A view with an active volcano in the center in the distance, steam rising from the top. On the right on a hilltop is a walled monastery. In the foreground, one woman rides on a horse side saddle while another woman walks ahead; the two are followed by a dog. The areas of the drawing are numbered as follows: 1. The hillside, 2. The wall surrounding the monestary, 3. The river surrounding the hillside, 4. The active volcano in the center of the image, 5. A range of hills on the left in the far distance, and 6. the hills mid-iew, beneath the active volcano. In the upper left corner, the image is numbered "XI".
Description:
Title devised by cataloger.
Subject (Geographic):
Italy
Subject (Topic):
Dogs, Horses, Monasteries, Volcanoes, Volcanic eruptions, and Women
Title supplied by curator., 20th century restrike, original block on 16th century paper., Attributed to Calcar., Title page from: Andreas Vesalius, De Humani Corporis Fabrica, Basel: Oporinus, 1543., From the Workshop of Titian., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and See: Cushing, Harvey. A Bio-Bibliography of Andreas Vesalius, New York: Schuman's, 1943. VI-A-1.
Publisher:
publisher not identified
Subject (Name):
Vesalius, Andreas, 1514-1564,
Subject (Topic):
Human anatomy, Human dissection, Medical education, Physicians, Dead persons, Audiences, Skeletons, Monkeys, and Dogs
Two men gently lay an unconscious woman down on a soft mound of turf in the forest while a third man and two dogs observe the effort. The three men are armed with quivers of arrows and swords
Alternative Title:
Three men rescuing an injured woman and Supposed death of Imogen
Description:
Title devised by curator., Attributed to Bunbury., Date from local catalog card., and For further information, consult library staff.
Subject (Name):
Shakespeare, William, 1564-1616.
Subject (Topic):
Wounds & injuries, Loss of consciousness, Dogs, and Rescues
In a winter landscape, a man smoking a pipe carries an axe under one arm as he walks down a path in a field, a dog walking beside him; in his belt is a large knife, and in the distance on the left is a thatched cottage beyond a fence and stone wall
Description:
Title from published state. See: British Museum online catalogue, registration no.: 1941,1011.3. and Artist, printmaker, and publication information from statement of responsibility and imprint on published state: Barker pinxt. ; F. Bartolozzi R.A. sculpt. London, Published June 1, 1792, by Thos. Macklin, Poets Gallery, Fleet Street.
"Young woman holding music score and singing with her young brother on left, two other women playing lute and singing on right, dog asleep in the foreground, landscape seen through arch in the background, within roundel; after Henry Bunbury."--British Museum online catalogue
Alternative Title:
Young musicians
Description:
Title from later state., Artist and printmaker from statements of responsibility on later state: H. Bunbury Esqr. delint. ; engraved by F. Bartolozzi., "Proof with publication details only"--British Museum online catalogue., For a later state with title, statements of responsibility, verses, and dedication added below image, see British Museum online catalogue, registration no.: 1917,1208.949., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge. Imprint supplied from impression in the British Museum, registration no.: 1874,0711.776., and Mounted on page 41 of: Bunbury album.
Publisher:
Publish'd July 1st, 1782, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756)., and On page 158 in volume 2. Sheet trimmed to: 51.6 x 40 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756)., 1 print : woodcut ; sheet 458 x 383 mm., and Printed on wove paper. Perhaps an impression published by Boydell after Mrs. Hogarth's death in 1789; see British Museum online catalogue, registration no.: Cc,2.171.
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Tom Nero's body is laid out on a round table in a dissecting theatre. In niches on either side are two skeletons labeled "Gentn: Harry" and "Macleane" after two recently hanged criminals. Three doctors work on dissecting Tom's body as a dogs feeds on his entrails. The room is filled with doctors reading and discussing, the whole presided over by the chief surgeon in a large chair emblazoned with the arms of the Royal College of Physicians
Description:
Title and printmaker from British Museum catalogue., State, publisher, and series title from Paulson., Final plate in a series of four: The four stages of cruelty., and Temporary local Medical Library subject terms: Dissection -- Anatomical Theatres -- Prevention of Cruelty to Animals -- Company of Surgeons -- Surgeon's Hall -- Freke, John (1688-1756).
Publisher:
Wm. Hogarth
Subject (Topic):
Anatomy, Criminals, Dogs, Dissections, Medical education, Rake's progress, Physicians, and Skeletons
Charles Churchill in the form of a huge bear (right, as in Hogarth's print The Bruiser) and wearing clerical neckbands, looks down, mouth agap, at a little dog (left) who snarls back. The dog personifies Hogarth as in his own print "Trump"; his paws rest on a artist's palette inscribed "Line of beauty". The bear's paw rests on a sheet inscribed "Epistle to Wm. Hogarth," the poem which Churchill published in response to Hogarth's sketch of Wilkes described as "John Wilkes, Esqr."
