Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
"Two lovers embrace within a small shed inscribed 'Strong Box' supported on a pole; a tailor with huge shears is about to cut the pole, saying, "I'll upset the basket". The open doors of the shed are 'Modesty' and 'Chastity'. Behind is sketched an equestrian statue with a railing, indicating a London square. On the right is a room, flanked on the left by a high folding screen on which are bills with the titles of chap-books or songs relating to tailors, the uppermost being 'The Brighton Taylor' (see BMSat 6942, &c). In the room five men with horns sprouting from their heads approach a (?) lawyer sitting at a writing-table, who says, "Say & seal, I say said & sealed". One stands on a three-legged stool, two legs of which have been replaced by moneybags, each inscribed '£2,500'. He says: "Joys that none but a married man can know - would that there was a Taylor here to measure them, but it would cost five thousand - " [Other inscriptions have not been transcribed.] An old man with a crutch looks round the screen at the lovers, saying, "D------d good Trade Ill go & get married too."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Adultery -- Cuckolds -- Divorce: crim con damages -- Trades: tailors -- Lawyers -- Barbers -- London square., Watermark: J Whatman 1794., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Divorce, Adultery, Barbers, Couples, Hugging, Lawyers, and Tailors
Print shows George IV, "a conning stoker," of some "Mischief brewing," stirring up the "Flames of Persecution," with "vengeance," saying, "If this trial fail I'l brew no more." Behind him is a vat "Filthy composition" into which flows "a pure stream to expose the secrets" which spills on a couple in an embrace, "How do you like it - non mi Ricordo." Passing an open door is Caroline, "The brewers wife." On the right are three men, one says, "Be just in all your dealings." Another, holding a pitcher labeled "a trial" says, "I can't swallow this, it is all froth." The third says, "I wonder at our commander engaging in such a business."
Alternative Title:
How to cook a wife
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 39 x 58 cm., Mounted on leaf 38 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Sidmouth," "Liverpool," "Caroline," "Wellington," and "Geo. IV" identified in ink below image; date "1 Jan. 1821" written in lower right corner.
Publisher:
Published by Benbow, 269 Strand
Subject (Geographic):
England, London, and Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and George IV, King of Great Britain, 1762-1830.
A caricature of Queen Caroline embracing her lover Bartolomeo Bergami
Description:
Title etched below image., Attributed to William Heath; see Curator's comments, British Museum online catalogue registration no.: 1949,1008.49., Probably a later state, with the text "Le cannon est en bas" added at end of title. For a variant state lacking this text, see Lewis Walpole Library call no.: 820.08.28.01+., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. Aug. 28, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bergami, Bartolomeo Bergami, Baron., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 17 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
"The King is on the throne (right), with five advisers seated at a round table at the base of the dais; all are thrown into confusion by the arrival of a top-booted messenger (left) who rushes into the room, hair on end, yelling, "The Queen's Arrived!!!" The terrified King screams: "The Devil!!!!" His wig stands on end and his crown falls off; a bottle of 'Curacoa' is upset. The Ministers are engaged on 'Plans for Divorce', a paper so inscribed is on the table; all register terror. The Archbishop of Canterbury says "The Lord have mercy on our vicked Souls," the pious Liverpool says "Amen." All are broadly burlesqued, with goggling eyes and large heads in the manner of Woodward's 'Long Heads' or 'Lilliputians' (cf. British Museum satires nos. 10604, 10889). See British Museum Satires No. 13730, &c."--British Museum online catalogue, description from probable copy of this print
Description:
Title etched below image., Attribution to Robert Cruikshank based on expertise of Andrew Edmunds., Sheet trimmed within plate mark., "Plate 2"--Upper left corner., For an Irish copy of nearly identical composition, see no. 13728 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 24.9 x 35.2 cm, on sheet 25.3 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 19 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Londondery [sic]," "Liverpool," "Sidmouth," and "Eldon" identified in black ink at bottom of sheet; identification of "Geo. IV" follows in red ink. Date "June 1820" written in lower right corner. Printmaker name "Robt. Crknk.[?]" added in pencil in lower left. Typed extract of four lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. June 1820 by Benbow, corner of St. Clements Church Yd., Strand
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Manners-Sutton, Charles, 1755-1828
