalogue
Alternative Title:
Miracles will never cease
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate numbered in upper right corner: No. 340., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately?, The doctors have been identified in the British Museum catalogue as Richard Reece and Dr. John Sims., Sheet trimmed to plate mark on right edge., Temporary local Medical Library subject terms: Prophecy -- Anecdotes -- *Religious mania., and Leaf 92 in volume 5.
Publisher:
Pubd. Sept. 8, 1814, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Southcott, Joanna, 1750-1814, Tozer, William, approximately 1770-1828, Reece, Richard, 1775-1831, and Sims, John, 1749-1831
Subject (Topic):
Obstetrics, Clergy, Cradles, Demons, Medical equipment & supplies, Physicians, Prophets, and Pregnancy
"The platform extends across the centre of the design. Below are the audience, three-quarter length and half-length, standing and seated. A man in patched clothes stands in the front of the semicircle of men seated on the platform, holding out his empty breeches pockets. With sanctimonious melancholy he says: Oh! my Bretheren! in that black and benighted land of Ireland have the Servants of the Lord fought the good fight! For behold! we have wrestled lustily with the Wh--re! Yea, with the Scarlet Wh--re! and behold, from the pestiferous abominations of papistry, Millions have we gather'd to the fold, of Starving Souls who yearned for the Word!--but yet my Bretheren! 6 times 999000 still worship in the temple of Dagon!--still dwell in the tabernacles of the Enemy!--still hang over the Gulf! and shall they Tumble therin? even into the brimstone and the desolation & ye Confla=ge=ra=tion? No! No! No!--but alas! the Vinyard of the Lord is deserted, for the labourer lacketh his hire! Open thy purse strings Oh Israel! and let ye Mamon of the World be converted into the Sweet Manna of Justification! for lo! there is no Corn in Egypt, and the pockets of the faithful are lank and unreplemished [sic], yea even as the Udders of the Seven Starving kine in the Vision of King Pharoah!!! Those on the platform listen in pious gloom. In the centre are two stout bishops with a lean minister (? Irving) between them, dressed like a minister of the Scottish Church. The others are gaunt, elderly, in plain old-fashioned dress with knee-breeches. One (left) (who resembles Liston as Maw-worn in Bickerstaffe's 'The Hypocrite'), with lank hair resting on his shoulders, fingers clasped and thumbs together, says: That Man's a Saint, if ever there was a Saint. Another says oh! oh! The rest listen in silence. On the platform is a pile of books, three inscribed Bible, two Tracts, one Prayer. A man brings in on his shoulders a large basket inscribed Food for the Starving Irish, heaped with similar books, with a great preponderance of Bibles. Among the audience stands a man with a collecting-plate heaped with sovereigns; coins and a note are contributed. The audience listen intently or converse gloomily. A paper hangs from the platform: Paddy, Mullagan Converted by a Pair of Leather Breeches--Biddy Quin by a Peticoat and a Pair of Shoes."--British Museum online catalogue
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark resulting in near total loss of imprint from bottom edge. Imprint supplied from impression in the British Museum., and Matted to: 28.2 x 33 cm.
Publisher:
Pulished [sic] June 21, 1827, by Thos. McLean, 26 Haymarket
Subject (Name):
British and Foreign Bible Society. and Religious Tract Society (Great Britain)
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., 1 print : etching and engraving on laid paper ; plate mark 34.2 x 46.9 cm, on sheet 45 x 56 cm., and Leaf 28 in: Album of William Hogarth prints.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., and Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ..."
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and 1 print : etching and engraving on laid paper ; sheet 351 x 472 mm.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and 1 print : etching with engraving, on laid paper ; plate mark 347 x 472 mm, on sheet 472 x 611 cm.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", 1 print : etching and engraving on laid paper ; plate mark 34.4 x 47 cm, on sheet 46 x 59 cm., and Plate 28 in the album: Queen Charlotte's collection of Hogarth works.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and Printed in sepia ink; sheet trimmed to plate mark on three sides: 350 x 471 mm.
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Sheet trimmed to plate mark., and On page 64 in volume 1. Plate trimmed to: 33.9 x 46.4 cm. Some damage and losses to corners.
