Title from item., Date and place of publication supplied by curator., In margin lower left: 26., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Diseases, Convalescence, Communicable diseases, Horses, Crutches, Dogs, and Sick persons
Title below image., Date and place of publication supplied by curator., From: Louis Basile Carré de Montgeron, La Vérité des Miracles Operés sur la Tombe du Bienheureux de Paris, Cologne, Libraires de la Compagnie, 1745-1747., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Paris, François de, 1690-1727.
Subject (Topic):
Miracles, Religion and medicine, Paralysis, Sick persons, and Crutches
A furious veteran with a wooden leg and bandaged eye and a maid servant attack Sir Cecil Wray with a crutch and a broom, respectively. The maid stands on a piece of paper inscribed,"Tax on servants" and in front of a padlocked door to the "Register Off[ice] for Maid Serv[ants]." On the opposite side of the image, in the background, is the crumbling building of the Chelsea Hospital. A reference to Sir Cecil's proposals to tax the employers of maid servants and to close the Chelsea Hospital that housed disabled veterans
Alternative Title:
Sir Cecil chastised
Description:
Title from item. and Mounted to 28 x 39 cm.
Publisher:
Published April 2nd, 1784, by Willm Wells, No. 132 Fleet Street
Subject (Geographic):
England and Westminster
Subject (Name):
Wray, Cecil, Sir, 1734-1805. and Royal Hospital (Chelsea, London, England).
Subject (Topic):
Great Britain, Politics and government, Political elections, Disabled veterans, Servants, Peg legs, Crutches, Brooms & brushes, and Politicians
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals., and 1 print : etching, hand-colored ; plate mark 313 x 274 mm, on sheet 425 x 296 mm.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"A three quarter length portrait of Dr. Messenger Monsey walking towards the spectator; his right arm rests on the shoulder of a Chelsea pensioner; both men walk with sticks. Monsey wears a hat and wig, the pensioner holds his hat in his right hand. The background is the north front of Chelsea Hospital showing its pediment and eastern portion. This is very freely sketched, as are two pensioners with crutches by the doorway. Beneath the title is etched: 'Epitaph on the late Dr Monsey, supposed to have been written by himself. Here lie my old limbs - my vexation now ends, For I've liv'd much too long for myself & my Friends As to church-yards & grounds which the Parsons call holy, Tis a rank piece of priestcraft, & founded on folly; In short, I despise them; and as for my Soul, Which may mount the last day with my bones from this hole I think that it really hath nothing to fear From the God of mankind, whom I truly revere. What the next world may be, little troubles my pate If not better than this, I beseech thee, Oh! Fate, When the bodies of millions fly up in a riot, To let the old carcase of Monsey lie quiet. Peter Pindar.'"--British Museum online catalogue
Alternative Title:
Peep into the last century and Epitaph on the late Dr. Monsey, supposed to be written by himself
Description:
Title etched above image., Printmaker from British Museum catalogue., Temporary local subject terms: Chelsea Hospital: exterior, north front -- Dr. Messenger Monsey's epitaph -- Chelsea pensioners' uniforms -- Clock on pediment of Chelsea Hospital., and Temporary local Medical Library subject terms: Dissection -- Veteran's hospitals.
Publisher:
Pubd. Jany. 19th, 1789, by H. Humphrey, New Bond St.
Subject (Geographic):
Great Britain.
Subject (Name):
Monsey, Messenger, 1693-1788 and Royal Hospital (Chelsea, London, England),
Subject (Topic):
Hospitals, Clocks & watches, Physicians, Crutches, and Veterans
"George IV, with a swathed and gouty leg, stands in front of the throne, supported by Lady Conyngham and a crutch, his arm round her shoulder. Peel stands partly hidden by a curtain and immediately behind Wellington, his mouthpiece; he speaks into a speaking-trumpet, the stem of which passes from Wellington's ear to his mouth from which the trumpet projects. From this mouthpiece issue the words: I feel happy in being allowed thro any medium, however degrading to communicate my expressions of sincere devotion TO-- The King interrupts him: PLACE--hat will do Arthur, always keep between me and that fellow -- he rings such a peil in our Ears. Lady Conyngham turns to the King, pointing to the trumpet: This is a contrivance of my own -- I hate the sight of him & now your M-y can keep him at a distance. She wears a towering coiffure of loops of hair decorated with flowers. Beside Peel: To join with Christian Jew or Turk In doing any dirty Work."--British Museum online catalogue
Description:
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 174.