Subject (Topic):
Divorce, Politicians, Bishops, Messengers, Tables, Crowns, Wigs, Bottles, and Fear
Illustration of the interior of the House of Lords during the trial of Queen Caroline, consort of George IV. Seated around a table in the center are the Queen, the Judges, the Bishops, the Lord Chancellor, the Attorney General (Sir R. Gifford), the Solicitor General (Mr. Serj't. Copley), and Mr. Gurney, the short-hand writer; standing in the foreground are Mr. Maule, Solicitor to the Treasury, Theodore Majocchi, first witness against Her Majesty, and the Marquis of Spinette, interpreter. Mr. Brougham, Attorney General to Her Majesty, Mr. Denman, Solicitor General to Her Majesty, and Dr. Lushington sit on the Queen's left. Supporters of the Treasury fill the gallery on one side of the room and supporters of the Opposition fill the gallery opposite. An empty throne occupies the center space in the background
Description:
Title from text above and below image., Aritst and printmaker tentatively identified as H.R. Cruikshanks and Robert Roberts, based on attributions in the British Museum online catalogue for an 1821 engraved portrait of Queen Caroline that was likewise published by H. Rowe. See British Museum online catalogue, registration no.: 1865,0114.247., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression at the Library of Congress., and Laid in: one page on newspaper stock, three columns entitled "From Queen Caroline to His Majesty" and signed at the end of column three: Caroline R. Brandenburgh-House, Aug. 7,1802.
Publisher:
Published Octr. 1st, 1820, by H. Rowe, 2 Amen Corner
Subject (Geographic):
England and London
Subject (Name):
Great Britain. Parliament. House of Lords, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, Gifford, Robert Gifford, Baron, 1779-1826,, Majocchi, Theodore, active 1820,, Denman, Thomas Denman, Baron, 1779-1854,, Brougham and Vaux, Henry Brougham, Baron, 1778-1868,, and Lushington, Stephen, 1782-1873,
Subject (Topic):
Trials, litigation, etc, Judicial proceedings, Adultery, and Divorce
Caption title., In two columns., A mock prayer sheet in support of Queen Caroline. ‘Almighty and everlasting God ... we humbly beseech thee to grant thine especial favour to our lawful, gracious, and well beloved Caroline, Queen of these dominions ... we beseech thee to inspire thy people universally to join in unfeigned prayer and supplication, that thou will protect and preserve our Gracious Queen, in tis her time of trial, against the machinations of all her enemies, both foreign and domestic; against all spies and base insinuators, so that their endeavours be brought to nought ...’, and For further information, consult library staff.
Publisher:
Printed and published by John Fairburn, Broadway, Ludgate-hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"Caricature with Britannia and her lion, with the help of 'A Nation's Love', protecting Queen Caroline from the attacks of her accusers in Parliament."--British Museum online catalogue and Portrays Princess Charlotte defending her mother against attacks by George IV and his ministers
Description:
Title etched below image., With large manuscript lettering "Oh my mother, my mother" in ink above image; impression at the British Museum (registration no.: 1983,0305.31) has the same phrase written in the same place., "Argus" was an early pseudonym of Charles Williams; however, three other prints signed "Argus" from 1820 have been attributed in the British Museum catalogue to William Heath (as have others from this time period with S.W. Fores's address spelled "Picadilli" in imprint). See page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Possible artist's device follows the "Argus" signature in lower right: A cross above a circle divided into quarters., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: Weatherley & Lane 1818., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 70 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Eldon," "Londondery [sic]," "Sidmouth," "Liverpool," and "Geo. IV" identified in ink below image; date "23 Aug. 1820" written in lower right corner.
Publisher:
Pub. Aug. 23, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Britannia (Symbolic character), Lions, Shields, Spears, and Politicians
"Caricature with a boxing match between George IV whose nose is bloodied by the Duke of Clarence [Duke of York?]."--British Museum online catalogue
Alternative Title:
Battle Royal!
Description:
Title etched below image., Date of publication from the British Museum online catalogue, registration no.: 1990,1109.78., Text below image, following title: This battle was lately fought in St. James's, the quarrel origentated [sic] concerning a poor injured Lady, when to the honour of the British Army, her cause was defended by an officer of distinction! Betting, ten to one on Y-k., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 55 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "Ld. Londonderry," "Geo. 4," and "D. York" identified in ink at bottom of sheet; date "1821" written in lower right corner.