Plate 28. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in a paneled room (in a public house?) with eleven men seated around a table in the center of which is a large punch-bowl decorated with Chinese figures. Wine bottles litter the floor and piled high on the mantelpiece. In the right corner a chamber pot overflows. One man in the foreground has fallen backwards off his chair; as he lands prostrate on the floor, one of his intoxicated companions staggers toward him, oblivious to the fact that his wine is spilling out over the prostrate man's head. The longcase clock shows the time as 4:00. See Paulson for suggested identities of the men depicted
Alternative Title:
Midnight modern conuersation
Description:
Title engraved below image., State, publisher, and date from Paulson., Six line poem engraved on either side of title: "Think not to find one meant Resemblance there ...", and On page 65 in volume 1. Plate trimmed to: 34.3 x 47 cm.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 9 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A group of twelve man and women of various ages and walks of live -- tradesmen, a clergy, a spinster, a military officer, a gentleman in shackles, a servant, a frail, sickly man, etc. -- stand full length facing the viewer. Above their heads are brief expressions of their 'wants': "I want a job"; "I want more customers"; "I want a husband"; "I want for death", etc. Only an obese gentleman on the right is content: "I want for nothing"; next to him, the military officer with a monocle says, "I don't know what I want."
Alternative Title:
Human nature delineated
Description:
Title from caption in artist's hand written below image., Quotation following title: Lord, what an amorous thing is want. Hudibras., Date of creation based on Grant's known years of activity., Attributed to C.J. Grant based on style and association with other signed drawings., and For further information, consult library staff.
Subject (Topic):
Clergy, Distress, Men, Military officers, Occupations, and Women
Darly, Matthias, approximately 1720-approximately 1778, printmaker
Published / Created:
[1 April 1772]
Call Number:
Folio 72 771 D37 v.2 plate 23
Image Count:
1
Resource Type:
still image
Abstract:
"A man, stout and elderly, dressed as a bishop stands facing three-quarter to left. His right hand holds a tasselled mortar-board. He wears a silk gown, lawn sleeves, a pair of bands and an enormous wig. At the top of the plate is engraved, "Bishop of Eider Down"."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram. M. Darly for Mary Darly or Matthew (or Matthias) Darly the printmaker? See British Museum catalogue., For later state with additional numbering, see no. 5003 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / Mary Dorothy George, v. 5., Text above image: Bishop of Eider Down., and Plate numbered "23" in upper right corner.
Publisher:
Pub. by MDarly, Strand, April 1st, 1772, accor. to act
Subject (Geographic):
England
Subject (Name):
Traill, James, -1783
Subject (Topic):
Clothing & dress, Clergy, Dandies, British, and Wigs
"A man, stout and elderly, dressed as a bishop stands facing three-quarter to left. His right hand holds a tasselled mortar-board. He wears a silk gown, lawn sleeves, a pair of bands and an enormous wig. At the top of the plate is engraved, "Bishop of Eider Down"."--British Museum online catalogue
Description:
Title from caption below image., Initial letters of publisher's name in imprint form a monogram., Series numbered in upper left and right corner, respectively: V. 2 23., and At top of image: Bishop of Eider Down.
Publisher:
Pub. by MDarly, Strand, April 1st 1772, accor. to act
Subject (Geographic):
England
Subject (Name):
Traill, James, -1783
Subject (Topic):
Clothing & dress, Clergy, Dandies, British, and Wigs
A sleeping clergyman sits in an armchair, oblivious to a maid tickling his nose with the tail of a sucking pig, just delivered by a man standing in the open doorway. On a table is an inkstand and quill, a wine bottle, glass and candle with a book entitled "Tythe laws fully consider'd". At cat pulls from the table a paper labelled "Bans of marriage", while on the floor near a small dog a large book lies open to "Poem on good living". The clergyman's portrait and that of a woman hang on the wall behind him beside a map entitled "A Plan of the doctor's parish."
Alternative Title:
Tythe pig no bad sight and Pleasing method of rousing the doctor
Description:
Title from item. and Numbered in plate: 328.