Publisher:
Pub. by T. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
"A conventional vine-branch ascends the left side of the design, then turns at right angles; from it hangs a symmetrical cluster of heads or masks of Fox and his supporters with closed eyes; the stalk attaching it to the branch is inscribed 'Ripe Fruit for Old Nick'. The central and largest head is that of Fox. On the left and right and slightly lower are the heads of North and Burke; these three are larger than the remaining heads. Between them and beneath Fox's chin are Keppel (left), and (right) perhaps Jack Lee. The apex of the cluster, between the stalk and Fox, is Lord Derby looking downwards. Flanking him, in profile, are Lord Stormont (left) and Lord John Cavendish (right)-Below Stormont and above North is the Duke of Portland, in profile to the left. Below Cavendish and above Burke is an unidentified profile having some resemblance to Carlisle. The lowest point of the cluster is the mask of Sam House. Between this and the heads of North and Burke on each side are two small profiles: below North (left) that of Hall the apothecary, and between Hall and House the hideous profile of the Westminster Justice (? Kelly), see BMSat 6575, &c.; below Burke (right) that of the Earl of Surrey, and between Surrey and House that of Powys. On the ground at the foot of the vine-branch and beneath the cluster is a pile of objects inscribed 'Trophies'. In the foreground (left) is a pair of crutches inscribed 'Patriotic Props'. In the centre of the base of the pile are (left) a fox's brush inscribed 'Euphorbium' (an allusion to the 'sneezing-bag' thrown at Fox, see BMSat 6426, &c.) and (right) a mask of the faces of Fox and North inscribed 'Coalition' imitated from 'The Mask by Sayers', see BMSat 6234. On the extreme left is a document inscribed 'Œconomy (but the word scored through) 24,000l. Pr Annum'; against it lie a pair of spectacles, emblems of Burke and the meagre results of his Bill of Economical Reform (cf. BMSat 5657). On the extreme right is a pestle (inscribed 'Capricum, Capricum') and mortar and another pair of spectacles, emblems of Hall the apothecary. Beside the pestle is a document inscribed 'Receipt Tax', an unpopular measure of the Coalition (see BMSat 6243, &c.) which was dropped by Pitt; a flag inscribed 'July 27th', a gibe at Keppel's conduct at the Battle of Ushant in 1778 (see BMSat 5992, &c); a paper inscribed 'American War', a gibe at North. In the centre, lying against the fox's brush, is a document inscribed 'India Bill' (see BMSat 6271, &c.) and an open book inscribed 'Platonic Love'. The three remaining trophies, at the summit of the pile, are a weaver's shuttle inscribed 'Weavers', to insinuate that Fox had bribed Spitalfields weavers to vote for him, see BMSat 6575, &c.; a laurel branch, emblem of victory in the Westminster Election; and a butcher's cleaver inscribed 'Westminster Election', emblem of the butchers canvassed by the Duchess of Devonshire"--British Museum online catalogue
Alternative Title:
Political cluster in terrorem
Description:
Title from caption below image: Political cluster in terrorem, Text at top of image: Pro bono publico., and Temporary local subject terms: Bipartite masks: Fox and North -- Coalitions: Allusion to Fox-North Coalition, 1783 -- Apothecary's mortar and pestle -- Cleavers -- Allusion to canvassing butchers -- Taxes: Allusion to Receipt tax -- Allusion to 'sneezing bag' thrown at Fox, 12 February, 1784 -- Allusion to East India Bill, 1783 -- Allusion to Burke's bill on economical reform -- Allusion to American War -- Flags: allusion to the Battle of Ushant, 27 July, 1778 -- Allusion to Spittalfields weavers.
Publisher:
Pubd. as the act directs, by J. Brown, Rathbone Place
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Burke, Edmund, 1729-1797, Keppel, Augustus Keppel, Viscount, 1725-1786, Smith-Stanley, Edward, 1752-1834, Mansfield, David Murray, Earl of, 1727-1796, Cavendish, John, Lord, 1732-1796, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Crutches, Eyeglasses, Gallows, and Political elections
Cartoon shows ministers, among them Vansittart and Castlereagh, vomiting taxes into a large bag labeled "budget." The Prince Regent stands nearby, supported on crutches labeled "more money" and "increase in income", holding rolled documents under his arms labeled with descriptions of some of his extravagant expenses and "On the right is a group of Ministers vomiting taxes. On the left the Regent stands directed to the right, supported on crutches, one inscribed 'More Money', the other 'Increase of Income'. The swathing of his gouty leg is tied above the knee by his 'Garter, inscribed 'Honi . . . Pense'. Under each arm are large rolled documents inscribed 'Expences of Pavillion', 'd° of Thatch'd Cottage', 'D° of Furniture', 'D° of Pall Mall', 'Pulling down Rebuilding &c Pulling down again for New Street!', 'Drinking Expence'. Beside him and on the extreme left is the end of a cloth-covered table on which are balls; one larger than the others is 'Economy', and is labelled: 'This bolus to be taken immediately'. Beside it are four others, all inscribed 'Petition against Property Tax'. The Regent, ill and melancholy, says: "Aye, this comes of your cursed Pill economy which you forced me to take a Month back, no one knows what I have suffered from this Econmical [sic] Spasm; I am afraid we shall all be laid up togather." Six Ministers stand over a low, wide-mouthed sack inscribed 'Budget', the edge of which is held by Vansittart (right), wearing his Chancellor of the Exchequer's gown and a large wig. Facing him, and with his back to the Regent is Castlereagh, his hands on his stomach. These and two others vomit streams inscribed 'Property Tax', 'Economy', 'Standing Armies', 'increase of Salaries', 'Cock Bugs provi[sion]'. The contents of the full sack are similarly inscribed. Another Minister (? Liverpool) stands behind Vansittart, with open mouth and distressed expression."--British Museum online catalogue
Alternative Title:
Sick of the property tax, or, Ministerial influenza, Ministerial influnza, and Ministerial influenza
Description:
Title etched below image. and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by S.W. Fores, March 8, 1816, at No. 50 Piccadilly, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Léopold I, King of the Belgians, 1790-1865., Cockburn, George, Sir, 1772-1853., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
Gout, Crutches, Government officials, Vomiting, Taxes, and Economic policy
Title from verse written below image. "Some write for pleasure, some for spite; But want of Money makes me Write.", Alternate title supplied by curator., From: The Passions Hummoursly Delineated by Timothy Bobbin, Esq., London: Edward Orme, 1810., Design trimmed from page and mounted., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pub June 4 1810 by Edwd. Orme. London
Subject (Topic):
Poverty, Amputees, Crutches, Peg legs, Poor persons, and Beggars