Publisher:
J.L. Marks, 37 Princes Street, Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Adultery, Divorce, Mistresses, Fighting, Blood, and Bottles
"A large quasi-cylindrical Green Bag, see British Museum Satires No. 13735, stands at an angle with the ground like a mortar (and suggesting the Regent's Bomb, see British Museum Satires No. 12799), aimed at the Queen (left), who stands with right arm raised, left hand on breast, demonstrating innocence. Castlereagh touches it with a firebrand inscribed Lies, as if putting a match to a touch-hole; flames and papers shoot from the bag, but strike against the large shield, inscribed "Truth" and "Inocence," held by a woman in classical draperies, who is air-borne above the Queen, and raises the flaming sword Justice. She says fiercely: "Back to your Native Hell." She and the Queen are irradiated by a sun in the upper left corner. The flames are inscribed "Adultry" and "Charges"; the papers are "Evidence of the Baron Ompteda Lies &c" [see British Museum Satires No. 13745]; "Adultry with a servant" [Bergami]; "Charges." The blasts of flame strike on the shield and ricochet back against Castlereagh and his supporters, and downwards upon writhing serpents and a skull which have come out of the bag. These boomerang-flames are "Charges Repeld" and "Charges"; they terminate in great clouds of "Smoke." Behind Castlereagh (the only one who stands his ground, though alarmed) are Sidmouth holding his nose, (?) Sir John Leach (see British Museum Satires No. 13740), and two others, poorly characterized; these four are escaping to the right."--British Museum catalogue and A satire on Viscount Castlereagh as a leader in the prosecution of Queen Caroline
Alternative Title:
Green bag open'd and Green bag opened
Description:
Title etched below image., "Argus" was formerly a pseudonym of Charles Williams, but in this case an attribution to William Heath is instead suggested; see page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Watermark: J. Whatman 1819., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 43 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Caroline" and "Londondery [sic]" are identified in black ink in lower margin; date "10 July 1820" written in lower right corner. Typed extract of twelve lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Publd. July 10th, 1820, by Richd. Fores, 71 Leadenhall Street, Aldgate
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, and Leach, John, 1760-1834
Queen Caroline walks down a plank balanced between a jolly boat and the shore; she is assisted by her son-in-law Prince Leopald, dressed in black. A cheering crowd stands on the beach, waving their hats in the air, behind an officer who tips his hat at the Queen. Sailors push the boat onto the shingle while a ship called "Prince Leopold" (in reference to her son-in-law) is anchored in the distance
Description:
Title etched below image., Related to George Cruikshank vignette entitled "Queen Caroline landing at Dover" on the title page for: Nightingale, Joseph. Memoirs of Queen Caroline. London: J. Robins & Co. Albion Press, 1820., and Framed to 34 x 44 cm.
Publisher:
W.B. Walker
Subject (Geographic):
Great Britain. and Belgium.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,, and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Divorce, Arrivals & departures, British, Sailors, Ships, Queens, and Kings
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., 1 print : etching with stipple ; sheet 23.9 x 34.3 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed within plate mark resulting in loss of "Turn over-" text from lower right margin., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 76 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Brougham," "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image. Typed extract of eight lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"A stuffed figure of George IV, heavy, inert, and puppet-like, wearing royal robes and with massive antlers on his forehead, is supported by his three chief Ministers. Under his legs are two prostrate men; his left foot is planted on the face of one who wears the remains of a tattered shoe. Sidmouth takes his right leg and holds it out towards the Queen, who escapes to the left. She is protected by John Bull, a stout countryman, who smashes the King's extended leg with a cudgel of 'oak', breaking off the foot. John, with clenched fist, says: "Dom thee, what Kick a defenceless Woman 'the Cowardly Rascal!" Castlereagh and Liverpool (right) support the King's shoulders. Behind (right) is a copy of British Museum Satires No. 13765: the King sleeps in a cradle (as in British Museum Satire No. 13764, &c.) rocked by Lady Conyngham, who sings: "hush my babe lie still & slumber 'tis Eliza guards thy Bed." The cradle is decorated with a pagoda, the Royal Arms, and a nude obese squatting Chinese, symbolizing the King. The Queen, looking behind her vengefully, escapes towards a Chinese doorway. Chinese paintings decorate the wall."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Text below title: *Vide Mr. Marsh's incomparable speech (at Reading) both for wit & point., Occasioned by a speech at Reading by Henry Marsh, a Berkshire magistrate. See: The Times, 11 December 1820., Publisher's announcement in lower right: Pub. by Fores 41 Piccadilli [sic] with a caricature print at top price 1s./-., Watermark: G. Pike 1820., Window mounted to 25.1 x 34.5 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 36 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Sidmouth," "Geo. IV [stuffed figure]," "Londondery [sic]," "Liverpool," "Lady Conyngham," and "Geo. IV [as infant]" identified in ink below image; date "26 Dec. 1820" written in lower right corner.