Publisher:
Printed for Carington Bowles ... No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England. and England
Subject (Name):
Church of England
Subject (Topic):
Clergy, Tithes, Church of England, Clothing & dress, Practical jokes, Dogs, and Swine
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark on one side., Temporary local subject terms: Male costume: 1816, smock, gaiters -- Female costume: 1816., and Manuscript "252" written on right side beyond plate mark.
Publisher:
Pubd. Augt. 1816 by S.W. Fores 50 Piccadilly
Subject (Topic):
Clergy, Dandies, Dragons, Staffs (Sticks)., and Umbrellas
A jovial countryman leans on a rustic railing next to a tree, to address a fat elderly parson on horseback (riding to the left). He asks, "Ha! Ha, the knaust Doctor I be a rum fellow, Canst thee tell me why a parsons horse be like a king?" The parson answers with a grin, "Why you rogue, because it is guided by a minister." He is red-faced and freckled and prosperous looking, with a round belly; he carries a sermon in his pocket whose title is "Sermon to be prea[ched] ..."
Alternative Title:
Dignity of a parsons horse
Description:
Plate numbered '136' in upper right corner., Printmaker from British Museum catalogue., Cf. No. 10904 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description of later state with altered imprint statement., Sheet trimmed within plate mark., and Watermark: Edmeads & Co.
Leaf 67. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Attribution to Rowlandson from unverified data in local card catalog record., Restrike; plate originally published ca. 1800?, Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], A reduced copy of no. 5802 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and On leaf 67 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 117 of: Bunbury album., 1 print : etching on laid paper, hand-colored ; sheet 41.2 x 56.7 cm., and Sheet trimmed within plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
780.02.15.03++
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
15 Feby. 1780.
Call Number:
Folio 49 3563 v.1 (Oversize)
Collection Title:
Volume 1, page 19. Etchings by Henry William Bunbury, Esq. and after his designs. Page 117. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows
Description:
Title etched below image., Mounted on page 19 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., 1 print : etching in brown ink on laid paper, with brown and blue-gray wash ; sheet 41.9 x 57.5 cm., and Sheet trimmed to plate mark.
Publisher:
Published by Js. Bretherton
Subject (Geographic):
Great Britian.
Subject (Name):
Grose, Francis, 1731?-1791 and Grose, Francis, 1731?-1791,
A fashionably dressed young woman in a low-cut dress sits talking to an old (bearded but not bald) cleric in monastic habit who holds her hand. Behind the pair another monk peeks around the door smirking. Above the door a painting shows semi-clothed figures. Miss Tittup was a character in Garrick's "Bon Ton".
Alternative Title:
Miss Titups visit to Father Bald-pate and Miss Tit ups visit to Father Bald-pate
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, as the Act directs
Subject (Geographic):
England
Subject (Name):
Catholic Church
Subject (Topic):
Clergy, Monasticism and religious orders, Paintings, and Clothing & dress
Leaf 80. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of five clergymen over-indulging with food and drink in the Vestry room. They sit around a large table drinking, one member, with his foot bound with gout sits with his back to the viewer. On the left a footman kicks away a family of beggars from the door and towards the Workhouse, a sign for which may be seen in the background. A line of more malnourished beggars can be seen outside the window of the Vestry."--Royal Collection Trust online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see Royal Collection Trust, RCIN 810639., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 58., and On leaf 80 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Leaf 26. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Heading to a rebus engraved below the design, giving the text of the sermon. An ugly parson (right) preaches in close proximity to the canopied pew of the Duke of York, in which the Duke sprawls, with one leg along the edge of the pew. Mrs. Clarke, between them, leans with folded arms on the edge of the pew, facing the Duke. O'Meara says: "Mrs Clark is the Text". The rebus or pictograph, sometimes anagrammatic, would be scarcely comprehensible without the key, unlike the usual 'hieroglyphic letter', e.g. British Museum Satiries No. 11228, &c. The text is on a printed slip: 'Grant me, I beseech you, O great and mighty Lord of the Land of Oats [Oatlands], a Bishopric; or, if it be more agreeable to your Royal Mind, let me be immediately made a Dean. O dearest Angel, Mrs. Clark! as you are my only Refuge in the Time of Trouble, and as you are the only Great Giver of Places in Church and State, let me entreat your Interest in my behalf! . . . [&c. &c.].'"--British Museum online catalogue
Alternative Title:
Sermon preached before royalty by the Reverend Mr. O'Meara
Description:
Title etched below image; second syllable of the name "O'Meara" is represented by an image of a mare within the letter "O"., Restrike. For original issue of the plate, published ca. April 1809, see no. 11294 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 26 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Clarke, Mary Anne, 1776?-1852, and O'Meara, Reverend, active 1809
Title from item., Sheet trimmed within plate mark on sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Women: old maids -- Military officers., and Watermark: 1799 Russell & Co.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", and Sheet trimmed within plate mark.