Alternative Title:
Satire on Hogarth and the Rev. C. Churchill
Description:
Title from later state, engraved for the engd. for the Hiberia magazine. and Alternative title from British Museum catalogue: Satire on Hogarth and the Rev. C. Churchill.
An enraged man with clenched fists, the presumed speaker of the diatribe inscribed below image, is flanked by family members. On his right his wife attempts to calm him ("Brother patriot you'll choak yourself with passion") while his diminutive son tugs at his clothes pleading "Daddy I wish you'd let the Patriots alone & give my Mammy some money to buy a Calfs Head for Dinner for I'm sure the Patriots wont," while another son holds on to the woman saying "Mother shant I be a Patriot when I'm a man". A bootblack seated to the left of the group says "Have 'em blackd your Honor. Twig the patriot your Honor". Two dogs are present as well, one barking wears a collar inscribed Patriot, while the other urinates on the man's shoe. Quotes appear in balloons
Alternative Title:
I am a patriot d- me Sir and I am a patriot damn me Sir
Description:
Title supplied by cataloger; printmaker surmised by repository., Trimmed into image with loss of imprint and portion of inscription torn., Publisher statement from impression in the Library of Congress., Inscription beneath image: I am a Patriot d- me Sir and I will be a Patriot & what of that & pray G- D- me Sir what do you mean by asking my Reasons did you ever know a Patriot that could give a Reason - only D- me I hate every thing thats done by any body that could or would do good to their Country and so d- me Sir that's what we call Patriotism., Date of "1778" written in contemporary hand between image and inscription., and Mounted to 20 x 26 cm.
Publisher:
Pub. accordg. to Act of Parlt. Octr. 21 1776 by J. Lockington Shug Lane ...
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.3 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
In pencil lower margin: William Sharp; The Hypochondriac., Date derived from artist's date of death., Place of publication derived from printmaker's place of residence., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hypochondria; Drugs.
Publisher:
publisher not identified
Subject (Topic):
Illness anxiety disorder, Medical consultation, Physicians, Medicines, Sick persons, Dogs, Blankets, and Anxiety
"A copy by Rowlandson after the 1774 Bunbury print, 'The hopes of the family - an admission at the university', a satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two further volumes, and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and a woman, a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."--British Museum online catalogue
Description:
Title supplied by cataloger, based on that of the earlier print from which this design was copied., Printmaker and date of publication from British Museum online catalogue, registration no.: 2006,U.1348., A reduced copy of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Similar to and perhaps related to a series of small copies by Rowlandson of earlier Bunbury satires, published in 1803 by R. Ackermann. See Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. ii, p. 42-43., On same sheet: Miseries of London., and Mounted to 56 x 37 cm.
Publisher:
publisher not identified
Subject (Topic):
Dogs, Families, Social mobility, Students, Teachers, Teaching, and Portraits
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens
Romanet, Antoine Louis, 1742-approximately 1810, printmaker
Published / Created:
[not after 1810]
Call Number:
Print00936
Image Count:
1
Resource Type:
still image
Description:
Title derived from painting by Gerard ter Borch of ca. 1663., Date derived from printmaker's date of death., Place of publication derived from language of text., Trimmed within platemark., In margin upper right: 61., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Name):
Choiseul, Etienne-François, duc de, 1719-1785.
Subject (Topic):
Lovesickness, Flirting, Drugs, Couples, Dogs, Monkeys, and Beverages
"A runaway horse dashes over a bank towards the sea. The driver, a stout 'cit', falls backwards, broken reins in his hands. A young woman flings herself out. Death sits beside the road on a mile-stone, '56 Miles from London', holding up his hour-glass at the pair. (In the text the accident is on Shooters Hill.)"--British Museum catalogue
Alternative Title:
Away they go in chaise & one, or to undo or be undone
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: Away they go in chaise & one, or to undo or be undone., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 158., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Octr. 1 - 1815, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Accidents, Skeletons, Carriages & coaches, Horses, Dogs, Traffic signs & signals, and Hourglasses
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds
Title supplied by curator., Date derived from printmaker's date of death., Place of publication from item., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Imp. Lemercier à Paris
Subject (Name):
Jesus Christ
Subject (Topic):
Flight into Egypt, Pregnant women, Mothers, Children, City & town life, Donkeys, and Dogs
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges
Description:
Title based on published original., Date based on Dent's years of activity., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 152, Ms. note in pencil in Steevens's hand above print: Specimen of Trusler's book., and On page 103 in volume 2.
Publisher:
publisher not identified
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