Publisher:
Pub. Dec. 26, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, John Bull (Symbolic character), Adultery, Mistresses, Robes, Antlers, Infants, Cradles, Coats of arms, and Doors & doorways
"Satire: the Green Bag is opened and a clutch of devils emerge as the Cabinet flees in horror."--British Museum online catalogue
Alternative Title:
Feinds of Hell let loose
Description:
Title etched below image., Attributed to Robert Cruikshank in the British Museum online catalogue, registration no.: 1985,0119.98., On the charges brought against Queen Caroline., Not in the Catalogue of prints and drawings in the British Museum., Printed on watermarked paper., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 43 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon," "Londondery [sic]," and "Sidmouth" identified in ink at bottom of sheet; date "8 July 1820" written in lower right corner.
Publisher:
Pub. 8 July 1820 by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Eldon, John Scott, Earl of, 1751-1838
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
"The Regent at the head of a table (left) on which are decanters and dessert, holds a consultation with five advisers. He sits on a dais, with his right leg thrown over an arm of his chair; the right arm over the back, spilling a glass of wine. He says jocosely: "Well my boys, I think now we shall succeed D--d fine evidence from the states of Barbary (if that cursed Hedgehog dont get hold of it; the very man that says he acted as Accoucheur I have got over every thing as clear as the Sun at noon day, I knew what fellows those Turks were, only once get her over there & the thing was accomplished,--now for a divorce as soon as possible, I have a tit bit in my eye, & if I dont yet get a son, say that I am not a chip of the old Block!!" At his right sits Castlereagh, with the Prince's feathers and motto on the back of his chair. He turns his head in profile, saying, "I'm an unmatched negociator [see British Museum Satires No. 12501] and I'll enter into a treaty with the House of commons to secure your suit." In his pocket is a paper: 'Negociat . . with the'. Lord Eldon faces Castlereagh; he wears his Chancellor's wig and gown; the Purse of the Great Seal hangs on the wall behind him. He says: "I'll stick to your highness through thick and thin or never call me Old Bags again as long as I live!!" At the foot of the table sits Ellenborough, in wig and gown, towards whom the other two members of the Cabinet turn in alarm. Liverpool (a poor portrait) sitting opposite Vansittart, says: "I have my doubts and qualms of conscience your highness what say you, Van?" Vansittart, in his Chancellor of the Exchequer's gown: "Oh my Lord I have some strange touches of feeling on the subject!" He sits on a sack inscribed 'Budget'; from a rent in it projects a paper: 'to . . . 6.000000'. Ellenborough shakes his fist at Vansittart, rising from his chair which overturns: "Dont put me in a passion with your qualms and your touches, they are all "false, false as Hell" I'll blow you all to the D--l if you dont stick to your Master manfully!!" On the floor beside him lie three large volumes, 'Law of Divorce [Vol. I]. Vol III, Vol II.' Behind the Regent hangs a portrait with the feet only showing: '[Hen]ry VIII'. Beside him are a full wine-cooler, with empty bottles lying by it, and an open book: 'The Secret Memoirs of a Prince By Humphry Hedgehog Esqr 1810' [or 1816]."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Reissue, with date removed from imprint statement, of a print originally published 1 October 1816 as a plate to: The Scourge and satyrist, or, Literary, theatrical and miscellaneous magazine. For the earlier state, see No. 12808 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Sheet trimmed within plate mark., 1 print : etching ; plate mark 24.6 x 35 cm, on sheet 25 x 35.5 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 21 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Eldon," "Castlereagh," "Liverpool," "Vansittart," and "Ellenborough" identified in black ink above title; date "June 1820" written in lower right corner.