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
A rotund clergyman stands (center) in his pulpit preaching from a book set on a plush pillow while the congregation sleeps below him. All the figures are highly caricatured except for a pretty young woman in the right foreground and a young man who is handsome but very large like most of the congregation
Description:
Title etched below image., Probably a later state; date has been burnished from imprint statement, leaving a gap between "Pubd." and "by Thos. Tegg ..." in which only a lightly printed "181" is still visible., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Also issued separately., "Price one shilling coloured.", Sheet trimmed within plate mark., 1 print : etching on wove paper, hand-colored ; plate mark 35 x 24.7 cm, on sheet 41.8 x 25.6 cm., Watermark: 1817., and Leaf 72 in volume 2.
On the right, a lady (Mrs. Catherine Macaulay) with an aquiline profile and wearing a morning gown, sits at a dressing-table; she is dipping a brush into a pot marked 'Rouge', other toilet implements and a looking-glass on the table. Her hair is in a grotesquely caricatured erection, with side curls, intended to ridicule the fashions of the day; on the top of it is a hearse drawn by six horses, decorated with enormous ostrich-feathers. Similar feathers adorn the heads of the horses. On the left behind the lady, a skeleton stands at a rectangular table grasping with both hands an hour-glass whose sands have run into the lower glass out the bottom onto the table. On the table there is also a knife. The base of the skeleton's spine is transfixed by a large arrow. On the wall behind the lady's dressing-table is a portrait bust of a clergyman, in profile to the right (Dr. Wilson).
Alternative Title:
Speedy and effectual preparation for the next world
Description:
Title from item., MD of publisher's name forms a monogram., and Numbered in plate at top: 3, v.2.
Publisher:
Pub May 1, 1777 by MDarly 39 Strand
Subject (Geographic):
England
Subject (Name):
Macaulay, Catharine, 1731-1791. and Wilson, Thomas, 1703-1784.
Title etched below image., Trace remains of printmaker's signature below image, in lower right., Date of publication based on publisher's active dates., Sheet trimmed within plate mark., Five lines of dialogue below title: Woman have ye not the smallest shame at your disgusting situation ..., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Satire on the election of April 1754; the elected candidates chaired to Guildhall; the first state without the results of the poll in the foreground."--British Museum online catalogue
Alternative Title:
Some folks at Guild-Hall
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without "Ministers of propagation" inscribed below a group of clergymen in upper left background., Eight stanzas of verse in four columns below title: O! see my raree shew good folks, all you who love election jokes ..., Plate numbered 'No. 3' on lower right., and Temporary local subject terms: Lottery: allusion to profits from lottery -- Shows: allusion to raree show -- Bills: Jews Naturalization Bill, 1753 -- Societies: Propagation of the Gospel -- Silversmiths: B. Jiffles -- Buildings -- Trades: butchers -- Newspapers: The Public Advertiser -- City of London: contest for representation of the City -- Quackery -- Livery of London: address to the Livery of London by A. Freeport, Feb. 1754 -- Literature: Address to the Livery of London by Andrew Freeport, 1754 -- Elections: parliamentary elections, 1754 -- Bridges: allusion to the Blackfriars Bridge -- Armine Wodehouse, 5th bt., ca. 1714-1777
Publisher:
Sold by John Smith at Hogarths Head, opposite Wood Street, Cheapside
"A farmyard scene, with a corner of the house on the left. A grossly fat and carbuncled parson on a quest for tithes encounters the farmer's wife, who runs towards him proffering an open bandbox, with a dangling lid inscribed 10th. A miniature hussar, very dandified in shako and pelisse, stands in it, superciliously inspecting the parson through an eye-glass. The woman, who is plump and well-dressed, wearing apron and bonnet, says: Seeing your Reverence comeing for your Tithes, I have brought you a Tenth. The parson, who holds a large book, Tithe list, and has a chicken in his capacious pocket, answers with a scowl and gesture of refusal: Take it back! take it back! good Woman; I never tithe Monkeys. The little hussar says: Eh! eh! what does that there fellow say? An amused yokel with a pitchfork leans over a gate (left). A cock crows on a dunghill, an ass brays. Corn-sheaves stand in a distant field."--British Museum online catalogue
Alternative Title:
Dandyfied coxcomb in a bandbox and Dandified coxcomb in a bandbox
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. 10th April 1824 by John Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Dandies, British, Military uniforms, Clergy, England, Obesity, Boxes, Farms, Donkeys, Roosters, and Pitchforks
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1778.