Publisher:
Pubd. by Johnston, 98 Cheapside
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Henry VIII, King of England, 1491-1547., Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Vansittart, Nicholas, 1766-1851, Ellenborough, Edward Law, Baron, 1750-1818, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Politicians, Divorce, Tables, Chairs, Podiums, Wine, Bottles, and Books
Queen Caroline is seated in a carriage pulled by two white horses lead by a young page towards the right; she holds a walking-stick in her hand, sceptor-like over her shoulder and wears a fashionable hat and a small smile on her face as she looks out at the viewer. She is accompanied by two men in armor and wearing plummed helmets. The one on the far-side of the carriage holds a sign "The people and the Queens Guards". Another sign in the background on the right reads "It is better to put your trust in the Lord than confidence in princes." A crown is shown on the far right
Description:
Title etched below image. and Framed to 23 x 28 cm.
Publisher:
Publish'd by W.B. Walker, 4 Fox & Knot Court, Cow Lane, London
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821,
Print showing George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for the Bill of Pains and Penalties and his divorce from Caroline; he smashes a bottle of wine over the head of Frederick and prepares to throw another bottle at William. A woman, possibly Lady Conyngham, offers words of encouragement from behind a drape, while a man leaning through a window says, "Hollo Georgy, mind what y'our after if you offend Fred: he has got a Red Rod in Pickle for you."
Alternative Title:
Family quarrels
Description:
Title etched below image., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 48 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Duke of York," "Prince Leopold," "George IV," and "Lady Conyngham" are identified in pencil at bottom of sheet.
Publisher:
Pubd. July 23, 1820, by King, Chancery Lane
Subject (Geographic):
England and London
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., and William IV, King of Great Britain, 1765-1837.
Subject (Topic):
Family, Families, Divorce, Adultery, Anger, Brothers, Mistresses, Throwing, Bottles, Draperies, Pineapples, Military uniforms, and British
Print shows King George IV fallen to the floor, he clutches his stomach, near him are a "Plan for Divorce," a decanter and cup, cards and dice. In the background sits his estranged wife Caroline about to be crowned by Justice while surrounded by her loyal supporters
Alternative Title:
Grand Lama sick of the horn cholic
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 39 x 58 cm., Mounted on leaf 27 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," "Londondery [sic]," and "Eldon" identified in ink below image; date "1 Dec. 1820" written in lower right corner.
Publisher:
Published Decr. 1st, 1820, by W. Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Divorce, Sick persons, Medical equipment & supplies, Gambling, Bottles, Crowns, Justice, and Scales
"The three witches of Macbeth, hooded and cloaked, each holding a broom, are Liverpool (left), Sidmouth and Castlereagh (right). They surround a huge cauldron inscribed 'Cast--gh & C° Brass Manufacturers Fecit.', each adding something to the flames which tower up from it, surrounded by heavy smoke. A winged Devil at the apex of the design empties into the cauldron the contents of an 'Infernal Green Bag'; from it fall a dagger, a leech, tiny figures, manacles, a razor, an antlered animal's head, many legal papers docketed 'Lies'. Others are contributed by the witches; papers inscribed: 'Divorce', 'Reports', 'Leach', and 'Cooke'. There are also flames under the pot, which, are tended by two naked demons, one with the head of Canning who uses bellows inscribed 'Mother Hunn' [see British Museum Satires No. 13617]; the other with the head of Wellington, who uses a red-hot 'Waterloo Poker'. The Canning-demon sits on the back of a naked female demon (? his mother) who is blowing the flames. On the extreme left and right, each attended by a 'Blue Devil' (cf. British Museum Satires No. 14598), stand George IV and the Duke of York. The King, his arms raised, exclaims: "Tell me ye d--n'd infernal Hags of Night, shall Fr--k reign?" [i.e. shall he get a divorce, remarry, and block his brother's succession, see No. 13789]. He stretches across the crown and sceptre which are on the ground. His Blue Devil, touching the George which is suspended from his neck, and his gartered leg ('Honi So[it]'), says: "All hail Macbeth! thou'rt now the cause of Laughter." The Duke of York, in uniform and holding a naked sword inscribed 'the Army', says: "I'll do!--I'll do!--I'll do!--" His attendant Blue Devil: "All hail Macduff!! that shall be K--g hereafter--." The witches chant their parodies. Liverpool: "In the Cauldron first we'll mingle, What shall make great Macbeth single; Oath of an Italian Slave-- Earth of Snuffy [Queen Charlotte] from the grave-- Blood of Radicals--and last In let the Divorce be cast, Hubble, bubble,Toil and trouble, Fire blase and Cauldron bubble!!--" Castlereagh: "Put in C--ke of Lincolns Inn, All that's evil, all that's sin, L--ch's honor--and Britain's shame, Put them in, and fan the flame, Now the broth is good and strong, Macbeth shall again be young." Sidmouth: "Cats, that draw the Soldiers blood, Chains, that bind the brave and good, Tongue of slander, Eye of hate, Mix--and now our charm's complete." He holds a scourge, the attribute of Castlereagh, cf. British Museum Satires No. 14135."--British Museum online catalogue