Call Number:
Bunbury 778.01.01.03++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue
Description:
Title from text below image., Probably an earlier state of a print in the British Museum with the imprint "Publish'd 11th March 1778." Cf. no. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark, mostly trimmed.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Description from similar print in Lewis Walpole Library: A sleeping clergyman sits in an armchair, oblivious to a maid tickling his nose with the tail of a sucking pig, just delivered by a man standing in the open doorway. On a table is an inkstand and quill, a wine bottle, glass and candle with a book entitled "Tythe laws fully consider'd". At cat pulls from the table a paper labelled "Bans of marriage", while on the floor near a small dog a large book lies open to "Poem on good living". The clergyman's portrait and that of a woman hang on the wall behind him beside a map entitled "A Plan of the doctor's parish."
Description:
Title below image., Date supplied by curator., Below title is a poem in three columns: "The well fed rich Doctor now Dinner is o'er, In his Arm Chair gives way to an Afternoon's snore ..., In margin lower right: 102., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Printed for & Sold by Bowles & Carver, at their Map and ... Print Warehouse, No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England. and England
Subject (Name):
Church of England
Subject (Topic):
Clergy, Tithes, Clothing & dress, Practical jokes, Dogs, and Swine
"Mansel, Bishop of Bristol and Master of Trinity (from 1798), walks from left to right, and slightly towards the spectator, head in profile, and thrown back, his mortar-board in his left hand. His voluminous, inflated, and much convoluted gown covers a bulky figure. He wears a clerical wig."--British Museum online catalogue
Description:
Title etched below image., Printmaker tentatively identified as Dighton in the British Museum online catalogue., Leaf 52 in an album with the spine title: Characatures by Dighton., Watermark, trimmed: [Ed]meads 1808., and Figure identified as "Bishop of Bristol" in pencil in lower left corner of sheet.
Publisher:
Pubd. Jany. 10th, 1810, by Dighton, 6 Charg. Cross
Subject (Geographic):
England.
Subject (Name):
Mansel, William Lort, 1753-1820
Subject (Topic):
Bishops, Clergy, College administrators, and Obesity
"Dr. John Smith, portly and very round-shouldered, stands in profile to the right, wearing mortar-board, gown, and cassock, with bands. An eye-glass hangs from a ribbon. Smith (1744-1809), B.D. and D.D. 1796, was Rector of Fairford, Glos., 1768-1809, and Master of Pembroke College 1796-1809."--British Museum online catalogue
Description:
Title etched below image., Leaf 47 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 20.5 cm, on sheet 31.1 x 25.5 cm.
"Dr. John Smith, portly and very round-shouldered, stands in profile to the right, wearing mortar-board, gown, and cassock, with bands. An eye-glass hangs from a ribbon. Smith (1744-1809), B.D. and D.D. 1796, was Rector of Fairford, Glos., 1768-1809, and Master of Pembroke College 1796-1809."--British Museum online catalogue
"An elderly man of clerical appearance, stands in profile to the right knees slightly flexed, right hand resting on a heavy cane, left hand raised in an expository gesture. He wears an ill-fitting powdered wig with a curl at the back, a round hat with the brim turned up at the side, long buttoned coat, wrinkled stockings, high-quartered buckled shoes, and gloves. Identified as Dr. John Shepherd."--British Museum online catalogue
Description:
Title etched below image. and Leaf 56 in an album with the spine title: Characatures by Dighton.
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Publication date from watermark., Reprinted from the original plate in 1801 or after., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: burning brands., and Watermark: (countermark) E & P, 1801.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Mounted on page 46 with one other print.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., 1 print : etching and aquatint on wove paper ; sheet 25 x 19.2 cm., Sheet trimmed within plate mark on three sides., and Mounted on verso of leaf 29 of James Sayers's Folio album of 144 caricatures.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"Fox (left) standing on English soil, and Hervey, Bishop of Deny (right), standing on land representing Ireland, embrace across a narrow piece of water inscribed 'St George's Channel'. The bishop resembles, and is probably copied from, the figure in British Museum Satires No. 6654, &c. His right hand holds up a burning brand, his left is on Fox's shoulder. Fox's profile is hidden behind that of the bishop; in his outstretched left hand is a burning brand held horizontally above burning buildings which are sketched on the right of the design (in Ireland). Behind Fox is a building resembling St. Paul's, above which are heavy clouds. In the channel are ships."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Temporary local subject terms: Ireland & the Irish -- Irish Propositions, 1785 -- Church buildings -- Burning city buildings -- Lighting: Burning brands., and Watermark: partial, fleur-de-lis on shield with initials L V G below.
Publisher:
Pubd. 1st August 1785 by Thos. Cornel [sic], Bruton Street
Subject (Geographic):
Great Britain and Ireland
Subject (Name):
Fox, Charles James, 1749-1806, Bristol, Frederick Augustus Hervey, 4th earl of, Bp. of Derry, 1730-1803, and St. Paul's Cathedral (London, England),
Subject (Topic):
Politics and government, Clergy, Bishops, Ships, Fires, and Torches
"The interior of a church. Archbishop Markham (left) delivering a charge to his clergy. He stands (left) within the chancel rails; in his left hand he holds up a flaming torch; in his right hand, which rests on a balustrade, he holds a birch-rod and a paper inscribed "Factious C--y--n. [Countrymen], A Lamentable Want of Sobriety, Foremost in mischief. This is no Gainfull Traffick - Nonresistance &c. Explain'd. Vide my Sermon. Charity Thinketh no Evil &c. A perfectly detestable Faction &c." On the right, in the body of the church, sit clergymen dressed in gown and bands, they listen with varying expressions. Behind the archbishop is a table of the Ten Commandments, on which is inscribed, "... VI Thou shalt do no Murder and IX Thou shalt not bear false Witness &c." Below the design is etched, "Remarks upon a late charge delivered not 100 Miles from Y--k. Vide Rememr.pt. 2nd 1781- page 239."--British Museum online catalogue
Alternative Title:
Archbishop Laud charging his clergy
Description:
Title etched below image., Etched beneath title: Hac itur ad astra' Anglicé - This is the road to Lambeth., and Ms. note in ink in an unidentified hand on verso: Before price 2s. was etched. Numbered also on verso in upper left.
Publisher:
publisher not identified
Subject (Geographic):
England and York
Subject (Name):
Markham, William, 1719-1807.
Subject (Topic):
Bishops, Clergy, Clothing & dress, Interiors, Preaching, and Torches
A personal account book kept by Miles Tarn beginning two years before he attended Queen's College, Oxford and ending in the year of his death 1797. He provides a biographical sketch as well as details of the births, marriages, and deaths of his eleven children by his first wife, Mary (died 26 February 1784); he traces the history of the family estate at Wray beginning in 1615. The entry recording his marriage to second wife, Grace Peele of Cocersmouth is followed an entry (in his wife's hand?) that records the details of the time and date of his death and details of the funeral and burial. The bulk of the manuscript details his expenses. Of particular interest are the entries for the 1750s as he set up a home in Dean after becoming rector. Items listed include: furniture, crockery, household utensils, clothing, fruit trees and gardening tools; monies lent and wages paid to workmen
Description:
Miles Tarn was born at Moss End in Preston Patrick 15 December 1719. He attended Queen's College in Oxford February 1737/8 and ordained in 1741., In English., Bound in contemporary vellum, wallet binding with a brass clasp decorated with a floral tooling., General notes: Notes on provenance: bookplates, binding, etc., A few sheets of material are enclosed in front cover's envelope., and For further information, consult library staff.