Alternative Title:
Shakespeare travestie and Shakespeare travesty
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 54 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "George IV," "Liverpool," "Sidmouth," "Londonderry," "Wellington," and "Duke of York" identified in pencil at bottom of sheet; name of "Canning" added in pencil on mounting sheet, beneath his depiction in the print. Date "Aug. 1820" written in ink in lower right. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published August 1820 by John Fairburn, Broadway, Ludgate Hill
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Wellington, Arthur Wellesley, Duke of, 1769-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Leach, John, 1760-1834., and Shakespeare, William, 1564-1616.
Subject (Topic):
Politicians, Witches, Cauldrons, Capes (Clothing), Brooms & brushes, Fire, Bags, Devil, Daggers & swords, Worms, Demons, Whips, Divorce, Crowns, Scepters, Military uniforms, and British
"The Dey of Tunis, a fat Turk, sits cross-legged on one mattress (left), the Princess of Wales, in Turkish costume, on another; her huge breasts are immodestly bare. He smokes a long pipe, and puffs smoke sideways towards his visitor with an inscrutable expression; beside him are coffee-pot and cup. She smokes a hookah; a bottle of 'Coniac' and a glass are beside her. A Tunisian with a long beard and baggy breeches stands between them, staring and bowing towards the Princess; he says: "His Highness Trusts the endeavours of his household for your Gratification is successful and that happiness in the Halb of the Faithfull attends you." She answers: "their Assiduities are unceasing I am as Happy as the Dey [altered to] Day is Long!!!" Behind her couch stands Bergami, in hussar costume with three orders; he scowls with clenched fists, saying: "this is an unfortunate Dey for me Othellos occupation's gone.""--British Museum online catalogue
Alternative Title:
Royal visit to the Dey of Tunis or the Great Plenipo
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Satire on George IV and Queen Caroline., Printed on watermarked paper., Window mounted to 24.3 x 34.3 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 47 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline" and "Bergami" identified below image in different hands, the former in ink and the latter in pencil; date "20 July 1820" written in ink in lower right. Typed extract of one line from the British Museum catalogue description is pasted at bottom of mounting sheet.
Publisher:
Pub. July 20, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, George IV, King of Great Britain, 1762-1830., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Ethnic stereotypes, Smoking, Pipes (Smoking), Water pipes (Smoking), Seating furniture, Alcoholic beverages, and Military uniforms
"The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed 'Vox Populi', steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: "That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! ['Taming of the Shrew', V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies." The Ministers are Canning (?), Castlereagh, and Sidmouth. The King's chair is overturned. See British Museum Satires No. 13769, &c."--British Museum online catalogue., Title from etched below image., Attributed to William Heath in the British Museum catalogue., and Watermark: J. Whatman 1818.
Publisher:
Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
"The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed 'Vox Populi', steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: "That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! ['Taming of the Shrew', V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies." The Ministers are Canning (?), Castlereagh, and Sidmouth. The King's chair is overturned. See British Museum Satires No. 13769, &c."--British Museum online catalogue., Title from etched below image., Attributed to William Heath in the British Museum catalogue., 1 print : etching ; plate mark 24.6 x 34.2 cm, on sheet 25 x 34.7 cm., Printed on laid paper with watermark "J. Whatman 1818"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 45 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Caroline," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in black ink below image; date "13 July 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Sidmouth, Henry Addington, Viscount, 1757-1844
"The Queen (left) and King sit side by side on a double throne, almost back to back, while turning their eyes warily towards each other. They wear royal robes, the King is caricatured; at his knee is a rosette in the centre of which a bottle is depicted; he holds orb and sceptre. She is comely but stout, her dress unduly defining her figure. The Archbishop, gross and bloated, stands behind the throne, sourly placing a large crown on the King's head. The Queen, who holds a fan, says: Oh! the Brute, but I'll teaze him. He says: What a D--n'd thing I cannot shake her off, she is as artfull as the Devil,--curse Matrimony."--British Museum online catalogue
Alternative Title:
Not to be!