A personal account book kept by Miles Tarn beginning two years before he attended Queen's College, Oxford and ending in the year of his death 1797. He provides a biographical sketch as well as details of the births, marriages, and deaths of his eleven children by his first wife, Mary (died 26 February 1784); he traces the history of the family estate at Wray beginning in 1615. The entry recording his marriage to second wife, Grace Peele of Cocersmouth is followed an entry (in his wife's hand?) that records the details of the time and date of his death and details of the funeral and burial. The bulk of the manuscript details his expenses. Of particular interest are the entries for the 1750s as he set up a home in Dean after becoming rector. Items listed include: furniture, crockery, household utensils, clothing, fruit trees and gardening tools; monies lent and wages paid to workmen
Description:
Miles Tarn was born at Moss End in Preston Patrick 15 December 1719. He attended Queen's College in Oxford February 1737/8 and ordained in 1741., In English., Bound in contemporary vellum, wallet binding with a brass clasp decorated with a floral tooling., General notes: Notes on provenance: bookplates, binding, etc., A few sheets of material are enclosed in front cover's envelope., and Removed from pocket formed using the verso of the front cover and the front pastedown. For further information, consult library staff.
The clergyman wearing a hat and glove stands in profile looking left, his mouth open in speech
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered '11' in upper right corner., and Plate from: 24 Caricatures by several ladies, gentlemen, artists, etc.
Publisher:
Pubd. accordg. to act by MDarly, Novr. 2d, 1771, No. 39 Strand
Leaf 60. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing in profile to left, his mouth wide open as if declaiming. Lank hair falls on his shoulders. He wears a low broad-brimmed hat, and is plainly dressed. His hands (gloved) appear to be clasped upon his stomach."--British Museum online catalogue
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4914 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "11" in upper right corner., and Partial watermark.
Publisher:
Pubd. accordg. to act by MDarly, Novr. 2d, 1771, No. 39 Strand
Leaf 60. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man standing in profile to left, his mouth wide open as if declaiming. Lank hair falls on his shoulders. He wears a low broad-brimmed hat, and is plainly dressed. His hands (gloved) appear to be clasped upon his stomach."--British Museum online catalogue
Description:
Title etched below image., Reissue, with additional numbering. For an earlier state, see no. 4914 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 1" in upper left corner and "11" in upper right corner., Second of three plates on leaf 60., and 1 print : etching on laid paper ; plate mark 15.6 x 10.7 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. accordg. to act by MDarly, Novr. 2d, 1771, No. 39 Strand
published according to act of Parliament, [approximately 1736]
Call Number:
736.11.08.01.2+
Image Count:
1
Resource Type:
text
Abstract:
An ass with panniers, driven by Wake, Archbishop of Canterbury who carries a whip in one hand and a book in the other. The ass has the face of Dr. Lynch, Dean of Canterbury, son-in-law of Wake who bestowed manu preferments on the Dean. A poorly fed and clothed clergyman kneels on one knee before the ass and salutes the beast, who turns his face away. In the pannier, which is marked "Sinecure of Bray", lie many labels or packages inscribed with the names of Dr. Llynch's preferments
Alternative Title:
Ass loaded wth church preferments and Ass loaded with church preferments
Description:
Title from item., Publication date inferred from dated impression of this print in the Pierpont Morgan Library., Publication date in British Museum catalogue: ca. 1735., The word 'church' in title is represented by an image of a church building., Bowditch's ms. annotations on the mounting sheet., and Mounted to 34 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Wake, William, 1657-1737 and Lynche, John, 1697 or 1698-1760
"Eight elderly topers with pipes and glasses surround a small oblong table, on which are punch-bowl, wine-glasses, tobacco, &c. All are much caricatured; some sing, a parson sleeps, a dog howls. The room is lit by a chandelier; a bracket-clock points to 3.40, on it is carved a Bacchanalian figure of Time astride a cask. A bust portrait of Anacreon holding pen and paper is on the wall (left)."--British Museum online catalogue
Description:
Title etched below image., One line of quoted text above image: "Whilst, snug in our club-room, we jovially 'twine the myrtle of Wenus with Bacchus's wine.", Numbered in black ink lower right in an unknown hand: 505. Remnants of former blue mounting on verso., and 1 print : etching and aquatint on wove paper, hand-colored ; plate mark 24.5 x 31.4 cm, on sheet 32.9 x 34.9 cm.