Description:
Title etched below image., Date of publication from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Mounted to 58 x 39 cm., Mounted on leaf 89 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Queen Caroline" and "George IV" identified in pencil at bottom of sheet; date "June 1821" written in ink in lower right corner.
Publisher:
Pubd. by J. Johnston, 98 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and George IV, King of Great Britain, 1762-1830.
"A leech with the head and barrister's wig of Leach is coiled round an upright cylindrical document to which is tied with red tape a second bill; these are respectively 'Bill of Pains . . .' [see British Museum Satires No. 13825] and 'Divorce'. Propped against the former are two green bags (see British Museum Satires No. 13735), both closed with a large red seal on which is a 'G.R.' monogram. These are inscribed 'Fill'd with Filth and Lies!!!' and 'Lies . . . [L]ies'. With them are other large documents: 'List of Witness[es] against Q . . . N'; 'Expen[ces] & Bribes at Milan'; 'Protoc[ol]' (cf. British Museum Satires No. 13764). The small shambling Wilberforce is being pushed towards the leech by Castlereagh (left), who is a pendant to the more stalwart and bulky Duke of York (right). The Duke wears uniform, holds his unsheathed sword, and has a pyramid of cannon-balls crooked in his left arm. A paper, 'Bp Osnabu[rgh]', is thrust through his sash. He says fiercely: "Rascals! Villains!! Traitors!!! I have set the Claret running in One Place, and if any of you attempt, to deprive me of My succession, I will make your Bodies, a thoroughfare for York dumplings!! alias Artillery Bolouses." Castlereagh, with a scourge hanging from his pocket, says to Wilberforce: "O dear! O dear! That Bishop quite alarms me, now my dear Christian Friend, pray do persuade that great Horse Leech to muster up all his Italian Witnesses [see British Museum Satires No. 13762, &c.] immediately or that Military Bishop [cf. British Museum Satires No. 11227] will send us to Kingdom come along with out Master." Wilberforce holds a book: 'New Litany &c'; a Pet[ition] To Q--N' is under his arm; a paper, 'Slave Tra[de]' (cf. British Museum Satires No. 8793) hangs from his pocket. He says: "Pray Sr--Horse Leech, endeavour to stop the Q--'s mouth by bringing the whole host of Witnesses, before the L--ds, so as to Crush Her at once, otherwise that Terrable Bishop, will send us into Abrahams bosom, sooner, than We wish.""--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Mounted to 58 x 39 cm., Mounted on leaf 69 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "D. York," "Sir John Leach," "Wilberforce," and "Londondery [sic]" identified in ink at bottom of image; date "16 Aug. 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J. Carlile, 55 Fleet Stt
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Leach, John, 1760-1834, Wilberforce, William, 1759-1833, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Worms, Parasites, Wigs, Bags, Documents, Divorce, Military uniforms, British, Daggers & swords, and Cannon balls
"Caricature on George IV, seated on his throne, to whom John Bull presents the Queen's letter."--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pubd. 29 Augt. 1820 by one of the Society for Exposing of Vice
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Divorce, John Bull (Symbolic character), and Thrones
"Caricature on George IV, seated on his throne, to whom John Bull presents the Queen's letter."--British Museum online catalogue
Description:
Title from text below image., Printmaker's name in statement of responsibility in the form of a monogrammatic device formed by the letters "SV" followed by a depiction of an owl and the letters "es"., Not in the Catalogue of prints and drawings in the British Museum., 1 print : lithograph ; sheet 23.4 x 33 cm., Printed on wove paper; hand-colored., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 76 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "29 Aug. 1820" written in ink in lower right corner of sheet.
Publisher:
Pubd. 29 Augt. 1820 by one of the Society for Exposing of Vice
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Subject (Topic):
Divorce, John Bull (Symbolic character), and Thrones