Publisher:
Publish'd Decr. 1st, 1801, by H. Humphrey, 27 St. James's Street
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not before 1791]
Call Number:
Drawings H263 no. 4 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
A portrait of the French Protestant Minister, Andre Lortie, shown half-length. He is wearing the clothing of a clergyman and holds open a book. The background includes a curtain and the outline of a landscape view. Unfinished portrait with only the face finished; t he body is only outlined
Description:
Inscription in ink on verso: A facsimile from the most rare original messotinto in the collection of the Honble Horatio Walpole at Strawberry Hill Nov. 3rd 1791 by Mr Harding and J:B?, Inscription in graphite pencil on verso: The head by G.P. Harding., Inscription in graphite pencil on verso: French Protestant Minister in England D. 1700., and George Perfect Harding, English miniature painter, 1779/80-1853.
Wellington in civilian dress stands between two fat bishops wearing mitres pulling each by an ear as they vomit huge streams of gold coins into a large wooden tub that is labeled: Receptacle for the poor curates, repairs of churches, and support of paupers. A spout from the tub funnels coins into a smaller tub from which a man shovels coins into money bags which are labelled: For curates, Repairs of Churches, Support of Paupers. Two thin curates walk away with bags labelled 'Poor curates' as one says, "Thanks to the Powers that has relieved our Wants." From the cherub's horn blow the words: "See the conquering hero comes."
Description:
Title from item., Figure of a sharpshooter is the device of John Phillips., In the subtitle " ... or The tithes in danger" the word 'tithes' has been etched in over the word 'Church' which has been scored through with several etched lines., and Signed by the printmaker using an artist's device: a figure of sharpshooter in the imitation of the 'Paul Pry' signature.
Leaf 3. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
A tall, thin gentleman in a military uniform walks across a mountainous landscape carrying on his back an obese parson with a "Tithes" basket full of chickens and a sucking-pig under his left arm and a scourge with three lashes in his right hand. Behind them and in front of his sheaved harvest stands a farmer dressed in a smock, with a branch in his right hand and his hat in the left. He says, "We Farmers have our Bodys Eat up, for the good of our Souls."
Alternative Title:
Majesty of the people
Description:
Title etched below image., Restrike, with "J. Gillray fecit" added in lower left corner. For original issue of the plate, see no. 6209 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Text following title: The Lord open'd the mouth of the ass, &c., Temporary local subject terms: Balaam -- Parsons -- Scourges -- Military uniforms: Militia, colonel., and On leaf 3 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 10th, 1783, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Topic):
Tithes, Clergy, Farmers, Military officers, British, Clothing & dress, Whips, and Obesity
A tall, thin gentleman in a military uniform walks accross a mountainous landscape carrying on his back an obese parson with a "Tithes" basket full of chickens and a sucking-pig under his left arm and a scourge with three lashes in his right hand. Behind them and in front of his sheaved harvest stands a farmer dressed in a smock, with a branch in his right hand and his hat in the left. He says, "We Farmers have our Bodys Eat up, for the good of our Souls."
Alternative Title:
Majesty of the people
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: The Lord open'd the mouth of the ass, &c., and Mounted to 31 x 45 cm.
Publisher:
Pubd. April 10th, 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Topic):
Tithes, Clergy, Farmers, Military officers, British, Clothing & dress, Whips, and Obesity
